Julia Winterflood
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHO: James Reyne WHEN: Sat Feb 25 WHERE: National Botanic Gardens
Highly respected Australian singer-songwriter James Reyne will perform as the headline act for Optus Flix in the Stix Tour. The former Australian Crawl frontman will be accompanied by bush poets Murray Hartin and Peter Mace forming a fantastic line-up of entertainment for the regional tour. Reyne, along with Australian Crawl, is renowned for a host of songs such as Reckless, Boys Light Up and Downhearted. Heralded as one of Australia’s funniest bush poets, Murray Hartin was selected as part of the line-up because of his unique Australian storytelling. Flix in the Stix audiences will also get a taste of some of the best short films from Australia and around the world. Tickets are available from www.flixinthestix.com.au, from Moshtix, or over the counter at Landspeed Records in Garema Place.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHAT: Special Valentines Burlesque Bazaar WHEN: Sun February 5 from 11am to 4pm WHERE: Canberra Irish Club
All things burlesque can be found at the Burlesque Bazaar, from retro, vintage, pin up, recycled and alternative costumes and accessories, burlesque pasties and tassels, hair fascinators, jewellery, cupcakes, corsets, lashes, lingerie, shoes and much more.
There’ll be raffles and performances every hour, as well as a pin up photo booth with make up and hair artists available for that special moment. Entry is $5 and customers will receive a $5 Kitka discount voucher they can use if they purchase items worth $20 or more in a single transaction. The first 50 people through the door will also receive a free show bag with samples, local business information and more surprises. For more information email burlesquebazaar@hotmail.com .
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHO: European filmmakers WHEN: Sat Feb 10 – Fri Feb 16 WHERE: Dendy Canberra Centre
An illuminating and thought-provoking program of award-winning European films will delight audiences when the Windows on Europe Film Festival returns to Dendy Cinemas Canberra from February 10 to 16. Returning for its seventh season, the Windows on Europe Film Festival will showcase films and talent from 14 countries. This year audiences will have the opportunity to explore cinema from Finland, France, Germany, Hungary, Greece, Ireland, Netherlands, Poland, Portugal, UK, Slovakia, Slovenia, Spain and Sweden. The versatility of European cinema is reflected in the many genres represented including comedy, drama, thriller, romance and documentary. For a full list of films and synopsis, visit www.dendy.com.au .
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHO: Masahiro Asaka WHEN: Now until March 15 WHERE: Canberra Glassworks
Recent Thomas Foundation Artist in Residence at Canberra Glassworks and winner of the 2011 Ranamok Prize, Masahiro Asaka is exhibiting his new series of works that includes the winning piece from Ranamok, Surge 12. Masahiro is inspired by nature and the tensions people create with the natural environment. He uses the raw qualities of glass to express fragility, strength, illumination and power as a metaphor for man's relationship with the natural world. His striking work highlights the transparency and the beauty of glass and exposes the notions of energy and gravity which are the fundamental elements for glass to be formed and the effects of which are so essential to his art.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHAT: Kicking off in 2012 WHEN: Sat Feb 4 WHERE: Old Bus Depot Building
The first Fash ‘n’ Treasure market for 2012 is kicking off on Saturday with a great range of vintage, recycled and designer fashion stalls. The market is held at the Old Bus Depot Building on Wentworth Avenue, Kingston on the first Saturday of each month from 10am to 3pm. As well as fashion there are a number of stalls selling records, magazines, comics and books. International food stalls, great coffee and live music make this a great way to spend a day with friends or just take the time to browse and find a treasure or two. Bypass the malls and the derivativeness of retail shopping and discover the joy of pre-loved and vintage fashion, accessories and collectables. www.fashntreasure.com.au .
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHO: Lisa Twomey WHEN: Opening 6pm Fri Feb 3 and continuing ‘til Sun Feb 12 WHERE: Canberra Contemporary Art Space, Manuka
Solstice Eyes is a work of art that crosses the boundaries between fashion, painting, installation and performance. The gallery space will be transformed into a solstice night’s dream where ritual meets rock royalty and reality is bent, gilded, and made into fantasy. Twomey’s portraits have a feeling of the historical and are filled with symbolism, but unlike traditional portraiture they present the sitters as complex and beautifully flawed. Fruit, flowers and moths are upheld like icons of fecundity against a background of gold. Twomey’s elaborately decorative clothing climbs across the walls of the gallery, saunters in the corners, and floats through the air. On opening night the dream will become reality with a performance where the characters of Twomey’s art will burst to life, exaggerated and wild. Entering Lisa Twomey’s world audiences will be dazzled, dazed, and depart with solstice eyes.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
Bankura is a city and a municipality in Bankura District in the state of West Bengal, India. It is the headquarters of the Bankura District. In the 2011 census it had a population of 138,036 out of which 70,734 were males and 67,302 were females.
Wait – wait –wait. I’ve got this all mixed up.
Bunraku is the name commonly used for ningyo-joruri, literally puppets and storytelling. It is also a film set in a dystopian metropolis under a tyrannical regime, two vengeful strangers (Josh Hartnett, Gackt…yes GACKT!) who join forces with a volatile bartender (Woody Harrelson) in a plot to overthrow an evil dictator (Ron Perlman). In a battle for supremacy over the city, only one side can be victorious. In the style of Sin City and from the makers of Watchmen, Minority Report and Fight Club, this visually stunning flick features a stellar cast and non-stop action sequences. Thanks to Icon, we have five DVD copies to giveaway if you can tell us which animal Ron Perlman most resembles.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
As Winston Churchill said, “Never was so much owed by so many to so few.” To commemorate the 70th anniversary of the Battle of Britain, a defining moment of World War II, the much-loved British actor Sir David Jason presents this documentary account of that pivotal moment in the Second World War. In this uplifting programme, he recounts the astonishing story of the small band of heroic pilots who fought and won what was arguably the most crucial battle of the whole war. David Jason is on a journey in the landscape over which the battle was fought. He goes to find the people and places that made that victory possible. He will meet the last of the 'few' and some of the 'many', the unsung heroes who also played a vital role in winning the Battle of Britain. Finally he will get rare opportunity to fly in a legendary Spitfire and scramble in the footsteps of fighter aces of the past. We have five copies to give away thanks to Shock. To win, email allan@bmamag.com and tell us the most heroic WWII story you ever heard.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
When historians look back on this decade they will wonder where it all went wrong. iPhones? Cheap milk? iPads? Annoyingly capitalised P’s? Who knows. One thing they will be able to figure out though is how 150 people spent their evenings one night, centuries ago, because it was recorded. ON FILM! Adam, Alan and Myf invited a cast of more than 20 special guests to celebrate with a raft of their favourite games in a grand final of epic proportions. Guests include Geoffrey Rush, Ella Hooper, Dave O'Neill, Darren Hayes, Rhonda Burchmore, Brian Cadd, Jimeoin, Shane Bourne… The list goes on.
Thanks to Roadshow Entertainment we have eight copies on DVD to give away if you can tell us who the lead singer of the Uncanny X-Men was. It’s that simple, folks. And no – you may not phone a friend. Wait, wrong show. As you were.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
Dateline: Japan, 1844.
Lord Naritsugu Matsudaira, the Shogun’s illegitimate brother, is rising to power. But when his tyranny runs rampant, secret plans are laid to end his reign, and his life. It’s Japan in the 1800s after all. Even blind Yamamoto could predict bloodshed. Enter veteran samurai Shinzaemon Shimada (Koji Yakusho from Memoirs Of A Geisha and Babel) is charged with assassinating Naritsugu and puts together a small band who agree to lay down their lives to ensure their nation’s future. Facing danger and impossible odds, the 13 assassins set a trap for the sadistic Lord in a remote village… But an army of samurai dedicated to protecting Naritsugu now stand in their way.
Dateline: Circa, Now.
Thanks to Icon we have 5 DVD of 13 Assassins up for grabs, so if you would like to see how this all ends then tell us what numbers are traditionally unlucky in Japan.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
I set off on a summer holiday to Hong Kong full of arts-related excitement. Aside from a plan to eat my bodyweight in dim sum, most of my intention was to get a look at the burgeoning HK art scene. I’d been reading about how big name art fairs such as Frieze had set up in HK, using the city as a bridge from their traditional European markets to the east. HK, so I’d read, was the perfect intermediary – officially Chinese and yet kinda not, free enough to allow sales of Chinese artists to the west and Western artists to the newly minted east.
In light of this, my expectation was that the small gallery scene in Honkers would be pumping. This was in error. And it got me thinking about cities and scenes, energy and action, and most of all the elements in a city’s infrastructure that allow the arts to flourish.
HK is a major and magnificent world city, but it doesn’t contain a major and magnificent gallery. I saw a good show at the HK Arts Centre and a couple of fun, tiny things in the Sheng Whan precinct – really, really small shows in spaces the size of living rooms. A Damien Hirst show was opening the day after I left, but that was about it. The problem? Money and space, as always.
Turns out that the art world in HK is a market-based affair – the big events come a couple times a year, but year round the artists and galleryists struggle for space and cash in the world’s most expensive city to rent. There is no shortage of skilled practitioners keen to make a mark. But, thanks to the difficulties in getting seen and shown, they’re either migrating elsewhere, or making do on a shoestring. Sound familiar?
In a market-dominated city such as HK, the argument against the arts is one of fundamentals – what’s in it for us? Why should the city give up scarce real estate for marginal practices? Viewed through a Friedmanonic lens, this argument makes sense.
After HK I flew to Singapore, and found a different take on economic fundamentalism. Singapore has struggled for years against a reputation of staid conservatism (fact – it remains illegal to publically chew gum in Singapore). Yet in recent times the Singaporean government has poured millions into public art programs, galleries and art schools. They realised that the thing missing in their city – soul – could come from a healthy investment in the arts.
In Singapore I saw spaces of real power and excellence. The work wasn’t quite world class. But the spaces were, and the work will come from those eager kids studying in the new and vast purpose built practice spaces. Don’t be surprised to read of Singapore as a centre for the best in world arts in a decade or so. Testament to the power of investing in activities that don’t reap obvious rewards on a spreadsheet, but enrich the unseen heart of a place.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
What do you do?
I am primarily a painter but like messing around with all sorts of things – sculpture, installation, drawing, print. I will try pretty much anything put in front of me.
When did you get into it?
I’ve been doing this since I could hold a pencil. My favourite oldest drawing is a tiny one of a Power Rangers villain.
Who or what influences you as an artist?
I like artists that stretch or play with the medium they use.
What’s your biggest achievement/proudest moment so far?
Getting through art school, being happy and proud of the work I made there. A couple of awards at graduation didn’t hurt either.
What are your plans for the future?
Keep making work, that’s the main thing. I’ll be taking up Megalo and CCAS residencies this year so I should be pretty busy on that front. Try to rustle up some space for a show or two on the side as well.
What makes you laugh?
Art jokes and the absurd/mundane. I met a lady who told me about seeing a seal that painted pictures at Seaworld and how people were paying a whole $50 for them. If only I was born a furry marine animal, then I’d be set for life.
What pisses you off?
Losing that thing I just put down a second ago.
What’s your opinion of the local scene?
I think there’s some really great stuff happening, especially now that it feels like everything is gathering a bit of momentum.
Contact info:
patricklarmour.wordpress.com
pat.larmour@gmail.com
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
Yep, it’s true. BMA Magazine Is Seking A Editorr. (That’s the Bossman for you, never short of a laff). After three years in the ed’s chair and nigh on 70 issues I’ve decided it’s time for change. It’s true what I said in my previous column, I am moving to Vietnam, but first I’m heading home to Alice to hang with my family a while.
“Oh what a beautiful morning, oh what a beautiful day, I’ve got a wonderful feeling that everything’s going my way”. The chorus of Oklahoma!’s opening number played on repeat in my head when Allan Sko’s email arrived in November ’08. I’d been offered my dream job at 20; I deferred uni and floated around in an elated haze for days.
Before taking up the position I spent three months backpacking in India and Nepal. Towards the end of my trip anxiety about becoming editor trickled in. I’d just turned 21; surely I wasn’t old enough, wise enough or experienced enough to edit a music magazine!? Not long ago I was reminded of these fears by the close friend I was travelling in India with. “You were consumed by self-doubt; you doubted your writing ability, you doubted your music knowledge, you doubted everything. And now look at you,” he said smiling. This is my 66th issue. 66 dragons dead on the floor. I’m pretty proud of that fact.
These irrational fears didn’t fade immediately though, dear readers. Ohhh no. There were more than a few moments within my first month when I honestly thought Al had made a huge mistake and had hired the wrong gal. I spent late, late nights in the office during my first few deadlines oft on the verge of tears; the terrifying thought of missing a print deadline or forgetting to place an ad always on my mind (the latter happened, but only once). It was the selflessness of previous editor Peter Krbavac that saved me; he gave countless hours of his time to help me find my feet and I’ll forever be indebted to him. So thanks Pete.
Naturally the super late nights in the office gradually disappeared. When I made it to five issues I was so thrilled I had a little party to celebrate; five issues, when ten weeks prior I’d wholeheartedly doubted my ability to produce any at all. I was one happy lass.
And then came the day I discovered I could get my name on the door for almost anything. I could barely believe it. After countless trips to the ANU Ticketek outlet in first year where I’d hand over the majority of my youth allowance every fortnight, this revelation came as a surge of euphoria. Free gigs. Free gigs! I could go to anything and everything I wanted! Living the dream, thought I.
And it has been a dream, this job. And not just for the three years of free gigs and films and festivals and theatre, but more importantly for the family I’ve gained. More on them next issue. Ohhh yeah. You know it. I’m gonna drag out this self-indulgent nostalgia bollocks right up until my very last ish. Cos I’m the editor of a street rag baby and I can print what I want! sdlruthstuhsesrdtsertselritsdrliughsdrt. Travis H Heinrich eat your heart out.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
Funny Sydney man Akmal will be coming to The Courtyard Studio at The Canberra Theatre Centre to test out some new jokes on us Canberrans. Due to popular demand he will be doing 12 shows from Tuesday-Sunday February 7-19. Tickets are a rather cheap $25 (+bf) through The Canberra Theatre.
In case that isn’t enough comedy for you, later in the month you could be witness to the magic of master ventriloquist David Strassman’s hilarious new show Be Careful What You Wish For. Accompanied of course by his companions Chuck and Ted E. Bare, you’re in for a great night of laughs. Strassman will be doing six shows at The Playhouse Theatre of The Canberra Theatre Centre from Tuesday February 28 until Sunday March 4. Sunday through Thursday adult tickets cost $54.90 and concession tickets cost $49.90. For Friday and Saturday night performances, the prices have been pushed up a bit making adult tickets $59.90 and concession tickets $54.90. All tickets should be purchased through the venue. This show has been rated MA 15+, and is not suitable for children under 12. Those between 12 and 15 must have a responsible adult present with them.
Corinbank is back! You can be part of this unique three day festival at the breathtaking Corin Forest Mountain Resort from Friday-Sunday March 2-4. The line-up for 2012 is a spectacular one, including Josh Pyke, Busby Marou, Bonjah, Skipping Girl Vinegar, The Bamboos, The Barons of Tang, The Crooked Fiddle Band, D’Opus & Roshambo, Ganga Giri, Jen Cloher, Sietta, The Little Stevies, Thundamentals, Tinpan Orange, Beth n Ben, Cracked Actor, Fred Smith Band, Fun Machine, Julia & The Deep Sea Sirens, Lucie Thorne, The Beez (Germany), The Ellis Collective, The Fuelers, The Pigs, Alice Cottee, Big Score, Caity Sarah, Cilla Jane, Hashemoto, Jack Carty, James Fahy & His Trio, Matt Dent, One Foot in the Gravy, Pocket Fox, Rafe and the Well Dressed, Sidney Creswick, Son of Rut, The Burley Griffin, Waterford and more to be announced closer to the event. But the vast array of music isn’t all that’s on offer. You can also enjoy a number of other creative performers, attend one of the many interesting workshops on offer, fill your stomach with great food, or just browse the market stalls! This is an all ages event, but people under the age of 16 must be accompanied by a responsible adult. The second round of 16+ event passes are on sale now for $139 (+ bf). Under 16s only pay $5 (+ bf). If you can’t stay for the whole event, day passes are also available. For more ticketing and event information visit www.corinbank.com.
Unfortunately we don’t have many gigs on the list since the tragic end to music events at The Tuggeranong and Weston Creek Community Centres, but we have some comedy to tide us over and a spectacular festival on the horizon.
With this all time low in the all ages music scene, I would like to encourage all artists, bands, venues or even members of the public to shoot me through an email if you know of any upcoming events. If you let me know in advance I would love to include it in the column, as I’m sure the public would like to know about it.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
Van Walker moved from the wilds of Tasmania to the big smoke of Melbourne in 2001. Word soon spread that this troubadour was bringing a new energy into the well-worn roots genre, which culminated in his first solo album The Celestial Railroad.
From here literally hundreds of songs followed and so did the releases. Van produced nine full length albums in just over two years, and independently released five, without management or funding, building his own name and audience through passion and hard work, a one man cottage industry personified. Van Walker is a prolific songwriting talent, a brilliant performer and a star worthy of wider recognition. Catch him at The Front on Thurs Feb 9. $10, $7.30pm.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
On Friday May 4 Canberra will play host to one of the world’s biggest DJs David Guetta, brought to you by Canberra’s hit music station, 104.7 and Kicks Entertainment. Stage 88, set in Commonwealth Park, is a unique outdoor venue which David Guetta will set alight with his full live show, including fireworks and blistering visuals. This will be the very first time this iconic venue has hosted such a large youth driven event, which is all ages with 18+ licensed areas. With in excess of 25 million fans on Facebook and over half a billion views on YouTube, multiple Grammy Award Winner David Guetta is one of the most watched people on the planet. Joining him at Stage 88 are Bombs Away, Timomatic and local heroes Jared de Veer and Rawson. Pre release tickets are available to kicksentertainment.com.au subscribers. The first round of general release tix go on sale Thurs Feb 9 through Moshtix.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
Red Cross is looking for committed volunteers aged between 18 and 25 who are interested in mentoring newly arrived young migrants and introducing them to life in Canberra. The program matches a trained volunteer with a teenage migrant, refugee or asylum seeker (12 to 21 years old). The mentor and participant pair meet every fortnight, spending time doing fun activities as a way of getting to know each other, breaking down some of the cultural barriers typically faced by migrants as they settle into a new life. For more information on volunteering as a Pal-Ups mentor, contact Red Cross Client and Volunteer Assessment on 6234 7634 or email volunteernow@redcross.org.au .
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
ACT Tourism and BMA Magazine team up to program the ENLIGHTEN stage on the weekends of March 2–3 and 9–10. The program will deliver a fantastic line-up of Canberra’s best musicians alongside some of Australia’s beloved emerging acts. Head to the stage in the ENLIGHTEN Entertainment Precinct’s West Zone for rumbling blues, laid back reggae, hip jiggling pop and oh-so-whimsical folk. On Friday March 2, the West Side Stage will be lovingly hijacked by a phenomenal line-up of Australia’s best electronic artists playing alongside Canberra favourites. It’s a fully licensed, fully free event (minus paying for your beverages and food of course) located near the National Library of Australia (corner of Enid Lyons Street and Mall Road West). Full line-up details for all four nights will be released shortly.
Each night will run from 6.30pm through to 11pm as part of the wider ENLIGHTEN program featuring over 35 free and ticketed events spanning music, art, cinema, light projections, food, drink and more. You can find out more at enlightencanberra.com.au
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHAT: BMA Magazine presents The Bootlegs WHEN: Mon Feb 13 WHERE: The Phoenix
From the Ed: For the third BMA Magazine Bootlegs I’ve roped in my good friend James Fahy (whose erudite words often appear in these pages), my good friend Gemma Nourse, my new favourite band Cracked Actor and the nutty men of nozl. James calls his music “indie-soul-folk” but the man sure can belt out a song. Gemma of Ah! Pandita is now performing love songs with electric guitar and loops under the name No Stars. Cracked Actor’s EP Solar Driftwood is my most spun record of the year so far and nozl, well… seriously, you’ve just got to come and check ‘em out. There is no band like them in the country. So head on down to Phoenix on Feb 13 for some excellent local music and maybe buy me a beer cos it’s my birthday!
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHAT: Killer double header of Hudson Mohawke and Ras-G WHEN: Thurs March 1 WHERE: Transit Bar
Treehouse & Blahnket bring it to you real with a killer double header of Hudson Mohawke and Ras-G. Glaswegian producer Mohawke’s ascent has been swift and steady over the past few years, with The Guardian calling Hudson Mohawke “the new J Dilla” while placing him atop a new generation of producers including Mark Ronson and Jamie xx. Ras-G has been a fixture on the underground hip-hop scene in Los Angeles since the early ‘90s. He is a proud South Central LA resident and cofounder of the Poo-Bah Label as well as having releases on Flying Lotus’ Brainfeeder label. Presale tickets $35 + BF from Moshtix.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHAT: Last Ever Canberra Show WHEN: Fri Feb 3 WHERE: White Eagle Polish Club
From Greg Appel, one of the Canberran members of The Lighthouse Keepers: “There was a small punk movement in Canberra in the late ‘70s and early ‘80s and a very eclectic group of young people were making their own punk inspired sounds. Amongst them were the core of The Lighthouse Keepers. But their music was almost an opposite reaction to all this sweaty male electric stuff. They began as exiles in far away Sydney – playing country music covers and rediscovering melody. They are briefly reforming as part of the release of their best of CD Ode to Nothing. Come and see some Canberran history. 8pm, $25 at the door.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHAT: 2012 season WHEN: Kicking off Sat March 31 WHERE: Southern Cross Stadium Tuggeranong
Missing your favourite roller girls? Well, come March 31 they are back! Canberra Roller Derby League’s Black ‘n’ Blue Belles, Brindabelters, Red Bellied Black Hearts and Surly Griffins will be returning to the flat track in CRDL’s 2012 home season. The 2011 Grand Final saw the Griffins beat the ‘Belters for third place, and the Black Hearts narrowly defeat the Belles to reign as season champions. The first bout of the season will see the ‘Belters up against Black Hearts – a pairing that will pit the team on the bottom of last year's ladder against the team at the top. Doors for each game open at 5pm with the game starting at 6. Tix through Oztix.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHAT: Genesis EP Launch WHEN: Fri Feb 10 WHERE: ANU Bar
PHOTOGRAPH BY: Rush
After more than two years of countless live shows and multiple festival appearances (including Groovin the Moo and Foreshore 2011, Raw City Rukus are proud to finally release their anticipated debut EP Genesis. On Friday Feb 10 the ANU will play host to a massive night of live music to celebrate the occasion. Joining Raw City Rukus on stage are Canberra’s finest hip-hop duo D’Opus & Roshambo, DJ Rush, MoneyKat (Melb) and Onetalk (Syd). Doors open at 8pm and entry is $12, or pay $20 for entry and a copy of the EP. Tickets are only available at the door so head down early to avoid disappointment.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
WHAT: Punk & hardcore club night WHEN: Fri Feb 10 WHERE: Laneway Bar (upstairs Bar 32)
To make use of Bar 32’s upstairs Laneway Bar, the team at REV is firing off the year with some new club nights to satisfy the diverse musical tastes of its crowd. First up is the new monthly night The Get-Up Club featuring local DJs jamming the dancefloor with punk and hardcore. Throw in some pop plus giveaways and special guests, and The Get-Up Club is definitely one to keep in your monthly calendar. Best of all Canberrans will no longer have to head interstate to get their punk and hardcore fix. Instead you can stay in town, get loaded and still wake up on a stranger’s floor, and now it’s only a short bus ride home in the morning.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
Noah Taylor's up there with my fav Australian actors. I find his thin pallid face and occasional lisp alluring, and who can deny his outburst of sharehouse fury in ...Felafel is one of the funniest moments in Australian cinema. When I saw his name on the Homebake line-up in the guise of Noah Taylor & The Sloppy Boys I did, however, cringe a little; why’s he doing the actor-turned-singer thing? Turns out he’s actually been in various bands over the past few decades. This incarnation is the winner.
So the story goes Noah was on hols in Sydney (he’s lived in England for the past ten years) when a friend’s recording studio (BJB no less) suddenly became available. He penned six tracks in a week and recorded them with musical mates Ed Clayton-Jones (The Wreckery) and Cec Condon (The Mess Hall) in 24 hours. The result? Well, in the words of Nick Cave, it’s “a flat-out, freaked out masterpiece.”
The first time I spun Live Free Or Die!!! was on the Wednesday of our final working week of the year. By Friday it had bumped an unlucky contender and made it into my Top Ten. It’s become one of my favourite records of the year in the space of three days; such is the power of its ferocity and tenderness, salacious sentiments and crude humour, and unadulterated execution.
Second track Fuck You, with its smashing cymbals and simple chords is the raunchiest, most honest confession of insatiability (“I wanna fuck you all night long / And all the next day too”) since QOTSA’s Make It Wit Chu. Holiday Sidewinder (what a name) from Bridezilla, who is Taylor’s goddaughter, lends her honeyed tones to Scary which really highlights Taylor’s lyrical genius: “I’m shittin’ my britches / And life is a bitch cos / I’m scared of falling in love”, while Dark and Lovely is as beautiful as it is menacing.
Live Free Or Die!!! is raw rock ‘n’ roll. It’s also bratty, occasionally incomprehensible punk (said Cave of the opener and title track “it surpasses all understanding… it’s thrills and chills all the way”). And in its quieter moments it’s whispered post-coital poetry.
It’s not often that a record can grab you by the hair and have its wicked way with you and become a true fav in a matter of days, but Live Free Or Die!!! has done exactly that.
|
Date Published: Tuesday, 31 January 12
| Author: Julia Winterflood
|
| 1 week, 1 day ago
Describe your sound:
Deep tech and house with a splash of disco.
Who are your influences, musical or otherwise?
Musically I listen to a fair bit of jazz. Both the classic artists like Miles, Coltrane and Bill Evans but also more modern like Robert Glasper. I also really like nu jazz which is a fusion of jazz and electronic music.
As far as electronic music goes at the moment I’m really into the beatdown disco and slow house sound that’s being really pushed by labels like Sleazy Beats, Dikso and Wolf Music. There are some great Australian acts at the forefront of this sound as well, especially down in Melbourne.
What’s the weirdest experience you’ve had whilst performing?
I had a set outside in the ANU beer garden and just happened to look up from the decks for a moment and saw a guy in nothing but his underwear run through, past the decks and out the back. It was so quick I wasn’t sure if it had actually happened for a moment!
What’s your biggest achievement/proudest moment so far?
Proudest moments for me are really any gig where you get to support an artist you really respect and admire. Standouts for me though would have to be Butch, Marc Romboy and Jaytech.
What are your plans for the future?
I’m running uniVibes this year which has already been hectic. We have some great events planned both for O-Week and for the rest of the year and its going to be full on but I think really rewarding at the same time.
What makes you laugh?
Almost everything. I have a habit of laughing at awkward situations or laughing at inappropriate moments.
What pisses you off?
People requesting David Guetta. Just please don’t do it...
What’s your opinion of the local scene?
People give Canberra a lot of stick but it’s more about finding those select parties and events that will be awesome. In my experience these are often run by the smaller promoters that just do it for the love. You could say Canberra has some amazing diamonds buried in amongst the rough.
As far as individuals go, Canberra has some great veterans who are so consistently good as well as some young guys who are really talented and really looking for ways to push their performances. I think that while many people would like the scene to be bigger/better etc, while there are these individuals pushing their sound and performing there will always be great parties to go to.
What are your upcoming gigs?
I will be playing all around the ANU for O-Week along with other uniVibes DJs and bands.
Contact info:
brentonkalisch@hotmail.com
http://soundcloud.com/user1724688
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
Lorraine is a working single mum with an abusive ex-husband who even after separation continuously creates problems for her and her eight-year-old son, Chad. On a seemingly normal evening, Lorraine makes a pit-stop at a gas station. When she returns to the car, Chad has company in the back seat! Roy is a dangerous man on the run who after robbing a bank needs Lorraine and Chad to get him to the Mexican border. Their edge of your seat journey forces her, however unwilling to become a stronger person and fight for a better life for both her and Chad. We have five copies to give away. To win, email allan@bmamag.com and tell us a rollicking road story.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
From dramatic first loves, to envious “frenemies”, Tanner Hall, starring Rooney Mara (The Girl with a Dragon Tattoo, The Social Network), Georgia King (Twilight-Breaking Dawn, The Queen) and Brie Larson (Scott Pilgrim vs The World, United States of Tara), is a provocative peek into the private, sometimes reckless, and always scandalous world of a privileged all-girls boarding school. As Fernanda (Mara) enters her senior year at Tanner Hall she’s faced with unexpected changes in her group of friends when a childhood acquaintance, the charismatic yet manipulative trouble maker Victoria appears. Shy and studious, Fernanda is usually the voice of reason among her friends; adventurous and sexy Kate and tomboy Lucasta, but when she begins a complicated friendship with Gio, an older family friend, she decides it’s finally time to take some risks. Thanks to Anchor Bay Entertainment we have five copies to give away. To win, email allan@bmamag.com and tell us a sordid boarding school tale.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
The man with the rubbery face is back! Rowan Atkinson returns as Johnny English in the…um...aptly titled Johnny English Returns. Mr English – also known as Agent MI7 – has all but vanished from the Secret Service and is now on sabbatical, honing his skills at an isolated Asian temple. However, when his agency learns that a Chinese dignitary is in grave danger, Johnny must return reborn and ready for action. Bet you didn’t see that coming. We have three copies to giveaway courtesy of Universal Pictures. To win, email allan@bmamag.com and name two other TV characters Rowan Atkinson has played.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
You’ve seen him crash cars and steal hearts as McNulty in The Wire, you’ve seen him induce swoons in men and women alike in the homoerotic nightmare that was 300 but now is your chance to catch Eton oldboy Dominic West in BBC’s new six-part 1950s politico drama The Hours. The suits are crisp, the dialogue snappy and the drama is dramatic. We have three copies to give away courtesy of Roadshow Entertainment. To win, email allan@bmamag.com and tell us who was your favourite US Vice President from the 1950’s and why?
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
In his head, 15-year-old schoolboy Oliver Tate (Craig Roberts) is a cool literary genius. The reality, however, is quite different. Despite his uphill battle with popularity, Oliver really only has two objectives: to lose his virginity before his next birthday, and to save his parents' marriage. The directorial debut from Richard Ayoade (The I.T. Crowd) and based on the best-selling novel by Joe Dunthorne, Submarine brings to life a quirky, touching and often painfully realistic story about growing up in small-town Wales in the eighties. Featuring a killer soundtrack by the Arctic Monkeys’ frontman Alex Turner, Submarine is destined to become a cult-comedy classic. We have five copies to give away courtesy of the good folks at Mad Man. To win, email allan@bmamag.com and tell us what your life objectives were when you were 15.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
Our sister site Metal as F*ck is currently running a comp so awesome we wished to share it with you - http://metalasfuck.net/zine/ .
It’s been 15 years since they last graced our shores and for the first time since 1997 Soundgarden will again play outside the USA. Chris Cornell, Kim Thayil, Matt Cameron and Ben Shepherd, the Seattle foursome known as Soundgarden have chosen the Big Day Out to mark their triumphant return to the international stage. We have one double pass to give away to the Sydney sideshow (Wed January 25 at Sydney Entertainment Centre) and one double pass to the Melbourne sideshow (Wed February 1 at Sidney Myer Music Bowl. The Bronx will be joining them on both dates. To score, email allan@bmamag.com and tell us why you’re dead keen to catch Soundgarden.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
2012 is bristling with a diverse range of invaluable workshops for writers of all levels at the ACT Writers Centre. I caught up with Communications Officer Kimberley Gaal to find out exactly what’s on offer, as well as the bountiful benefits of becoming a member.
Can you give me a run down on the workshops?
Our first two workshops coming up in February are about how to sell your book to an Australian publisher so it’s looking at if from the business perspective. One of them is actually a free workshop that we’re running with support from Writing Australia which is specifically for writers from a non-English speaking background. The other one is open to everybody. We try to run it every year but it tends to be every two years as Rhonda Whitton, the woman who runs it, is a very in demand woman. It’s just brilliant. She wrote the book that is our ‘go-to’ whenever anyone has questions about submitting to publishers.
Following on from that are two editing workshops held specifically because we want people to say ‘this is a new year, and the year that I want to turn my writing from a hobby into something more’. But in order to do that people have got to let go of the idea that writing is just the creative process and they have to be able to look at it with a little bit more of an objective eye.
Every year we schedule editing workshops for the beginning of the year. You should write because you love it, because even with the absolute best writing there’s never quite a guarantee that you’re going to end up published and even if you are published there’s no guarantee that your next book will be published. Very, very few writers have that 100% guarantee. So you should do it because you love it and then you’re going to be guaranteed to enjoy it no matter what, but the next step up from there that we’re trying to explain to people the importance of is that if you want to be published and if you do have that dream – even if you want to self publish which is becoming more and more viable – you need to look at it as a profession.
What other topics do they cover?
Following on from the editing workshops we’ve got all the workshops that focus on the creative side of writing. We find people don’t give themselves permission to just love writing and love learning about writing. Some of our most popular workshops are the ones about ‘how do I get published?’ and some of our most popular events are the ones where we have publishers and agents come and talk and that’s wonderful but none of that’s actually going to be any good if you can’t actually write well. Good writers really appreciate learning from other good writers.
What is the format of the workshops?
Workshops tend to be between ten and 12 people. Each tutor has their own style. We want to make sure that everyone who comes to our workshops are getting value and are really getting something that they can appreciate. We have a new thing in place again this year that we started last year called Tuesday Chats, more informal lunchtime sessions that are held on Tuesdays. New tutors must do a Tuesday Chats first so we know that they’ve got some experience and charisma and are alright at talking in front of groups, and then they have to submit a workshop plan so they’re all proper workshops.
The majority of them tend to be relaxed and the tutors are very good at reading the room and working out what people want. Very few of them that I’ve come in contact with will have their set sheet and ‘this is my guideline I will do this, this and this’.
Tutors differ in their use of creative exercises. Some will be 50/50 with them talking and then the creative exercises, while some will vary more one way than the other.
What are some of the benefits of being a member of the ACT Writers Centre?
Members get generally about a $60 discount on every workshop. Members also get invited to member-only events, and they get discounts on our other services like our manuscript appraisal service. They get invited to join our Invite A Writer database, which is a database of members that are freelance writers and editors. We are very selective about that because writing and editing is a profession as well as a craft, and a lot of people work really hard to be really good at it. It’s not something that you can go and do a 12 month course in editing and then call yourself an editor. We meet a lot of people who don’t understand that so we’re trying to use Invite A Writer to really stress the importance of putting in the hard yards.
Members also receive 12 issues a year of our magazine, which has come a long, long way in the last couple of years. Each issue contains articles which are all on a theme. Last year we ran a series called How did I get here? which was a serious of Q&As I did with people who were writers who wrote for a living. So people who always knew that they loved writing.
It’s one of those things… In high school in particular, if you’re good at science you go on to uni and you do science. If you’re good at maths you might go on to do engineering. But if you’re good at writing it’s a good skill but it’s not considered a ‘thing’. So a lot of people leave high school and they go on to uni or TAFE and they might do a creative writing course and that’s fantastic, we recommend it thoroughly to do one if you’re passionate about it but it’s not one of the things where you leave with the job of author. It just doesn’t exist. And a lot of people don’t quite understand that so we put out that series to give them the idea that you can find jobs that are about writing that are actually about writing. It’s something that you can actually love and it can be a skill that you can nurture and it can take you places. You just have to sometimes look beyond what’s right in front of you.
So we’re looking at ways to encourage young writers but also people who have always had that dream of writing and that love of writing but have never been able to either have the confidence to take it anywhere or really know where to go. We’re trying to give them both inspiration and excitement and enthusiasm but also the reality of the situation.
For more information head to www.actwriters.org.au .
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
The day after our end of year issue hit the streets I flew to the capital of Vietnam, Saigon, then up to the beautiful city of Hanoi. For two weeks I traipsed solo down the long narrow country, and then flew to Bali to meet my boy for ten days of island hopping across Indonesia. On my first day in Saigon I sat in a bright yellow wicker chair at a bar on the corner of a crossroad in the backpackers district, drank a giant Bia Saigon and smoked a Champion, and watched a million motorbikes zip by. The Beatles crooned in the background. I was in a foreign country and yet somehow, listening to the music I love the most, I felt at home.
I had the same feeling in a restaurant on my first night in Hanoi. The music was faint so I had to strain an ear, but after a few seconds it became clear: Clare Bowditch. And following Divorcee by 23, some Bernard Fanning. Not even Powderfinger, but Fanning. “Who’s going to be next, Bob Evans!?” I wrote in my little black journal. Nope, it was Finley Quaye’s Even After All, which the Bossman had played during the final hours of the work year to calm my deadline nerves. And then, later that night at the reception of my hostel, Birds of Tokyo on the stereo. And then, a week later in the bar of my hostel in Hue, Augie March. I may have been far from home but each time I heard music from home it didn’t feel like it.
Throughout Vietnam I kept waiting to run into someone I knew; everyone who’s traveled abroad has at least one of those ‘uncanny coincidence’ stories. Three years ago at a sitar concert in Kerala in Southern India I heard an Australian voice. I didn’t know the girl but it turned out she lived a few streets away from me in Watson and was the cousin of one of the members of Me and the Grownups, the first band I interviewed face to face for BMA. It didn’t happen in Vietnam, but in Ubud in Bali I received a Facebook message from an old mate from back home in Alice whom I hadn’t seen for years: “Dude! I’m working at Manta Dive Gili Air! I just saw your name pop up on the computer I logged in to!” I’d left Gili Air the day before so my old mate and I didn’t catch up, but the uncanny coincidence I was expecting occurred, and was yet another reminder of home.
I’ve always loved the SBS News slogan “News from home, if you live in the world”. Some of us spend so long in the one place we sometimes forget there’s a whole world of new places to visit and perhaps one day call home. I made friends with a Californian guy who was working at the backpackers in Hue. He recently posted this on Facebook: “It is so amazing to be accepted into a local community in a country that is not your own. The people here have shown me not only acceptance but friendship and love… There is so much world to experience outside of our limited day to day life perspective that many seem to hold to in America. To all who have not truly traveled (not talking about vacation), I encourage you to immerse yourself in another culture, and if possible, share some of the benefits that we are blessed with living in the most wealthy country in the world.”
Mum, Dad, I’m moving to Vietnam!
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
Welcome back, everybody!
To my disappointment, the first column of the year is not bearing the greatest of news. After years of watching the all ages scene in Canberra struggle to keep its head above water, I am sad to report a major loss. The youth services team of the Tuggeranong and Weston Creek Community Centres have unfortunately announced an end to all music events due to their funding not being renewed. The Youth Services Team were kind enough in their grief to issue the following press statement regarding the defunding:
“Over the past five years, Communities@Work’s Tuggeranong and Weston Creek Youth Centres have successfully presented All ages Music Shows to meet the current shortfall in venues in the ACT. These drug and alcohol free events offered young people access to live music performances in safe and supervised environments. The shows were often technically supported by young people involved in the live music production mentoring program The Live Sound Crew provided by Communities@Work. The program gave participants the opportunity to work alongside professional touring artists and gain valuable skills and experience, with the aim of opening up future employment pathways within the music industry.
Over the past five years, The Tuggeranong and Weston Creek Youth Centres hosted international, national and local artists, with combined audience numbers exceeding 6000. Artists included names such as Propagandhi, Four Year Strong, Evergreen Terrace, The Red Shore, Attack Attack, Heroes for Hire, Emmure, Dream on Dreamer and many more. Communities@Work’s Youth Services forged strong relationships with local and interstate music promoters during this period.
Due to recent changes in funding of the Youth Sector in the ACT, Tuggeranong and Weston Creek Youth Services will no longer have the capacity to host these music events. However, there will continue to be a Communities@Work Youth Engagement Worker in the Tuggeranong region who will be able to assist young people with referrals to other services and conduct limited activities.
The Communities@Work Youth Services team would like to thank the many young people who have attended its gigs, been involved with the Live Sound Crew and made our jobs so much fun. We would also like to thank all stakeholders for their support, as well as BMA Magazine. We have greatly enjoyed our involvement with Canberra's All Age music and look forward to any opportunities to be involved in the future.
For more information in regards to youth engagement in Tuggeranong please email youthservices@commsatwork.org or call 02 6126 9059.”
The Youth Services Team deserves a huge amount of appreciation for what they have given the community over the past five years. They have given us great entertainment, and even through their struggle remained 100% involved in the Canberra all ages music scene. I personally would also like to thank them for their commitment and hard work over the years, which unfortunately quite often goes unrecognised and for their constant involvement with BMA Magazine and with the all ages column in particular. This news comes as a huge shock and is a massive loss to the entire Canberra community. Sorry to have to deliver such horrible news in the first issue of the year, but I feel that it is very important to recognise the great work that they have done. Thank you.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
WHAT: Boogie blues extraordinaire WHEN: Fri Jan 27 WHERE: Old Canberra Inn
Since the independent release of his award winning debut Cruisin’ in 2010, Shaun Kirk has been captivating audiences across the country with his charming style of boogie blues and soul. Kirk’s first full-length album Thank You for Giving Me the Blues sees the 23-year-old troubadour take a leap in musical maturity. His new release has all the passion and vigour you can ask for in a contemporary blues/soul record, and surrounded by a stomp box, tambourine, high hat, cymbal, kick and snare drum, his flair for playing six percussive sounds with his feet while delivering quality guitar and blues harmonica performances is undeniably impressive.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
WHAT: All girl double bill WHEN: Sun Jan 22 WHERE: The Front
Melbourne all gal favourites Jungal and Canadian indie folk princess Faye Blais are returning to smash the socks off The Front. This will be the girls’ first and last tour for 2012 before leaving Australian shores to tour North America. Blais will hypnotise crowds with her mesmerising folk tunes and internationally praised vocals, while Jungal jump to the stage with a powerful rock roots set, pumping up crowds with foot stomping melodies. These two acts have been touring the globe together and the combination serves audiences a magical spread of sonic delights. 7.30pm, $10.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
WHAT: Your new favourite gypsy band WHEN: Sun Jan 29 WHERE: The Phoenix
The Barons of Tang eat music and spit notes. They have toured all over the world with nothing but a dream to carry them and a collective bruise to keep them warm. They write music that is both obscure and eternal with themes of dirt and the underdog. The Barons of Tang are, in fact, a mini orchestra with the taste of blood on their lips and the devil in their hips and they will not go quietly into the night. Mixing Klezmer and Balkan feels with the jagged edges of punk and whatever’s lying around the kitchen, these guys are making waves in the duck pond.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
WHAT: Funk rock gypsy pop psychedelia WHEN: Wed Feb 1 WHERE: The Front
Sydney-based Ungus Ungus Ungus are celebrating the forthcoming release of their second more-than-full-length album, Time For Your Bath. This progressive funk rock gypsy pop psychedelia outfit crafts a unique fusion of styles, leaping from one genre to the next without ever settling down for long enough to be pigeonholed. The band creates music that is at once accessible and challenging, familiar and weird. As explorative in their lyrically cryptic protest songwriting as they are in their genre-defying, multi-directional and technically profound instrumental explorations, Ungus Ungus Ungus are dedicated purveyors of original music. 7.30pm, $8.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
WHO: uniVibes WHEN: Mon Feb 13 – Fri Feb 17 WHERE: All over ANU
During last year’s ANU O Week uniVibes put on 78 hours of live music in five days. All local, all free. This year there’ll be a third and larger stage running on the grass of Union Court, as well as a jazz/solo/duo stage under the willows at Teatro Vivaldi, an electronic stage on the deck of the ANU Bar, and a band/DJ stage in the centre of ANU. Throw in some house parties and it’ll be over 100 hours of free local music. Want to play? Get in touch now at univibes@gmail.com.au. Students are preferred but all local musicians are invited to this open community.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
WHO: GIVERS and Portugal. The Man WHEN: Wed Feb 8 WHERE: UC Refectory
Having been announced for Laneway’s Sydney and Melbourne events, GIVERS and Portugal. The Man will also be bringing their bright breed of psych-pop to Canberra along with special guests Guineafowl. All three bands are as renowned for their dynamic live performances as for their irresistible tunes. GIVERS’ In Light is a vibrant debut, bursting with invigorating melodies, shifting rhythms and an abundance of energy, while Alaskan quartet Portugal. The Man’s latest album In The Mountain In The Cloud is filled with pulsing riffs and rings true to the buoyant rock and roll style that has permeated each album since the band’s ‘06 debut. Tix through Ticketek.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
UC Live! are set to kick off 2012 in style with the return of O Yeah! on Friday Feb 3 and O No! on Friday Feb 10 in the brand spankin’ new university bar – Zierholz @ UC. O Yeah! was established in 2010 and its sibling gig O No! followed the year after in 2011, coming alive to celebrate O Week at UC for new uni students, returners and the greater Canberra music scene alike. This year O Yeah! is set to feature some of Australia’s freshest indie pop talent in Hungry Kids of Hungary, Loon Lake and Atluk. To keep the party going after O Week UC live! have brought together some of Australia’s finest party starters in Bumblebeez, Koolism and the Sosueme DJs for O No!. Tickets for both events are available through Moshtix. UC Live! is responsible for many of Canberra’s favourite music events. In the past two years they have delivered Groovin’ The Moo, Stonefest, All Our Friends, MAKEPOVERTYHISTORY 2010 and concerts from such artists as Lupe Fiasco, Dizzee Rascal and the Kaiser Chiefs to name a few. With a busy schedule on the calendar for 2012 with acts such as Lamb of God, GIVERS and Portugal. The Man it is looking to be yet another epic year for UC Live!
For more information and to sign up for exclusive news and special offers head to uclive.com.au .
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
Garema Place is set to ignite this summer with a 450m2 open air roller skate rink – the first ever in Canberra. Skaters will be able to keep cool at the Garema Place ‘oasis’ with the large leafy trees that over hang the rink, multiple fan and mist machines and ‘skate through’ drinks stand. Special programming features from Wednesday to Sunday nights will include roller derby demonstrations, retro video discos, outdoor movie screenings and feature skate shows. The fun takes in the summer school holidays and continues right through to Sunday February 5. For all the info head to inthecitycanberra.com.au/skate .
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
Rolling back into the secluded bush land confines of the Hunter Valley NSW, the eighth annual Gum Ball Music and Arts Festival is well and truly back for 2012 and will be held on Friday-Saturday April 27-28. Organisers have released a first round line-up that’s sure to entice the festival connoisseurs among us. It includes Brisbane’s favourite indie-pop heroes Custard, Sydney’s dreamy jungle folksters Jinja Safari, blues legend Ash Grunwald featuring critically acclaimed vocalists Vika and Linda Bull, Melbourne’s finest alt-country outfit Wagons, Darwin’s biggest soul export Sietta and a whole lot more. The festival provides camping and BYO options in a beautiful kick back country environment. Second round early bird tix are available through thegumball.com.au and Oztix.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
Continuing the tradition of community art on site at Corinbank, the festival is proud to announce their first Crafternoon, which is happening at the Cook Community Hub from 10am ‘til 4pm on Saturday January 21. Ever since Corinbank first burst onto the scene in 2008, the art of the community has been celebrated on site. This year, Corinbank is throwing open its doors during the school holiday period for artisans of the Canberra community to join them in creating sustainable art to delight the eye and amaze the senses. The day is split up into two sessions and each one is limited to 20 spots. To register email visualarts@corinbank.com. Corinbank is running from March 2 – 4 in the Brindabella Mountains, with headliners including Josh Pyke, The Bamboos, Bonjah and Sietta. For full details visit corinbank.com .
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
INXS will headline the Australia Celebrates Live concert on the lawns of Parliament House on January 25, and will be joined by Katie Noonan and The Captains, Sneaky Sound System, Spiderbait and The Potbelleez in the concert’s strongest line-up yet.
Irish born and Grammy nominated songwriter/performer Ciaran Gribbin, INXS’s new frontman, has worked with a range of artists including Snow Patrol, Madonna, Groove Armada and Paul McCartney. Since Gribbin joined the band in 2011 INXS has been touring solidly and continues to write and record new songs for their next album. Their new song UNITED in Australia will be launched at the Australia Celebrates Live concert, a treat for the Canberra audience. The celebrations kick off with the announcement of the Australian of the Year Awards at 6pm. The concert will commence at 7.45pm so arrive early, pack your picnic and get ready for a night of great Australian music. Visit www.australiaday.org.au for updates or follow them on the Celebrate Australia Day facebook page.
|
Date Published: Tuesday, 17 January 12
| Author: Julia Winterflood
|
| 3 weeks, 1 day ago
Members: Rachael Thoms (vocals) and Luke Sweeting (piano).
Describe your sound:
R: This is a tricky one as I think our sound is something that only happens when Luke and I play together. I find that I sing differently and I think differently when I'm working with him. We're definitely inspired by the New York contemporary jazz scene, as well as a more European, classically influenced sound. One thing is for sure, we don't ever try to sound like anyone else. We're just trying to be ourselves.
L: Chamber jazz, ethereal textures meeting sweet melodies and interesting harmony.
Who are your influences, musical or otherwise?
R: Personally, I am influenced by current jazz musicians/singers like Esperanza Spalding, Gian Slater, and Becca Stevens, as well as jazz greats like Carmen McRae and Wayne Shorter. At the moment I'm really inspired by some amazing 20th Century french classical composers like Lilli Boulanger, Francis Poulenc, and Olivier Messian. I think there are a lot of parallels between these composers and the jazz composers that I most admire.
L: Rach and I are both really inspired by some of Australia’s great duos: Macklin/Newcomb and Gian Slater/Will Poskitt. My composing style has been influenced by Florian Ross, Brad Mehldau, Avishai Cohen and various Aussie legends like Miroslav Bukovsky, Sandy Evans and others.
What’s the weirdest experience you’ve had whilst performing?
R: There is one weird experience that sticks in my mind... Some mad Irish mates of mine (a brother - D, and sister - A) used to dare each other to do really crazy things in public for money. One night when I was gigging at a local pub, D dared A to flash her nipple at me without anyone else noticing. The thing was that I was supposed to see it and totally lose it without anyone knowing why. It worked so well on that one occasion that it became a bit of a regular occurrence at my gigs when the two of them were out together. Evil mates!!!
L: One day I was performing for a charity auction, and the prize piece of the night was sitting on this large easel right next to us. We were on a bit of a break while the main speaker was working up some meaningful speech before auctioning the famous glass framed photograph, and we got the nod to move our gear off-stage. While moving I heard this unison gasp of about 100 people, as the crowd could obviously see it all happen in slow-mo: somehow by moving my keyboard stand away, it let the easel drop violently to the floor, smashing the glass frame, killing the speaker's mood, and ruining the main auction piece of the whole night!!
What’s your biggest achievement/proudest moment so far?
R: Obviously, recording and releasing the album The Great Unknown with Luke was a huge achievement. I think we both learnt a lot about the process, the industry, ourselves, and each other. I had the opportunity to be part of some really cool gigs in 2011 too... Supporting George Benson, opening the Capital Jazz Project, as well as playing a private dinner party at Dick Smith's property in Gundaroo.
L: Heading over to China to perform solo piano for the Shanghai World Expo was a great honour as well as winning the Sprogis Woods Composition Competition for my large jazz ensemble piece Sound Canvas.
What are your plans for the future?
R: I've just accepted my offer for Masters of Music at ANU, so that should keep me fairly busy for the next year or so. Luke and I are pretty pumped about getting the album on the road, so we hope to be doing some shows in Sydney, Melbourne, Adelaide, Brisbane, etc... I have some ideas for recording projects and hope to continue collaborating with Luke, and I would really love to get overseas at the end of this year.
L: I’m heading up to Sydney next month to record a bunch of new tunes with my sextet, and I am heading to Korea in April to do some gigs with drummer extraordinaire, Namhoon Kim.
What makes you laugh?
R: My son, 30 Rock, Ricky Gervais, the sexy sax man on Youtube with his Careless Whisper prank (hysterical!!!). Luke and I laugh a lot! It doesn't take much to make me laugh...
L: I just discovered Waiting For Guinness’ The Southern Cross Song. Check it out for some Australia Day laughs!
What pisses you off?
R: Luke is one of the most chilled and peaceful kind of guys that I know so he keeps me in check. Thankfully we work really well together and we're really close mates so there's not too many conflicts, and when we do disagree we just keep at it until we figure it out. I definitely bitch and moan about little things that piss me off on a regular basis... But Luke is one cool customer.
What’s your opinion of the local scene?
R: Not being a local, I wasn't sure what to expect when I moved here four years ago, but I'm still regularly surprised and impressed by the wealth of diverse talent here. There is no shortage of great muso's around (although we could always do with a few more bass players) and there are a number of really interesting regular gigs worth supporting, as well as some really supportive venues. From a musician's perspective it can still be a bit of a struggle getting people to take music seriously as a job, so I think musicians can be really undervalued, but that's going to happen anywhere in Australia.
L: I’ve noticed a big boom with the jazz/improv scene in the last little while. The amount of high quality bands and performers coming through Canberra has really blossomed in the last year. The birth of places like Jazz at the Loft and the new Capital Jazz Project are pretty exciting ways to get out and discover what’s going on.
What are your upcoming gigs?
Poachers Pantry, Feb 12, 12pm-3pm. Poachers Pantry, Feb 25, 12pm-3pm. The Pond, Spring Bank Rise Feb 22, 6.30pm-8.30pm. Alliance Francais, July 27, 7.30pm.
Contact info: thoms.sweeting@gmail.com www.facebook.com/rachaelthomslukesweetingduo www.rachaelthomslukesweeting.bandcamp.com www.rachaelthoms.com www.lukesweeting.com
|
Date Published: Thursday, 22 December 11
| Author: Julia Winterflood
|
| 1 month, 2 weeks ago
Noah Taylor’s up there with my fav Australian actors. I find his thin pallid face and occasional lisp alluring, and who can deny his outburst of sharehouse fury in ...Felafel isn’t one of the funniest moments in Australian cinema. When I saw his name on the Homebake line-up in the guise of Noah Taylor & The Sloppy Boys I did, however, cringe a little; why’s he doing the actor-turned-singer thing? Turns out he’s actually been in various bands over the past few decades. This incarnation is the winner.
So the story goes Noah was on hols in Sydney (he’s lived in England for the past ten years) when a friend’s recording studio (BJB no less) suddenly became available. He penned six tracks in a week and recorded them with musical mates Ed Clayton-Jones (The Wreckery) and Cec Condon (The Mess Hall) in 24 hours. The result? Well, in the words of Nick Cave, it’s “a flat-out, freaked out masterpiece.”
The first time I spun Live Free Or Die!!! was on the Wednesday of our final working week of the year. By Friday it had bumped an unlucky contender and made it into my Top Ten. It’s become one of my favourite records of the year in the space of three days; such is the power of its ferocity and tenderness, salacious sentiments and crude humour, and unadulterated execution.
Second track Fuck You, with its smashing cymbals and simple chords is the raunchiest, most honest confession of insatiability (“I wanna fuck you all night long / And all the next day too”) since QOTSA’s Make It Wit Chu. Holiday Sidewinder (what a name) from Bridezilla, who is Taylor’s goddaughter, lends her honeyed tones to Scary which really highlights Taylor’s lyrical genius: “I’m shittin’ my britches / And life is a bitch cos / I’m scared of falling in love”, while Dark and Lovely is as beautiful as it is menacing.
Live Free Or Die!!! is raw rock 'n' roll. It’s also bratty, occasionally incomprehensible punk (said Cave of the opener and title track “it surpasses all understanding… it’s thrills and chills all the way”). And in its quieter moments it’s whispered post-coital poetry.
It’s not often that a record can grab you by the hair and have its wicked way with you and become a true fav in a matter of days, but Live Free Or Die!!! has done exactly that.
|
Date Published: Wednesday, 7 December 11
| Author: Julia Winterflood
|
| 2 months ago
The Trip is a largely improvised sitcom in which Steve Coogan plays a food critic for the UK's Observer who is joined on a working road trip by his friend Rob Brydon who fills in at the last minute when Coogan's romantic relationship falls apart. It’s a wickedly funny British comedy about the importance of friendship, fame and great food. We’ve got five copies to give away thanks to Madman. To win, email allan@bmamag.com and tell us who’s your favourite UK comedian of all time.
|
[Pod]
I have this job to thank for many things, namely nigh on three years of free gigs, festivals, film and theatre, an Olympic pool’s worth of tears of laughter, and the close friendship of some incomparable characters. I also have it to thank for this album.
I’d never heard of The Antlers before Burst Apart arrived at BMA HQ, its jewel case adorned with a sticker proclaiming “…Bon Iver’s intimacy, Arcade Fire’s ambition, Sigur Ros’ other-worldly reach and Flaming Lips’ psych experimentalism collide” – Uncut Magazine. I knew I’d love it before hearing a note.
Opener I Don’t Want Love is devastating; a heart-wrenching wallow in lead singer and guitarist Peter Silberman’s morning after despair. “I should have built better walls / Or slept in my clothes” he laments in a piercing, soaring falsetto that occasionally sounds feminine; the hint of androgyny augmenting the album’s ethereality. Parentheses conjures a rancorous ex lovers’ argument; its distorted guitars rip back and forth while a river of echoing electronic percussion and tweaked piano surges and swirls around Silberman’s indignant howl. “So close up your knees / And I’ll close your parentheses”. He’s been through relationship hell, but who hasn’t?
Extraordinarily, despite the album’s harrowing lyrical content, its atmosphere is strangely elevating, often reaching euphoric heights. The almost beatless Corsicana is the most beautiful song I’ve heard all year, and its transition into closer Putting The Dog To Sleep is sublime. Burst Apart’s glistening synth-laden melodies, sumptuous down-tempo dreamscapes and tender intimacy combine to create a master class in how to feel good about feeling bad. A vital lesson indeed.
|
[Interscope]
Allan: There's something so reliable about a new TV On The Radio album, and at the level they operate at, that's nothing short of astounding. They release LPs with no dud tracks, not even mediocre ones; each song that ends has you immediately yearning to hear it again until the next one plays and you're swept up once more. They take full advantage of their five core members and 17 guest instrumentalists to deliver joyous ‘rock’ that has their music described in a manner usually reserved for wines (depth, complexity, richness) without resorting to experimental ethereal nonsense; their songs are inclusive and will have you gleefully braying along. Nine Types of Light also serves as a timely testament to bass player Gerard Smith, who died shortly after the album's release. I could think of no greater legacy to leave behind.
Julz: TV On The Radio must be one of the most reliable bands on the planet. Everything they release is magic. Fourth LP Nine Types of Light is nine types of awesome. It’s diverse, it’s intricate, it’s frenetic, it’s laced with ridiculously good falsetto, it’s got luscious string and vibrant horn sections and effortlessly cool beats, it’s explosive, it’s intelligent, it’s funky and it’s beautiful. Nine reasons to go and buy it now. Their set at Sydney’s Harvest Festival was my live music highlight of the year; Repetition and Caffeinated Consciousness had me dancing like a frenzied loon. This is music to soundtrack your life with, so get on it. You’ll never look back.
|
|
If you take stock of your efforts over the past set of 12, and if you’re anything like me, you come up short. So much was planned. Many good intentions. Perhaps I got halfway there in 2011. And maybe that’s a fair result. But in a place like Canberra it always seems like there is so much more to do.
Over the past few months I’ve attempted to claim a little space in this column for the exaltation of the local. To focus your eye on what’s under your nose. A flick through these efforts seems to reflect a voice hell bent on all that is good in this town, but don’t assume that it’s easy to be upbeat. These columns mask a suite of frustrations that won’t be unfamiliar to residents. This place brims with potential, occasionally nails it, but more often than not seems hamstrung by its own icy reputation.
The point of my monthly missives, and of a lot of the work I’ve seen and loved this year is the same – to put a rocket under those living here, and stake a claim for the capital as a premier creative space.
If I’m pushed to list some highlights I could point toward the You Are Here Festival which casually articulated everything that passionate art freaks in this town want and need – grassroots, brimming with vitality, providing satisfying and challenging work across the spectrum.
Another was an out of town event that will probably live in the memory of the few who made the road trip to Braidwood in deep winter. A bunch of Canberry locals shoehorned themselves into the Braidwood pub and saw blistering, heart-rending sets by The Hoodlum Shouts and Voss. The Shouts look poised to have a huge 2012, with the advance word on their LP Young Man Old Man being that it’s a cracker. Voss were playing their final show that night, before a hiatus that will hopefully end sometime soon. The night itself though was bigger than all that.
What I think we want from our musical experiences is that congregational, massed voices thing. The communal exchange. Braidwood reflected everything that is good and great about the Canberra arts community by presenting two bands as good as any you’ll find in the land, and a small band of friends and strangers who sang along, magnified by the out of town aspect. The singing was especially loud that night. The road trip and the Braidwood ale smashed the familiar Canberra diffidence. It was good to hear these acts receive some adulation, and to hear a full voiced crowd who knew the words to songs penned here, without the guarantee of an audience to hear them. It felt like the culmination of some work, and a hint at what could be. More please.
|
|
"Well with this and stonefests “re-organization” I think we can pretty safely say goodbye to music festivals in Canberra. Dam Shame.” (sic)
This was one of the comments made in response to Mission to Launch’s announcement on their Facebook page that the NYE festival had been axed. 2011 was the year for it, with Great Southern Blues, Funk n Grooves (rural NSW), Rewind ‘80s and Perth’s One Movement suffering the same fate: poor ticket sales. Sydney’s Good Vibes sent out a last minute SOS offering half price tickets, Splendour failed to sell out for the first time in years, and at the time of writing not one leg of Big Day Out 2012 has sold out, despite being on sale since mid-October. When you’ve grown accustomed to virtually instant sell outs that’s gotta put a furrow in your brow.
‘Festival fatigue’ is the term most often employed when discussing the downturn of major festivals. Audiences have contracted because as they’ve grown and their ticket prices along with them, they’ve failed to grow better. Headliners are recycled and have become ho hum, and Southern Cross tattoos and borange brigades (bronzer + orange fake tan = borange – thanks to Chanel Cole for that one) reign supreme. When I went to my first BDO in ’04 I doubt The Festival Bogan even existed, and it was honestly one of the best days of my teenage years. I’ve been to ten since, and this is the first year as editor I’ve gladly offered up my media accreditation.
When I was halfway through penning this column I received a PR with the subject “Festival of the Sun sells out”. FOTSUN is a two day, 3,000 capacity, 18+ BYO festival held at Port Macquarie. I shot an email to their PR person asking if their programmer could answer a quick Q. Now that the majors are starting to struggle, is the time of the boutique festival now? Says Scott Mesiti, “I think festivals need to think like the bands that play at them… people fall in love with you on their own terms. Fan loyalty goes a long way and I think is a big key to having a sustainable event in this current climate. We’ve found with FOTSUN, not only do we want loyalty from our customers but they also expect loyalty from us in ensuring that we continue to offer a unique and intimate experience.”
Goodbye to music festivals in Canberra? Far from it. We’ve got two unique and intimate festivals of our very own. Summer Rhythm Festival and Corinbank have been two of the shining stars in my lengthy list of fests. If you long for stimulating music in gorgeous, environmentally conscious surrounds, with a friendly and considerate atmosphere that is, in my experience, devoid of the clientele that trashed the Parliamentary Triangle at the end of November, you needn’t look further than these two.
I hope you enjoy our end of year issue, dear readers. I said in my end of year column last year that it would be the last time I ever put together a 72 page street rag. I guess I kept that promise to myself as this edish is a whopping, record breaking 88. Oof. It’s been a right royal laff, believe me. For the hundredth time this year: I love my job.
|
|
To raise money to go tour over in New Zealand, one of Canberra’s most adored pop punk acts, Drawing North, will be holding a Christmas party at Alliance Youth in Calwell. Joining them on their mission and Christmas celebrations will be local acts Martha Moxley, The London Town Fire, When Giants Sleep, Ameliah Brown and Flynn. The boys have also instructed their audience to come dressed in anything Christmas themed, and by doing so you have a chance to win a number of great prizes. The party starts at 6.30pm on Saturday December 10. Tickets cost $10 (+ bf) online or $15 at the door.
I regret to inform you all that the New Year’s Eve party Mission to Launch has been cancelled due to poor ticket sales.
From Saturday-Sunday December 10-18, Australian stand-up icon Carl Barron will hit the capital with all his comedic force on his latest tour A One Ended Stick. You can laugh ‘til you cry. Doing a huge eight shows at The Canberra Theatre Centre due to popular demand, you know that you are in for a great time. Tickets cost $49.50 through Canberra Ticketing. Each show starts at 8pm.
Coming up in the heat of January is the annual Summernats Car Festival at Exhibition Park. This festival has become an icon of Canberra, attracting car lovers from all over the country for this three day event starting Thursday January 5 at 12pm. Alongside the array of car-related competitions, there will also be a well chosen line-up of bands to set the mood, including Drapht, The Screaming Jets, Children Collide, Nat Col & the Kings, Syndicate, Atlantis Awaits, Heaven The Axe and Night Train. Please go to the Summernats website for ticket prices and purchases.
In 2012, the Alliance Youth Hall will have the pleasure of hosting a unique act all the way from Los Angeles. The Red Paintings will bring to Canberra what they call orchestral art rock, which will take you on an unforgettable journey from the second you step through the door. They will pass through the capital on their Black Paintings tour at 5pm on Thursday January 12. Tickets cost just $22 (+ bf) through any Moshtix outlet, and believe me, it is worth every cent.
The Melbourne International Comedy Festival is on the hunt for Australia’s funniest teen as part of the 2012 Class Clowns competition. Think this could be you? Registrations are now open for anybody between 14 and 18 years old! All you need to do is create an original five minute stand-up, sketch or musical parody routine, and make it through the heats! You could then find yourself at the 2012 Class Clowns competition grand final in Melbourne. So register now for your chance to perform your routine in front of a real audience live at The Canberra Theatre Centre on Friday March 2, after a workshop with a professional stage comedian. You can register and perform as a solo act, a duo or even a trio. For more information or to register go to the Class Clowns section of the Melbourne International Comedy Festival website.
With 2011 coming to a close, I hope that it has been a great year for all of you. This being the last issue of BMA Magazine until 2012, I wish you all a Merry Christmas and all the best in the New Year!
|
What do you do?
I am a visual artist primarily working in print media and drawing.
When did you get into it?
Even as a child I had always wanted to become an artist but I really started focusing on the area in high school.
Who or what influences you as an artist?
I am fascinated by bones, skeletons and carcases, and by the nature of decay ever-present in the Australian landscape. Georgia O’Keeffe has become an important influence; akin to my art practice she has collected bones, isolating the subject from its natural environment, in doing so she can focus on representing its structure. Her use of negative space has animated her imagery of bones; the coloured grounds she creates allow the form to float in space, abstracting it.
What’s your biggest achievement/proudest moment so far?
My biggest achievement would have to be completing Art School. In this environment I was able to develop my practice and be involved in many student exhibitions.
What are your plans for the future?
I am excited to begin Honours in Fine Arts next year, and am hoping to exhibit with some other graduates from Art School. Eventually I would like to own my own art studio to help establish other emerging artists.
What makes you laugh?
My friends and family make me laugh but I also often laugh at myself. I have an odd sense of humour…
What pisses you off?
People who are arrogant, selfish and who put other people down piss me off.
What’s your opinion of the local scene?
I think there are a lot of talented local emerging artists and I am excited for the future of contemporary art in Canberra and hope to be a part of it.
What are your upcoming performances/exhibitions?
I have work in the Graduating Exhibition at the Canberra Art School and am also involved in a student exhibition titled Never Mind the Painting which is to be held in an empty shopfront at Baileys Corner, Civic in mid-December.
Contact info:
elaine_camlin@hotmail.com
|
|
WHO: Canberra people who like to SHOUT things into microphones WHEN: Weds Dec 21 WHERE: The Phoenix
BAD!SLAM!NO!BISCUIT! is to Canberra's poetry scene what your Uncle Reg is to the brandy meant for the Christmas pud – we secretly drink it all while locked in the women's toilets of the leagues club, waste it, so no one else gets any, and then vomit it up on your shoulder while you're trying to watch It's A Wonderful Life. The last BAD!SLAM!NO!BISCUIT! for the year promises to be even more ramshackle than usual with people disappearing for the Christmas break. Bring your poems, rants, and that graphic series of sexy letters you wrote to Allan Sko that were seized by the AFP, and get down with Hadley, Andrew Gayland, The Master of Conflict and The Score Adder, and super special guests The Brass Knuckle Brass Band. Free. Sign up from 7.30pm, poetry starts at 8. Probably.
|
|
WHO: Budding comedians WHEN: Now open! WHERE: Canberra heat is at Tilley’s on Thurs March 8
What do Chris Lilley, Josh Thomas, Peter Helliar and Tim Minchin all have in common?
Before becoming some of Australia’s most recognisable names in comedy, they all finessed their funny and took on RAW Comedy, Australia’s biggest and most prestigious annual open mic comedy competition. RAW Comedy, a Melbourne International Comedy Festival initiative has been launching the careers of countless comedians since 1996. Once again they are set to scour the country in a bid to lure out humourists hiding in the offices, workplaces, classrooms, pubs and homes throughout our neighbourhoods. For all the info and to register head to rawcomedy.com.au .
|
|
WHO: Six local artists WHEN: Wed Dec 7 – Thurs Dec 22 WHERE: ANCA Gallery
Six local artists will transform the gallery by working directly on the walls. Byrd with Hanna Hoyne, Mariana del Castillo with Gus McGrath and Alex Asch, Nicci Haynes, Tess Horwitz and Paul Summerfield. The exhibition is curated by Narelle Phillips. The gallery will be open to visitors from Wednesday December 7 onwards, to observe some of the wall works being created. The official opening will be on Wednesday December 14 from 6pm, with live local music.
|
|
WHO: Young people aged 10-14 WHEN: Mon Dec 12 – Fri Jan 13, opening Dec 15 WHERE: Belconnen Gallery
Back in the old days photos were made of light reacting with chemicals. You couldn’t see them instantly but had to wait for them to develop. Participants aged 10-14 in the Snap! project were loaned 35mm film cameras that were donated by community members. Award winning Belconnen based photographer Lee Grant taught them about film photography as art and as journalism and about how to tell a story with photos. Now these works are being exhibited. Snap! is an initiative of Belconnen Community Service’s Community Development Program.
|
|
WHAT: Call for submissions WHEN: Now until Sun Jan 15, 2012 WHERE: Canberra and the surrounding region
Are you a young and emerging writer, artist, designer or photographer seeking to have your work published? Us Folk is a new bi-monthly magazine aimed at young Canberrans who have a keen interest in the arts, and aren't ashamed to call this city home. They are currently seeking submissions of articles, short stories, art, comics, photography and illustration for the first issue of Us Folk. They are also interested in featuring community groups and small businesses that support the arts in Canberra. To find out more about contributing, advertising or sponsorship visit usfolkmag.com or email email@usfolkmag.com. Submissions of content close Sunday January 15, 2012.
|
|
WHO: Director Tony Krawitz WHEN: Four screenings throughout December WHERE: Arc Cinema, National Film and Sound Archives
Some of the story is familiar: the death of Cameron Doomadgee in a police cell on Palm Island. The coroner’s case that decided Senior Sergeant Chris Hurley had no case to answer; the aftermath as community outrage led to the burning down of the police station. The Street commission that reversed the coroner’s decision, then the subsequent trial – the first for manslaughter of an active Queensland police officer – with horrific revelations that Doomadgee’s injuries were like those of a fatal car crash, although the police claimed he had tripped on a step. Queensland police union’s threats of strike action, and the unsatisfying and controversial not guilty verdict that resolved little… given on the same day the Howard government announced the Intervention. This is a very different social justice documentary, which takes on a much wider brief than just the facts of the case. nfsa.gov.au .
|
|
BMA Magazine head honcho Allan Sko said this of zombie flick The Dead: "The Dead switches the familiar American city setting for the wide sunny plains of Africa and does away with the trend of running zombies/infected to favour the slow, shuffling kind. And to great effect. The flat sunny setting forces the Ford Brothers to be clever with creating tension, relying more on an effective slow creeping dread and less on cheap shock moments where the soundtrack is clumsily ratcheted to 11. The characters are intelligent and sympathetic thus doing away with many frustrating moments of the genre, allowing us to genuinely fear for their well-being. This is a solid zombie think piece with an apt ending that lingers in the mind afterwards. And yes vouchers for viscera; it’s not without moments of genuine gorey awesomeness.”
And he slapped a four star review on it to boot. If that sounds like your thing, we have three copies to give away. To win, email allan@bmamag.com and your plan for the zombie apocalypse.
|
|
Jodie Foster directs and co-stars with Mel Gibson in The Beaver, an emotional story about a man on a journey to rediscover his family and re-start his life. Plagued by his own demons, Walter Black (Gibson) was once a successful toy executive and family man who now suffers from depression. No matter what he tries, Walter can't seem to get himself back on track... until a beaver hand puppet enters his life. No beaver jokes please. We have three Blu Ray copies to give away courtesy of Icon Home Entertainment. To win, email allan@bmamag.com and tell us about the kind of hand puppet that you’d employ.
|
|
An impressionistic story of a Midwestern family in the 1950's, Terrence Malick's Tree of Life follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (Brad Pitt). Jack (played as an adult by Sean Penn) finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith. You know, the easy stuff. Terrence Malick people. Malick! Terrence Malick! We have three Blu Ray copies to give away courtesy of Icon Home Entertainment. To win, email allan@bmamag.com
|
|
Comedy rock super star, recent Helpmann Award winner and musical comedy genius, Tim Minchin brings his biggest live show ever to DVD and Blu-Ray. This show includes brand new songs as well as those much loved Minchin classics, but this time, as you've never heard them before – with the backing of a 55-piece Heritage orchestra in England’s most prestigious venue; Salford Tesco's. No, wait. Royal Albert Hall. That's better. We have five copies to give away courtesy of Universal Pictures Home Entertainment. To win, email allan@bmamag.com with a Youtube link to your favourite musical comedy sketch.
|
|
The Wolfpack is back in The Hangover Part II. Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha) travel to Thailand for Stu's wedding. However, things don't go as planned, and a night of wild partying leaves the Wolfpack with no memory of the night before and no idea how to find the bride’s missing brother. Or his finger. Oops – delayed spoiler alert. Sorry. The prize pack includes:
1 x Hangover Part II on Blu-Ray combo pack 1 x Hangover Part II T-shirt 1 x Hangover Part II Hat 1 x Pack of Hangover Part II iPhone stickers 1 x Hangover Part II Travel Mug
Thanks to Warner Home Video we’ve got one of these babies to throw your way. To win, email allan@bmamag.com and tell us about your worst hangover ever.
|
|
Cult star Bruce Campbell (Evil Dead) reunites with director Sam Raimi (Spider Man) to battle the lethal forces of evil in Army of Darkness – the outrageous, effects-fuelled action epic that will make you scream with fear and laughter. Forced to lead a makeshift Dark Ages army against the demonic Deadites, who possess all the deadly magic of hell, the shotgun-toting, chainsaw-armed, reluctant 20th Century time traveller Ash (Campbell) must save the living from the dead, rescue his medieval girlfriend and get back to his own time. One of the most popular horror-comedies of all time, now digitally remastered with bonus features and featuring 5.1 surround sound, Army of Darkness Screwhead Edition is drop-dead fun. Thanks to Via Vision we’ve got five copies to throw your way. To win, email allan@bmamag.com
|
|
The most iconic Western Series of all time has been digitally remastered. Welcome to The Ponderosa! The Cartwright's thousand-square-mile Ponderosa Ranch is located near Virginia City, Nevada, site of the Comstock Silver Lode, during and after the Civil War. Each of the sons was born to a different wife of Ben Cartwright, each helping protect the ranch and local community from Lynch mobs, outlaws and claim jumpers. Now digitally remastered, this larger than life iconic western TV show is a must have for collectors as this set features loads of bonus footage and 17 previously unreleased episodes. Thanks to Via Vision we’ve got five copies to throw your way. To win, email allan@bmamag.com and tell us about your favourite Western of all time.
|
Cell Block 69 are back! Unbelievably, the band are reforming for the tenth year in a row to perform at ANU Bar on Friday December 23. Once a year Cell Block 69 return for a night of glorious pop rock complete with back-lit Venetian blinds, coloured-smoke machines, sax solos, stadium rock poses and audience members falling to their knees with fists clenched tight in the international rock language for “feelin-it”. Cell Block’s patented Last Ever Show will see the ANU transform into a Rock Stadium, as the band guide the audience through a cornucopia of hits that were ‘tragically stolen’ from them by other, more celebrated, artists. The band, whose stunning ‘80s musicianship is matched only by their wardrobes, will perform their new wave masterpieces, ‘90s mega-mixes and trash rock anthems. This will be a truly unmissable night of retro pop. Cell Block 69 will be joined by legendary Viking rock maestros Knight Hammer. Tix through Ticketek.
|
|
MusicACT is a new peak body providing a voice for Canberra’s music industry. Its current activities include standing up for small venues on the issue of liquor licensing, pushing for the inclusion of a music presence at the proposed Kingston Arts Precinct, professional development workshops in 2012 covering music production, touring, management and promotion, and delivering a comprehensive ACT venue directory. They’re accepting members from Jan 1 so head to musicact.com.au to get involvedand stay tuned to these pages for regular updates.
|
|
On February 23 last year, the SLAM rally saw 20,000 people march through Melbourne in protest against the Victorian Government’s misguided policy link between live music and violence. The SLAM rally was the largest cultural protest in Australia’s history. Now all of Australia has the opportunity to participate in a national event that celebrates our local musicians in our small venues. Music communities around Australia are now invited to unite in support of our thriving live culture by hosting their own National SLAM Day on Thursday February 23. Support your local artists and venues by getting out and experiencing the spontaneous excitement and intimacy you can only get at a small venue. For all the info head to slamrally.org .
|
|
At the precise moment it’s no longer possible to walk across the bitumen barefoot, a ripple effect happens – mangoes fill the esky, seat belts start to scald and The Beautiful Girls hit the highwayto bring their summer glow to the South Coast. Join them for a chilli mojito at Narooma Golf Club on Wednesday December 28.
|
|
Performing for the first time in Oz, Cavalera Conspiracy are peeling off a Canberra sideshow from their Big Day Out tour. Cavalera Conspiracy was created by Max and Iggor, the brothers who formed the legendarily trailblazing heavy metal band Sepultura. Across six albums they perfected the art of metal while exploring the underbelly of third world political issues culminating with the landmark Roots album in ‘96. Max left Sepultura and formed Soulfly in the late ‘90s, with seven albums under the studded belt. Iggor stayed in Sepultura for a few more albums before splitting himself in ‘06. Less than two years later the metal world was turned upside down by the debut album from Cavalera Conspiracy. You can see Max and Iggor Cavalera unleash Cavalera Conspiracy in Canberra at the ANU Bar on Friday Jan 27. Tix through Ticketek.
|
|
Multi-platinum alt/funk rockers Incubus are heading our way in Feb in support of their seventh album If Not Now, When?. They’ll be playing the Royal Theatre on Saturday Feb 4. It’ll be a greatest hits affair with the likes of Drive, Pardon Me, and Wish You Were Here as well as songs from their latest offering. Frontman Brandon Boyd describes it as “darker, slower, more rich, more refined, and more involved than anything Incubus has birthed to date.” Tix go on sale at 9am on Thurs Dec 8 through Ticketek.
|
Long time BMA Mag family member Andrew Mayo snapped our cover shot of Iggy at the Sydney Big Day Out on Australia Day this year. Says Mayo, “It was close to 40 degrees and I was on the verge of vomiting from heatstroke… And there’s Iggy, at the ripe old age of 63, showing the young ‘uns how it’s done.” Mayo, we salute you. Thanks a million mate.
|
WHO: Band, DJs, fireworks WHEN: Sat Dec 31 WHERE: Garema Place
Count down the year to the beat of Australia’s best DJs. Local stars VJ Insan3 and DJ Rush will get the party started at 9pm, before DJ Rawson dominates the dancefloor with his creativity and skills behind the decks. See in 2012 with dance legend Chris Fraser, spinning the biggest dance hits of the year. From 7pm Civic Square will be the place for families and music lovers of all ages to enjoy performances by Ian Moss and Canberra bands The Bridge Between and Heuristic. There’ll be fireworks at 9pm and midnight, with the midnight fireworks set to a soundtrack bringing in the New Year. Both events are free.
|
WHAT: Summer Sounds in the Gardens WHEN: Saturdays and Sundays throughout January WHERE: National Botanic Gardens Eucalypt Lawn
Relax and enjoy Summer Sounds in the Gardens, Canberra’s popular outdoor summer music concert series running every Saturday and Sunday from 5.30pm – 7.30pm throughout Jan. Bring your family and friends, a picnic and enjoy a sensational line-up of live music in the beautiful surrounds of the Eucalypt Lawn. A new feature for 2012 will be the vibrant dance demonstrations which will feature everything from swing to salsa. Cold bar sales will be provided by Friends of the Gardens and sizzling BBQs by Rotary and Lions Clubs. There’ll also be free children’s activities. Entry is by donation to Friends of the Gardens. For the full line-up head to anbg.gov.au/gardens .
|
WHAT: Summer of Balmy Bandy Festival Fun and Tour Times WHEN: Various dates WHERE: Various locations
Beth n Ben have been getting a bunch of love off the back of the first single Back of the Line from their recently released sophomore EP Economy Class. It’s been picked up by radio and attracted the attention of festival directors and venue bookers. Having only ever toured as a duo, Beth n Ben are looking forward to taking the band on the road for a series of festival slots and gigs including Summer Rhythm Festival, Peats Ridge, venue gigs around Northern NSW and South East Queensland in Jan and the brand new Northern Beaches Festival in Sydney in February. For all the dates head to myspace.com/bethnben .
|
WHAT: Psycholonial stomp WHEN: Sat Jan 14 WHERE: The Front
"Maniacal". "Brilliant". "Belligerent". "Legendary" – these are just some of the words used to describe the utterly intoxicating Juke Baritone as he's travelled the world with his rascally troupe of manic noisemakers, assaulting audiences with his tall tales of bad love, good times and the evils of the world. They’ve played The Famous Spiegeltent at Sydney, Melbourne, Brisbane and Adelaide Festivals, they’ve played The Sydney Opera House, they’ve played Woodford, Harvest and Corinbank, and now they’re set to play The Front. Horns will scream. Guitars will screech. And the audience will go wild as they dance and chant along to this uniquely Australian sounding "psycholonial stomp". Supported by Cat Dog Monkey. 8pm, $10.
|
WHAT: Prog/theatrical rock WHEN: Thurs Jan 12 WHERE: Tuggeranong Alliance Youth Centre
The Red Paintings are a progressive rock/theatrical performance group who incorporate themed costumed stage shows, live art, visual projections (working with local and international artists), and human canvases. The bands’ sound and live show is described by fans and press as orchestral art rock. At each show, artists and audience members are encouraged to join the band on stage to express (through painting) their individual visions through connecting with the music. In addition to painting on traditional canvases, the artists also paint on human canvases. Each Red Paintings stage show is a unique collaboration between the audience, art and the band. Tix through Moshtix.
|
WHAT: Furious gypsy music, with Fun Machine in support WHEN: Thurs Jan 12 WHERE: Transit Bar
It’s hard to believe it but The Woohoo Revue, the fiendishly talented sextet who always create an adrenalin-fuelled celebration fit for dancing, drinking, and ignoring tomorrow, have not played Canberra this year. In previous years you could have been forgiven for thinking they’re a local band considering the number of times they’ve played here. But no, 2011 will not see a notoriously rambunctious Woohoo gig, but 2012 will. Two days before this gig they will have finished recording their second album and will be celebrating their trumpeter’s birthday, so you can be assured of one hell of a party. $10 at the door.
|
WHAT: NYE at Transit WHEN: Sat Dec 31 WHERE: Transit Bar Architect DJs and friends have your New Year’s Eve covered. 2011 saw a massive year at Transit where indie was king, and The Architect DJs are having one last blow out to finish off the year in style. Join them for a night of straight up party jams with a focus on all the music that made 2011 great. The night will feature all your favourite Transit party starters and of course The Architect DJs who have had a massive 2011 on the back of a number of residencies at Transit. In their own words, “get ready for some midnight pashing and dancefloor thrashing.”
|
WHAT: A Very Shady Xmas Eve WHEN: Sat Dec 24 WHERE: Transit Bar
The silly season is upon us, and according to Party By Jake, a bender on Christmas Eve is about as silly as it gets. PBJ invites you to throw on some rubbish shades and come on down for a good ol’ romp at Transit Bar. A sack-full of party tunes will be supplied by Party By Jake's lil helpers: Eddie Shaggz, Chairman Wow, Princi, Chachachar and Celebrity Sex Tape. Throw in a few Christmas surprises and A Very Shady Xmas Eve (sunglasses at night theme) will be the best preparation for your Steve Buscemi eyes come Christmas morning. Free.
|
WHAT: Fred Smith's Orphan’s Christmas WHEN: Sat Dec 24 WHERE: The Phoenix
It's been a massive year for Fred Smith with rave reviews in the national papers for his album Dust Of Uruzgan, a collection of songs inspired by his 18 month tour of Afghanistan as an Australian Diplomat. After a lengthy tour of Oz, Smith returns for his annual Christmas Eve gig at The Phoenix with the old gang of Pete and Fiete and Gregor Murray (The Fuelers). It's always a big night as locals and ex-pats catch up and prepare for the days ahead with a little night cap and three sets of rock and roll all for the cost of naught. From 9pm.
|
WHAT: Touring in support of In-Flight Entertainment WHEN: Sat Dec 10 WHERE: Trinity Bar
For the last two years Aeroplane has been carefully selecting the best electronic music released every month to turn it into the Aeroplane Chart Mixes. These mixes have gained a lot of attention on the Aeroplane Soundcloud, with each mix getting between 30,000 and 45,000 plays and quickly becoming blogosphere favourites. The next step was to make it ‘official’. It became a stupidly popular radio show called In-Flight Entertainment, and then a mix CD of the same name. With this history, an Aeroplane compilation couldn’t be anything simple, it needed to be special; experience just how special when he plays Trinity in support of it.
|
WHAT: FasterLouder Christmas Party WHEN: Sat Dec 10 WHERE: The Front
To celebrate another great year in local music, FasterLouder Canberra is throwing a Christmas bash complete with the finest in local talent and copious quantities of tinsel. On December 10, head down to The Front, grab yourself a cider and jive to the sounds of Lavers, Fox & Fowl and Fun Machine, and help FasterLouder toast a year of fantastic talent and amazing gigs. Leave your inner Grinch at home as it’s time to deck the halls and get all kinds of merry. Tacky Christmas earrings are optional, but encouraged. Bands kick off at 7.30pm. Free.
|
WHAT: A night of true mayhem WHEN: Thurs Dec 8, 8pm, $10 WHERE: The Front
Rapskallion will be launching their new EP The Cat and Fiddle in a blaze of sweat, colour, feathers and accordion powered riffage. The EP is a collection of musical vignettes from a realm inhabited by back alley gangster felines, femme fatales, and silver moon maidens, with a soundtrack somewhere between a Chicago speakeasy, a Hungarian hoedown, and a Halloween party at a South Seas pirate haven. Joining them will be Mr Fibby, who on the following Saturday night (Dec 10) will be having their fourth listening party at Smiths for their radio play Mr Fibby’s Excellently Disappointing Adventure Time, which you can also hear on 2XX at 9pm or stream on mrfibby.com .
|
|
Where did your band name come from?
We tried for ages to think of an awesome band name but couldn’t come up with one. In the end we had to settle for Hence the Testbed as it confused instead of polarised. There is a whole story behind how the phrase came about too but we have been court ordered not to speak about it until 2019.
Group members:
Sam (guitars and vox), Ad (drums and vox) and Kirky (bass and vox).
Describe your sound:
Grunge, prog, folk, metal, lounge, rock and stoner to name a few but I guess it might just depend on what one of our songs you might like and on what night you catch us.
Who are your influences, musical or otherwise?
The super corny but truthful answer to this at the moment is each other. We never really try to write a song, they just seem to bumble out of their own accord and we wrestle them to the ground and kick them in to shape.
What’s the weirdest experience you’ve had whilst performing?
Two girls making out. That’s not the weird part though. We didn’t see what was happening at the time and discovered that when the crowd is cheering, they aren’t necessarily cheering for you.
What’s your biggest achievement/proudest moment so far?
Playing at Summer Rhythm 2011 will be a massive highlight for us and one that is going to be hard to top in 2012, but we will try. Maybe Sam could do a nudie run through Civic!
What are your plans for the future?
We really need to record soon so we can clear the current rotation and beat another bunch of songs into submission. Other than that it’s just the usual stocking up on zombie killing supplies. It’s going to go down, it’s just a matter of when. We aren’t going to get caught out.
What makes you laugh?
That awesome face that someone makes the second they realise they have done something really, really stupid and there is no way they can recover.
What pisses you off?
Running out of beer.
What’s your opinion of the local scene?
We haven’t had too many gigs yet as we are pretty fresh out of the garage, but it seems pretty good. Every time we play there are some other amazing bands on the bill blowing us away.
What are your upcoming gigs?
Summer Rhythm 2011 is our next show! We also try to update the website as much as is humanly possible so all our upcoming gigs should be there.
Contact info:
hencethetestbed.com
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: ANU School of Art Graduates WHEN: Opening on Fri Dec 2 at 6pm. Duration Sat Dec 3 – Sun Dec 11. WHERE: ANU School of Art
With over 130 exhibiting artists across the entire ANU School of Art, the Graduating Exhibition is one of the biggest exhibitions in the ACT Arts programme. This year’s exhibition features the works of students completing their studies in Bachelor of Visual Arts Honours, Bachelor of Visual Arts, Bachelor of Digital Arts and the Diploma of Art. Students have majored in wood, textiles, sculpture, print media and drawing, photography and media arts, painting, gold and silversmithing, glass and ceramics. The works are displayed in the School of Art Gallery, Foyer Gallery, Photospace and in Workshop spaces throughout the School. Many of the works are for sale and provide a great opportunity to support the recent graduates.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
The RocKwiz Christmas shows in 2007 and 2009 are sparkling jewels in the RocKwiz Live crown ... held at St Kilda's Palais Theatre, they have featured Australia's brightest stars, extra songs and festive surprises along with all your favourite segments. This year Julia Zemiro, Brian Nankervis and the expanded RocKwiz Orkestra are taking their Christmas shows on the road. Dugald is loading the sled and sourcing some high quality frankincense and myrrh and they are all hitting The Royal Theatre on Thursday December 1. Tickets through Ticketek. We have six prize packs to give away. The winner will receive a double pass and Series 1 and 2 of RockWiz on DVD, while five runners up will receive the DVDs. To win, email editorial@bmamag.com and tell us your favourite moment of RocKwiz.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
Danish downtempo producer Ganga is fully charged and ready for lift-off with his latest studio album Forget Gravity, which is layered with his east-meets-west signature flavour. Ganga aka Christian Ronn is known the world over for his trademark downtempo music. Recorded in Copenhagen and Goa in India, like all of Ganga’s albums before, Forget Gravity features a host of vocal and musical talent from far corners of the globe. To win, email editorial@bmamag.com and tell us what you would do if we all were able to forget gravity.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
"When you pick up a camera, you are symbolically and literally changing the direction of your focus and therefore reclaiming the power of your gaze. Looking outward at the world, rather than into the mirror let’s say, is a fundamentally important step in becoming empowered. This is Inspire; to me it is the essence of Girlosophy.” Girlosophy – Inspire is an art and photography book with a focus on travel and culture, for young women everywhere. We have one copy of the beautiful hardcover coffee table book to give away. To win, email editorial@bmamag.com and attach the best travel photo you’ve ever snapped.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
This Summer Canberra, and Manuka Oval, are blessed with one of the busier cricketing calendars seen in the nation’s capital in years.
On Sunday December 4 the RTA Speedblitz Blues take on the evenly matched Tasmanian Tigers in a one day match. Shortly after on Tuesday December 6 through to Friday December 9 the two teams are at it again with a four-day Sheffield Shield encounter.
Then on Thursday December 15 and Friday December 16 there’s a warm up Chairman’s XI vs India before a gritty three-day match from Monday December 19 through to Wednesday December 21. Promising to feature international cricket legends such as Sachin Tendulkar (in likely his last ever Australian appearance before retirement), MS Dhoni, VVS Laxman, Rahul Dravid, Harbhajan Singh and Ishant Sharma, it’s sure to be an electric few days of cricket at the intimate Manuka Oval setting.
We have five double passes to every day of every match listed above to giveaway. If you want the chance to win a double pass, or multiple doubles passes, send an email to allan@bmamag.com and tell us who your favourite cricketer of all time is, and why.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WANDERING STAR
Nigh on three years ago for a feature in this fine rag I spoke to Michael Hohnen, GEOFFREY GURRUMUL YUNUPINGU’s close friend, fellow musician and producer, just after Gurrumul’s debut self-titled album went gold. Since then it’s gone double platinum, and his sophomore album Rrakala, released in April this year, went gold a couple of months back.
This time when we speak Hohnen’s voice is vastly different; no longer bright and cheery he’s obviously worn down and weary. It’s entirely understandable; Gurrumul played for Obama the day after our interview, and was the only Australian to perform for the Queen a month before. “Everyone’s running around like mad chickens. There’re more logistics than you can imagine. I know they’re closing the entire air space so it must be an incredibly major exercise.” Oof.
Gurrumul, the blind Yolngu Mata man from Elcho Island in North East Arnhem Land has dominated world music in Australia since the release of his debut, and is frequently affixed with the phrase “world music superstar”. In reality, Hohnen tells me, this couldn’t be further from the truth. “Gurrumul’s in a more humble place than he was [three years ago]. He lives on Elcho now with his family, his mum and dad and about 15, 16 other people. He’s surrounded by family the whole time, and he loves that. They bring him seafood and he’s involved in community life, which is quite a healthy, positive environment. It’s a beautiful, beautiful place where he lives. So his situation hasn’t blown out of proportion in any way. He’s very much the same – he’s probably happier now, because he understands what’s going on, whereas it was all very new then.”
Gurrumul is an industry phenomenon. His massive swag of awards; ARIAs, Deadlys, AIR Awards, virtually every music award there is to win in this country he’s won (his portrait even won the ’09 Archibald), and flock of famous fans; Elton John, Sting, Björk (and now surely Obama – “Gurrumul calls him a blackfella. It means a bit more to him that he’s black”), do not hold a candle to the happiness he finds in simply being in his homeland. “He likes making money because he loves giving it to his family. But when you’ve no desire for fame and fortune it changes the picture entirely,” muses Hohnen.
Without Hohnen – his collaborator, translator, spokesperson, seeing aid and label Artistic Director – it is fair to say Gurrumul’s success as a solo artist may not have been as great. “It’s overwhelming, but because of the way Gurrumul is it’s not nearly as overwhelming as it could be. It’s just pulled back from that overwhelming stage because of how humble he is.” Did I mention Hohnen also has three very young kids? He, along with Gurrumul, are true heroes of the Australian music industry.
Gurrumul plays The Royal Theatre supported by Dewayne Everettsmith on Saturday November 26. Tickets are $81.65/$71.65+bf through Ticketek. Doors at 7pm, show starts at 7.30pm.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
When this ish hits the street The Phoenix will be at day three of their 18th Birthday Party Week, all geared up for the launch of Super Best Friend’s new single Karma Karma. Thursday heralds an eve of Phoenix bands of yore The Way Hip Antelopes, The Pete and Fiete Band, Fred Smith and The Fuelers, while the Saturday celebrations kick off at 2 with highlights including Mr. Fibby at 3.30, blues pilot Jonno Zilber at about 7.30 and Tom Woodward’s new project Judge doing their first ever gig around 9. Sunday afternoon sees a special session of BAD!SLAM!NO!BISCUIT! which – as the ad to the right pitches it so perfectly – is “Canberra people who like to SHOUT poems into microphones”. To get warmed up for the birthday bashes I threw the call out to Facebook for folk to throw me their first time at Phoenix tales. The following is a selection of the G rated anecdotes printed verbatim. We may be street press, but as I assured The Phoenix when it posted “Oh sweet jesus, please be gentle”, BMA Magazine always adheres to the loftiest of journalistic standards. Damn straight.
Vorn Doolette: The first time I went to the phoenix I was just 18. I was taken there by a friend. It was life changing. The people there were kind of like me. I looked at them....they looked at me. We fell in love. I fell in love with this strange fish bowel like experience. You didn’t have to be perfect to be accepted at the phoenix. This was a place for artists, poets and musicians. This was home.
Adam Hadley: One time Mr. Fibby were playing a gig and we were being mostly ignored by the audience, and there was a blonde girl right next to the stage talking really loudly with her friends, and I yelled something like “I wish this blonde douchebag would stop being all up in my grill” and she jumped up and punched me in the ear. Also, I actually don't remember the first time I went to the Phoenix. I assume I went there for a first time, but it's all caught up in the rich, tequila-scented tapestry that is being a piece of furniture at the Phoenix. I would also describe my experience of the Phoenix like being in a fish bowel.
Catherine Keely: The first time I went to the Phoenix a mysterious man read my palm and advised strongly never to wear anything with concentric circles.
Alistair Erskine: The first time I went to the Phoenix, I couldn’t find a seat. This happened the next 3 times, and then finally I decided to make friends with another seatless drinker. Eventually, I got a seat, but I also gained something you can never lose - friends made at the Phoenix.
Marissa Paine: My friends and I wanted Midori Splices (because we were 18 and that’s what 18 year olds drink). They didn’t have cream at the bar, so we went to the petrol station to buy some. Came back and they didn't have any Midori. I've since learnt that the Phoenix is for beer, not cocktails. And I'm better for it.
Karuna Gurung: The first time I went to the Phoenix, I was supposed to meet a guy, but I had left my phone at home, and had had a stupid day, AND the boy was an infuriating five minutes late, so I fled and stood him up. The guy would go on to become my husband.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHAT: Chrissie tour WHEN: Wed Dec 14 WHERE: The Street Theatre
After spending most of 2011 touring across the USA and Europe, the now homeless Darren Hanlon will end the year with his customary Christmas shows. Usually Darren's Christmas tours consist of a few scattered dates, but for the first time this December Darren will play a substantial lap of the country, stopping in most capital cities and starting with a rare, extensive tour of North Queensland. As always Darren will perform solo, playing stripped back versions of the songs from his extensive canon with a little help from surprise guests. Also along for the ride is David Dondero (USA), Darren's first signing to his own label Flippin' Yeah Industries. Tix through the venue.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHAT: Saccharine-folk WHEN: Thurs Dec 1 WHERE: Transit Bar
Hannah, Catherine, Andy and Frank all moved from Canberra to Melbourne in early 2011. Whilst finding their feet in a new city they found each other again and this reunion lead to the formation of Atluk. Dubbing their style as saccharine-folk, their music mixes the narrative style of Belle & Sebastian and the light-hearted romance of She & Him. They also have the occasional group harmonies of Boy & Bear and the warm melodies of Angus & Julia Stone. Every song is a quest to tell you a story and a tune get stuck in your heart. They’ll be joined by Fox and Fowl and The Streelight Parade. Free, 8pm.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: Treehouse and Blahnket Presents WHEN: Thurs Dec 1 WHERE: Top floor of UniPub
Los Angeles-based The Gaslamp Killer is a DJ whose electric style ranges from psychedelia and world music to dubstep and left-field hip-hop. Associated with Flying Lotus’ Brainfeeder Records, he’s a resident DJ at the world-renowned Low End Theory club night, has received global acclaim for his magnificent turntable skills and larger-than-life stage presence, and is a raw revolutionary who is a true Australian favorite. The Gaslamp Killer is coming to UniPub supported by a swag of Australia’s most promising beat makers, MoR, Paqman, Roleo, Onetalk, Deaf Cat, 2Fuddha, JPS, and Faux Real, making this an absolute gem on the calendar for anyone interested in live electronic music performance. Tix through Moshtix.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHAT: 9-piece funk machine WHEN: Fri Dec 2 WHERE: Potbelly Bar
Nine-piece funk machine His Merry Men are set to tour Australia's east coast to celebrate the launch of their new single Super Secret Spies. Hailed as Brisbane's latest darlings of funk, His Merry Men contemporise a classic sound with influences from surf rock, electronica and hip-hop. Their energetic new single brings back the hey day of pop rock with an infections spy/funk theme. HMM will be hitting the Potbelly armed with local juggernauts The Brass Knuckle Brass Band, a New Orleans style funk outfit. One thing's for certain, there'll be an outrageous horn party at this gig with a total of 10 horn players busting ridiculous funk chops all night long. Awww yeah.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: Amnesty International WHEN: Thurs Dec 1 – Sat Dec 10 WHERE: Locations around Civic, Braddon and New Acton
Amnesty International’s ARTillery Festival is taking over Canberra with its unique fusion of cutting edge art and human rights activism. The not-for-profit festival, run entirely by volunteers, started in Perth in ‘08 with the goal of using art to get young people thinking and speaking out about human rights. Enlisting an army of established and up-and-coming artists from a variety of disciplines, ARTillery has been proving to locals that human rights activism can be inspiring as well as a great night out. ARTillery promises to deliver the same electricity and fight-for-your-rights spirit to the national capital. For the run down of all the exciting events, head to artilleryfestival.com .
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: South side dwellers WHEN: Sat Nov 26 WHERE: Tuggeranong Town Park
Doc Neeson, previous frontman of The Angels will be headlining the Tuggeranong Festival this year. The free family friendly event will be held on Saturday 26 November from noon until 10pm, with the main act commencing at 7.45pm followed by a monster fireworks display over Lake Tuggeranong. The festival will also include children’s activities, rides and amusements, community and commercial stalls, free sailing, an antique car and bike exhibit, the RAAF Tethered Balloon and Canberra’s own Town Crier. I didn’t even know we had one. Check out the full program at tuggeranongfestival.org.au .
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
Having been announced for Laneway’s Sydney and Melbourne events, Givers and Portugal. The Man will also be bringing their bright breed of psych-pop to Canberra along with special guests Guineafowl. All three bands are as renowned for their dynamic live performances as for their irresistible tunes and musical prowess. Givers’ In Light is a vibrant debut album, perfect for the warm summer months ahead and bursting with invigorating melodies, shifting rhythms and an abundance of energy as many will know from their revitalising first single Up Up Up and new single Meantime. Alaskan quartet Portugal. The Man released their much anticipated sixth album In The Mountain In The Cloud in July. The album is filled with pulsing riffs and rings true to the buoyant rock and roll style that has permeated each album since the band’s ‘06 debut. Got It All (This Can’t Be Living Now), the infectiously catchy first single was played on high rotation at triple j, and the momentum continues to build. It’s all happening in the UC Refectory on Wednesday February 8. Tix through Ticketek.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
Melbourne flower-punk luminaries Sand Pebbles embark on a national tour next month to launch their acclaimed new album Dark Magic. When Wes Holland joined Sand Pebbles a couple of years ago at the age of 18, Andrew Tanner had just turned 50. The band quickly realised they ran a unique age gamut; a member born in each decade in the history of rock ‘n’ roll – ‘50s, ‘60s, ‘70s, ‘80s and ‘90s. Far from disowning this unique fact, they decided to use it to inform their next album. The result, Dark Magic, speaks from many minds and many times. It's hypnotic, cosmic, kinetic and freewheeling. Catch them at The Front with The Sun Blinde on Friday December 2.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
For more than a quarter century Henry Rollins has toured the world as a spoken word artist, as frontman for both Rollins Band and Black Flag and without a microphone, as a solitary traveller with insatiable curiosity bypassing the resorts in favour of places like Siberia and Senegal, or Burma and Bangladesh. Or Canberra. His curiosity and hunger for experienced based knowledge, teamed with his willingness to travel, his no-holds-barred delivery of his opinions and observations, and wicked sense of humour make him one of the most inspiring and interesting commentators/entertainers of a generation. He returns to Australia in 2012 for The Long March tour, a month long national odyssey, which is stopping by The Street Theatre on Sunday May 6. Tix through the venue.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
THE SLOG has 2012 calendars for sale that showcase interstate and local musicians such as Abbie Cardwell, Beth‘n’Ben, Brothers Grim, Cash Savage, Fun Machine, Graveyard Train, Grinspoon, Julia & the Deep Sea Sirens, Mikelangelo and Saint Clare, MoJo JuJu, Snowdroppers and many more. Calendars are available through Smiths Alternative Bookshop and featured artist’s shows, but you can also purchase them online for $14.95. Each calendar sold raises funds for THE SLOG site and makes the back of your toilet door damn sexy for 12 months. To check them out and secure yourself a copy, head to slogmusic.com .
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
The hardworking KP Records crew are at it again, bringing to Canberra their biggest venture to date; all out hip-hop festival Heatwave, so called due to its summer date of Saturday January 21 and its hot hip-hop line-up. This truly international affair, playing out at Epic Arena Canberra, plays host to Tech N9ne (US), D12 (US), Obie Trice (US), Koolism, Big Dave and Grantwho?, DJ Rush, D’Opus And Roshambo, Kodak, N2W (NSW), Dlinkwnt (NSW), Kitty B (NSW), Bishop, DJ Skae (NSW) with Eitha, Deon and Collossuss, and is hosted by the BRB. We have also been assured there will also be beer gardens, overnight camping facilities, stalls, merchandise, street art displays, live graffiti demonstrations, food, and just one stage so you don’t miss a set. There are also at least two big internationals still to be announced. It’s an 18+ event, with first release tix on sale now costing $110 + bf, second release $140 + bf and VIPs $160 + bf from Moshtix.com.au, Landspeed Records and Co-op Bookshop in the city. For more info, details and messages from the artists head to kokyprik.com .
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: Canberra Youth Theatre WHEN: Previews Nov 22, 23; performances Nov 24, 25, 26; matinee Nov 26 WHERE: C-Block Theatre - Gorman House Arts Centre
Throughout Canberra Youth Theatre’s 40 year history the organisation has always strived to nurture young talent. Artists Unite by emerging playwrights, and produced by emerging directors, designers and technical designers, is no exception. CYT’s emerging artists were all college and university students, but when presented with a play written by ten and 11-year-old budding playwrights, Gabrielle and Loren Emerson, the opportunity to have a young director was too good to pass up. Four short plays make Artists Unite. The Last Dragon’s Tooth is a thrilling adventure story that sees the reluctant young hero Tom, set out on a dangerous quest to bring back the only cure for his dying father, the last Dragon’s Tooth. The play joins Silver Gelatin by Camilla Sheather-Neumann, Frogs Body by Olivia Hewson and Circcestra by Farnoush Parsiavashi. cytc.net .
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: Yulyurlu Lorna Napurrurla Fencer WHEN: Now until Sun Dec 18 WHERE: Drill Hall Gallery
Warlpiri artist Yulyurlu Lorna Napurrurla Fencer (c.1924-2006) was a senior law woman who started painting in 1986. This is the first major survey of Yulyurlu’s work and it illustrates her exuberant and innovative approach to traditional Warlpiri imagery. The works in this exhibition have been chosen to show her artistic development over 20 years, in particular her contribution to the Lajamanu region, but also her relationship to the western desert art movement. Often likened to the great Emily Kngwarreye, Yulyurlu achieved considerable acclaim during her lifetime as one of the northern desert region’s most prominent and original artists.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: History's great thinkers WHEN: Opening on Sat Nov 26 WHERE: National Library of Australia
Unique and precious documents from history’s greats will go on show in Handwritten: ten centuries of manuscript treasures from the Staatsbibliothek zu Berlin, a blockbuster exhibition to open the NLA’s new Exhibition Gallery. Handwritten will feature 100 unique manuscript treasures from Germany’s largest library, the Staatsbibliothek zu Berlin, which celebrates its 350th anniversary this year. The exhibition, a who’s who of history’s greatest thinkers, spans more than 1,000 years. It features a handwritten document by Michelangelo – a receipt for a portrait of the Virgin Mary commissioned in 1519, Einstein’s anti-militaristic article, My Opinion on the War, written in 1915, Mozart’s original Marriage of Figaro manuscript, a battlefield letter by Napoleon, and Beethoven’s Fifth Symphony score from 1808 plus many more handwritten treasures will be on display.
nla.gov.au/media/handwritten
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: Performance artists WHEN: Fri Nov 25 WHERE: Canberra Contemporary Art Space, Gorman House
Roll up roll up for the first ever Bone Idol performance art contest! Get ready to have your mind blown and your standards overthrown (hopefully not literally). Bone Idol is a new event on CCAS’s calendar and combines the talent, laughs and general embarrassment of Australian Idol and Red Faces, with the startling magic of performance art. Contestants will battle it out for the highly coveted Bone Idol Trophy and a prize of $500. Don’t think that this guarantees that the quality of the performances will be high, as part of the fun will be acts by those who dare to take performance art to new lows. At the end of each performance the artists will be judged Australian Idol style; expect humiliation, shrieking and unapologetic praise.
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
WHO: Burlesque lovers WHEN: Sat Nov 26 – Sun Nov 27 WHERE: Canberra Irish Club
Come along to Miss Kitka’s Kitten of the Year and vote for the Audience Choice Kitten of the Year while enjoying Miss Kitka's house band The Matadors. Each solo performer in Kitten of the Year is required to research and where possible contact the performer, and then pay tribute to a burlesque performer pre circa 1965. The winner of Kitten of the Year then becomes the public 'face' of Miss Kitka's House of Burlesque for the following 12 months, and is also given performance opportunities and teacher training. Tickets for the Saturday night show are available through Moshtix, and for the Sunday night dinner and show, through the Canberra Irish Club. misskitka.com.au .
|
Date Published: Tuesday, 22 November 11
| Author: Julia Winterflood
|
| 2 months, 2 weeks ago
Where did your band name come from?
When the band was first formed it was a three-piece all girl band and we hadn’t quite settled on a name yet. One day our drummer Laura was rounding us up to go somewhere and said “come on glacier girls” as she thought we were moving at glacial pace. It stuck! When we took on two male members we shortened the name to The Glaciers and we’ve been that ever since.
Group members:
Adelyn (lead vocals, guitar), Laura (vocals, drums), Ray (bass/keys) and Matt (lead guitar).
Describe your sound:
Definitely diverse! Our sound seems to morph seamlessly between soft, acoustic ballads with sweet vocals and harmonies to screaming high energy guitar rock. If you had to pigeonhole us, we’d fit in the rock/indie/pop box. Boxes… shudder.
Who are your influences, musical or otherwise?
The best thing about The Glaciers is our diversity. Everyone comes at it from a different place. Adelyn loves indie sounds and adores PJ Harvey, Laura is a pop queen, Matt IS rock and Ray comes from a rockabilly background. Adelyn and Ray also have a side electronica dance project so it’s quite the tapas menu.
What’s the weirdest experience you’ve had whilst performing?
Definitely having bras and blow up dolls thrown at us on stage (on separate occasions!).
What’s your biggest achievement/proudest moment so far?
Debuting our video clip for The Garden on Landed Music.
What are your plans for the future?
Touring the east coast, which we hope to do early next year.
What makes you laugh?
Our drummer Laura’s accident prone antics. Hipsters. Popped-collar pastel-coloured polos. Cyclists in spandex who walk around shopping centres with their helmets on.
What pisses you off?
Not being able to read BMA’s You Pissed Me Off column.
Also, the following: drunken yobbos, grammatically challenged individuals, A Current Affair, Canberra’s aversion to late night dining, people who won’t dance at gigs and the steady decline of the quality of toys in Kinder Surprises.
What’s your opinion of the local scene?
So many great bands, so little time! Would be nice to see a few more venues open their doors to live music. We need more venues like The Phoenix. And thank goodness for BMA, CMC and Cardboard Charlie!
What are your upcoming gigs?
Friday December 16 supporting Alithia at The Maram. More coming up in January/February.
Contact info: contact@theglaciers.com.au theglaciers.com.au
Search for us on Facebook!
|
Date Published: Wednesday, 9 November 11
| Author: Julia Winterflood
|
| 3 months ago
From the street corners of Colombia come the award winning dancers of Swing Latino, here to pass on the secrets of salsa to dance lovers as part of Salsa: We are the Colombian Pacific. The Swing Latino dancers will be showcasing the best of that exciting corner of the world. Edwin Villalobos – twice the national salsa champion of Colombia – and his partner Leidy Carolina Giraldo bring performances, demonstrations and workshops that look set to make the dancefloor sizzle. With workshops for beginners, seniors, and more experienced dancers, as well as demonstrations and performances in every city, Salsa: We are the Colombian Pacific will benefit dance lovers of all levels. Don’t miss this fantastic opportunity to learn about Colombia and its people, to discover one of the most fascinating rhythms in the world, and to dance with the best salsa artists on the planet! The Canberra workshop will be held in Garema Place at 5pm on Wednesday November 23 and is free.
|
|
Stocking filler ahoy! Catch .44 stars Bruce Willis, Forest Whitaker, Malin Akerman, Nikki Reed, Deborah Ann Woll. When three friends are sent by their boss to intercept a drug deal at a desolate diner, they think nothing of it... until a standoff ensues and the mystery of what brought them together slowly starts to unravel. To win, email editorial@bmamag.com and tell us about your boss, and whether they’d ever get you into a situation like this!
|
|
Having spent six months gigging in America and already a regular on US late night comedy talk show, Chelsea Lately, it won’t be long before Wil Anderson takes on The World. So, with that in mind, he’s starting by taking on Man. Socially engaged, politically aware and bloody funny, Wil Anderson performs his award winning new show, Man Vs. Wil, touring the country this October and November. We have two doubles to his show at CTC on Friday November 11. To win, email editorial@bmamag.com and tell us why it is that you love Wil.
|
|
Wide Open Road is a new Australian documentary series from Paul Clarke, the maker of Bombora. Wide Open Road: The Soundtrack of the Series is a ‘car tape’ of tracks from and inspired by the series. It features a diverse array of artists from Australia and overseas including Billy Thorpe & The Aztecs, Cold Chisel, The Saints, The Cruel Sea, The Stranglers, The Ramones, The Triffids and many more. A perfect Chrimbo pressie for your Dad, no doubt. And your Mum. To win, email editorial@bmamag.com and tell us about your best road trip of all time.
|
FOR OLD TIME'S SAKE
Canberra wouldn’t be Canberra without THE PHOENIX, I say to Sean Hannigan, the manager of the much loved said pub, and Fiete Geier, the band booker. “It works the other way too,” says Geier. “Phoenix wouldn’t be Phoenix without Canberra. It’s that mix of public servants, students, bus interchange people; a lot of people who come from Europe who are searching for a nice pub in the evening and they’re lost for a few weeks until they find this place and think ‘thank god, a normal place where I can drink and just talk to people’.”
The Phoenix is celebrating its 18th birthday from Monday November 21 to Sunday November 27. Not only is it a celebration of its coming of age but a joyous reminder that over the past 18 months The Phoenix has been brought back from the brink. How could we frequenters forget that fateful week in May last year when The Phoenix closed its doors, displaying only an A4 sheet of paper with an unnervingly ambiguous edict? The anxiety amongst Canberra’s live music community was palpable; panicked and fear stricken the rumours spread fast. Was this the end?
The collective angst compelled the illustrious Adam Hadley to compose a disquisition in the form of a Facebook note to quell our heartache and smooth our furrowed brows. He concluded with, “The Phoenix will return in all its ridiculous, over the top, vortex of time wasting, cider downing glory, and in the meantime I think it's important that we draw together as a community and celebrate The Phoenix... In the end, everyone knows that the only thing that rises from the ashes of a phoenix is a phoenix.” And it did.
Not without hard work though. The Phoenix copped a massive financial blow when the ACT Government changed its Liquor Licensing legislation in March last year. Because its capacity of 94 is above 80, the Government’s maximum capacity for the small pub category, it was placed in the same basket as larger venues in the 500+ capacity range. “Our license fee quadrupled,” says Hannigan. “And we found that unsustainable. So we had to get Fiete up from Melbourne to revamp the pub and the entertainment and basically turn it around, so that’s been our focus for a year.”
One of the changes was the introduction of door charges for certain Sunday gigs, which, while understandably ruffling the wings of a few regular bar flies, has actually been quite successful. “It means we can get in bigger acts and give them a more intimate setting than they could get anywhere else in Canberra, except maybe The Front. We’re really happy with it because we want to keep supporting as much local original music as we can.”
Of all Canberra’s venues it is without doubt The Phoenix is the greatest supporter of local original music. The institution that is The Bootleg Sessions has seen countless young bands get their first gig beyond backyards and livingrooms, while the intimacy of the stage area offers the rare opportunity for both corybantic and cosy performances. It is truly unique in our town, I tell Hannigan and Geier. “It’s almost unique nationally,” replies the latter.
“All the touring bands that come through, they’re doing 20 gigs and the next time they come back they say [their Phoenix gig] was their favourite of the tour. When you’re touring, inevitably you’re gonna get a lot of shit gigs. Especially if it’s one of your first tours. So if you play at a pub where you get a great response and a nice setting, it’s always a good thing, and I can say from experience.”
The birthday celebrations will see a swag of bands who “haven’t played [Phoenix] for a very long time, who played here many years ago,” says Geier. One act on Thursday November 24’s line-up, The Way Hip Antelopes, caught my eye. I’d never heard of them but with a name like that they had to be good; I confessed my ignorance to Geier. “You don’t know The Way Hip Antelopes? Seminal late ‘90s Canberra band. They started playing around ’97. The bass player was a barman here for about a decade. They probably stopped playing around early 2000s but now they just happened to find themselves back in Canberra. So they’ll be playing for old time’s sake.” The Phoenix fam is a close one indeed.
For those who consider themselves family the trivia night on Tuesday November 22 is a must. All the questions will be Phoenix and booze related. Cardboard Charlie, who once booked Bootlegs full time are back with another instalment on the Monday; Wednesday sees the launch of Super Best Friend’s new single; Saturday is a smorgasbord of Phoenix faves old and new from 2, and Sunday is BAD!SLAM!NO!BISCUIT!, or as the most recent Phoenix poster proclaims, “Canberra people who like to SHOUT poems into microphones”. If you haven’t been to a BAD!SLAM! before, go.
Sean Hannigan has been with The Phoenix since ’93. “It’s been fascinating,” he says with his charming Irish smile. “To see the changes both inside and outside the bar. Canberra’s gone through a number of changes. What’s lacking around Civic… is a hole that we fill with an alternative nightlife. There are certainly plenty of bars around that will give you $2 shots but we provide something completely different and luckily the Canberra population seems to agree. We had a whole number of challenges to get through during the last year, but with Fiete’s guidance and expertise and knowledge of Canberra’s live music scene we really came through and we’re delighted with how it’s all worked out. What better way to celebrate than an 18th?” Happy birthday, Phoenix.
For all the info on the week long birthday shenanigans, find PhoenixPub Canberra on Facebook or just drop in and read the blackboard above the bar. Make sure you have a pint or two while you’re at it, mind you.
|
RADIO FIBBY
Not many groups can claim that one of their festival performances has undergone a diligent dissection in a blog almost entirely dedicated to flora. The Nature of Robertson is, as its title suggests, “a blog about the nature of Robertson, NSW... and about life in Robertson, too.” The blog’s detailed analysis (there’re dot points! there’s a photo of Hadley’s foot!) of MR FIBBY’S performance at the 2008 Robertson Irish Afternoon contains one of the most luminous lines of editorial gold I’ve read in my nigh on three years as ed.: “Mr Fibby [are] an inappropriate act to stage in Robertson, on a Sunday afternoon, after a children’s dance performance.”
“Brilliant!” I bellow to Adam Hadley, whose nom de guerre is Not Important when he is fronting Fibby, possibly the world’s only sinister storytelling, ramshackle carnivale clad Slav-core quartet.
The Nature of Robertson’s punitive stance on Fibby’s appearance at the Irish Afternoon is, Hadley explains, “the jumping off point” for their next big project, Mr Fibby's Most Excellently Disappointing Wireless Adventure Time. “It chronicles our adventures on our way to the Robertson Irish Music Festival, which is a true story; we were asked and did play at it. It was one of our first tours. It was lovely, but also very surreal and bizarre.” For the uninitiated, this is the essence of a Fibby show.
Yep, they’ve done it again folks; they’ve gone and made another radio play! 2009’s Ship of Fools went down a treat with Canberra audiences (“the audience fucked up but we were ok,” says Hadley, po-faced). In true Fibby fashion they’ve shaken things up the second time ‘round, and have recorded six eps to be broadcast on 2XX and streamed from their site every Saturday at 9pm from November 19 onwards. Also in true Fibby fashion, to launch the season there’ll be an “awful listening party” at Smiths Alternative Bookshop, which recently evolved into a wine bar. “People can get a bit boozy and we’ll have some stupid games and a little bit of a Fibby set. We have plans for the most cheap awful port we can find to be a little giveaway; little thimbles of port and Fibby makeovers and all kinds of stupidity. It just depends on how much dirt and ash we can bring into Smiths.”
It comes as no surprise Mr Fibby have pursued the charmingly retro format of the radio play as their live performances bristle with theatrics rarely found amongst most groups today. Explains Hadley, “all of the awful banter and abuse between the four of us is completely expanded and the storytelling kind of dropped. We still have moments of that fairy tale thing and the music is still going to be very Fibby; beautiful, weird, intricate stuff.” ?But if Fibby are inappropriate for an Irish Afternoon, are they befitting for broadcast? “So long as there’s a solid warning at the start, we’re all right.” Here’s my solid warning: DRINK A THIMBLE OF PORT WITH MR FIBBY.
Mr Fibby's Most Excellently Disappointing Wireless Adventure Time will be launched at Smiths on Saturday November 19 at 7.30pm. $5 on the door. Bargain. The remaining five episodes will be broadcast on 2XX 98.3FM at 9pm every Saturday up until Christmas Eve, with a repeat of the final ep on Christmas day. You can also stream online at mrfibby.com. O, and they’re gigging with good friends The Barons of Tang at the Polish Club on Fri Nov 11.
|
|
On Thursday October 27 I attended a workshop called Take the Lead for Canberra, held by the ACT Chamber of Commerce and the Australian Institute of Management. It was facilitated by Charles Landry, whom The Canberra Times have dubbed “the city whisperer”. He’s a “creative and urban planning guru” according to the workshop invite and an interesting character; I was initially affronted by his ostentatious air but by the end of the three and a half hour session I was mighty glad I went. There was a column in it for starters, and I feel I put up a pretty good fight on behalf of Canberra’s creatives.
Landry’s developed what he’s dubbed a Creativity Index for cities. It consists of ten categories for which cities are given a score out of ten, with the average being the city’s Creativity Score. The categories range from political and public framework to distinctiveness, diversity, vitality and expression, from openness, trust, tolerance and accessibility to liveability and wellbeing, and so on. Some of the comments made when we were discussing the second category – distinctiveness, diversity, vitality and expression – really riled me. As Landry passed the mic around comments like “there’s nothing unique about Canberra” and “it’s really dead” piled up. Groan!
I was sitting at the side of the room with my close friend Dave Caffery; we’d arrived late and hadn’t found a spot at a table. After the fifth comment about Canberra being devoid of vitality I nodded to Landry with my hand aloft, grabbed the mic and vented. These young people had been recognised as future leaders of Canberra for chrissakes, “dynamic people with big ideas”. There’s no need to write what I actually said as I’m sure you can imagine the myriad examples I listed to counter their complaints. Dave grabbed the mic after me and did the same, concluding with the comment “Canberra is bustling”.
Landry chided us as we became more vocal; a colluded team of two defending our city’s scene. Just like mates in a tute we were told to split up so I joined a nearby table. I can honestly say I have never been more appalled by the opinions of a stranger nor been so bold with my ripostes. One of the three young lasses, I’ll call her Jane, severely dislikes Canberra. Actually that’s putting it politely; she fucking hates the place. Why? Because there’s no shopping. Now each to their own; I know not everyone’s in love with the ‘berra like I am but to completely trash it because of a lack of retail outlets is, in my opinion, pathetic. “Perhaps we like to create more than we like to consume,” I proffered to Jane. A supercilious remark on my part, yes, but I was truly vexed by this girl, and it saddened me to think she’d been identified as a ‘young leader’ when she was actually a total non-believer.
The 55 young people at the workshop gave Canberra a Creativity Score of 6.31, up from 5.43 which is what 150 “established leaders” gave it during Landry’s session last year. At least we had it over the older folk, but really, 6.31? Dave and I gave it a 9. We oft make our own fun, and you get out what you put in.
|
|
From Thursday November 10 until Monday November 21 is the 2011 Japanese Film Festival, celebrating its 15th year running. This event will bring a range of spectacular award winning films to The National Film and Sound Archives. From drama to comedy, animation to live action, the Japanese Film Festival has something to suit all tastes. To get more for your money you can buy a ‘Max’ pass giving you ten tickets for $80 or if there are just one or two films that take your fancy, standard ticket prices are $11 and $9 concession. The festival has attracted huge crowds in the past, so to avoid disappointment reserve your tickets in advance from the venue. For information on each of the films and session times go to the National Film and Sound Archive website.
Iconic Australian comedian Carl Barron is coming to the capital on his newest stand-up tour A One Ended Stick! In December, the man himself will bring to us comedy-hungry fiends his refreshing brand of observational humour. Yes, I know, it’s a while away, but this advanced warning is coming to you for a good reason. Preparing already for the overwhelming popularity of his performances, Carl Barron will be doing seven shows, one per night (except on Monday and Thursday) from Saturday December 10 until Sunday December 18. The man will take to the stage at The Canberra Theatre Centre, with each show starting at 8pm. Tickets can be purchased through Canberra Ticketing or from the venue. Concession costs $39.90 and $44.90 for adults. The prices are raised slightly for the Saturday night show, costing $44.90 for concession and $49.50 for adult admission. These tickets will sell incredibly fast, so book as soon as you can.
As yet another reminder, do not forget to buy your tickets for The Spicks and Speck-tacular - The Finale. “Adam, Alan and Myf are back on stage for the last time with a brand new show.” Now doing a third show due to popular demand, this is one of the promising shows for the remainder of the year. You can experience the dynamic trio live at The National Convention Centre from Saturday-Monday December 10-12, each with varying starting times. Specky reserve tickets cost $99, full priced tickets cost $85 and $65 for concession. You can snatch them up from any Ticketek outlet, but only if you act fast!
Don’t forget to pick up your tickets for the most entertaining New Year’s Eve Party in Canberra. To usher you into 2012, Mission To Launch will bring you an exciting array of local and international artists including The Living End, Sneaky Sound System, Ian Carey, Cloud Control, The Beautiful Girls, The Herd, The Potbelleez, British India, Yacht Club DJs, Bag Raiders, Grafton Primary, Andy Murphy, The Novocaines, Naysayer & Gilsun, Softwar and some soon to be announced local acts. Enjoying the sounds of this spectacular line-up you can greet a brand new year by the shores of Lake Burley Griffin at Weston Park. There will also be a variety of different stalls and delicious food stands, thus providing you with everything you need for a great New Year’s Eve. Tickets cost $130 (+ bf) general admission. For a VIP pass (unfortunately only available to those 18+), the price rises to $165 (+ bf). This is a 16+ event and ticket sales are strictly limited. So get in fast for your ticket to the best New Year’s Eve party that the capital has to offer this year.
|
Greg Haines is an English musician and composer currently living in Berlin who specialises in exploring the middle-ground between the academic world of contemporary classical music and the freedom found in the desire to manipulate and experiment with sound itself. In the wake of his debut Slumber Tides, Greg toured Europe extensively and began to develop as a live performer, and in particular as an improviser. With his most frequent collaborator, Danny Saul, the duo Liondialer was formed around the concept of purely improvised music, with no discussion in advance of performances and no pre-ordained strategies. On Thurs Nov 17 at The Loft in Dickson, hellosQuare presents a special evening of contemporary classical and improvised music featuring Greg Haines on his first Australian tour and Pollen Trio in support of their upcoming album Roll Slow. 8pm, $15/$12.
|
|
Mission To Launch is giving Canberra bands the chance to play at this year’s New Year’s Festival alongside some of the biggest names in Australian music. The competition kicks off on Wednesday November 9 and voting is open to everyone. Head to the Mission to Launch Facebook page for all the details.
|
|
Made in Japan's sound has been compared to early ‘90s British bands like Ride, Slowdive and The Stone Roses – although the band members cite more contemporary influences such as Foals and Bombay Bicycle Club. Whatever your take, Sights and Sounds is a richly layered and atmospheric yet accessible album, characterised by warped and swirling guitars, a precise rhythmic drive and intimate and melodic vocals. The four young men from Sydney’s Inner-West begin a mini launch tour in mid-November. Fans can expect to see Made in Japan in peak form, having spent most of 2011 recording and performing in some of Sydney’s favourite small venues. Catch ‘em at transit on Nov 12. japanmade.bandcamp.com .
|
|
No, not the one's who sing Mirror Mirror. Established in 2003, After The Fall play melodic hardcore in the vein of Bad Religion, Paint It Black, NOFX, Propaghandi and Kill Your Idols. After crisscrossing the USA many times ATF topped off 2010 with a tour of Central America alongside Millencolin and A Wilhelm Scream before hitting Europe and are tidying the end of this year up with their inaugural Australian tour covering the East Coast of Australia.
Joining them on all dates fresh off the boat from a Japanese tour will be Melbourne’s sweatiest dudes Anchors, along with Yoko Oh No and Snakepit. Check ‘em out at Bar 32 on Wed Nov 23.
|
|
Arriving with the same effortless charisma as their post-punk influences, the four members of Nantes came together in late 2010 and burst onto the scene in 2011 with the commanding single Fly. The song’s drum-driven, keys-laden sound and pulsating backbone demanded the attention of both radio and audiences alike, with its call-and-response refrain providing the perfect hook. Second single Charlie is similarly captivating with a piano bounce and compelling vocals sitting atop with a fresh optimistic flavour. With the band just turning a year old, the accomplishments are certainly stacking up quickly. Slots at Parklife and triple j’s Unearthed digital radio launch in Sydney have been highlights but the best is still to come. Catch them at Transit on Sat Nov 12.
|
|
Heart Tribe are a slammin' dance band with spicy world and reggae flavours hailing from Bellingen, NSW. Their fresh sound, tight improvisatory style and frequent changes in tempo lead to spontaneous explosions of dancing, and the addition of a sexy jazz flute is sure to have punters busting a groove. Joining them will be local Latin reggae legends Los Chavos who blend Latin rock, cumbia, ska, reggae, and samba, a funky fusion that always keeps audiences on their feet. Spinning tunes throughout the night will be Suz Da Fuze, Jayo and Rafa Chango. It’s all happening at Transit Bar on Thurs Nov 17. $12 at the door.
|
|
The time has come for the gates of the great Gum Ball Festival to swing open and welcome in a new posse of performers and stall holders. The Festival will run from April 27 – 28 2012 and applications are open ‘til the end of November. Situated in the Hunter Valley, Gum Ball is loved by fun loving folk who enjoy the pleasure of a 2,000 capacity boutique festival with room to dance and kick back with your friends. Open fires, two stages under the stars and amongst the trees equals a whole lot of good vibes. First round tickets going on sale on Nov 16 with the line-up announced mid-December. Gum Ball proudly supports The Black Dog Institute. For more info go to thegumball.com.au .
|
|
The gorgeous April invites all her dearest blossoms to a garden party on Saturday November 12 at April’s Caravan on Wattle Street (opposite the Lyneham chemist). It’s time to return to the Astro Turf for another delightful afternoon tea party with an abundance of vintage delights. There’ll be everything on sale from 1940s satin gowns to 1980s lurid knitwear, sweet spring frocks for the lasses and rockin’ summer shirts for the lads, two and three piece suits, vintage kiddy clothes, shoes, bags, scarves, hats and plenty of retro bric a brac. There will also be vintage sounds to get you rocking and rolling provided by Little Mac and the Monster Men at noon, and The King Hits at 1. Feel free to bring along a picnic; tea and scones provided. O goody! Find April’s Caravan on Facebook for all the info.
|
WHAT: Film clip launch WHEN: Sat Nov 12, 8pm WHERE: The Maram Bar A collaboration between Canberra film and video production company SilverSun Pictures and local band Sunchaser & the Wayward Orchestra has resulted in a film clip set to be released in mid-November. Frontman Jason Campbell-Smith says “it’s been an amazing creative journey. SilverSun Pictures has given us an opportunity to do something we could not afford to do otherwise!” The film clip is directed and edited by Douglas Kirk and filmed by Roger Price, and features the animation of Katie Ryan and brilliant character designs by illustrator Kieron Pratt. The launch is $10 on the door and will also feature an array of local bands.
|
WHAT: Playing at Metal Fiesta WHEN: Sat Nov 19 WHERE: The Basement
Melbourne’s Hatchet Dawn have just released a debut album of spooky dark modern heavy rock and metal titled Rebirth. After touring the south coast of Oz with Marilyn Manson in ‘09, Hatchet Dawn are now inviting you into the creative world that has attracted the failsafe collaboration of celebrated Grammy award-winning mixer Neil Kernon (Cannibal Corpse, Nile, Sex Pistols) and the mastering genius of Alan Douches (Mastodon, Misfits, Killswitch Engage). Catch them as part of the epic Metal Fiesta at The Basement which features ten bands across two stages, including Frankenbok, Witchgrinder, House Of Thumbs, Na Maza and more.
|
WHAT: The Gold Coast’s finest reggae/funk trio WHEN: Nov 20 and Nov 24 WHERE: The Polish Club and Transit Bar
The Gold Coast’s finest reggaefunk trio swoops into Canberra this November to rock the city with their world music grooves and powerful messages. They will play a show at the White Eagle Polish Club on Sunday November 20 from 3pm and also one at Transit Bar with Beth n Ben and fellow Queensland crooner Reichelt on Thursday November 24. Anarchist Duck are renowned for their explosive live shows, which fuse funk, reggae and groove with soaring vocal harmonies. Having recruited Dan Briffa (Roger That) on drums, the Ducks are pumped to bring their new sound back to their favourite haunt.
|
WHAT: Single launch WHEN: Fri Nov 25 WHERE: The Potbelly Bar
Canberra's Hoodlum Shouts return with their new single Guns Germs Steel, taken from their upcoming debut album. Embracing the charms of bands such as Midnight Oil and Fugazi, this corrosive three minute blast follows on nicely from their first EP Horses And Human Hands as it trawls through the history of domination. Hellosquare Recordings are offering Guns Germs Steel on 7” and digital. They will join Melbourne's Harmony who kick off a tour in support of their new single Heartache; with Sydney punks EPICS (Of Grand Fatal fame) and local sluggers Outcome Unknown rounding out what should be a cracker of a night. 8pm.
|
WHAT: Playful and upbeat tunes WHEN: Thurs Nov 10 WHERE: The Loft, new jazz venue in Dickson
Alison Avron makes her way back to her old stomping ground of Canberra to show off tracks from her recently released debut EP Wrong Notes & Anecdotes. It was recorded and produced with the super sound engineer Richie Belkner at Free Energy Device Studios in Sydney and is a collection of playful, upbeat but sometimes heart-wrenchingly beautiful tunes inspired by SIA, Muse and Massive Attack. The gig is being held at The Loft, the hip new jazz venue found in the upper room studio of the Majura Medical Centre. Entry $15/$12. Doors at 7.30pm.
|
WHAT: A strange Canberran five-piece band and one of Canberra's most prized young electronic personalities WHEN: Fri Nov 25, 10pm-late WHERE: Check Facebook for details
The proudly Canberran band Monotremes, The would like to present a highly enjoyable evening of charming original music. Bring your ears and/or brain to hear them artfully juxtapose disparate musical styles and intriguing ideas distilled into an exciting listenable format, in greater clarity than vinyl, cassette and even MP3! Gabe Gilmour, Esq., a celebrated local traveller of the workings of your mind, will then invite you on a cerebral road trip wherein your limbs will fall off because you have been dancing so hard, and your brain will dribble out of your ears because you are having just the best time.
|
|
WHO: Short Sweet Family WHEN: Thurs Nov 17 – Sun Nov 20 WHERE: The Courtyard Studio, Canberra Theatre Centre
The exciting international festival of ten minute, bite-sized dance works was a huge success in Canberra's 2010 season. High quality dance works created by local and interstate choreographers took the audience on a ride through various styles from contemporary to classical and themes looking at political to personal events. This year they are back with new exciting choreographers, concepts and movement, so if you’re a dance fan make sure you don't miss out. Short+Sweet Dance is part of the ever expanding Short Sweet Family which includes programs for theatre, cabaret, song, and comedy throughout Australia and internationally including Malaysia, Singapore, New Zealand and India. For all the info head to canberratheatrecentre.com.au .
|
|
WHO: Paul Jamieson WHEN: Tues Nov 15 – Tues Dec 6 WHERE: The Front After a year of April’s Caravan in residence, The Front Gallery and Cafe in Lyneham has returned to an exhibition program. Owner of The Front and sculptor, Paul Jamieson brings a new selection of sculptures to The Front with an exhibition focused on and around a dining table made from a huge slab of elm wood. Paul makes sculptures and furniture from salvaged timber and found or recycled objects. The exhibition opens on Tuesday November 15 at 6.30pm and continues until Tuesday December 6. The Front is now accepting exhibition proposals for the 2012 program. front.gallery@gmail.com or 02 6249 8453.
|
|
WHO: Hilary Wardhaugh WHEN: Sat Nov 19 WHERE: Opposite the National Portrait Gallery
Says local photographer Hilary Wardhaugh, “I was reading about Louise Hawson’s photographic essay 52 Suburbs in which she photographed people and places in various Sydney suburbs and has recently published a book about it…”. Hilary wants to do the same thing. “I see this as an opportunity for all Canberrans of any age or ability to get out their cameras or phones and document their bit of Canberra. It is a way to show what and who we are, that there is diversity and loads of untapped creativity.” On Nov 19 she’s holding a Photowalk, so bring your cameras and take a stroll, snapping all the way. For more info email Hilary at hilary@hwp.com.au .
|
|
WHO: Robert Boynes WHEN: Until Sun Nov 13 WHERE: Beaver Galleries, Deakin
In the light of day explores the sounds, sensations and movement found in our urban spaces and streetscapes. The paintings feature fractured images, shards of light and express the transience of what we see and what we record. For over four decades Robert Boynes has confirmed his place as an important artist of the urban environment. Robert was Head of Painting at the Canberra School of Art for 27 years and his work is represented in the National Gallery of Australia as well as all Australian state galleries. (Apology and correction: in the October 26 issue we ran a feature on Boynes titled Street Wise. It was incorrectly credited to Ben Hermann, when the author of the feature was actually Chloe Mandryk).
|
WHO: Arc Cinema WHEN: Wed Nov 9 – Thurs Nov 24 WHERE: Arc Cinema, National Film and Sound Archives
The 15th Japanese Film Festival returns to Arc Cinema in 2011 with a broad showcase of new, best and wildest films from Japan. This year’s program ranges from kooky comedies like Honeymoon in Hell: Mr and Mrs Oki’s Fabulous Trip (u/c18+), through box office hit action films like the Gantz series (MA15+) to the stunning anime from Studio Ghibli (Arrietty (G)) and new works from master directors like Lee Sang-il and Kobayashi Masahiro. The 2011 program also features a timely sidebar of two documentaries made 80 years apart – Yamakoshi (u/c18+) and Rebirth of the Capital (u/c18+) – showing the rebuilding of two very different Japanese communities after devastating earthquakes. For all the info head to nfsa.gov.au .
|
|
WHO: West Australian Ballet WHEN: Nov 15 - 19 WHERE: Canberra Theatre Centre
West Australian Ballet are set to wow Canberra audiences with the highly anticipated Cinderella, brought to life in the magical full length ballet at the Canberra Theatre from November 15-19. Jayne Smeulders, currently a leading artist with West Australian Ballet, has been commissioned by artistic director Ivan Cavallari to choreograph a classic ballet with a fresh new look. The stunning set and costumes have been created by Allan Lees to conjure up a magical world reflective of a European Principality in the 1930s, performed to Sergei Prokofiev’s evocative score.
The production also returns to the essence of the Grimm brothers’ fairytale, instilling a certain purity and simplicity as the classic tale unfolds. canberratheatrecentre.com.au .
|
Where did your band name come from?
For a while we had more band names than gigs. We realised this wasn’t working and went with one name, more gigs. We settled on Fox & Fowl late one night whilst watching a documentary on the Red Fox.
Group members:
Lachlan Smart (vocals, keys, guitar), Mitchell Gardoll (vocals, guitar), Tim Dyer (vocals, bass), Elliot Goard (guitar) and Matthew Smail (percussion).
Describe your sound:
It sounds like putting 15 sour Warheads in your mouth at once.
Who are your influences, musical or otherwise?
Though there are five in the band we have pretty similar tastes in music, some just a little more refined than others… haha. Jinja Safari, Whitley, Eagle and The Worm, The Local Natives, Oasis, Mum’s lasagne and weather conditions.
What’s the weirdest experience you’ve had whilst performing?
An audience.
What’s your biggest achievement/proudest moment so far?
As a band, getting through to the Foreshore Sound Search finals is a biggie. We can thank our splendid friends and family for that.
What are your plans for the future?
Four of the five are headed to the states early next year for six months to travel and study. Returning home we hope to head into the studio.
What makes you laugh?
Jokes. Smail.
What pisses you off?
That water that comes out of the bottom of the fridge.
What’s your opinion of the local scene?
To be honest we are pretty green on the local scene. At times it can appear like not a whole lot goes on, all you have to do is scratch the surface and you’ll find it. And it’s good!
What are your upcoming gigs?
Phoenix Bar – Monday November 14, fingers crossed for Foreshore at the Sound Search Finals on Saturday November 26, Transit Bar – Thursday December 1.
Contact info:
contact@foxandfowl.com
0430 371 795 – Lachlan
www.foxandfowl.com
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
The Rolling Stones: Some Girls, Live in Texas is a never-seen-before concert movie which captures this world famous band at the height of their musical career. Shot on 16mm at Fort Worth, Texas in 1978, the film has been upgraded to high definition with a 5.1 audio track. Featuring many Stones classics including: Honky Tonk Woman, Tumbling Dice, Brown Sugar, Jumpin Jack Flash, Miss You and Beast of Burden. Thanks to Hoyts we’ve got ten double in-season passes to give away. To win, email editorial@bmamag.com and tell us what your fav Stones track is and why.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
A group of friends spend a weekend at a lakeside house only to find that danger lurks beneath the waters. Yet their biggest fear is realised when they discover that the lake’s shark inhabitants are not their only enemy. When attempts to skip town fail one by one, these college kids - or the ones who are left - will have to battle their enemies head-on in order to survive. Thanks to Icon Films we’ve got 15 in-season doubles to give away. To win, email editorial@bmamag.com and tell us a good shark spotting story. You can view the trailer here.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Be captivated by a cappella group Ladysmith Black Mambazo's stirring bass, alto and tenor harmonies. For more than 30 years, Ladysmith Black Mambazo have married the intricate rhythms and harmonies of their native South African musical traditions with the sounds and sentiments of Christian gospel music. The result is a musical and spiritual alchemy that has touched a worldwide audience representing every corner of the religious, cultural and ethnic landscape. Their wonderful performances, and their aim to break cultural barriers by sharing musical beauty, have earned the group a dedicated world-wide following. We’ve got two doubles to give away to their show at Canberra Theatre Centre on Wednesday November 3. To win, email editorial@bmamag.com and tell us how Ladysmith Black Mambazo got their name.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Robert Axle, an eccentric inventor turned egomaniacal infomercial guru loses it all when one of his inventions maims thousands of customers. After eight years in a maximum security prison, Axle is ready to redeem his name and rebuild his billion dollar empire. But first, he must convince his estranged 22-year old daughter to let him live with her and her quirky, over-protective roommates. What a wild ride that’ll be. We’ve got five copies of the DVD to throw your way. To win, email editorial@bmamag.com and tell us what you would invent if you had the power to invent anything in the world.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Straight off the back of a hugely successful national tour with US outfit Owl City, local rockers New Empire cracked the ARIA Album Chart Top 40 on debut, scoring a No. 39 entry with their sophomore album Symmetry. New Empire’s incredible chart debut is testament to the band’s solid fan base and the result of constant touring over the past months. With the new single Ghosts at radio now, New Empire are well and truly on the fast-track to becoming one of Australia’s most celebrated new independent talents. They’re now embarking on their own national headline tour so be sure to catch them at The Maram on Friday October 28. Tix through Moshtix. We’ve got two doubles to give away. To win, email editorial@bmamag.com and tell us why you reckon it is this band is creating buzz.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHAT: Everything second hand you could possibly want WHEN: Sat Nov 5 WHERE: Old Bus Depot Building, 10am – 4pm
Saturday November 5 will be the last Fash’n’Treasure market for 2011. More than 70 individual stalls including great local and national designers, vintage clothes, jewellery and accessories as well as more than 40,00 vintage records, books, CDs and DVDs will be on sale. There’ll be local milliners with the latest headwear just in time for the spring racing season and Canberra’s trendiest guys and gals doing the recycling thing and selling off their fabulous wardrobes. Add coffee and international food as well as live music all day long and you’ve got yourself a grand day out fashntreasure.com .
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHAT: Mama Africa WHEN: Thurs Oct 27 and Sat Nov 5 WHERE: Arc cinema, National Film and Sound Archives
An extensive assemblage of interviews, archival footage and clips of her greatest songs creates a detailed portrait of one of the world’s legendary voices – the queen of South African music, Miriam Makeba. The multi-lingual Makeba grew up in South Africa but was exiled after taking part in a 1959 documentary Come Back, Africa. Living in Europe, America and then Guinea with outspoken activist husband Stokely Carmichael, she was a tireless advocate for Africa – at much personal cost – finally returning to her homeland at the request of Nelson Mandela – with this emotional reunion captured on film. Special ticket prices apply.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHO: serious theatre WHERE: The Street Theatre WHEN: Wed Nov 9 – Sun Nov 3
Launched into space through a portal you encounter a lone figure floating in the void. An immersive soundscape guides you on a personal voyage of pure discovery as you navigate the far reaches of space. Isolated from your fellow travellers by the infinite darkness, you begin to identify with the floating figure – your only reference point within your new environment. Invited through a series of shifts in time, scale and perspective to construct your own narrative, the external and internal begin to merge, resulting in a singular perspective of self. Part puppetry, aerial and physical performance, Void without Void is a new and innovative performance installation from serious theatre. Using sound, lighting, and sensory deprivation to create an enthralling immersive experience, serious creates a world that links observation with introspection. thestreet.org.au .
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHO: Free Rain Theatre Company WHEN: Fri Oct 28 – Sun Oct 13 WHERE: Courtyard Studio, Canberra Theatre Centre
The Dark Side of Midnight takes place in late 1946 to early 1947 on the eve of Partition in India, somewhere on the Northwest Frontier. No one knows what will happen as the migration of people is beginning, with panic and violence a daily event. Inside a typical British Raj home, Geraldine, a young wife, is afraid of the danger from within. She feels safer with the Indians in the bazaar than at home. Her life as she has known it is being destroyed. Running parallel are the conflicts, stoic humour, and the consequences of political events of the time. For more information head to canberratheatrecentre.com.au .
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHO: Families and squiglets WHEN: Sat Oct 29 WHERE: Tuggeranong Arts Centre
This year the Tuggeranong Arts Centre will put on a great show for the 13th edition of the Moon Festival, an event that celebrates diversity in our wonderfully diverse city. With artistic, educational and recreational activities aimed at children and families, this edition will focus on traditional cultural elements of a number of different ethnic and community groups in and around Canberra. Live music, modern and traditional dances, arts and craft activities, puppets, games and great multiethnic food will be the core elements of the celebration. The action starts at noon with the official opening, then from Filipino music to Mexican folk dance, African drumming and traditional Indian rhythms, the audience will enjoy a variety of free activities until 8pm. tuggeranongarts.com .
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHO: Local storytellers WHEN: Wed Dec 7 WHERE: The Street Theatre
Do you have a great story? That story you tell at the dinner table, at barbecues and parties? The story you know people will laugh, cry and be spellbound at? Now Hear This is a night of people telling those stories; people from all around the region come together and tell their true story to a packed audience at The Street Theatre. ABC 666 record it, play it on the radio and get it on the web. Storytellers aren’t auditioned then thrown to the wolves – a pretty intensive workshop is held to get the stories ready for the night. The theme for the next instalment is ‘friendship’. Register your interest and catch some of the stories they’ve recorded at abc.net.au/canberra .
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
What do you do?
The things that (don’t) need doing: poetry, philosophy, music, etc.
When did you get into it?
I remember studying Coleridge in Year 7 and hearing something click.
Who or what influences you as an artist?
I don’t know, but these are some of the people I’ve been reading recently: Prynne, Marx, Guest, O’Hara, Ammons, Sebald, Hegel, Creeley, Santner, Nancy, Dickinson, Hopkins, Bernstein, Adorno, Hejinian, Palmer and Duncan. This week my brain has been rewired repeatedly by a book called Better than Language (Ganzfeld Press).
What’s your biggest achievement/proudest moment so far?
I taught my dog a trick where she falls from a run and does a flip/barrel roll.
What are your plans for the future?
I like to think John Forbes was right:
if you take care of the art
your sister, Life
takes care of the human part.
If there’s a plan, that’s it.
What makes you laugh?
My wife Emilie. Mark Carmody. Kafka.
What pisses you off?
Cynical reason. The art/life distinction. Hard work considered as a virtue.
What’s your opinion of the local scene?
The poetry world is small, so I’ll take local to mean “Australian” and say that I have a high opinion of it: poetry here is stronger now than ever. If you don’t believe me, read Robert Adamson, Peter Minter, LK Holt, Jaya Savige, MTC Cronin, Jordie Albiston, John Kinsella, Paul Magee, Lionel Fogarty and Ania Walwicz (though you really need to see her perform!).
What are your upcoming performances/exhibitions?
My first book – wild inaudible – will be published soon by Australian Poetry.
My band Life and Limb has shows coming up: Saturday October 29 at Black Wire in Sydney and Saturday November 5 at The Phoenix in Canberra. We’ll be putting out a new record soon. We play punkish music.
Contact info:
mathewabbott@gmail.com
beetleinabox.tumblr.com
www.australianpoetry.org
lifeandlimbmusic.tumblr.com
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
On the afternoon of Saturday October 15 I cycled through the balmy spring air to the National Botanic Gardens for the Corinbank Garden Party, thrilled the forecasted thunderstorms were nowhere in sight. Normally I would’ve had a bike basket teeming with yummy things but the Corinbank team had kindly offered me a ticket to the sold out Slow Food Banquet. Massive win. 6pm gates opened for the Garden Party and by the time I arrived at 6.20ish a sea of picnic blankets was strewn across the lawns. Glowing lanterns garlanded the eucalypts, the queue for the bar and organic barbecue snaked up the hill, and a stretch of elegantly decorated tables laid out with compostable crockery wound its way along the back of the amphitheatre. Expressions of “isn’t this wonderful!?” and “what a perfect place for live music!” and “there are so many people here!” could be heard everywhere. The crowd was huge.
I’d first heard about the Slow Food movement at Corinbank 2010 but had never had the pleasure of tasting some ‘til this night. The movement’s manifesto is “good, clean and fair”; the three course dinner prepared by local chefs using local produce certainly ticked the first box, and I trust it did the others.
Three local bands performed at the Garden Party; James Fahy Trio, Beth n Ben and Fun Machine, all of whom are on the Corinbank 2012 line-up. Dining on marinated vegetables topped with goat’s cheese and mozzarella, followed by succulent beef with lashings of scrumptious viennoise sauce and a collection of prosciutto wrapped baby beets and carrots, and finally Grenadine-soaked strawberries and sorbet while listening to my favourite local acts in glorious natural surrounds was certainly my idea of a brilliant night out.
Just imagine three days of it in the Brindabellas…
The Corinbank Garden Party really was a little slice of Corinbank heaven; the family oriented celebration of local music, arts and food in the breathtakingly beautiful Botanic Gardens was a luscious taste of what’s to come in 2012. I will definitely be buying a ticket to the Slow Food banquet at next year’s fest.
Performing Arts Manager Elena Kirschbaum announced next year’s diverse arts program and Music Director Mark Bradley announced the line-up. A figure Mark mentioned made my eyes widen. “54% of the Corinbank 2012 line-up is local,” he beamed. We beamed right back.
More than half of a major festival bill being made up of local acts is an astoundingly admirable achievement. But Corinbank is not the only festival tipping its cap to the enormous amount of talent we have in the ACT. Summer Rhythm Festival, running from December 9 – 11 this year at Goolabri Resort, is doing the same. Of the 80 acts on its bill main man Dan Luton tells me over 60% are local. I can’t commend Mark and Dan’s support for our local industry enough. For all the info on Corinbank head to corinbank.com and for Summer Rhythm, strangehours.com.au .
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHAT: Celebrates turning 18! WHEN: Nov 21 – 27 WHERE: Where else?
In November The Phoenix comes of age, celebrating 18 years of serving pints in Civic and supporting live original music. Over the years Phoenix has been one of the few venues in town where young bands can get their first gig, but also where established local and touring acts keep coming back. To celebrate The Phoenix is putting on a week of birthday celebrations from November 21 – 27. There’ll be a night of Canberra bands from days past (including The Way Hip Antelopes, Pete and Fiete and The Fuelers on the 24th), a night of Phoenix Trivia (22nd) and a full day of local and touring bands (26th). More details to come.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHAT: Rising Ballarat boys WHEN: Thurs Nov 10 WHERE: Transit Bar
With a debut, self-titled EP under their belts and fresh off the back of their Parklife dates, Gold Fields will be taking to the road to spread their “frantic dance-pop 'n' anthemic jams”. It's been a hectic 12 months since the quintet seemingly burst out of nowhere at the tail-end of 2010. Gold Fields hit the ground running when their debut song Treehouse was plucked off triple j Unearthed and instantly added to high rotation. Their accompanying live shows quickly gained them a word-of-mouth reputation for being a high-energy combo of pounding drums, rhythmic basslines and herky-jerky dance moves. Tix thorugh Moshtix.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHAT: Opening Party WHEN: Thu Nov 10 WHERE: The Phoenix Pub Scissors Paper Pen is a quarterly event dedicated to storytelling, music, discussion and tasty beverages, held in pubs, cafes, libraries and elsewheres. It's also a zine, a gathering of all sorts of creative folk and several other things. But first, it's emerging, bawling and squirming into the world, and helping to get things happening will be the delightfully dulcet tunes of Drew Walky and Gemma Nourse and the wonderful wordage of Ashley Orr. If you've got a story, they'd love you to take hold of their open mic. Head to scissorspaperpen.com, follow ‘em on Twitter @scissorpaperpen, search for 'em on Facebook or simply head along and get involved.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHAT: BMA Magazine Presents The Halloween Bootlegs WHEN: Mon Oct 31 WHERE: The Phoenix
It’s been a long time coming but Fun Machine and Crash the Curb are finally teaming up to play the second ever BMA Bootlegs. Ably supplying the support is local gem Drew Walky and Melbourne man Nigel Wearne. This’ll be a rather special gig for Fun Machine as it’ll be bassist Ramsay Nuthall’s first show after a three month jaunt in Berlin. The inimitable James Fahy has been filling his shoes and has done a damn fine job of it too. The date just so happens to be Halloween, so if you’re into that kind of thing slap on the fake blood and fangs. It all kicks off at 8pm and as per ushe is free.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHAT: One off Canberra show WHEN: Thurs Nov 10 WHERE: The Front
Melbourne’s Henry Wagons and Chicago’s Joe Pug will perform a one off show at The Front, alongside previously announced Melbourne, Meeniyan and Sydney dates.
The tour follows the North American and Canadian release of Wagons’ celebrated fifth album Rumble, Shake and Tumble, which recently won Best Independent Country Album in Australia’s 2011 Jagermeister Independent Music Awards. Joe Pug’s soulful, stream of consciousness songwriting and rich guitar work saw his debut album Messenger nominated for Best New & Emerging Artist at the Americana Music Awards. His candid live show has been honed alongside the greats – Steve Earle, Justin Townes Earle and M.Ward. Tix through Oztix.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
WHAT: Playing at Woden Valley Festival WHEN: Sat Nov 5 (sideshow on Fri Nov 4 at The Front supported by James Fahy) WHERE: Eddison Park
Living on the open road in a 1976 Kombi, alt folk duo The April Maze have been touring Australia and New Zealand non-stop since April 2010. Having narrowly escaped fires, floods and earthquakes on their recent touring adventures, this newly wedded couple are hitting the road again to share their songs and stories in true folk style at the Woden Valley Festival. They’ll be joined by locals the Bridge Between and Minh Ha. There’ll also be a variety of music, dance and cultural performers plus interactive activities, circus acts, rides, roving performers, multicultural food and more. It all kicks off at 10. For more info head to wodenvalleyfestival.org.au .
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Corinbank Music and Arts Festival announced its 2012 program at a marvellous Garden Party on Saturday October 15, attended by an enormous crowd of live music, arts and picnic lovers. The festival is taking some of the best artists the nation’s capital has to offer and is showcasing them alongside carefully selected interstate acts (and even the odd international). In fact, as Musical Director Mark Bradley announced at the Garden Party, the line-up is 54% local, which is a remarkably admirable figure indeed. Corinbank’s renowned visual and performing arts programs will be bigger than ever in 2012, further strengthening Corinbank’s identity as much more than just a music festival. Here’re a few names to whet your quality music appetite: Josh Pyke, Bonjah, Busby Marou, The Bamboos (they’ll be one hell of a party), The Barons of Tang, The Crooked Fiddle Band, Ganga Giri, Jen Cloher, Tinpan Orange and so many more. There’ll also be Creative Camps, roving performers, myriad art installations and, you guessed it, so much more! Corinbank will run from March 2-4 in the Brindabella Mountains. Tickets are available from corinbank.com and start from $129.00 + BF, U16 $5 + BF.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Fresh from destroying stages all over Australia with Dead Letter Circus, Mudd Promotions are excited to bring you Melbourne based alternative rock outfit Jericco. They possess a sound and wisdom that is both ancient and eclectic in its origins, whilst highly modern in its outlook. Stylistically Jericco stands out from similar acts of its genre with great pride and power. The prominent Middle Eastern influence throughout the band’s thundering live performances is completely authentic, and resonates at the core with their rapidly expanding fan base. Catch them at The Maram on Friday October 28. $15 at the door.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Melbourne based singer-songwriter Tristen Bird deals in subtle, intimate, mood-driven storytelling. Tristen turned to his craft early, developing a method that utilises textured finger style guitar and stringed soundscapes. Armed with his debut album Horse To Water, Tristen is preparing to embark on criss-crossing the country to promote it. Horse To Water was recorded with ARIA Award winning producer Shane O’Mara in Melbourne’s Yikesville studios. O’Mara has previously produced records for The Audreys, Lisa Miller and Tim Rogers, all of whom are inspiration for Tristen. He plays The Front on Sat Nov 5. 8pm, $10.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
A fashion parade that includes dresses from the 1920s to the present day will be held at Old Parliament House on Saturday October 29 to raise funds for Frocktober, which raises money for and awareness of ovarian cancer research. According to the Ovarian Cancer Research Foundation in 2011 more than 1,200 women will be diagnosed with ovarian cancer and 800 will die from the disease. Frocktober aims to help improve the outlook for women with ovarian cancer by supporting the quest for a suitable early detection test through fundraising for the Ovarian Cancer Research Foundation. All dresses and hats in the parade will be available for purchase through a silent auction. For more information or to purchase tickets contact annika.hutchins@gmail.com or 0407 458 882.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Canberra’s first whole of region week long celebration, Woden Alive, will see the Woden Valley community and everything it has to offer on display from Sunday Oct 30 to Saturday November 5. The highlight of the week will be the Woden Valley Festival in Eddison Park on Saturday November 5, which will feature local and interstate acts. Woden Alive is an exciting new initiative that takes the community festival concept to the next level. For a full listing of events head to wodenalive.org.au .
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Women of Notes comes dancing into the warm weather with its third instalment. BMA Magazine, in conjunction with Transit Bar, are showcasing Canberra's finest sirens and goddesses of the stage with a continual series of shows, with previous iterations featuring the likes of Simon Penkethman, Alice Cottee, Beth Monzo, and Julia Johnson, but we've only scratched the surface of what Canberra's been hiding. Featured this time around is Natalie Magee, Nichola Weatherly, Caroline Wallace and Cherie Kotek. It's all happening Thursday October 27 at Transit Bar from 8pm. Free entry.
|
Date Published: Tuesday, 25 October 11
| Author: Julia Winterflood
|
| 3 months, 2 weeks ago
Describe your sound:
An eclectic and improvised mix of six instrumentalists and a producer. Everything is completely live; violin, banjo, bass, guitar, keys, djembe, vocals, didgeridoo and a producer, all together in synergy. A fusion of organic and electronic.
What are your influences, musical or otherwise?
Everyone in this band comes from a different background – from rock to techno to jazz. Our inspiration comes from Hendrix to Beats Antique – the fusion masters.
What’s your biggest achievement/proudest moment so far?
From improv gigs at Union Court at ANU to boiling the dance floor at Opiuo in Clubhouse to a full rock out at Dragon Dreaming 2011; it was amazing.
What are your plans for the future?
BE THE GADDAFI OF THE MUSIC INDUSTRY (jks).
What makes you laugh?
(Anonymous) on three trips at Dragon Dreaming.
What pisses you off?
Mooseheads.
What’s your opinion of the local scene?
Canberra is seriously lacking in decent venues. Only with the right environment can the underground surface.
What are your upcoming gigs?
uniVibes at the Carillon with one of Australia’s best electronic producers, Sunday session, ridiculous sound system – TBA. Keep an eye out for this not-to-miss party.
|
WHAT: Frayed poetic edges and honest grit WHEN: Thurs Oct 13, Mon Oct 31 WHERE: The Front, The Phoenix
Nigel Wearne is an alt-country/folk singer-songwriter whose music has an intimate and poignant narrative. Equipped with personally handcrafted guitars, his music melds finger-style guitar, slide dobro, country twang and honest storytelling. Nigel's influences include Bob Dylan, Tom Waits, Gillian Welch and the spirit of Woody Guthrie. With frayed poetic edges and honest grit, Nigel delivers dynamic and inspired performances that will rattle your emotions. According to Beat Magazine he’s “starting to make waves in the Melbourne music scene”. There are two Canberra dates coming up for Wearne, the first is at The Front with Hannah Gillespie on Thurs Oct 13, and the second as part of the BMA Bootlegs on Mon Oct 31.
|
WHAT: Home grown rockers WHEN: Fri Oct 28 WHERE: The Maram
Straight off the back of a hugely successful national tour with US outfit Owl City, local rockers New Empire cracked the ARIA Album Chart Top 40 on debut, scoring a No. 39 entry with their sophomore album Symmetry. New Empire’s incredible chart debut is testament to the band’s solid fan base and the result of constant touring over the past months. With the new single Ghosts at radio now, New Empire are well and truly on the fast-track to becoming one of Australia’s most celebrated new independent talents. They’re now embarking on their own national headline tour so be sure to catch them at The Maram. Tix through Moshtix.
|
WHAT: Final gig before they head to Hollywood WHEN: Fri Oct 14 WHERE: ANU Bar
Atlantis Awaits formed in mid 2009. Since then they have been building momentum and wowing crowds all over the country. They released their debut EP in July last year to rave reviews and followed it up with a massive national tour, and now they’ve just dropped their new single, which was mixed and mastered by Hollywood based, Grammy nominated audio whiz Brandon Freison. The band are about to jet off to LA to record an album, but before they go they want to party with you one more time. Joining them are very special guests Reigner, Final Lies, and Beneath a Broken Sky. Doors at 8pm, $12 on the door.
|
WHAT: Raising awareness about climate change WHEN: Sun Oct 16 WHERE: Albert Hall
Canberra’s inaugural Living Green Festival, which coincides with the last day of Floriade, will focus on the relationship between climate change, the environment and animals and raise awareness about how the choices we make can affect not only the environment and other humans but cute little critters too. The theme of the Festival is ‘a kinder shade of green’, and it will showcase easy ways we can reduce our carbon footprint and be more considerate of the other animals we share the planet with. There’ll be live entertainment, speakers, children’s zones, plus many product and food stalls. More information about the Festival is at livinggreenfestival.org.au .
|
WHO: uniVibes WHEN: Thurs Oct 22, 11am-11pm WHERE: ANU Bar Beer Garden
Oktoberfest springs just before exam time. Perfect procrastination. Beer drowns memory, so studying becomes gazing out the window and continual trips to the pisser. So you might as well stay at the pub. One lunch time beer becomes one of the best nights of the year. The ANU Bar has sold out of beer for the past three years… with a bigger order again, can we drink them dry? Be outside the window: on the grass, in the sun, swaying to live music and happy that even the class whiz kid can’t study until tomorrow. ANU Oktoberfest 2011: endless lunchtime beers for the whole University.
|
WHO: BMA Magazine + Transit Bar WHEN: Thurs Oct 27 WHERE: Transit Bar
Women of Notes comes dancing into the warm weather with its third instalment. BMA, in conjunction with Transit Bar, are showcasing Canberra's finest sirens and goddesses of the stage with a continual series of shows, with previous iterations featuring the likes of Simon Penkethman, Alice Cottee, Beth Monzo, and Julia Johnson, but we've only scratched the surface of what Canberra's been hiding. Featured this time around is Natalie Magee, who's been kicking up a bit of storm around our town, with three other women yet to be announced. It's all happening Thursday October 27 at Transit Bar from 8pm. Free entry, mind you.
|
|
Ten years ago local writer, musician, comedian and storyteller Duncan Sargeant was a patient in a psychiatric ward thinking he was Jesus, actively looking for intelligent, extraterrestrial life forms. Now he is playing and speaking candidly about his experiences with depression and psychosis. At 35, Duncan has been battling severe mental health issues for half his life, and over this time music has been his saviour. This is the seventh concert Duncan has organised and promoted to celebrate Mental Health Week, and as well as a performance from the man himself it will also feature Jenny Sawer and Sophie Attridge. It’s all happening at the Turner Bowls Club on Friday October 21 from 7.30pm.
|
|
The Clothing Exchange, established in 2004, has changed the face of fashion by promoting swapping as an alternative to shopping that saves over 100 tonnes of carbon each year. The Clothing Exchange has declared Monday October 17 to be the second annual National Swap Day. The Canberra event will be held at Tilley’s Devine Café in Lyneham. Check in is from 6.30pm and tickets are $25 and available online at clothingexchange.com.au .
|
|
Whether on the street or arena stage, Mark Wilkinson’s lyrical depth, gift for melody, and soulful voice have been connecting with fans the world over. With regular comparisons to Tracy Chapman and David Gray, Mark’s record sales now exceed 20,000 – a remarkable feat for an unsigned artist with 2 EPs and a new album to his name. He’ll be at The Front on Sat Oct 22 and Canberra Southern Cross Club on Fri Nov 4.
|
|
A Bite to Eat in Chifley, which is renowned for its unparalleled vibe, cosy accoutrements, and regular music program every Sunday eve, will showcase some of Canberra's finest singer-songwriters under the banner of Homemade Jam on Wednesday November 3. The competition will show why A Bite to Eat is not only a top spot for food and drinks, but also for top class entertainment and local talent. The winner of Homemade Jam will receive prize money and will also go on to perform in a feature slot at the Woden Valley Festival on Saturday November 5. Contact contact@abitetoeat.net.au for more info and to submit a demo.
|
|
It may not be a cast of thousands but it certainly will be a ripper day at The George (Ye Old English Pub in Gold Creek and one of the capital’s best kept secrets). There will be bands and music aplenty including The Funky Fedoras, The Bridge Between, Annie & the Armadillos and more at The George on Saturday October 22 from 2pm ‘til midnight. Georgefest marks the beginning of the Summer Music Festival at The George and, this year, will highlight the new Squire’s Square at the back of the pub.
|
|
Fun Machine and Crash the Curb have finally joined forces to transform Phoenix into a heaving, sweaty mass on Monday October 31. It’s All Hallow’s Eve, so if you feel like busting out the fake blood and fangs then by all means do. The Funsters and the Curbsters will be joined by the ever delightful Drew Walky and out-of-towner Nigel Wearne, whose music melds finger-style guitar, slide dobro, country twang and honest storytelling. It’ll be a little bit of Column A and a little bit of Column B for the second ever BMA Bootlegs, so whether you’re into crooning or grooving you’re catered for.
|
What do you do? I am a multi-media artist using bureaucratic materials such as bubble wrap, staples, tape, pencils, typewriters etc.
When did you get into it? I have always shown an interest in art but it was not until I was 14 or 15 years old that I actually thought I could make ‘art’.
Who or what influences you as an artist? I find reading thought provoking. I particularly enjoy reading sciences that border on philosophy, as these allow for elastic thoughts and interpretation.
What’s your biggest achievement/proudest moment so far? Receiving the Qantas Encouragement of Contemporary Art award for 2011 has been the biggest highlight so far. The award is set up to enable artists to travel overseas, make international connections, see important art exhibitions and attend residencies.
What are your plans for the future? As part of my Qantas award I will be travelling to Brazil. I have found the art and culture there relates quite heavily to my practice, and both share a certain improvisational quality.
What makes you laugh?
Good jokes! Actually some of my favourite artists are the kind that use humour as a way of attracting or getting the attention of the viewer. I think humour is a great way of tackling a deep issue as it allows people to face up to the issue as well as being entertained (although some people just want to be entertained).
What pisses you off? A very general answer is people who write you off without giving you ‘a fare shake of the sauce bottle’.
What’s your opinion of the local scene? I think the local art scene is the sort that demands involvement/effort, particularly from the visitor’s side. Being small it’s a surprisingly fervent art scene that’s getting progressively busier.
What are your upcoming performances/exhibitions?
My next exhibition is a group show in Germany entitled Invasion. On a local level I will be doing a community drawing project titled Cumulous Cloud over the next few weeks. The project will be taking place in community places such as halls and market places; I am very excited to see how people react and how they participate.
Contact info:
adam.veikkanen@gmail.com
www.adamveikkanen.com
|
|
Ahoy there dear readers! It’s been six weeks since I’ve had ink in this column and boy is it good to be back. Many thanks to Bossman Al for stepping in; I’ve had a lot on my plate of late so a three ish hol from my col was a blessing, but now I’m ready and raring to talk all things local again. Three things are on my mind this ish: Dragon Dreaming, the significant downsizing of Stonefest, and the launch of MusicACT.
In my column published just before Dragon ’10 this is what I espoused: “...after Dragon Dreaming last year I often found myself ranting about it being the best festival I had ever been to.” I stand by that comment after this year’s instalment, the fourth Dragon Dreaming and my third.
I reckon you’d be hard pressed to find a festival crew more dedicated, tireless, creative and environmentally conscious than the Servants of Sound and Regen crews. Despite the inclement climes in the week leading up to Dragon, they once again transformed the Old Kowen Homestead grounds into a world unto itself bristling with wondrous artworks and installations. It sounds schmaltzy but everyone’s your mate at Dragon; during our drive out of the festival – cranking The Stones to counter the almost constant and enthralling electronic – every single person we passed waved or called out goodbye. It’s a very special place. How could it not be when you’re with old friends and new absolutely everywhere you go? So thank you, thank you, SoS and Regen, for creating the “festival of family” as one Dragon Dreamer wrote on its Facebook wall. I hope you all enjoy your ‘break’ next year and I look forward to what you so generously give us in 2013.
From that happy note to a not so happy one. Most readers will now be aware that Stonefest will not be going ahead this year and that the Stonefest Rock On Party has replaced it. There are numerous reasons why this had to happen and for an erudite insight into them read this issue’s From The Bossman.
Rather than reiterate what Al said I just want to say how in awe of Anna Wallace and the rest of UC Live! I am for not giving up completely but soldiering on despite the circumstances. That shows true grit. Punters often forget there are real people working 24/7 behind festivals so before you post caustic comments on Facebook think first about those who are most deeply affected. Anna, I salute you.
Finally, as this ish hits the streets I’ll be buzzing around The Deck at Regatta Point at the launch of MusicACT. The ACT was the only jurisdiction in the country without a peak music body within the Australian Music Industry Network up until now. I’m on the committee and this fine rag is heavily involved, so if you’re a muso, DJ, venue owner or anyone immersed in the ACT music industry, you should get involved too. Shoot me an email if you’d like to know more, stay tuned to this column, or head to our sexy new site at musicact.com.au. I’m excited.
|
|
Alternative-rock quad New Empire are soon to be passing through Canberra on their Symmetry Tour. At the Woden Basketball Stadium on Friday October 28 the Sydney boys will be joined by Melbourne six-piece For Our Hero, Love & Satellites along with successful Canberra bands Drawing North and The London Town Fire. Tickets to see this spectacular line-up will sell out fast, so please, save yourself the despair and book in advance. The experience will only set you back $20 (+bf) if you pre-book through Moshtix, Landspeed Records or The Co-op Bookshop, as opposed to $25 at the door. This is of course a drug and alcohol free event. Doors open at 6pm.
After proving a great success last year, The Woden Valley Festival is expanding in 2011! This year the festivities will take the form of a week-long celebration that they have called Woden Alive. From Sunday October 30 until Saturday November 5 the Woden Valley will show the rest of Canberra all that the community has to offer and more with a mass of exciting activities and even celebrity guests including Masterchef’s George Calombaris and Australia’s Got Talent finalist Timomatic. On Saturday November 5 the celebrations will come to a spectacular finish with the more traditional event at Eddison Park where you can be entertained by nationally renowned band April Maze along with local acts The Bridge Between and Minh Ha. You can also enjoy a number of cultural performances and activities, circus acts, delightful food, rides and loads more. The Liftoff Festival in 2011, unlike last year, will take place as a stand-alone event, allowing the Woden Valley Festival to continue into the spring night. Starting at 4pm as the other festivities wind down, you will get to see the finest up and coming acts that Canberra has to offer. Headlining the event will be Melbourne’s Confession, one of Australia’s most treasured hardcore acts. The best thing is, everything is free. For a full listing of events please see wodenalive.org.au .
Registrations are now open for The 2012 Class Clown Competition. “If you have a flair for catching people unaware, tickling a funny bone at school and at home, love making unnecessary commentary or singing tunes that make you look like a loon, these are the type of teens that should apply!”
The Melbourne International Comedy Festival will ravage the country searching for Australia’s funniest teen. Anybody in any State between the ages of 14 and 18 are eligible to compete. You can enter as a solo act or in a group of up to three members. To be dubbed the winner of this national competition you first need to piece together an original five-minute stand-up routine, sketch, musical parody or something in between. You will then attend a workshop with a professional comedian. Then, finally you will be ready to present your creation to a real audience at a live and public performance. If you make it through the State heats, you could be performing at the 2012 Class Clowns National Grand Final at Melbourne Town Hall during the 2012 Melbourne International Comedy Festival. And if that doesn’t sound good enough, the winner will take home $1000 and another $1000 for their school.
State Heats take place between Saturday February 25 and Saturday March 17 2012, but you need to register to take part. Registration is free, so go to classclowns.com.au for more information or to register.
|
|
Where did your band name come from? The beautiful combination of our love for alcoholic beverages and going big on Friday nights.
Group members? Cameron Plum (vocals), Craig Lamberth (guitar, backing vocals), Jack Lovell (bass), Brad Williams (drums).
Describe your sound: An eclectic mix of indie-rock infused with a punk attitude and beats you can dance to. We write music we feel people want to listen to, not just ourselves. We are givers not takers.
Who are your influences, musical or otherwise? Music! But also art, girls, free spirited people and total life forever.
What’s the weirdest experience you’ve had whilst performing? During our last gig at Phoenix Bar we were accompanied on stage by a slightly intoxicated member of the crowd who proceeded to start singing into the mic. First thing we thought was “new backing singer”.
What’s your biggest achievement/proudest moment so far? Every gig we've had so far. We're all mates, so each time we get up there we have a party!
What are your plans for the future? To discover more punters that will invest time in seeing a band they like, to make a little bit of cash to use for some studio time, and also to expand as much as possible locally and interstate.
What makes you laugh? Brad: Watching other people dance after they have had a few drinks. Cam: The misfortunes of others and oneself - you've got to see the light side.
What pisses you off? Craig: People who think they know it all. Please stop making shit up, WE DON'T CARE! Jack: Overpriced beverages!
What’s your opinion of the local scene? We have only just dipped our toes into the local scene. More punters and more venues would be nice, but so far everyone that we have encountered has been very friendly and supportive.
What are your upcoming gigs? Pot Belly Bar in Belconnen, Saturday October 22, and Phoenix Bar in Civic, Saturday October 29.
Contact info:
facebook.com/forgottenfridays
soundcloud.com/forgottenfridays
myspace.com/forgottenfridays
|
Growing up in Central Australia with Sunday afternoons soundtracked by Hank Williams and Paul Kelly, country music’s eternal companions harmonica, banjo and pedal steel cut right through me, while small town themes of isolation and breaking free resonate deeply. I love every note of this record.
Portland sextet Blitzen Trapper’s sixth LP American Goldwing is probably the most aptly titled of 2011. The Honda Goldwing was a popular touring motorbike introduced in the early ‘70s and the 11 tracks are pure Americana; the kind that make you want to grab your best mate and Easy Rider across the States. Eric Earley’s rich, wide-ranging vocals drip with wisdom as he weaves tales of whiskey loving, drug-running, gold hearted old boys, loves who walk away, and returning at long last to one’s hometown in a timbre that belies his age. It’s a diverse record; the rough and heavy rock and roll and raucous choruses are assuaged by lilting keys and wailing blues harp, gentle string plucking and pathos. Nostalgia permeates, but Earley’s lyrics look towards the horizon too while the instrumentation fuses old and new. Mixed by Tchad Blake (The Black Keys, Tom Waits), American Goldwing is a modern classic. Gotta love a young Dylan soundalike.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHAT: Alt-country Showdown WHEN: Sat Oct 8 WHERE: The Phoenix
There's gonna be one helluva showdown in the nation's capital as two of Australia's finest purveyors of alt-country, The Delivery from Sydney and Rattlehand from Brisbane, go head to head in a clash of cowboy boots and heart-crushing croons. Both groups have just released a split 7" single appropriately titled Seven Inch Showdown and it’s out now on Stanley Records. The show kicks off at 9pm and it's free to get in, which should free up some of your hard-earned cash for a few amber ales and perhaps a copy of the new single, which will be available on the night.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHAT: Ramshackle folk-pop WHEN: Thurs Oct 6 WHERE: Transit Bar
Some may wonder why The Bon Scotts chose a name that often has them confused with an AC/DC covers band. They do too. For in reality their sound couldn’t be more different. The Bon Scotts play distinctively clamorous ramshackle folk-pop full of sweet melodies, arresting percussion and sing-along choruses. Theirs is an infectious blend of playful cynicism and youthful fancy, laced with irony and hype, unconventional hooks and a distinct, eclectic sound that has put them at the forefront of the new folk revival. Between stints on the road The Bon Scotts have spent a large part of 2011 writing and recording their sophomore album We Will All Die At The Hands Of CGI.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHAT: Raaaaawk WHEN: Wed Oct 12 WHERE: ANU Bar
With their new track Breaking to Breathe about to hit the airwaves, FLOATINGME have announced a national tour in support of it. Since the release of the band’s self-titled debut album this year, the Sydney five-piece have supported Shihad, Dead Letter Circus and have sold out shows on a co-headline tour with Thousand Needles in Red. FLOATINGME comprises vocalist Andrew Gillespie, guitarist Antony Brown and keyboards Tobias Messiter of groundbreaking ’90s Sydney band Scarymother, along with drummer Lucius Borich of Cog and bassist Jon Stockman of Karnivool. Tix on sale now through Ticketek.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHAT: Whispers in the walls WHEN: Fri Oct 7 WHERE: The Front
I Dream In Transit are a three-piece from Melbourne. They make music with light, noise and reverb. They write songs about industrial lights and airports and try to replicate the sound of nightmares. It's a combination of naïveté and paranoia. They are launching a new 7" single called Explosion which was pressed in Germany and has a hand silk screened, 100% recycled cover. Said Ross Clelland of Drum Media, “.., it is quiet music, but no less unsettling for that. There are whispers in the walls. It is the music of waking from bad dreams you can't quite remember... it's in my head for hours.”
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHAT: Garden Party WHEN: Sat Oct 15 WHERE: National Botanic Gardens
Join the Corinbank Crew in the beautiful surrounds of the National Botanic Gardens for a party under the stars and the announcement of next year’s line-up. Three of the local bands who are on the Corinbank 2012 bill, Beth n Ben, James Fahy Trio and Fun Machine will provide the scintillating soundtrack. Limited seats are still available for the Slow Food Banquet, a three course dinner prepared by award winning chefs using local produce. An organic sausage sizzle will also be available so bring a picnic blanket and get ready to boogie! For all the info and for $99 pre-release festival tickets head to corinbank.com .
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHAT: Local roots and reggae duo WHEN: Sun Oct 16 WHERE: New track on Unearthed now, EP launch at White Eagle Polish Club
Dynamic and downright sexy Canberra roots and reggae duo Beth n Ben have just released the first digital single Back of the Line from their upcoming sophomore EP Economy Class on Unearthed to drum up a bit of buzz in the lead up to the launch at the White Eagle Polish Club on Sunday October 16. Dress in your finest vintage threads and witness the divine Cherie Kotek, Clever Sunday and some other very ‘special’ performances from 3 – 7pm. Head to triplejunearthed.com/bethnben and be sure to rate and review the track so it can climb up charts.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
triple j is launching brand new digital radio station triple j Unearthed and they want you to help them celebrate. Come and be part of Australian music history at the UC Refectory on Wednesday October 5 from 7pm, as D’Opus & Roshambo, Crash the Curb, The Fighting League, The Aston Shuffle and Hau from Koolism herald in the new all Australian station.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Charge Group are a Sydney art rock band who wield electric guitar, violin, bass and drums. Their 2008 debut Escaping Mankind won them broad acclaim, a European indie record deal, and colourful descriptions like “A transcendental bastard blend of Dirty Three, Fugazi and Nick Drake.” Awesome. Catch them at Phoenix for free on Thursday September 29.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Cass Elliot, better known as Mama Cass, was loved the world over for her humour, fashion and optimism, and was the powerful voice that drew together the lush harmonies of superstar group The Mamas and Papas. In an uplifting yet moving tribute Casey will perform all of Elliot’s tunes, as well as The Mamas and Papas favourites California Dreaming, Monday Monday and Dream a Little Dream of Me. It’s all happening at the Canberra Theatre on Friday September 30. For more info head to canberratheatrecentre.com.au .
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Indie folk darling Jack Carty is hitting the road again hot on the heels of the extraordinarily successful Hope, Smoke and Everything Tour with Leroy Lee and Jordan Miller. This time, leaving his friends behind, Carty returns to the East Coast with a string of intimate shows in some of Australia’s coolest café lounges. Following the release of his debut album One Thousand Origami Birds earlier this year Carty’s been ardently demoing new songs that he will be sharing with audiences across two sets – old and new – during his latest café voyage. He’ll be at The Front on Thursday October 6.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Celebrating the instrument that continues to take the world by storm, on Saturday October 1 the Tuggeranong Arts Centre will host the inaugural Canberra Ukulele Festival of Fun. At long last, the National Capital will have its very own community ukulele festival with workshops, performances, sales, prizes and jam sessions. Whether an absolute beginner or seasoned performer, there's something for everyone including Ukestock, a free community massed ukulele play-along picnic presented by Ukelyptus, during lunch on the lawns beside the Arts Centre overlooking Lake Tuggeranong. For more info head to tuggeranongarts.com .
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Sydney’s avant-garde wonder kids Pirate have released their long-awaited debut album Left of Mind, the follow up to their 2009 self titled EP. First single In The Balance features the first significant use of melodic vocals by the band and evokes shades of experimental acts such as My Disco and PVT. The album veers between scathing riffs and rhythmic complexity to tightly focused tilts at experimental pop, yet is unrelenting in its scope. Catch Pirate at ANU Bar on Friday September 30 with sleepmakeswaves, Meniscus, Mornings and Looking Glass and again on Wednesday October 12 with Floating Me.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
The beloved Summer Rhythm Festival returns for another year, with a new month and a new line-up. Spanning three days and four stages from December 9–11, this year’s event is another wonderful amalgam of international, interstate and local talent, playing host to over 70 acts including Salmonella Dub, Hook n Sling, The Bird, Hermitude, Van She Tech, Jeff Lang, Kingfisha, Dubmarine, Goodwill, Cassian, Ganga Giri, The Ellis Collective, Los Chavos, D’Opus & Roshambo, Magnifik, Black Samurai, Rodskeez, Beth n Ben, Dissect, Team Wing and many, many more. The event is once again at Goolabri Function Centre and Golf Course (10 mins outside Canberra off the Federal Highway) and first release tix are on sale now from Oztix for $85, (2nd round $95, $120 on the gate). They are still some limited street team positions left, so if you’re interested contact organiser Dan Luton at dan@strangehours.com.au The generous bastard has given us one double camping pass to give to you, dear readers, every issue up until the fest. To win this most excellent of prizes, email editorial@bmamag.com and tell us who your fav act on the line-up is and why.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
On Friday September 23 the previously unseen Nirvana Live at the Paramount Theatre concert film was shown at selected cinemas around the country to mark the 20th anniversary of Nevermind. You saw the film, now we’re giving you the t-shirt.
We’ve got three of these beauties to give away; one small, one medium and one large. To win, email editorial@bmamag.com and tell us what your fav Nirvana track is and why.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Loved Uncovered? Thought MOS had covered them all? Think again. One of MOS’ most loved compilations returns with a third instalment of amazing covers from equally amazing artists. Artists such Phoenix, The Jackson 5, Nirvana, Chromeo, Frank Sinatra, Flight Facilities, Aaliyah, New Order and Radiohead lend their tracks to Adele, Mayer Hawthorne, Hot Chip, Angus & Julia Stone, Johnny Cash, Theophilus London, The xx, Blood Orange and The Killers to be transformed, revived, recreated and released on this two-disc, 38 track compilation. We’ve got five copies to throw your way. To win, email editorial@bmamag.com and tell us what you reckon is the best cover of all time.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Incredible Australian buzz band New Empire are delighted to announce that they will take to the road for a national headline tour this October and November, to support the release of their anticipated new album Symmetry which dropped on Friday September 16. The mesmerising four-piece have been making waves in the Australian music scene over the past 12 months, having toured with Good Charlotte earlier in the year, followed by a national support for Owl City. They are getting set to embark on a string of East Coast shows with Simple Plan next month. They’re playing an all ages show with For Our Hero, Love & Satellites, Drawing North and The London Town Fire at Woden Basketball Stadium on Friday October 28. Tickets are now available online through Moshtix, Landspeed Records and The Co-Op Bookshop. We’ve got two doubles to give away. To win, email editorial@bmamag.com and tell us exactly why these guys are being hailed as a ‘buzz band’.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHO: National Archives of Australia WHEN: Now until Sun Nov 13 WHERE: National Archives of Australia
This spring the National Archives of Australia will again host the ever-popular Waterhouse Natural History Art Prize from the South Australian Museum. It is Australia’s richest prize for natural history art, boasting a total prize pool of $114,500.
The National Archives is hosting the 34 winning and highly commended artworks from the competition, including paintings, sculpture and objects, and works on paper. Local artists also feature in this year’s exhibition and sculptures are a highlight, from beautifully formed ceramic rabbits to objects reflecting coastal plants and sea life. A muted colour palette dominates this year’s selection of winning paintings and works on paper, creating a unified feeling across the exhibition, contrasted with an occasional splash of colour. See nature’s beauty captured in art this spring at the National Archives, the only venue outside Adelaide showing the leading works from this prestigious competition.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHO: National Library of Australia WHEN: Sat Oct 8 WHERE: National Library of Australia
The National Library of Australia’s greatest treasures will be on permanent display in the new state-of-the art Treasures Gallery. Opening on October 8, the Treasures Gallery will feature some of the National Library’s most prized items collected over the past 100 years. From Lieutenant James Cook’s journal of the Endeavour to Eddie Mabo’s papers, from Australia’s earliest existing printed document to Jørn Utzon’s model for the Sydney Opera House sails. This new display space will provide visitors to the National Library with a truly remarkable experience. Entry is free.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHO: Canberra Contemporary Art Space WHEN: Sat Oct 8 WHERE: Canberra Contemporary Art Space, Gorman House
Close Range will reinvent the way you think about contemporary performance, dance, music, and visual art. The show will be a whole day event, beginning with cutting edge performance art films by local, national and international artists running during the day in the gallery space. Come 7.30pm the gallery will transform into a stage for local and national artists who will be literally leaping outside of their comfort zones, working in new fusions, mediums, and in a new space. All the works will be short and tight, quick glimpses of the possibilities presented when art forms combine. Each performer will cross the boundaries and drag you with them. Here the difference between performer and audience gets a bit blurry, and you might just find that you are a part of the art itself. $10.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHO: Arc Cinema WHEN: Thurs Sept 29 – Thurs Oct 27 WHERE: National Film and Sound Archives
This is the first survey since 2009 of the latest films from maybe the most vibrant, energetic and movie-mad popular culture anywhere. It re-confirms Korean cinema trying and succeeding at almost any kind of filmmaking. The sometimes confronting brutality hasn’t quite gone away, but even this trait dilutes itself through an incredible breath of genres; from K-horror, through dynamic actioners or gentle (but sometimes also bittersweet) romances, to uncompromising art cinema. The lessons of its success in dealing with many of the same commercial issues with which Australian cinema struggles also remain instructive. For the full program head to nfsa.gov.au/arc .
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHO: Centrepiece Theatre WHEN: Weds Oct 5 – Sat Oct 15 WHERE: Queanbeyan Performing Arts Centre
A fun, sophisticated and sexy story about love, life and loss, Love Song explores the power of imagination, and questions perceptions of reality and illusion. Written by John Kolvenbach for Chicago's Steppenwolf Theatre, and premiered in Australia by the Melbourne Theatre Company in 2008, Love Song is an off-beat romantic comedy. The story concerns a small family – the hard-nosed and uptight Joan, her mentally ill brother Beane and Joan's husband, Harry. Love Song explores what it means to love and the feelings and emotions love provokes. Is love a delusion, or can the desire and energy of new love generate its own reality? Head to theq.net.au for all the info.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
WHO: Claire Pendrigh WHEN: Opening Thurs Sept 29 6pm, running ‘til Sun Oct 9 WHERE: Canberra Contemporary Art Space, Manuka
Canberra is no stranger to abstract art, but when someone steps up and challenges the way we see abstraction, we pay special attention. Claire Pendrigh is an artist doing just that. Her new exhibition Blot straddles the border of abstraction and figurative art. Pendrigh investigates the way we see our world, and our place in it, both through seeing the abstract in the figurative, and the figurative in the abstract. Using this idea that people can interpret abstract shapes according to their view of the world, Pendrigh has created a series of paintings both abstract and figurative that are left open for interpretation.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
What do you do?
I do theatre type things, including a PhD. Crazy, I know…
When did you get into it?
It all started being three years old and watching a video of the ballet of Romeo and Juliet three times a week. The rest is history!
Who or what influences you as an artist?
I get really inspired by seeing how amazing other people’s work can be. Most recently, STC’s production of Blood Wedding.
What’s your biggest achievement/proudest moment so far?
I loved the last play I did, Panic by Archibald MacLeish. I was really proud of how my cast approached an exceedingly difficult play and the way they challenged themselves.
What are your plans for the future?
Who knows?? Artistic Director of STC? I’m coming to you, Cate Blanchett…
What makes you laugh?
RON FREAKING SWANSON!
What pisses you off?
People who don’t realise how amazing they are. And Sucker Punch. Honestly, why the hell was that movie made?
What’s your opinion of the local scene?
There are some incredible young writers, directors and actors around that I feel the local scene is going to be bolstered by for a long time to come. It’s in great hands.
What are your upcoming performances/exhibitions?
Another PhD production of an Archibald MacLeish radio drama The Fall of the City. It’s a fascinating play, written in 1937 in response to the fries of fascism in Europe. We have a great cast and are going to create a killer atmosphere within the theatre space. ANU Drama Lab, Wednesday October 26 to Saturday October 29, free entry. Limited seating available, so bookings are essential.
Contact info:
andrew.holmes@anu.edu.au
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Floriade, Canberra’s famous celebration of Spring is here again. The iconic Canberra event in its 24th year has taken on the theme A Feast for the Senses – and that it is! Praised for its 1,000,000 flower bulbs carefully selected and designed in flowerbeds depicting different elements of each year’s theme, Floriade is the best way to welcome spring. But flowers aren’t the only thing that the festival offers. You can enjoy rides, delicious food, music, live performances, and a spectacular array of local and national business stalls and shops. To add to all of this excitement, this year Floriade offers the hottest chilli in the world! Australian owned chilli producers The Chilli Factory have officially broken the world record with the Trinidad Scorpion. Thankfully there are a number of beautifully located cafés on site that you can run to and get a drink and enjoy the colourful view of Floriade while you wait for the “20 minute burn” to wear off. Floriade is a free event, but I would recommend bringing some cash for delicious food and goodies, which believe me, are hard to resist from the second you walk in the gates. Floriade is open every day, 9am to 5pm weekdays and 9am to 5.30pm on weekends, until Sunday October 16. The festivities take place at Commonwealth Park, so get out there and enjoy the fresh spring air.
On Friday October 28 you can join Sydney alternative/pop/rock quad New Empire on the Canberra leg of their national Symmetry tour. The mind blowing line-up of supporting acts include Melbourne’s “soul pop/rock” six-piece For Our hero, Love & Satellites, as well as Canberra’s very own and very much loved pop/rock five-piece Drawing North and electro/pop/punk act The London Town Fire. New Empire’s debut album came in at the number one selling rock album in Australia and you can hear it all live! The action takes place at the Woden Basketball Stadium at 6pm. Tickets are available through any Moshtix outlet.
On the same night, alt-rock screamo four-piece For This Cause, will too be making their way through the capital city on their very own national tour, in celebration of their new album Journeys. These Brisbane boys will be shaking down the walls of the Tuggeranong Youth Centre, with hopefully some yet to be announced supporting acts. Ticket prices and times are yet to be revealed, although I doubt it will be anything unusual. Stay tuned for more info.
Coming up is the Woden Youth Centre’s Band Comp, opening doors for youth bands aged 12 to 25 years old. Bands have a chance at winning amazing prize packs that include two days recording time at Tru Sound Music Studios with the professional assistance of Ian Pav (of Pav Music), which is valued at $2,020, as well as a Press and Album Art Photography Package with Cole Bennetts Photography, valued at $2,000. The heats for the competition will run on the weekend of Friday October 28 and Saturday October 29 at the Woden Youth Centre. So if you’re in a band and want a chance to win everything you need to get an album going and pick up a form quickly from the centre today. Registration closes at 5pm on Friday September 30. For more info contact Sindy Perason at sindy.pearson@wcs.org.au or 6282 3037.
|
Date Published: Tuesday, 27 September 11
| Author: Julia Winterflood
|
| 4 months, 2 weeks ago
Where did your band name come from? A girl that we used to know who chose a career as a stripper influenced us to write a song and the name was catchy so we thought we would try it out. Although other sources say it was a combination of Chuck Norris and a cream pie made by Bear Grylls. Group members: Rinn (vocal distortionater and her own back up dancer), Tim (guitar string vibrationist and part time swan), Harley (extreme percussive melodist, ukulele, triangle, djembe, south eastern pipe, piano, button accordion, violin and rusty trombone, professional drumstick break artist), Rob (Payne in the Bass, pool cleaner, and pie warmer).
Describe your sound: Rock with and an edge of a bleeding unicorn and rainbows. Who are your influences, musical or otherwise? Rinn – Jem, Pizzazz, System of a Down, Jack Off Jill, Ani Difranco, Phil Anselmo
Rob – Charlie Sheen, Caligula and Aloysius Snuffleupagus.
Harley – HIM, Iron Maiden, Brian Vigleone, Wim de Vries. Tim – Slipknot, Three Days Grace, Manson, HIM. What’s the weirdest experience you’ve had whilst performing? Seeing an entire pool comp stop to come and watch us instead of play their games, and Rob. He is THE weirdest experience!
What’s your biggest achievement/proudest moment so far? Forming the band on Thursday July 2 and somehow playing a full one hour set on Monday July 27 with songs that we are pretty happy with! What are your plans for the future? Flying to Antarctica to play for the emperor penguins then probably going to chill for a while – after that, back to Canberra to work on recording an EP and of course, getting out there and entertaining the locals as much as we can! What makes you laugh? Mashed potato heads. What pisses you off? Bloody nits. You would think after all these years they would be extinct… apparently only children with clean hair get them. Assume these clean children come from clean houses and if the houses are so clean, why do these things keep coming back!? It’s as if some magical nit fairy comes in their sleep and WHAMMO! What’s your opinion of the local scene? Super duper with a chance of a dance off (Tim). Rob is starting the political drive against turning Canberra into the town from Footloose. What are your upcoming gigs? At The Maram for the new ownership party on Saturday October 15. Again at The Maram for the Women Who Rock Movember fundraiser on Saturday November 26.
Hope to see you there!
Contact info: rinnethia@hotmail.com
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHAT: Insturmental rock WHEN: Fri Sept 30 WHERE: ANU Bar
Sydney based instrumental rockers sleepmakeswaves have released their debut album …and so we destroyed everything. It’s a dramatic showcase for the band; glittering melodic hooks are embossed by Dax Liniere’s lush production and the band’s heaving musicianship. With an array of memorable and climactic sequences, …and so we destroyed everything signals the band’s continued desire to push into new musical territory. sleepmakeswaves will be performing at ANU with Mornings and Meniscus as part of an extensive Australian tour, before heading to Europe and Asia for their first international shows in 2012. Tix $12 presale through Ticketek or $15 on the door.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHAT: House of Beni tour WHEN: Fri Sept 16 WHERE: Trinity Bar
Welcome to the House of Beni, a shape-shifting, solid state wall-of-dance sound and also the title of the imminent debut album from Sydney producer and DJ, Beni. Beni is a musical maestro of many guises. The last five years have witnessed Beni traipse the globe with vagabond disco pirates the Bang Gang Deejays, pop out stonking singles with (the now defunct) Riot In Belgium, craft tunes for Kitsune and remixes for Tiga, Digitalism, Fischerspooner, La Roux, and Alex Gopher to name a few. To celebrate the arrival of House of Beni, the man himself will be bringing his DJ skills to get down with you at Trinity Bar.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHAT: Rain On The Humming Wire tour WHEN: Wed Sept 21 WHERE: ANU Bar
Following on from their sold out national tour and stand out Splendour performance, The Panics hit the road again in September and October for their official album tour. With Rain On The Humming Wire buzzing amongst the press with five star reviews and Feature Album at triple j, frontman Jae Laffer has proven his place as one of the strongest voices of the next Australian generation of songwriters. Critics and fans often say the same thing about The Panics: listening to their songs is like immersing yourself in the soundtrack to your own life. This show is definitely one not to miss. Tix through Ticketek.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHAT: Sweet sticky folk pop WHEN: Wed Sept 28 WHERE: The Front
A lover, a mystic, an artist and story teller, Carly Fern believes in the magic of imagination and together with her Humicorn bursts through and hugs your soul with her pink fluffy love. In late September Carly Fern and the Humicorn team up with their favourite sweet-hearted twinkle-tot Taylz the Pixie and with the help of their comfy yellow camper Henry, set sail for the shores of the East Coast. Promoting the launch of her debut LP Desire-Lines Carly Fern and the Humicorn will dazzle and delight, bringing a colourful mix of sweet sticky folk pop into all places and spaces in need of some puffy pink pizzazz. 7.30pm, $5.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHAT: Australia’s first thrash metal band WHEN: Sat Sept 17 WHERE: The Maram
Australia’s Mortal Sin began in 1985 and could be considered Australia’s first thrash metal band. All those years ago they recorded a demo at 301 Studios in Sydney that ended up as LP Mayhemic Destruction, which fell into the hands of Phonogram Records in London. The rep who got it was blown away. He actually thought it was the follow up to Kill ‘Em All by Metallica, and this thrust Mortal Sin into the limelight. The band have not stopped since and have a new record due in November this year. Catch them with Reign of Terror, Chud, Eyes To The Sky and Rise at The Maram. $15 at the door.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHAT: A night not to be missed! WHEN: Fri Sept 16 WHERE: Polish White Eagle Club
Mikelangelo and the Tin Star just can't keep away, and are bringing their surf 'n' western sounds back to Canberra as part of The Return of Geronimo tour. The gig will be a welcome home to their lead guitarist Fiete Geier who just arrived back in Australia after an extended European sojourn. Various guest guitarists have been filling the hot seat in his absence, including Martin Cilia from legendary surf band The Atlantics. The group's debut album The Surf 'n' Western Sounds Of Mikelangelo and the Tin Star continues to get great reviews and airplay across Australia and has just sold out of its first pressing. Tickets $15/$20 at the door.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
Beth’n’Ben’s songwriting spans from blues, roots and reggae to jazz, soul and rock. Their fusion of genres and tongue in cheek writing style consistently turns heads and gets the crowd moving wherever they go. After doing the solo thing and playing in other bands around Canberra for six years the duo teamed up in mid-2009 and have had a ball with collaboration playing up and down the east coast of Australia. Beth’n’Ben released their debut EP Boarding Pass through Green Media last year after being signed to indie label Manga Republic. Their second EP Economy Class will released on Sunday October 16 at the White Eagle Polish Club in O’Connor with some very special guests. Dress in your finest vintage garb for this one and check ‘em out at myspace.com/bethnben and reverbnation.com/bethnben .
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
For the past three years Sydney solo artist Jessamine has been busy playing the local live circuit whilst working on the material for her debut album. Loaded with irresistibly infectious pop songs, the album treads a path of musical diversity. The softer moments feature acidic melodies laced with pretty harmonies and lullaby-like sweetness. Catch her at Phoenix on Thursday September 22.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
Like parties? Like bikes? Support clean energy? Want to take part in a global day of action? Like answering questions? Then circle Saturday September 24 on your calendar. Shake Your ACT! is part of 350.org’s Moving Planet Events. It is a day for people, world over, to show that they believe in the need to move beyond fossil fuels, are willing to do what it takes to achieve this, and are going to have some fun in the process. You could be part of the potential spectacle; thousands of people encircling national capitals, state houses and city halls. It kicks off in Garema Place at 12.30pm with inspirational speakers and live music, before the ride out to Parliament House from 2.50pm sharp. For more info check out shakeyouract.com .
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
The Homebake Music, Film & Art Festival announces the first instalment of their Comedy Stage presented by The Sydney Comedy Festival. With the first magnificent music artist announcement now well and truly embraced, Homebake Music, Film & Arts Festival’s return in 2011 will mark one of its most diverse array of exceptional antipodean talent in its history. Adding to the list of incredible performers, the brand new Homebake Comedy Stage will feature Tim “Rosso” Ross, Smart Casual, Daniel Townes, Matt Okine, Ronny Chieng, Rhys Nicholson, Dave Eastgate, Anthony Salame and Steve Philp with more comedy performers still to be announced. Tickets on sale now through Ticketek, Oztix and homebake.com .
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
Sydney are sending their folk rock finest to The Phoenix on Saturday September 24 in the form of three excellent acts: Dusker, Ranger Spacey and Briscoe. Dusker will be celebrating the launch of their new single The Well, the first release from their upcoming debut album 98 Beats of a Rapid Heart. Free promo copies will be available on the night, so come listen live to some brand new tales of ocean sprawls, things in the shadows, and space existentialism. Ooo-er. Canberra is the first stop on the showcasing tour, so you’ll get to hear them before anyone else. Win!
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
Early-bird tickets for the National Folk Festival are on sale now, with ARIA award winning singer Zulya Kamalova among the first headlining acts announced for the 2012 event. Among the other performers announced are Canberra’s own Fred Smith, The London Klezmer Quartet, Uncle Bill (the band renowned for their work with Paul Kelly), ukulele virtuoso Daniel Ho, vibrant Queensland duo stringmansassy, and Gleny Rae Virus with her Tamworth Playboys for lovers of country music. Yee har! Early-bird tickets will only be available until Sunday October 30 or until sold out. More exciting acts will be announced in the coming months. Tickets can be bought online at folkfestival.org.au or by phoning 1300 235 849.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHO: Arc Cinema WHEN: Various dates in September and October WHERE: Arc Cinema, National Film and Sound Archives
For the next month Arc Cinema looks at the 90 years of Australian cinema connections between our nation and the societies and cultures of the Middle East, beginning with the films of Frank Hurley and ending in the era of 9/11. Whether looking at the presence of Australian troops in Iraq and Afghanistan, the arrival of refugees from the region, the increasingly visible presence of Islamic belief and social custom, or episodes of communal tension and resentment in our big cities, these issues and themes have generated some of the best work of veteran documentarians. They’ve also drawn out new talent, often filmmakers themselves from an Arab-immigrant background. For all the info head to nfsa.gov.au/arc .
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHO: Canberra fashionistas WHEN: Now until January 21 WHERE: Canberra Museum and Gallery
Fashioned Here unpacks the wardrobe of Canberra Museum and Gallery (CMAG). The exhibition shows the work of fashion designers and related private businesses that are represented in CMAG’s permanent collection, as well as selected current designers. In 1997 a generous donation spurred CMAG’s interest in collecting objects and stories of private commerce in Canberra. A study of decorative art, including what we wear, provides social historians with clues to the social values of a particular time and place; in the same way clothing can provoke memories of important events in our lives, so fashion can come to symbolise an era. C-Town’s got style alright.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHO: Kate Barker WHEN: Opening 6pm Thurs Sept 15, continuing ‘til September 25 WHERE: Canberra Contemporary Art Space, Manuka
Photographs are a way of capturing and pinning down memories. We take photographs as aids for memory, but they in turn affect the way we remember. Kate Barker uses photographs as a basis for her paintings. By reinventing photographs through paint, Barker returns photographs’ coherent and informative remembrances into the disjointed, sometimes incoherent state of real human memory. Barker is a Canberra-based artist from Wagga Wagga, which was the focus of much of her previous work. With her new exhibition A Matter of Time, Barker will now be turning her sights on Canberra, looking at the way in which places and people interact and imprint on each other.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHO: Craft ACT WHEN: Now WHERE: craftact.org.au/projects/centenary
Centenary of Canberra - a legacy of good design is a competition to design and produce a limited range of quality objects that will be sold as memorabilia for the centenary in 2013. The competition will shortlist ten finalists who will each receive $1,000 to develop their design concept into a prototype. From these finalists four winners will be selected. Each of the winners will receive $10,000 for the production costs of the initial run of the memorabilia object. The competition is open to all Canberra and local region residents and closes on December 2. Competition guidelines and more info is available on the Craft ACT site.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHO: Sound of Music Tragics WHEN: Sat Sept 17 WHERE: Canberra Theatre Centre
Round up your favourite friends, frock up and get ready to sing your heart out when Sing-A-Long-A Sound of Music returns to the Canberra Theatre Centre. Have you ever been to a musical and had an uncontrollable urge to burst into song? Well now’s your chance. Sing-A-Long-A Sound of Music is more than just a movie; it’s your chance to sing along shamelessly and loudly to a film that we all know and love, and the song subtitles make it easy to join in. To start the evening celebrity host Katrina Retallick (The Chaser, Comedy Inc) will lead a vocal warm up, judge the costume parade and guide the audience through the use of the fabulous interactive fun pack. For all the info head to the CTC website, canberratheatrecentre.com.au .
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
WHO: Canberra Creatives WHEN: Thurs Sept 29 WHERE: Craft ACT Craft and Design Centre
Volume 10 of the global gabfest Pecha Kucha will return to the capital on Thursday September 29. Pecha Kucha is a night for people to get together and witness presentations from local creatives aimed at inspiring, starting conversations and making connections. The previous volumes have featured artists, architects, musicians, performers, designers, publishers, ratbags and raconteurs, and Volume 10 promises more of the same. Pecha Kucha is an event that takes place in over 300 cities around the world and remains an excellent way for creative people to showcase their work and share their ideas. For more info head to pechakuchacanberra.com .
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
What do you do?
I act for free and learn lines for money. Professional actor, presenter and voiceover artist.
When did you get into it?
Around ten years ago, forming 19th Hole Productions with friends from college after we finished school.
Who or what influences you as an artist?
The pursuit of giving an engaging, truthful and entertaining performance. Probably the most influential in this was Bobby Farquhar and the National Acting School which I first trained with in Canberra and helped set me on the path to getting into drama school and being a professional actor. I also look up to actors like Edward Norton, Sean Penn, De Niro, and Pacino.
What’s your biggest achievement/proudest moment so far?
The production of Angels In America Pts 1 & 2 was a special undertaking as we put together six hours of theatre with such epic and challenging issues around homosexuality and AIDS during the ‘80s that really got a great response from those who saw it. The other would be my directorial debut with The Shape of Things, which won Best Play, Best Actor, and Best Actress 2008 in the CAT awards. Also recently becoming a dad to my daughter Lily Joy.
What are your plans for the future?
To be the best dad I can be for my little girl, and just keep on trucking doing what I do. I have been down in Melbourne for two years and am slowly making inroads into networks down there. In this industry it’s hard to plan too far ahead, but half the fun is the surprise of what opportunity may present itself next. I hope I continue to grow, learn, entertain and keep working with such fantastic people. Maybe I will put together a theatre company with all the fantastic Canberra artists that have moved to Melbourne. Half the people I meet down there seem to be ex-Canberra.
What makes you laugh?
When my wife is making our baby girl giggle… It has been made clear to me that Mummy is much funnier than Dad, despite my best and professionally trained comedic efforts.
What pisses you off?
Very little; I’m fairly Zen about the whole thing. But rude, inconsiderate people, or those who take advantage of others piss me off. Injustice seems to get a big rise out of me, maybe I was unfairly burnt at the stake in another life.
What’s your opinion of the local scene?
Strong performers and companies; I have seen some great shows in Canberra, but the region struggles from having a lack of professional opportunities. It is unfortunate that to grow, and attempt to make a living off performing there is a need to leave Canberra. As always, there is more funding needed to attract professional performers to Canberra, and help grow the professional industry here, as there are many talented people that become an untapped resource for the industry.
What are your upcoming performances/exhibitions?
I have come back from Melbourne for a couple of months to perform in MP by Alana Valentine at The Street Theatre. A strong play about politics, gender, and disability services. They have put together a great cast and I am really excited about being able to perform in such a strong new professional work about Canberra in Canberra. It runs Saturday October 1 to Saturday October 15.
Contact info: 0415 513 930
jensen_soren@yahoo.com.au
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
Where did your band name come from?
I wanted to come up with something colourful that represented the eclectic sound of the band – The Monotremes worked brilliantly because zoologically, monotremes are a mindfuck. I guess I want this band to strike a similar chord. Plus monotremes are Australian and the word is an anagram for metronome, which is nice because we are rather fond of metric modulations and that kind of thing.
Group members?
Adam Cook – keys/vox, Matt Rankin – keys/vox/samples, Reuben Lewis – trumpet, Justin Bullock – bass, Adam Dickson – drums.
Describe your sound:
We use a jazz harmonic language and shift through many genres, a lot of them older, but we are using electronics so there's a kind of edge to it.
Who are your influences, musical or otherwise?
For a while now I've been a huge Zappa fan, but I'm also a professional classical muso, so I get into composers like Poulenc, Ravel, Weill, etc. I also love stride piano.
What’s the weirdest experience you’ve had whilst performing?
It was my birthday and we were headlining Bootlegs in the Pheno. There were balloons everywhere (courtesy of my friends) and then someone came up and shook my hand in the middle of a tune, and suddenly smacked a balloon into my face. I had a sneaking suspicion he'd been drinking. Then we finished the set and my band surprised me with happy birthday in 7/4 and my beautiful girlfriend gave a slice of birthday cake to every single person left in the pub.
What’s your biggest achievement/proudest moment so far?
It happens as often as we gig – there are a bunch of people asking us 'what the hell do you call that?', and most of the time they don't even mean to be rude. As of yet, there is not a single person I've met who has managed to assign anything to the sound, and that's one of the greatest sources of pride for the group.
What are your plans for the future?
Following a mad writing period, we're doing a few gigs, including Dragon, and we're having a recording session in late November/early December for a three-track album perhaps. Our songs are getting longer and stranger and we're all quite comfortable with the fact that we indefinitely will not get paid for our weirdarse shit, so we're in a good place really.
What makes you laugh?
My friends – that's why they are what they are. My family, which is nice. Clowns that frighten wolf puppies and are consequently savaged by the rest of the pack.
What pisses you off?
Oh the usual hamfisted nonsense. Man's inhumanity to man; the fact that our country (especially WA, where I'm from) is a spoilt brat.
What’s your opinion of the local scene?
I love it. In one day I will play in a recital hall in the ANU School of Music; see a gig at a pub with a lovely pint of cider; go to a CMC bash and listen to beautiful Canberran anthems sung by beautiful Canberran people; maybe finish the night in Civic and have a boogie to some home-made dubstep.
What are your upcoming gigs?
Saturday September 24 at the Polish Club for the CMC's third birthday, Sunday October 2 at the Dragon Dreaming Festival, Thursday November 24 at the somewhere-or-other; Wednesday November 30 in the Band Room, ANU School of Music.
Contact Info:
themonotremes@hotmail.com
facebook.com/TheMonotremes
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
Featuring Sex and the City's Kim Cattrall in this irreverent comedy, awkward teenager Tobe (Dustin Ingram) sets off on a road trip to meet Monica Velour (Kim Cattrall), his favourite '80s porn star, at a rare live appearance hundreds of miles away. Instead of the glamorous sexpot portrayed on film, he finds a 49-year-old single mum living in a trailer in rural Indiana, performing at seedy strip clubs to make ends meet. A starry-eyed Tobe, still captivated by his crush, befriends Monica, further complicating her difficult life. Kim Cattrall gives a career defining performance in this offbeat love story that appeals to the dreamer-and the nerd-in all of us. We’ve got five copies to throw your way. To win, email editorial@bmamag.com and tell us what character Cattrall plays in Sex and the City.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
Round up your favourite friends, frock up and get ready to sing your heart out when Sing-A-Long-A Sound of Music returns to the Canberra Theatre Centre. Have you ever been to a musical and had an uncontrollable urge to burst into song? Well now’s your chance. Sing-A-Long-A Sound of Music is more than just a movie; it’s your chance to sing along shamelessly and loudly to a film that we all know and love, and the song subtitles make it easy to join in. To start the evening celebrity host Katrina Retallick (The Chaser, Comedy Inc) will lead a vocal warm up, judge the costume parade and guide the audience through the use of the fabulous interactive fun pack. For all the info head to the CTC website, canberratheatrecentre.com.au. We’ve got two doubles to give away. To win, email editorial@bmamag.com and tell us what your favourite scene is and why.
|
Date Published: Tuesday, 13 September 11
| Author: Julia Winterflood
|
| 4 months, 4 weeks ago
God Bless Ozzy Osbourne is screening at Hoyts in Canberra over September 15 and 16. The film is a no-holds-barred look at the life of rock icon Ozzy Osbourne and includes a mix of never before seen footage from recent tours, archive footage of Black Sabbath, plus interviews with Ozzy’s Sabbath bandmates, Paul McCartney, Tommy Lee and others. We’ve got dive doubles to a session of your choice. To win, email editorial@bmamag.com and tell us the most hilarious thing Ozzy’s ever uttered.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
The UK’s Example (aka Elliot Gleave… his initials are EG… geddit?) is geared up to realise his third LP Playing in the Shadows this September, which the man promises remains dance oriented, making a gradual move into the electronic and dubstep genres. After a spin of a preview copy, I can safely say it’s a smashing together of pop-dubstep-synthwave-handclap with occasional four-to-the-floor electro nonsense and vocals. Glad that clears that up. To get you warmed for his All Our Friends At Night appearance at the UC Refectory on Friday September 23, we have five copies of his new LP to wrap yer lobes around. To win, give us an example of a funny story involving dance music. Tix to All Our Friends (featuring Example, MSTRKRFT, Wolfgang Gartner and Nero) are $79.95 from moshtix .
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
From the Oscar-winning team behind Man On Wire comes the story of Nim, the chimpanzee who in the mid-‘70s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim’s extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature – and indeed our own – is comic, revealing and profoundly unsettling. Based on the book Nim Chimpsky – The Chimp Who Would Be Human by Elisabeth Hess. We have ten in season double passes to give away. To win, tell us what name you would give your chimp butler. Project Nim will screen from September 29.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
With a new season comes a new Ministry of Sound release, and with the warmer weather comes the clothes-shedding vibes of MoS Clubbers Guide to Spring 2011. Emerging from a seasonal hibernation, Goodwill and Anna Lunoe have been selected for programming duties, throwing together a setlist of some 44 of the biggest tracks and hottest tunes that are destined to soundtrack your spring.
As expected, house music is in full bloom across the first disc, as Goodwill works his way through tracks and remixes from Example, Adele, Pnau, Ray Foxx, Azari & III, Afrojack, Ridney, Danny Daze and Friendly Fires. Anna Lunoe shoots us into the club with some loud, straight up, open-hat floor burners from Swedish House Mafia, Sneaky Sound System, The Subs, Green Velvet, Skream and DJ Fresh.
We have five copies to bestow upon your lovely selves. For your chance to win, tell us what your favourite warm weather track is and why.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: Doofers, dancers, dreamers WHEN: Fri Sept 29 – Mon Oct 3 WHERE: Kowen Homestead Recreation Area, Kowen Forest
Dragon Dreaming Festival celebrates art, music and nature, and the freedom of self-expression in a safe, family friendly environment not far from Canberra. Their philosophy is one of nurturing Australia’s alternative artistic culture and the festival crew strongly encourage participation by all who attend. One of the best ways you can get involved is by dressing up for the Opening Ceremony, held on Saturday October 1. This year’s theme is Dream the Unseen, so dress as anything weird and wacky that doesn’t exist in the ‘real world’. For all the info head to dragondreaming.net .
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: Vinyl hounds WHEN: Sat – Sun Sept 10 – 11 WHERE: Dickson Tradies Club
If you’re a vinyl lover don’t miss this as over 50,000 records will be on sale with stacks of gold to be found. Gold we tells ya! It’s a truly unparalleled event in Canberra town that’s the perfect place for music enthusiasts to expand their knowledge and their collections. This time ‘round there’s the added bonus of The Vinyl Junkie and John from Revolve Records joining forces to deliver smooth tunes while you peruse the countless crates. On top of the wax there will also be piles and piles of paperbacks and CDs. Open 9 to 5 both days.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHAT: Indie pop darling WHEN: Sat Sept 3 WHERE: Transit Bar
In the space of just a few months we’ve seen Owl Eyes blossom from a peripheral presence in Australia’s music landscape to one of its key players. She’s played with big name touring acts from around the world, enjoyed a healthy rotation of her single Raiders on airwaves across the country, won over countless hearts on a national headline tour of her own, and even had Devendra Banhart ‘give’ her his song Owl Eyes (from which she took her name) at Splendour. What a lucky gal. Canberra’s pretty lucky too as even though she was only just here in May, she’s back. Tix $12+BF through Moshtix.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: Your charitable selves WHEN: Fri Sept 2 WHERE: The Front
Says local gem Drew Walky: “Not dying of hunger is one of my favourite pastimes. It is with this in mind that I invite you to spend some time not dying of hunger with me. We’ll be collecting money to send to a charity so we can allow some people in Eastern African nations to also not die of hunger. We’re asking $10 entry or whatever you can afford and hopefully we can raise $1,000 or so. We have some great performers including Julia and The Deep Sea Sirens, Hadley and/or Jacinta, Rafe, nozl, and new band on the block Yes/No. I hope to see you there.”
NOZL
Hadley! Yes/No
Rafe
Walky
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHAT: Indie folk pop from Byron WHEN: Sat Sept 3 WHERE: The Front
The Lucky Wonders have made a huge entrance onto the Australian music scene in the short time since they formed, with a trail of rave reviews left in the wake of their debut LP Thirteen O’Clock released in March last year, and mammoth touring efforts. The band found a warm reception for their beautifully crafted songs and warm, quirky, irreverent banter all over Australia, venturing to far flung reaches of WA and the Top End. They opened for Pete Murray, Paul Greene, Sal Kimber and The Rollin Wheel and Skipping Girl Vinegar, and played some premier venues around the country. $10 at the door.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: Beth Monzo, Alice Cottee, Paryce and Jude Kohn WHEN: Thurs Sept 8 WHERE: Transit Bar
The first instalment of Women of Notes was a wonderful success – some 200 people braved the cold, inclement climes to witness some of the region’s finest female singer-songwriters. With Hannah Gillespie, Bec Taylor of Fun Machine, Julia and The Deep Sea Sirens and Simone Penkethman sublimely igniting the all-female vehicle, the second Women of Notes is set to further showcase the remarkable talent we have on offer. Circle Thursday September 8 in your calendar, where you’ll get the chance to see Beth Monzo, Alice Cottee, Jude Kohn and Paryce. It all plays out from 8pm at Transit Bar, and once again entry, for you my dears, is free.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
The beloved Summer Rhythm Festival returns for another year, with a new month and a new line-up. Spanning three days and four stages from December 9 – 11, this year’s event is another wonderful amalgam of international, interstate and local talent, playing host to over 70 acts including Salmonella Dub, Hook n Sling, Evil Eddie, The Bird, Hermitude, Van She Tech, Andy Murphy, Jeff Lang, Kingfisha, Dubmarine, Svelt, Goodwill, Tjupurru, Cassian, Ganga Giri, Shazam, Chardy, The Ellis Collective, S.E.T.H, Jono Fernandez, Los Chavos, Keirra Jade, D’Opus & Roshambo, Magnifik, Black Samurai, Rodskeez, Beth n Ben, Dissect, Team Wing, Fun Machine and many more. The event is once again at Goolabri Function Centre and Golf Course (10 mins outside Canberra off the Federal Highway) and first release tix are on sale now from Oztix for $85, (2nd round $95, $120 on the gate). They are still some limited street team positions left, so if you’re interested contact organiser Dan Luton at dan@strangehours.com.au .
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
The ’07 and ’09 RocKwiz Christmas shows are sparkling jewels in the RocKwiz Live crown. Held at St Kilda’s majestic Palais Theatre, they have featured Australia’s brightest stars singing extra songs and delivering festive surprises along with all your favourite segments. This year Julia Zemiro, Brian Nankervis and the expanded RocKwiz Orkestra are taking their Chrimbo shows on the road. As always, audiences can expect an all-star, mystery guest line-up, combined with some brand new theatrical flourishes and of course, the usual selection of brave audience members, sitting behind the buzzers, answering some curly Christmas quiz questions and bringing the house down with their legendary Contestant Karaoke. It happens at the Royal Theatre on Thursday December 1. Tix are on sale from Wednesday September 7 from Ticketek, and are likely $69.90 (price TBC).
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
With word quickly spreading about Canberra’s inaugural New Year’s Eve festival Mission To Launch, organisers are excited to announce the first act to be raising the roof at this year’s party in Weston Park… Australian dance powerhouse Sneaky Sound System. Returning from a world tour to Canberra for the first time in two and a half years, they will have the honour of bringing the party to its pinnacle as they lead the countdown to midnight. With SSS just the first of a stellar list of acts to be announced, Mission To Launch is set to give Canberra a jolly good New Year’s Eve shakeup. You can sign up to the newsletter and be the first to receive news on the full line-up, first chance tix, special offers, artist and event details and loads more – missiontolaunch.com.au. Tix on sale Monday September 19.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
Celebrating the diversity, eclecticism and sophistication of contemporary urban Latin culture, the Latin festival line-up includes internationally celebrated acts including ground-breaking techno folk ensemble Terraplén, Grammy Award winning Afro-Colombian hip-hop trio Choc Quib Town, and iconic ska come Latin rock band Desorden Público. The fusion continues with Victor Valdes & The Marin Brothers’ blend of Andean sounds and contemporary rock, and Brazilian hip-hop artist Renegado’s mix of reggae, maracatu, Cuban music and Samba with North American rap. Salsa and samba lovers will appreciate the fiery Chukale accompanied by legendary musicians from Cuba’s Buena Vista Social Club, plus the Brazilian Queen of nu samba, Aline Calixto, and world renowned Venezuelan salsa DJ, Dwight “Chocolate” Escobar. The festival also presents the dramatically unusual voice of Alda Rezende accompanied by master of percussion Esdra “Nenem” Ferreira with a mix of jazz, bossa nova, samba and pop, as well as Uruguayan boy-wonder Martin Buscaglia, who plays luscious candombe-funk music that is gentle, percussive and groovy. For all the info head to famaservices.com.au or call (02) 6247 1225.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
Want to play on the Foreshore stage alongside Gotye, Boy and Bear and Ladyhawke? Of course you do. And with Sound Search 2011, you and your ragtag bunch of musical misfits can do just that. Last year Fun Machine and Skin and Bones DJs took out the top gongs to share a stage with the likes of Cut Copy and The Temper Trap. The 2011 comp is extending to Wagga and Wollongong as well as Canberra to find the best young talent the region has to offer. Bands and DJs have until Friday September 9 to register at outingroup.com.au. The general public will then be able to head to the same site to vote for their favourite act. The four DJs and four bands with the most votes from each region will then play live in their respective region’s final. A panel of judges will then pick a winner from each region to play at Foreshore 2011 based on their performance. For more information, head to foreshorefestival.com.au .
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: Short Filmmakers WHEN: Sept 16-18 WHERE: Dendy Cinemas
The 2011 Canberra Short Film Festival is the place where the creativity, originality and diversity of Australian Short Filmmaking is up for show. Each year it attracts filmmaking enthusiasts from around the country who want to experience for themselves the artistry of one of the nation’s premier film competitions. This year the festival will run over the opening weekend of Floriade. The Official Selection Sessions will begin from 6pm on Friday September 16 at Dendy and will then continue on Saturday before the Finals Night takes place on Sunday September 18. As well as an array of awards to be presented, this final night will also be an opportunity to see Yoram Gross’ – the creator of Blinky Bill – latest masterpiece Professor Filutek. Extraordinary! Head to csff.com.au for all the info.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: Canberra Repertory Society WHEN: Season runs Sept 16 – October 1 WHERE: Theatre 3
Australia, 1996. The winds of change begin to blow like a gale through the nation as a new government has taken the reins. Nick's out of step. He's a writer; no writer has ever lived on Liberal Street before. And the residents are making sure he knows it.
From now on people will have to make their own way in the world. People will no longer be rewarded for being weak. The madness is over... The people have spoken. This is what they want, this is what they voted for, and if you don’t see it like them, then you are out of step. So get used to it. In this suburban satire, John Doyle's infectious humour takes an affable yet sublimely sharp look at an Australia we all recognise. Book online at canberrarep.org.au or call 6257 1950.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: You! WHEN: Now! WHERE: jumpmentoring.com.au
Young and emerging artists from across Australia are encouraged to make their artistic match and apply for JUMP 2012. As the Australia Council’s national mentoring program for young and emerging artists, JUMP identifies and promotes excellence in artistic practice for artists aged 18 – 30 who are in the first five years of their professional practice. You can accelerate your career through a one-on-one mentoring relationship with a leading arts professional of your choice, and join a diverse national network of program participants and alumni making their mark on the industry. To find out more, visit jumpmentoring.com.au. Applications October 28.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: Steve Roper WHEN: Thurs Sept 1 WHERE: Watson Arts Centre
Steve Roper has painted landscapes, interiors and abstract work for many years and had expected to keep doing so for some time. As Too Much Fun shows however, his work has recently gone in a new direction. In his younger days Roper was a cartoonist for various small papers, and since then has continued to draw silly figures and scenes. The realisation that he actually liked these figures, and that other people were intrigued by them, led him to work them into bigger, finished drawings, paintings and sculptures. What was originally envisaged as a small project quickly expanded as Roper opened up the work, and his mind, to his unconscious imagination. The images in Too Much Fun draw on four main subject areas: music, street scenes, people and pets, and demons. Intriguing indeed.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: National Film and Sound Archives WHEN: Now until Dec 2011 WHERE: National Film and Sound Archives
Graphic designers and festival fans will revel in the National Film and Sound Archive’s newly opened exhibition, Collective Passions: the Art of Festival Posters. From the earliest Australian film festival held in 1952 to the most recent online Portable Film Festival, from the Tamworth Country Music Festival to WOMADelaide, festivals and festival posters have become an integral part of Australia’s cultural scene. Designed to attract an audience and to project an identity, festival posters are an essential tool in the marketing and branding of festivals, with the additional challenge of representing a multifaceted festival experience. Many of the most engaging festival poster graphics featured in this exhibition were inspired by imagery and techniques drawn from art or film. The NFSA’s poster collection captures the variety and vitality of film and music festivals and is definitely worth a squiz for any film or music fan.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
WHO: Emma Beer WHEN: Weds Sept 7 – Fri Sept 16 WHERE: ANU School of Art PhotoSpace Gallery
The latest body of work by local emerging artist Emma Beer has become a means of transformation and abstract interpretation, of looking closely at the process of shifting the three dimensional and unfolding it onto the two dimensional picture plane as well as pushing the two dimensional into the third dimension. Beer flirts with the variables of different materials and forms of construction, but is best described primarily as a painter.
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
What do you do?
I am a visual artist, illustrator and printmaker.
When did you get into it?
I have loved drawing for as long as I can remember, but it became my primary focus while studying art at university. Drawing forms the basis for all my work no matter the final medium or application.
Who or what influences you as an artist?
I’m interested in combining the experiences of observation and imagination and am inspired by the potential of small natural forms and structures to suggest vast or otherworldly realms. I’m influenced by a myriad of artists, including James Gleeson, Jörg Schmeisser and Shaun Tan.
What’s your biggest achievement/proudest moment so far?
In 2011 I have been very fortunate to be granted the opportunity to undertake a study tour of Spain through the Embassy of Spain’s Torres Travelling Scholarship as well as winning the Port Jackson Press Australia Graduate Printmaking Award.
What are your plans for the future?
I plan to continue building skills and concepts while enjoying creating new work. In 2012 I will be working towards an exhibition based on my recent journey to Spain as well as promoting my picture book to publishers, setting up a studio, travelling and exhibiting further afield.
What makes you laugh?
Good friends, dancing to the Mortal Kombat theme song and recently moonlighting as a shadow-puppeteer for Julia and the Deep Sea Sirens upcoming music video.
What pisses you off?
When all people are not treated with the kindness and respect they deserve… and that there are not enough hours in the day!
What’s your opinion of the local scene?
I returned to Canberra in late 2009, after four years studying in the United States, and have really enjoyed getting involved in the local scene. Canberra is home to lots of amazing artists and is a welcoming and supportive community. We also have access to some fantastic facilities and organisations, such as Megalo Printmaking Studio.
What are your upcoming performances/exhibitions?
My first solo exhibition of printmaking and drawing, Drift, opens at Belconnen Gallery (Belconnen Community Centre, Swanson Court) on Thursday September 15 at 6pm. I am also very excited to exhibit a picture book, Autumn Leaves, which I have written and illustrated, supported by the National Mentoring Program for Young and Emerging Artists (JUMP), opening at Canberra Contemporary Art Space Manuka on Thursday October 13 at 6pm.
Contact info:
annika_romeyn@hotmail.com
www.annika-romeyn.com
annika-romeyn.blogspot.com
|
Date Published: Tuesday, 30 August 11
| Author: Julia Winterflood
|
| 5 months, 1 week ago
Describe your sound:
I’d describe my sound as jazz vocals with a bluesy guitar, deceptively simple lyrics, and a smattering of rock ‘n’ roll beats.
Who are your influences, musical or otherwise?
Definitely the jazz masters – I learnt to sing by listening to Ella Fitzgerald, Billie Holliday, and Mahalia Jackson incessantly as a kid. Too many others to count, I could go on and on. Led Zeppelin, the Beatles, Janis Joplin…
What’s the weirdest experience you’ve had whilst performing?
I still find it weird when I’m playing a gig in a noisy pub and after a few songs I look up and realise the pub has gone really quiet and people are actually paying attention. I still haven’t quite gotten used to that feeling!
What’s your biggest achievement/proudest moment so far?
Playing at Corinbank last year. I hadn’t been performing for very long and it was the biggest crowd I’d played for. I opened with an acoustic gospel number, and it was just so cool to sing in such a wide, open space.
What are your plans for the future?
I wish I knew. Get a real job, maybe.
What makes you laugh?
My friends are bloody hysterical.
What pisses you off?
Ignorance and prejudice in otherwise intelligent people. Also, paperwork.
What’s your opinion of the local scene?
Awesome! What a wealth of talent for a small town. Also, it’s incredibly encouraging for emerging performers – particularly the work done by The Canberra Musicians Club. I certainly wouldn’t have had half the opportunities I’ve had if the local scene wasn’t so friendly.
What are your upcoming gigs?
I’m playing at BMA Presents Women of Notes 2 at Transit on Thursday September 8, with Beth Monzo, Alice Cottee, and Paryce.
Contact info:
Judith.a.kohn@gmail.com
wix.com/judithakohn/music
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
BMA’s favourite musical comedian is stopping by Transit Bar for a special Sunday evening solo show on August 28, with CatBoy along for what will no doubt be a wild, crazy ride. Doors open 6pm, with the man set to hit the stage at 8pm. Tix are a mere $15 + bf from moshtix.com.au. We’ve got two doubles to throw your way. To win, email editorial@bmamag.com with some alternative lyrics to I’m So Post Modern.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
The second full length album for the Melbourne five-piece, Arches Over The Sun, is a grand, sprawling affair which sees the band effortlessly melding musical styles and genres to produce an album that is both richly textured and deeply moving. Produced by Nick Huggins (Mick Turner) and mastered by Casey Rice (Dirty Three), Arches Over The Sun is something of a departure from the style of khancoban’s previous alt-country and folk influenced releases. To celebrate the release of Arches Over The Sun, khancoban are touring throughout August and September, stopping by The Front on Saturday Aug 27. We’ve got two copies of the album and two double passes to give away. To win, email editorial@bmamag.com and tell us what khancoban’s namesake is.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
Batrider have released several critically acclaimed albums, including Tara and Why We Can't Be Together, numerous EPs and vinyls, and have toured Australia, New Zealand, Europe and the US repeatedly. Described as both beautiful and abhorrent, acidic yet hopeful, the sound of Batrider is one of considered noise and marked by brutal and passionate songwriting that has become a live favourite. They’re stopping by Phoenix on Sunday August 21, and this is one of those rare Phoenix ticketed gigs. It’s $10 on the door, but why not let us whisk away that tenner and put your name +1 on the door. We’ve got three double door spots to give away. To win, email editorial@bmamag.com and tell us where Batrider hail from.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
Dear RnB music, I’m so sorry to hear about your break up with hip-hop. Your shared passion for chunky block party drum loops and catchy brass samples seemed like it would keep you in rhythmic matrimony forever, but unfortunately somewhere along the line I guess you just outgrew each other like an ill-fated high profile celebrity couple. As you wandered aimlessly through early morning music television on a forlorn quest for a suitably advantageous benefactor, you locked eyes with dance music and suddenly the commercial world as we know it was turned upside down. For the love of god, RnB (Beyonce, Jason Derulo and Chris Brown, I’m looking at you), please promise us that this is just a fling, for your tongue in cheek audio assault sees you riding the coattails of a popular genre all the way to the Bentley dealership.
Lucky for all of the self-respecting dance music spinners out there, there are a lot of amazing promoters who are willing to buck the trend of the commercial crossover and deliver some quality events for the genuine genre purist. One of the most respected local underground promotional teams is LollyGag & Effigy, who after a short winter hibernation are back with an absolute corker on Saturday August 27. The lads have facilitated the return of Scottish techno wizard Alex Smoke, who returns to Transit Bar for a mind-blowing assault on your eardrums. And if his last two performances in the ACT are anything to go by, this is one intimate show that you don't want to miss! Every few years a crisp bunch of local talent rise up through the scene to become our new clubbing elite, and Saturday nights at Academy seem to be the ultimate breeding ground for the contemporary kings of Canberra. Next up on Saturday August 20 are dapper duo Dept. Of Defiance, who are amping up to rock the main room with their orgasmic blend of party mash-up and big room sounds, followed by the sleeveless wunderkind Jared de Veer on Saturday August 27, dropping a fresh set of electronic weapons sure to get your clean sneakers shrieking.
The new music just keeps coming on strong in August with a bunch of delectable dance music releases firing off to end the month in style. Swedish superstar Avicii delivers another atomic peak time monster with Levels, Bombs Away keep the quality remixes rolling in with a bouncy redux of the Stanton Warriors Turn Me Up Some, Laidback Luke returns with his huge festival bomb Natural Disaster, Dave Spoon reminds us why he is the king of the dark with 7.20 and Inpetto returns fire with a long awaited solo record in Hit Back. Support quality music, support quality DJs and keep the scene alive!
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
The first instalment of Women of Notes was a roaring success – some 200 people braved the cold, inclement climes of a Canberra winter Thursday night to witness some of the region’s finest female singer-songwriters. With Hannah Gillespie, Bec Taylor of Fun Machine, Julia and The Deep Sea Sirens and Simone Penkethman sublimely igniting the all-female vehicle, the second Women of Notes is set to further showcase the remarkable talent we have on offer. Circle Thursday September 8 in your calendar, where you’ll get the chance to see Beth Monzo, Alice Cottee, Jude Kohn and Paryce. It all plays out from 8pm at Transit Bar, and once again entry, for you my dears, is free.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
Hot off the heels of their successful Big 4 show at ANU Bar, Live Evil are headlining a benefit gig coming up at The Basement on Saturday September 3. All proceeds are going to MND (motor neurone disease) NSW to provide support and information to people with all types of motor neurone disease, their family and carers. Also on the bill are local doom metallers Futility who are poised to release their second album, and are playing their first Canberra show for a long time, and local up and comers Venom Eyes. $10 on the door.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
Wowee… what a difference a year makes. When Homebake announced that they were skipping 2010 the nation groaned. After all, we know what a ‘year off’ in the festival world really means… It ain’t coming back again. Ever. It’s never felt so good to be wrong. Homebake is not only making a triumphant return to The Domain at Royal Botanic Gardens in Sydney on Saturday December 3, but they’re bringing a mighty-mighty line-up to boot, which features Grinderman, Pnau, Gotye, Gurrumul, Cut Copy, Ladyhawke, Drapht, The Triffids, Eskimo Joe, Architecture In Helsinki, The Church, The Vines, Illy, The Jezabels, Kimbra, CW Stoneking and many more. Tickets are now on sale through Ticketek and Oztix. homebake.com.au .
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHAT: Arches Over The Sun tour WHEN: Sat Aug 27 WHERE: The Front
The second full length album for the Melbourne five-piece, Arches Over The Sun, is a grand, sprawling affair which sees the band effortlessly melding musical styles and genres to produce an album that is both richly textured and deeply moving. Produced by Nick Huggins (Mick Turner) and mastered by Casey Rice (Dirty Three), Arches Over The Sun is something of a departure from the style of khancoban’s previous alt-country and folk influenced releases. To celebrate the release of Arches Over The Sun, khancoban are touring throughout August and September, stopping by The Front on Saturday Aug 27.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHAT: Bel Air WHEN: Fri Aug 26 WHERE: Transit Bar
You think you’ve seen Transit Bar go off? Sure, you’ve witnessed the walls sweat and the dance floor pulsate when Purple Sneakers takes over, but according to them you ain’t seen nothin’ yet. (Baby you ain’t seen nothin’ yet). Their last Friday of the month DJ parties have been renamed, revamped and re-amped into the “ghetto fabulous” Bel Air, the launch of which will feature PhDJ who’ll keep the decks sizzling, Indian Summer bringing the Melbourne love, along with local faves Eddie Shaggz, Princi and Celebrity Sex Tape. It all kicks off at 8 and entry is free.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHO: Upstairs Beresford WHEN: Now WHERE: The Beresford, Surry Hills, Syd
Upstairs Beresford is a music venue that has been inspired by some of New York’s finest and designed to give both the performer and patron a first class experience with decadent décor, state of the art technology and a full suite of amenities backstage.
It offers a first class space to perform in which was designed to enable the performer to connect with the audience while also boasting a large stage, tiered booths, a spacious dance floor and a state of the art sound and lighting system. If you’re a Canberra band on the hunt for somewhere quality to play in Sydney, contact Tony Gosden at tony@jammusic.com.au .
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHO: ANU School of Art WHEN: Sat Sept 3 WHERE: ANU School of Art
The theme of this year’s Art School Ball is Futures Past, which will inspire the work of several visual artists including video and performance artists Riley Post and Danny Wild, video artist Travis H Heinrich, and sound and video artist Luke Penders. On the bill are locals Assassins 88 with TV colours, The Fighting league, Crash the Curb (pictured), Badlifers, Bacon Cakes, Mornings, Orbits, M.A, RKPK, DJ Dead Joke and Onetalk, along with a set by Melbourne Italo DJ Fabio Umberto. Tickets are available at presale prices ($10 student/$15 non student) or at the door for $15/$17.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHAT: Fusion Thursdays WHEN: Thurs Aug 18 WHERE: The Clubhouse
Thursday August 18 sees the first instalment of uniVibes' Fusion Thursdays, which will showcase uncategorised genres and fuse students from ANU School of Music with DJs and producers. Opiuo is the perfect kickstart: imagine a precisely blended concoction of tight irresistible grooves, bouncy beats, luscious brooding soundscapes, stomach-morphing bass and scrumptious glitch. A self confessed music addict with a light hearted approach to life and art, Opiuo incorporates sounds as varied as jazz, reggae, funk, rock, psychedelia, and down right chunky goodness. For presale tix email univibes@gmail.com. They’re $10 for uniVibes members and $15 for everyone else. $20 on the door.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHO: artsACT WHEN: Now WHERE: arts.act.gov.au
The second round of Start-Up Grants, the ACT Government’s new grants program for young artists, is now open. The first round, announced earlier this year, supported 15 young ACT-based artists across a variety of projects including a dance film, a debut album and glass exhibition. Start-Up grants are designed to be responsive to the needs of young emerging artists and encourage young people to engage with the ACT Arts Fund. Canberra artists aged 18 to 25 who haven't previously received funding from artsACT are eligible to apply. For more information visit the artsACT website at arts.act.gov.au .
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHO: ABC 666 WHEN: Apply now WHERE: abc.net.au/canberra
Do you have a story? A story you tell at the dinner table, at barbecues and parties? A story you know people will laugh, cry and be spellbound at? Or do you know someone who spins a good yarn? Now Hear This is a night of people telling just those kinds of stories.
Storytellers from around the region come together and tell their true tales to a packed audience at The Street Theatre. There has already been two great Now Hear This events this year. Each night has a theme; so far they’ve covered ‘I learned the hard way’ and ‘Love is a four letter word’. Register your interest to tell your story and catch some of the stories ABC 666 has recorded online at abc.net.au/canberra .
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHAT: Invitation to join WHEN: Now WHERE: The Playing Field Studio (in the demountable building next to The Street Theatre)
Canberra Playback Theatre is currently looking for new members and will open rehearsals in August and September to people who are interested in learning about playback and possibly joining the company. Canberra Playback is keen to get new people in the company who have a variety of skills, life experience and interests. Experience in theatre is not necessary and people with backgrounds in health and the community sector are encouraged to come along. The cost of the training is $50 to assist with hall hire costs and 80% attendance throughout the term is required if you are interested in becoming a member of the company. For more information or to register your interest contact Leigh on 0413 556 328 or letswatch@canberraplayback. canberraplayback.org .
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHAT: New Canberra based women’s fashion label WHEN: Launching new collection Fri Aug 19 WHERE: itrip iskip, Lonsdale Street
Canberra based women’s fashion label Stranger than Fiction (formerly known as Grazed Youth) invites you to the launch of their latest collection. The label has a new name and a new look and would love to celebrate with you. The launch will be held at the gorgeous retail premises of itrip iskip and will include a fashion parade, accessories and jewellery for sale, as well as yummy baked goods and wine. The label’s new collection is called Bundle of Nerves. Inspired by Hitchcock style movie heroines and scientific and mathematical images from their childhood, the Stranger than Fiction team have collaborated once again with Sydney based digital artist Anna Madeleine to create a collection of unique, quirky and unexpected garments. strangerthanfictionclothing.com .
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHO: CCAS Members WHEN: Opening Thurs Aug 18, 6pm. ‘Til Sun Aug 28 WHERE: CCAS Manuka
This year is set to be bigger than ever with the theme of XXX. CCAS Manuka will be filled with everything from the wacky to the licentious to the downright raunchy, created by a great mix of established and emerging artists. With first prize being a juicy $500 there is sure to be some tough competition to win the title of the XXXiest work. This year’s judge is Canberra’s own Erica Seccombe, artist and Chair of Megalo Print Workshop. Not only is the show a fantastic opportunity to support CCAS and see some great new art, but also to purchase it, as all works will be available for the very reasonable price of $100.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHO: National Library of Australia WHEN: Now until Aug 2012 WHERE: National Library of Australia
Have you lost your recipe for rabbit casserole or need to know what to do with butter extender? The NLA has the answer to these questions and so much more. In Every Home: The Australian Women’s Weekly 1933-1982 display recently opened at the NLA to celebrate the digitisation of the first 50 years of the magazine. There is little TAWW didn’t cover in its first 50 years; from its first issue on June 8 1933, the magazine told Australia’s story as only it could. Along with features about how to make a festive rooster – you needed a large banana and walnuts for its beak – it challenged the traditional role of women, including a series on careers for women, a campaign for divorce law reform and a push for more women in politics. Then there were the even bigger issues: whether tertiary-educated women scared off prospective husbands, as Kathleen Pitt put it in July 1933,
“because the average young man is alarmed when he learns he is dancing with a University student”. Ha!
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
What do you do? I make obsessively detailed drawings of soldiers, birds and plants.
When did you get into it? I started focusing on drawing around three years ago. Prior to that I’d made very large minimal sculptures, but felt I needed to reinvent myself as an artist.
Who or what influences you as an artist? I’m very influenced by writers. My current work draws on Hemingway, Cormack McCarthy and David Malouf. I also draw a lot of inspiration from my students – I teach at a high school and the School of Art in Hobart.
What’s your biggest achievement/proudest moment so far? In 2005 I was awarded the Rosamond McCulloch residency at the Cite des Arts Internationale, Paris, by the University of Tasmania. I lived in Paris for six months and it was a really formative time for me as an artist.
What are your plans for the future? I’d like to make increasingly elaborate and ornate drawings, and am planning to focus on the eccentric flora and fauna and dark underbelly of my surroundings in Tasmania. I’d also like to try my hand at illustrating stories.
What makes you laugh? Steve Coogan, particularly as Tony Wilson in the excellent film about the Manchester music scene 24 Hour Party People.
What pisses you off? Blunt pencils.
What’s your opinion of the local scene? It’s only my second showing in Canberra, but so far I’ve really enjoyed the passion evident in local exhibition go-ers.
What are your upcoming exhibitions? My solo show with Beaver Galleries All the Bright Company of Heaven (Thursday August 25– Tuesday September 13), and an exhibition at the University of Tasmania Gallery in October titled Unnatural.
Contact info:
My website, www.luciennerickard.com, or I can be contacted through Beaver Galleries, Canberra – www.beavergalleries.com.au.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
So what exactly does Jason Derulo have to separate himself from the array of other equally serviceable urban singers out there right now like Chris Brown, Usher, Taio Cruz, etc? He dances. Well, they all do that. He trills dramatically. Yep, that too. He samples old club tunes that nobody thinks are cool anymore. Nope, they do that as well. So… nothing then? Cool, see you next time Kevin Lyttle 2.0.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
We should be nice to our child stars. If we’re not then they’re likely going to end up wrecked and decayed, hooked on prescription painkillers and doing episodes of 20-1 for rent money. And this Jack Vidgen seems like a more than amiable member of those ranks. So let’s be kind, considerate and caring this time around and just all quietly acknowledge that this song is balls and leave it at that.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
So what if it took them 18 months to follow up Crave You? We should be lucky that Flight Facilities didn’t chuck it in then for all the pressure that was on them. Foreign Language isn’t too concerned with being a world-beating anthem but instead it’s just about good times, heightened disco-drama and a look at how far the lads have come in between dri, with extra bells and whistles making this one a memorable jam for sure.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
Euuuugh. Who likes this junk? I don’t even get it. This is music made expressly for those nauseatingly sad people that watch So You Think Can Dance for the ‘emotional journey’, have online handles that start or end in ‘xx’, know the history of the Cullens off by heart and think that the idea of Evanescence bathing in a pool of post-breakup tears and menstruation sounds appealing.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
So Soundwave Revolution is off. You will read any amount of conjecture, but here at Metallise I do not write fantasy, I ring a friend who works for Soundwave and quote AJ Maddah’s twitter directly. There are two key points. Why was it cancelled? “…We needed the second band to sell enough tickets to make it possible”. My source continued that Van Halen alone was not shifting the sort of tickets required to bring the festival home. The second key point is that the second band will not be named as that will make it “difficult to work together in the future”. There will still be a huge number of shows on during this period as the festival will now fragment into smaller shows and mini-fests.
Katabasis released their debut record back in June and started probably one of the more ambitious Australian tours I’ve seen with 29 dates that run through to November this year. They’re at the Basement on Thursday August 18 and they’re on with Tortured, fresh from their well received Slaughterfest appearance, and locals CHUD. Get along to that one to warm up for your weekend. Mortal Sin are coming back to town on the Saturday September 17 and are hitting The Maram at Erindale with a band with almost as much history and almost as many line-up changes, the indomitable Reign Of Terror. The fine blokes at Mudd promotions are to thank for the show and I’m not 100%, but the new Mortal Sin album Psychology of Death is due out very soon. If you can’t wait to hear it, check out www.reverbnation.com/mortalsin for some select album teasers from Sydney’s thrash icons. Aussies United is a non-profit association in Canberra looking to help out young musicians, and they’re looking to put on an all day concert for bands of all genre’s on Australia Day next year alongside established bands. If you’re interested in finding out more, check aussiesunited.com.au or email info@aussiesunited.com . Bastardfest is ramping up for September with the first show on in Brisbane on Saturday September 3. Brisbane is a little out of range for most Canberra folks but the Sydney show at The Sandringham on Saturday September 10 features a huge range of the best of all Aussie bands. The full line-up is Psycroptic, Blood Duster, Extortion, Dreamkillers, Ruins, Claim The Throne, Pod People, I Exist, Bane of Isildur, Ouroboros, Daemon Foetal Harvest, Anno Domini, Chaos Heist and Ignite the Ibex. The Melbourne version might interest some travellers as it includes USA’s Ringworm and Mindsnare putting in their ten cents worth. That show is Saturday September 17 at The Corner Hotel. Infinitum are coming close to wrapping work on their as yet untitled follow up to 2008’s Behold Eradication, an album that garnered richly deserved praise and attention from extreme metal fans everywhere. The new record weighs in at nine tracks and you will be able to get the record through Queensland label Obsidian Records, home to other Australian luminaries like Portal and Astriaal. Looking forward to this one from the vocal-less tracks I was recently treated too. Brutal. Monster Magnet hits in Sydney on Wednesday September 14 to play The Metro Theatre on George St, playing the entire Dopes To Infinity record from start to finish. That is a Wednesday night’s fun and games well worth it and there’s a great interview to read with Mr Wyndorf about it on Metal As Fuck.net if you’re sitting on the fence about going to catch the show. They were excellent at Soundwave in the early arvo earlier this year.
Unkle K’s Band of the Week: Blasted Canyons - psychedelic garage-prog synth-punk space-pop radness.
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
On Friday July 1, I received a Facebook message from someone with the intriguing moniker of Shoulder Hawk: “A few of us are building a national website that aims to be a networking system for musos, venues and industry types with an overall theme of self empowerment through education… can we do coffee?” Natch. A few days later Shoulder Hawk (aka Jacq Rolfe) and I had a spirited discussion about Canberra’s music scene and the fact that many local artists and bands have difficulty taking the next step beyond backyard and small pub gigs, despite their undeniable talent and wide appeal. This is where THE SLOG comes in. I caught up with Jacq to find out how it’s kicking along. What is THE SLOG? THE SLOG is a developing website catering to musicians, venues, managers, festivals and other music industry types. The long term features are pretty extensive; we’re pouring a lot of time and effort into building a site that will be absolutely packed with features, but initially we will be networking these groups by providing an interactive board that promotes gigs at music venues. Once the initial part is up and running effectively, we’ll expand to promote people such as photographers, those with equipment (in case an amp blows up and you’re 500k from home), session musos and other services so that bands on the road, or at home, can get quick access to what they want and need as they want/need it... somewhat like an interactive yellow pages, but one that caters for all in the industry.
Why did you establish it? At first it was to help musician friends get around more easily and to make sure more interstate bands would stop by Canberra on their way to other cities. From there ideas kept developing and after doing some research, it became apparent that no one was doing these things despite there being great need.
What’s the background of people involved with THE SLOG and how has it helped gain an insight into the gaps in the industry? I’ve been ridiculously lucky with the people who’ve come on board. Collectively we have years of experience in gigging, managing, media, technical development, designing as well as a solid network of good, reputable characters who just want to serve the music and not themselves.
How can people get involved? Well, like any small business, we’re always open to sponsors and donations. To get the standard of quality we’re going to provide it’s pretty pricey. But other than that we’d love people to ‘like’ the Facebook page and spread the word to their friends. We currently have homegrown, Canberra based, James Grim from Brothers Grim & The Blue Murders as our display pic. They're our feature artist for this month, meaning that most of our promoting and support is focused on them for all of August. They’re playing at Transit on Thursday August 25 with The Toot Toot Toots, which will be awesome, you should definitely go. How’s that for a promo example? Aside from that we have a Twitter account @the_slog and a Reverb Nation profile at reverbnation.com/theslog .
Anything else you’d like to add? Just that if you’re an artist and would like to have your stuff streamed/given away on our page, just head to THE SLOG on facebook and follow the instructions on our info tab. We have an email address listed there and everything is pretty easy to follow. Get involved!
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
Alternative/hardcore six-piece Dream on, Dreamer have risen to fame quickly since their formation in 2008 – in fact the Melbourne boys were recently made the support act on legendary US rock/metal band Avenged Sevenfold’s national tour. But that’s not all that the boys have been up to. Having recently recorded their debut studio album Dream on, Dreamer are ready to embark on their very own Homebound Tour.
Canberra fans are anticipating the band’s visit to the Tuggeranong Youth Centre on Wednesday August 24. Sharing the stage with Dream on, Dreamer will be progressive hardcore band The Bride from Sydney and Canberra’s own Hands Like Houses with more local suppor acts still to be announced. Tickets cost $18.40 (pre-sale) from Oztix. This is worth booking ahead for.
On Friday August 26 you can be part of Jive n’ Astrochem at the Woden Youth Centre. If you’re keen for a dance, this is the gig to attend. So get on your groovin’ shoes because this funky-fresh local line-up will feature Pleased to Jive You, Astrochem as well as pop/jazz act The Sodapops and Sydney’s Crouching 80’s Hidden Acronym (I know, what a name!) with their special brand of what they call “feel good hipcore”. You can also be witness to a live rap battle. On this night The Sodapops’ debut album will be on sale for the first time, and you also have a chance to purchase Please to Jive You’s album Cheesman Place at half price, so bring a pocket full of change with you. Tickets cost a miniscule $6 at the door. But remember, folks, this is a drug and alcohol free event.
If for some absurd reason Jive and Astrochem isn’t your forte, there is a plan B for you on the night of Friday August 26. It is a night of choice. Alternative/rock quad Pyrene from Melbourne will make a stop in Canberra as part of The Diminutive tour, celebrating the successful release of their self-titled EP. Joining Pyrene for what they are calling an “All Ages Extravaganza” at the Tuggeranong Youth Centre will be an exciting line-up of local acts including Makeshift, No Longer I from Goulburn, stoner rock act Blacksquire and six-piece Perpetual End. Tickets cost just $10 at the door at 6pm.
Now, remember, if you know of a gig don’t keep it to yourself! Whether you are in a band or are just a casual gig-goer, I’m eager to hear from you. If you let me know of an event in advance, I’ll be sure to include it. It will save a lot of confusion, and of course, the more I am made aware of, the more informative this column can be. My email is always at the bottom of this column, so use it. Whether it be a gig, a community event or just something all ages related that you feel deserves to be mentioned, just shoot through an email. I’m looking forward to hearing from you!
allagescolumn@gmail.com
|
Date Published: Tuesday, 16 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
Band Name: Final Lies
Where did your band name come from? Final Lies is the replacement for our old band name Alone With You. When our singer and line-up changed, so too did our name, and Final Lies was the winner, picked from a short list of some very average band name ideas, including ‘Live Band’, ‘Free Entry’ and ‘$2 Schooners’.
Group Members? Sally (vocals), Johnny (lead guitar), James (guitar), Evan (bass) an Josh (drums).
Describe your sound: Josh: To put it simply, I’d describe it as melodic guitar-driven rock. Our sound is slightly more refined now than in our previous EP.
Who are your influences, musical or otherwise? Sally: So, so many influences, especially when I was young. In high school I was really inspired vocally by Killing Heidi, Silverchair, and Incubus, and later on stuff like SOAD, Deftones, Sevendust, Sunk Loto and Superheist.
What’s the weirdest experience you’ve had whilst performing? Evan: We once had a streaker run through the crowd at The Basement.
What’s your biggest achievement/proudest moment so far? Evan: Simultaneously having three songs off our first EP in the Top 10 of the triple j Unearthed charts for a few weeks in 2009.
What are your plans for the future? Evan: We’re about to record our new EP at Electric Sun studios next month. We’ve got some killer songs that will be on that one.
What makes you laugh? Josh: Nothing. I was cursed last week and now have absolutely no sense of humour… Though ‘mum’ jokes and farts still slightly amuse me.
What pisses you off? Sally: People. I studied psychology to try and figure out why people are so annoying. It didn’t help.
What’s your opinion of the local scene? Sally: It’s pretty. Oh wait that’d be the scenery. The local music scene? It’s fucking awesome right now. We just need some more venues to pop up, not to say the current ones aren’t good but we could use some more.
What are your upcoming gigs? Saturday 27 August with Johnny Roadkill, Mandala, Point of View and Activate Jetpack
8:00pm at The Maram; Thursday 22 September, 8:00pm at The Valve (Sydney), plus more in later months.
Contact info: Final.lies@gmail.com www.facebook.com/finallies www.myspace.com/finallies
|
Date Published: Monday, 15 August 11
| Author: Julia Winterflood
|
| 5 months, 3 weeks ago
WHAT: The Heartbound Tour WHEN: Wed Aug 24 WHERE: Tuggeranong Youth Centre
Post-hardcore kids Dream On Dreamer have turned heads around the world with the release of their Downfall single and the announcement of a worldwide release of their album via powerhouse international labels UNFD (Australia), Rise Records (North America, UK, Europe) and Triple Vision (Japan). The band only recently returned from the US where they crafted a modern, impressive debut that will continue to see them rise to the top of the post-hardcore heap. Joining them on The Heartbound Tour are up and coming acts The Bride and Canberra’s own Hands Like Houses. Tix through Oztix and on the door.
|
Date Published: Wednesday, 3 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
As you may have read on the News page of this ish, AIR recently conducted a small study into the percentage of male versus female artists receiving airplay on Australian radio. The results revealed that of the 2,000 most played songs in June this year 81.7% were sung by a frontman, while only 18.3% were sung by a frontwoman. Soon after the results were released an APRA rep stated that their songwriter membership is approximately 80% male and 20% female. This is a huge imbalance that begs the question, why are there not more female musos in the industry?
It’s a question with innumerable answers and though we don’t have a definitive one we’ve teamed up with Transit Bar to address the imbalance. Women of Notes is a series of female musician nights launching at Transit on Thursday August 11.
The first all local line-up features the inimitable Julia Johnson performing with her ethereal (female) Deep Sea Sirens, the always dazzling Bec Taylor of Fun Machine in rare solo mode, the rich song tapestries of Simone Penkethman and the warm folk country ‘campfire music’ of Hannah Gillespie. Entry is free and it kicks off at 8.
I imagine some readers may be rolling their eyes right about now. And fair enough too. As a renowned Canberra music man told me ‘round the fire drum at Saturday Night Hop last weekend, holding a girls only muso night sort of means you’re admitting defeat. I’ve certainly never heard of a guys only muso night. Julia Johnson agrees.
“I generally loathe the concept of girls only muso nights. They make me cringe,” she said. “Female performers are no better or worse than male performers, so why single us out? But I can’t remember the last time I went to see a female play in Canberra. We must all be hiding. Many of us have moved away or had families or something I suppose. So I’m interested in Women of Notes not only as a performance opportunity for myself (since Transit has really nice sound these days!), but to see who else is out there and what I’ve been missing.”
You said it Jules. Women of Notes isn’t just about acknowledging the imbalance, it’s also about showing Canberra audiences just how many wonderfully talented women we have in our town.
Although I named the series the concept was originally Jem Natividad’s and he’s the one steering the ship. “Being a music nerd, I’m very much into my Mitchells, Baezs, Ribeiros and Simones,” he said. “I really wanted to give Canberra the opportunity to discover her own.” You said it Jem. If you’re a female muso and you’re interested in being a part of Women of Notes, be sure to fling me an email and keep an eye on the BMA site and Facebook for more info.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Def Leppard are returning to Australia and will be stopping by the capital with American rockers Heart (in Australia for the first time). Def Leppard are one of the few rock bands to join the exclusive ‘diamond’ club, receiving two diamond accreditations (for sales in excess of ten million units) for Pyromania and Hysteria. Pyromania (1983) was recently named by Rolling Stone magazine as one of the 500 Greatest Albums of all time, while Kerrang! Magazine chose Def Leppard’s show as one of their greatest gigs of all time! We’ve got two double passes to their show at AIS on Tuesday October 25. To win, email editorial@bmamag.com telling us what your favourite Def Leppard song is and why.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Stevie's In Your Dreams tour comes to Canberra on Wednesday November 7 at AIS Arena. Joining Stevie will be celebrated musician and songwriter Dave Stewart from Eurythmics, who co-produced Stevie's new solo album, In Your Dreams. Fans of both Fleetwood Mac and Eurythmics will be thrilled to know that Stevie Nicks and Dave Stewart will be performing their greatest hits from their respective bands as well as highlights from their solo careers. We’ve got two doubles to give away. To win, email editorial@bmamag.com telling us what your favourite Fleetwood song is and why.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Dance music pioneers Faithless took their final bow before a sold out crowd in London on April 8 2011, but Canberra fans are invited to have one last dance with the band at a special cinema event at Hoyts Cinemas in Belconnen from August 18-21.
Faithless: Passing the Baton captures the full arena production of the trio’s last ever concert. We’ve got five double passes to give away. To win, email editorial@bmamag.com and tell us
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
In the words of celebrated American food writer Harold McGee, the art of cooking – at its most fundamental – “requires the selection, measurement, and combining of ingredients in an ordered procedure in an effort to achieve the desired result.” The same ethos can be applied to the art of mixing music. Our good friends at MOS have taken this idea and released a collection of dinner party music; forty one tracks across two CDs perfect for entertaining, and we’ve got five copies to throw your way. To win, email editorial@bmamag.com and tell us what your top five dinner party albums are.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Well known for his cabaret persona fronting The Black Sea Gentlemen, Mikelangelo formed The Tin Star in late 2009 as a channel for his love of instrumental guitar music of the ‘50s and ‘60s. Combined with a fascination for Western cinema soundtracks and Mikelangelo’s impressive baritone croon, The Tin Star could never be a purely instrumental band, and shades of Johnny Cash and Elvis Presley can be heard in the album’s vocals. Mikelangelo and The Tin Star are playing two shows in Canberra on Sunday August 7; the first one at the reopening of April’s Caravan at The Front which run from noon ‘til 5, and then later that evening at The Phoenix. If you’d like your name +1 on the door for this gig, email editorial@bmamag.com and tell us.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
You want wrestling DVDs? We got wrestling DVDs. Four of them in fact. The titles are Rey Mysterio: Life of a Masked Man 3DVD set, Capitol Punishment, Greatest Superstars of the 21st Century 3DVD set, and Edge Tin Collection Limited Edition 5DVD set. So that’s four titles, but 12 DVDs altogether. To win one of three packs, email editorial@bmamag.com and tell us what your signature move would be if you were a WWE wrestler.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
17-year-old Caroline Wexler is facing a teenager’s nightmare: her widower father has moved them from a big city to a tiny town in the middle of nowhere. When Caroline realises she has nothing in common with the losers in her new school, she pursues the one person who excites her interest – her handsome young teacher, Mr. Anderson. A bizarre love triangle ensues between Caroline, Mr. Anderson, and a sweet, but troubled classmate. Daydream Nation is filled with wry and wicked observations of teen angst and small town boredom, but best of all it’s scored by Ohad Benchetrit of Broken Social Scene and features a hit indie soundtrack with original music from the Canadian music scene’s hottest artists including Devendra Banhart, Metric’s Emily Haines, Constantines and Stars. We’ve got five copies the fling your way. To win, email editorial@bmamag.com and tell us what your teenage nightmare was.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
You know what it is, you know who’s on the line-up, and you mos def want to be there. So why not save your hard earned and go courtesy of the good ship BMA? To win a general admission double pass to Foreshore, email editorial@bmamag.com and tell us who you most want to see on the Foreshore bill and why.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Unfortunately I have the misfortune of presenting you with a mere three events for August so far. Yes, we’ve hit another low. Although to my relief what we are lacking in quantity has been made up for in quality.
To celebrate Canberra band Atlantis Awaits’ triumphant return home from the US, the boys with their brand new female vocalist are already embarking on their national Rebirth tour. Joining them will be Sydney five-piece Sound of Seasons, pop punk five-piece City Lights Fade, following the successful release of their debut EP Strikes Back, as well as Canberra post-hardcore quad Martha Moxley. You can see this exciting line-up live at the ever faithful Woden Youth Centre on Saturday August 13. Doors open at 2pm, leaving room for a long eve of entertainment. Tickets cost $12 at the door.
Dream on, Dreamer’s fan base since the band’s relatively recent beginnings has grown rapidly across the country, so much so that they have recently been the support act on legendary rock/metal act Avenged Sevenfold’s national tour. But now, in support of their debut studio album, the Melbourne-based alternative/hardcore six-piece are embarking on their very own Homebound tour. Joining Dream on, Dreamer at the Tuggeranong Youth Centre on Wednesday August 24 will be progressive hardcore band The Bride from Sydney and Canberra’s very much adored Hands Like Houses. This is a spectacular line-up that is well worth booking ahead for. Tickets cost $18.40 (pre-sale) from Oztix. There is also a possibility that more local support acts will be announced closer to the date.
On Friday August 26, Melbourne alternative/rock four-piece Pyrene will come through Canberra as part of The Diminutive tour. They are doing this in celebration of the release of their self-titled debut EP. Pyrene will be at the Tuggeranong Youth Centre for an “All Ages Extravaganza” sharing the stage with a great line-up of locally based acts including Makeshift, No Longer I from Goulburn, Blacksquire and Perpetual End. Tickets cost a miniscule $10 at the door at 6pm. So come along and pick up a copy of their EP!
Now, there is one thing I feel I have to add: whether you are in a band or are just a keen gig-goer, if you know of a gig, just let me know! It will save a lot of confusion, and of course, the more I am made aware of the better. My email is always at the bottom of this column, so use it. Whether it be a gig, a family event or just something all ages related that you feel deserves to be mentioned, just shoot through an email. I’m looking forward to hearing from you!
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Melbourne-based band MIKELANGELO AND THE TIN STAR are coming back to Canberra on their Surf n’ Western Sounds tour. The band has produced a highly praised album entitled The Surf n’ Western Sounds of Mikelangelo and The Tin Star which has so far claimed Album of the Week from FBi Sydney, PBS Melbourne and Edge Radio Hobart. Mikelangelo’s sudden return to the ACT was explained by stating “Canberra is the centre of the universe, and all things must return there eventually.”
With their frontman often seen in elaborate suits with a ‘50s style quiff, the band have been described as sounding like Ennio Morricone and Dick Dale in a back alley music duel, and also as a blend of Elvis Presley and Nick Cave. It’s only surprising Johnny Cash was never thrown into the mix.
His rising popularity can be partly attributed to his occasional collaborations with American singer-songwriter Amanda Palmer of The Dresden Dolls, which included an Australia Day spectacular earlier this year at the Sydney Opera House. When asked if the two have planned any shows for the future, Mikelangelo reveals that there had in fact been such talk, but it’s much too early to say when Australia will see them together again.
In case you’re wondering where Mikelangelo’s other band, The Black Sea Gentlemen, are hiding, he promises they are still going strong, celebrating their tenth year together and making plans for a little further down the track. He assures fans he is simply focusing on The Tin Star because of this new album and its increasing popularity. “You can’t do everything at once,” he says.
Joining the band on stage at April’s Caravan Vintage Shop are The Toot Toot Toots, another Melbourne band that Mikelangelo himself could only categorise as “garage-country”. The Tin Star have temporarily replaced their lead guitarist, Fiete Geronimo Geier, for Mark Cilia of The Atlantics for these shows. And unfortunately bad news for all of you Saint Clare fans. She’ll be unavailable for the Canberra gigs this time around.
For anyone who misses out on this particular tour, it’ll be a shame, but never fear. Mikelangelo plans to keep appearing on Australia’s stages for the rest of his days. “That’s the great thing about being an artist, you never really have to retire… I have the hope that both The Tin Star and The Black Sea Gentlemen will be like the Buena Vista Social Club of Australia, doing gigs in our 80s and 90s. I’d love that.”
The band has two Canberra performances, both on Sunday August 7; at April’s Caravan Vintage Shop Reopening in the afternoon (free), and a second at The Phoenix at 7.30pm, featuring Konrad Lenz. Tickets are $15 or $20 at the door.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHO: The Australian Ballet’s The Dancers Company WHEN: Tues-Wed Aug 17-18 WHERE: Canberra Theatre Centre
The Australian Ballet’s regional touring arm The Dancers Company is heading to Canberra to present a dazzling production of Don Quixote, an unequivocal ballet classic. Set against the backdrop of a Spanish fishing village, this colourful and cheeky romp will delight audiences with its comic spirit and technically challenging dancing. In an exciting casting coup, acclaimed Principal Artist Rachel Rawlins will perform the lead role of Kitri alongside 2008 Telstra Ballet Dancer Award nominee, Andrew Wright in the role of Basilio. For more information head to canberratheatrecentre.com.au or call 02 6275 2700.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHO: ANU School of Art WHEN: Various dates throughout August WHERE: Various locations
Material Matters is a major exhibition focusing on works drawn from the ANU Ceramics Workshop Teaching collection. It links a broad range of community based events which will involve all members of Canberra’s ceramic networks. From professional masterclasses and open workshops, from community woodfirings to exhibitions, from guided school tours to the symposium there will be something for every ceramics fanatic. Some of the satellite exhibitions include Netty van den Heuvel’s Tintelingen at the Watson Arts Centre, Elaine Bradley’s Crucible at Craft ACT and Jane Crick and Jacqueline Lewis’ Not To Be Contained at Belconnen Arts Centre. For more info head to soa.anu.edu.au/materialmatters .
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHO: tACTile WHEN: Wed Aug 3 – Sun Aug 14 WHERE: ANCA Gallery, Dickson
Elements is the new work by tACTile, the Canberra based group of quiltmakers who challenge themselves by working towards exhibiting together every two years. Jenny Bowker, Dianne Firth, Helen Gray, Ruth Hadlow, Beth Miller and Trevor and Beth Reid planned the latest exhibition during a time of extreme weather challenges in Australia, when fires were raging and floods were engulfing huge areas of the country. The group agreed to work with this inspiration individually and look at one or more of the elements, earth, air, fire and water. There will be a meet the artists session at 3pm on Saturday August 6. For more info email anca@canberra.net.au or phone 6247 8736.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHO: ACT Writers Centre WHEN: Sat Aug 13 WHERE: CSIRO Discovery Centre (Clunes Ross St, Black Mountain)
Are you writing about crime? Does your novel have a futuristic theme? Does your story include forensic investigations, environmental apocalypse, genetic engineering or good old-fashioned space travel? Getting the facts right can make or break a good piece of fiction. The ACT Writers Centre is holding a free event at the CSIRO Discovery Centre to answer all your scientific questions. RSVPs are appreciated, to admin@actwriters.org.au. The ACT Writers Centre is grateful for support from National Science Week and the Discovery Centre for this event. For more information about this and other ACT Writers Centre events, visit actwriters.org.au .
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHO: Andrzej Zielinski WHEN: Now until Sat Aug 20 WHERE: CCAS
Nomophobia is the fear of being without your mobile, or being out of mobile or internet reception. The fact that this phobia even exists shows something very important about our relationship with technology. Andrzej Zielinski is from the US and is currently a visiting artist at the Painting Workshop at the ANU School of Art. His exhibition Prototype explores our strong relationship with technology and the constant desire to upgrade to the new model. It’s a collection of bright paintings which walk the line between abstract and representational, in which electronic devices that we depend on everyday are simplified. Represented in glossy paint, and removed from their ability to function, we see them for what they really are: modern day icons.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHO: artsACT WHEN: Now WHERE: arts.act.gov.au
The second round of Start-Up Grants, the ACT Government’s new grants program for young artists, is now open. The first round, announced earlier this year, supported 15 young ACT-based artists across a variety of projects including a dance film, a debut album and glass exhibition. Start-Up grants are designed to be responsive to the needs of young emerging artists and encourage young people to engage with the ACT Arts Fund. Canberra artists aged 18 to 25 who haven't previously received funding from artsACT are eligible to apply. For more information visit the artsACT website at arts.act.gov.au .
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Harvest follows a simple design: take the line-up of your typical European multi-day event, cut out the filler and the acts that everyone has seen one too many times and pack all the greatness into one incredible day for discerning music lovers. An amazing start would be to convince Portishead to return to Australia after a 14 year absence. Then augment that coup by gathering a collection of the planet’s most outstanding and unique artists and performers in The National, The Flaming Lips, Bright Eyes,
Hypnotic Brass Ensemble, Holy Fuck, The Family Stone, Mercury Rev, Death In Vegas, The Walkmen, Dappled Cities, PVT, The Holidays and more (with more to be added). It’s a damn fine line-up we must say. Sydney’s Harvest is happening on Sunday November 13. Tickets go on sale Thurs Aug 4 through harvestfestival.com.au, Oztix and Ticketek.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Dragon Dreaming 2011 is fast approaching and this year the crew is welcoming back some old favourites as well as looking forward to some new friends. Joining the Dream are some artists from one of Australia’s best known psychedelic labels Zenon Records (Melbourne) including Tetrameth and Pspiralife. They’re also excited to announce that The Crooked Fiddle Band will be returning to the ACT after a standout performance at this year’s National Folk Festival. For more line-up info check out dragondreaming.net with announcements happening regularly as they work their way to welcoming over 100 musical acts. It’s all happening from Friday September 30 until Monday October 3. All ages are welcome. Tickets are on sale now from the website and from Loom in Bailey’s Corner. Presales are limited to 2,000 tickets so get in early.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
The Foreshore 2011 line-up has finally been announced and what a crazy, eclectic one it is. With six distinctly non-dance acts included, it’s fair to say the Foreshore folk are continuing their smart shift from an all-dance event into a more varied affair (a move signalled by last year’s decision to have The Temper Trap as headliner). In the current uncertain climate for dance – the failure of We Love Sounds festival, the closure of beloved dance streetpress 3D World – this comes across as a shrewd move. And who could argue with the chance to hear Wally De Backer (Gotye) belt out song of the year Somebody That I Used to Know? Not to mention Salt N Frickin’ Pepa. Other acts include Armin Van Buuren, PNAU, Ladyhawke, Architecture in Helsinki, Boy & Bear, Gypsy & The Cat, Annie Mac and more, with more to be announced. Tix are now on sale from foreshorefestival.com.au, moshtix.com.au, Parliament Clothing, Landspeed Records, kicksentertainment.com.au and ticketek.com.au .
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Summer Rhythm Festival has landed itself a new time slot. The Strange Hours team have moved the festival to Sat-Sun Dec 9-10 this year. The first instalment held in February was an extraordinary weekend of local and interstate funk, folk, roots, rock, dub, reggae, blues and swags more, at the brilliant close to Canberra location of Goolabri Resort. The line-up for the second instalment will be announced soon, but in the meantime ‘like’ the SRF Facebook page to be kept up to date, then go one better and mention BMA on their wall to go in the draw to win tickets. They’re also on the hunt for volunteers and street team members so email dan@strangehours.com.au if you’re keen.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Pugsley Buzzard (what a name) is a keys man and singer with a very distinctive sound. At the centre of his shows is his huge mesmerising voice and dazzling piano playing all delivered with a vaudevillian nuance and wry humour. Pugsley’s music spans the entire spectrum from dark hoodoo blues musings to good time rollicking boogie fuelled piano romps that never fail to get people stompin’ and shakin’. He’s a fascinating and versatile songwriter who also enjoys interpreting classic R&B, jazz and popular tunes giving them his own unique treatment. You can catch the big man at various venues throughout the capital during Canberrang, Canberra’s annual festival of swing. Head to pugsleybuzzard.com for all the info.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
The Australian Independent Record Labels Association recently conducted a small study into the percentage of male vs female artists receiving airplay on Australian radio.
The results revealed that of the 2,000 most played songs in June this year 81.7% were sung by a frontman, while only 18.3% were sung by a frontwoman.
Soon after the results were released a representative of the Australian Performing Rights Association stated that their songwriter membership is approximately 80% male and 20% female.
Why are there not more female participants in the music industry?
It’s a question with innumerable answers and although we don’t have a definitive one, BMA Magazine has teamed up with Transit Bar to address the imbalance. Women of Notes is a series of female musician nights launching at Transit on Thursday August 11.
The first all local line-up features the inimitable Julia Johnson (pictured contemplating her overgrown garden) performing with her ethereal female Deep Sea Sirens, the always dazzling Bec Taylor of Fun Machine in rare solo mode, the rich song tapestries of Simone Penkethman and the warm folk country campfire music of Hannah Gillespie. Entry is free and it kicks off at 8pm.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHAT: Minimal techno WHERE: Transit Bar WHEN: Sat Aug 27
Lollygag and Effigy Entertainment are proud to announce the return of Alex Smoke to Canberra. This will be his third show in the capital, and once again he’ll be performing completely live. The young producer with a background in classical is pushing the boundaries of electronic music with his innovative style of fusing deep European minimalism with emotional strings and intelligent electro rhythms. A limited number of presale tickets for the tiny amount of $10 will be available through support DJs and Moshtix, while a special warm-up party will be announced in the coming weeks. Get excited.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHAT: Head Sex and Bed Socks tour WHEN: Sun Aug 28 WHERE: Transit Bar
The good ship BMA is proud as goon punch to be bringing you the thinking woman’s folk-ruffian, The Bedroom Philosopher, as he cranks the electric blanket up to ten on his national Head Sex and Bed Socks tour. To combat winter he’ll be layering his thermals and his performance with a radical rumpus of wit, song smarts and madcap banter. The Head Sex and Bed Socks tour will see The BP in solo mode, aiming to connect intimately with his fans whilst previewing tracks from forthcoming album Man – a series of manthems for the modern day retrosexual. Tix are $15+BF through Moshtix and $20 at the door. Seeya there!
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHAT: Pass The Mic competition WHEN: Now WHERE: kokyprik.com
Canberra’s premier MC contest is back with a brand new opportunity for the local scene. Last year the Pass The Mic contest gave Canberra MC Nix the opportunity to open a show for Bone Thugs-N-Harmony and the KP Crew in front of a full house here in Canberra.
This time around they’re giving one lucky Canberra MC the chance to open for hip-hop legend Ice Cube at the AIS Arena on Friday September 16. Entry is free and simple. Get your best MP3 and head over to kokyprik.com to upload and for all the info.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHO: Industrial metal WHEN: Sat Aug 13 WHERE: The Basement
Following the release of their annihilating 2008 debut, industrial metal band Synthetic Breed return in 2011 unleashing their second LP Perpetual Motion Machine. It’s an exciting, merciless, mind-numbing and overall thought-provoking experience, leaving the listener with no doubt that this band has achieved a musical zenith hitherto unattained. This perfect mix of nightmarish vocals, mind-altering lyrics, punishing guitars and pounding poly-rhythmic beats makes this one album well worth acquiring for any metal fan. The album has received praise from Australian and international media, attaining rave print and online reviews as well as regular radio play on triple j’s Full Metal Racket. Tix on the door.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHAT: Canberrang 2011 – Swingin’ Cities USA WHEN: Thurs – Sun Aug 11 – 14 WHERE: Various venues
Jazz, big band sounds and swing dancing take over the capital again with Canberrang, Canberra’s annual festival of swing. Over four nights and three days swing dancers from all over Australia and overseas will take to the streets in celebration of the jazz era. This year’s festival has the theme Swingin’ Cities USA and will take us on a journey though the jazz history of America’s pioneer cities with ten events and 60+ jazz musos performing. Mobsters Ball looks set to be the highlight on Friday Aug 12, as two big bands battle it out. For all the info head to canberrang.org or call 0412 127 168.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
WHO: Deep Sea Arcade and Fun Machine WHEN: Sat Aug 13 WHERE: Transit Bar
Arriving in August is Purple Sneakers’ brand new live music night Fresh Prince, which will feature the hottest in Australian and international live indie music, as well as DJs who’ll have you dancing ‘til the wee hours. Fresh Prince is here to mess your head up – to see you mosh then grind, to clap along then grope along. To kick off our new monthly party, they’re bringing you indie darlings Deep Sea Arcade to melt your winter hearts, supported by local heroes Fun Machine. $15 on the door. Stay tuned to this page as we’ll bring you info of another new Purple Sneakers night, Bel Air, in the next ish.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
What do you do?
I’m an actor.
When did you get into it?
In my late 20s when I was living in the UK. I used to be very nervous about speaking in public. Someone suggested I go to an adult drama group for fun, and everything snowballed from there... evening classes in London, then drama school full time.
Who or what influences you as an artist?
I grew up in Germany (Brecht), India (Gandhi) and England (The Goons) so there is a wide mix of influences, from early childhood experiences meeting artists such as Joseph Beuys, Timothy Leary, Nana Vasconcelos and Otto Muehl, to my later exposure to the Indian ‘way of life’... on the one hand ideas of self-negation, stripping away of the ego to let a character emerge organically as an actor; on the other hand, colour and exuberance, to express yourself fearlessly on stage. Alexander Technique has had quite a big influence on me as an actor too.
What’s your biggest achievement/proudest moment so far?
Writing, producing and performing the show Vidooshaka – The Indian Clown with David Finnigan at the Multicultural Fringe Festival in 2005. One of my personal highlights was getting people to throw money at us on stage!
What are your plans for the future?
I don’t plan too far ahead. I’d like to be involved in theatre that questions assumptions whilst offering hope.
What makes you laugh?
American politicians, Indian street signs (e.g. “Buy one shoe, get one free” or “Parking for the physically challenged”), my kids Leila (“I’m so pretty – stop it, face!”) and Tara (“What happens if your skin dies but your bones stay alive?”) and my partner Emily’s bawdy jokes.
What pisses you off?
Guns, selfishness, people who don’t believe in vaccination, religion interfering in public life, lack of punctuality, the drift towards private schooling, small pieces of food put into plastic containers that then gradually go off in the fridge.
What’s your opinion of the local scene?
There’s plenty of talent and good sporadic work. There is lots of potential, for example for a professional acting ensemble, but a change in ongoing financial support for the arts is required to retain promising young artists or to attract some of those who have left back to Canberra. The city I was born in (Bonn, in Germany) spends around five times the amount on the performing arts than the ACT currently does – despite having a smaller population and a lower overall budget!
What are your upcoming performances/exhibitions?
Destination Home at The Street Theatre from Tuesday-Sunday August 23-28 (tel. 6247 1223). Camilla Blunden, Liliana Bogatko, Noonee Doronila and I wrote this play over the last 18 months. Based on our personal stories and directed by barb barnett, this play examines migration, memory and belonging.
Contact info: raoul.craemer@econtext.com.au
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Yeah, there’s more than a little Two Door Cinema Club shining through on this jam from the fresh faced Sydney kids but there’s still plenty to like on Zimbabwe, from the infectious whistling to the scattering percussion and breathy vocal intonations. If only it was summer already.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
To call Bruno Mars ‘vanilla’ would be a slight to a very fine, if ordinary flavour. He is not vanilla. He makes vanilla taste like a magical rainbow made from God’s private Skittle collection. Remember when ‘classic’ M&Ms were called ‘plain’ and then the marketing people realised that was kinda unappealing? Bruno Mars is that. He’s plain. He’s pedestrian, he’s inoffensive, he’s spectacularly average. And yet here we are some four/five singles later and he’s still tilting his head and staring at us with those empty eyes and that fucking Jason Mraz fedora hat and spinning some other bullshit high school rhyme that’s so soft and saccharine that it’ll be on Glee next week.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
After a pretty much flawless run of singles with Reckless With Your Love, Hungry For The Power and Indigo, Canadian house divas Azari & III show they’re human with Manic, a sadly soft opening salvo for their debut album. It’s not bad, it’s just a bit ordinary and far below the par set by their previous hedonistic club gems.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
After a pretty much flawless run of singles with Reckless With Your Love, Hungry For The Power and Indigo, Canadian house divas Azari & III show they’re human with Manic, a sadly soft opening salvo for their debut album. It’s not bad, it’s just a bit ordinary and far below the par set by their previous hedonistic club gems.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
By the time this column hits the press there will be an announcement of a surprise second headliner for the touring mega-fest that is Soundwave. Monday August 1 the announcement will be made and adds to an already ludicrous pile of international bands from Watain to Steel Panther.
One of those Soundwave acts is doing a special reissue of my album of the year for 2010 to celebrate their first Australian tour. Kvelertak are bringing a strictly limited release of their self-titled masterpiece out Tuesday September 27 including six extra tracks, a DVD with eight videos, live clips and studio doco with a brand new booklet and poster also designed by John Baizley, who did the original release’s artwork. If you’ve not bought this album yet, get this copy.
On the local reissue front, it was great to hear that South Aussie funeral doom black belts Mournful Congregation were putting out a multi format five track release featuring stuff formerly available on splits. The tracks include Left Unspoken, The Epitome of Gods and Men Alike, A Slow March To the Burial, Descent of the Flames and Thergothon cover Elemental. The release comes ahead of their December run of US dates culminating in the headliner position at the Rites of Darkness festival in San Antonio. Check www.20buckspin.com for more details.
Dr Duncan Beard does great work in helping raise money for Motor Neuron Disease in this country and to follow on from last year’s sold out event at The Basement in Belconnen, there’s another show on there on Saturday September 3 to raise money for the fundraising activities that Motor Neuron Disease Australia undertakes (www.mndaust.asn.au). This year Live Evil, Venom Eyes and Futility hit the stage with all proceeds on the night going to the MND Australia organisation. A worthy cause and a great night of metal – Saturday September 3 in Belconnen.
Thursday August 18 at The Annandale in Sydney is this year’s leg of the Progfest that has been steadily building since 2008. The line-up has been released now and you can catch Laurenz Pike, Avarin, Pirate, Meniscuc, Arcane, Branch Arterial, dumsaint, Solkyri, Grun, We Lost The Sea, Serious Beak, Sicaria and Mish. Doors open at 1.30pm and presale tickets are available from The Annandale’s website.
There’s been some conjecture over the future of The Annandale of late. I spoke to their manager playing a show up there recently and there’s life in the old dog yet, including potentially a month of shows to support the venue’s continued existence. Watch this space.
Forbidden have their thrashtastic show at The Bald Faced Stag on Parramatta Road on Friday August 5 with Hobbs Angel of Death, Hellbringer, Desecrator and Maniaxe. Hobbs is only doing the Sydney leg of the tour.
Church of Misery have tragically cancelled their Australian tour due to their new guitarist not gelling with the current line-up of Japan’s doom masters. 666 Entertainment are currently scrambling to fill the gap and we shall hopefully get some good news on a replacement for The Basement show by the next issue.
josh : Unkle K’s Band of the Week: Dead Language
http://ironlungrecords.bigcartel.com/product/dead-language-s-t-lp
Embers of Iron Lung, Pig Heart Transplant, No Comment.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Regardless of the fact that we have an ice skating rink on top of a chess board heavily guarded by relentless swarms of clipboard-toting travellers and friendly beggars, our city never really tugs at the reigns of its unique idiosyncrasy while trapped under the cold vice-like grip of winter. It is our subtly inspiring local music scene that makes our lovably oversized country town come alive, and one of the most conspicuous lumps of coal that is thrown in the industry furnace every year is the Foreshore Summer Music Festival. The Kicks Entertainment conglomerate has finally released this year’s hotly anticipated line-up, and in lieu of this momentous occasion I managed to catch Director Ryan Phillips for an exclusive chin wag. “Being the fifth year of the event we really wanted to provide something for everyone that had come to a Foreshore over the last four years. That meant delivering the best in electronic artists alongside up and coming bands, proven live performers and the super hot ‘now’ artists, as we have done across the last four years,” he says. “Our new event site which we first used last year has been tweaked to allow for a sideshow alley, much more food options and some sneaky little surprises on the day! Foreshore is going to be a carnival in 2011!”
The 2011 line-up includes current world number one ranked DJ Armin van Buuren, Aussie electronic balladeer Gotye, big room newcomer Avicii, old school hip-hop queens Salt N Pepa, chart-topping shufflers LMFAO and perennial absurd costume lovers PNAU. Tickets are available right now from your friendly local street team member or through the usual outlets, don’t miss out!
Benny Benassi said it best when he wrote You Are a Cinema, obviously referring to Academy, right? Their August line-up includes the return of Ministry of Sound legend Mark Dynamix on Friday August 12 for the Annual 10 Years tour, trance don Tydi swoops in for a long overdue main room set on Friday August 19 while the Young Blood crew build up even more steam with a double headline show on Friday August 26 featuring Oh Snap! (USA) and The Only.
Trinity raises the ‘bar’ in August with The Aston Shuffle coming back for another huge show on Friday August 19. The very next night DIM trundles his carry-on luggage all the way from Deutschland to the DJ booth and Friday August 26 heralds the return of Sydney funk junkie Wax Motif. Huge!
Records! Records! Records! With the pungent aroma of festival season tickling the nostrils of hungry music producers all over the world, the quality releases just keep piling up! Yves, Digital Lab and Henriques have teamed up on Forever, a pounding arena anthem sure to be heard in every headline set this year, Arias and Nael meticulously meld French electro with 4am trance on Alive, the Swedish house dream team of Dirty South and Thomas Gold turn out an absolutely mental main roomer, funnily enough also called Alive and my pick of the month is the way too cool classic house release from Oliver $, Doin Ya Thang.
|
Date Published: Tuesday, 2 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
Where did your band name come from?
It’s from the future. An apparition appeared to me (it was my future self) and said that I was to start a band. He said it would be moderately successful.
Group members?
Navid Sabet (rhythm guitar, lead vocals), Frank Pavey (lead guitar, backing vocals), Mark Burke (bass guitar) and Aidan Johnson (drums).
Describe your sound:
Sounds like five guitars. Except only two of the guitars are actual guitars – the other ones are drums, vocals and bass. And when they’re together they sound like five guitars.
What’s the weirdest experience you’ve had whilst performing?
By the end of a particularly evocative song, we were all naked. You put together the rest. We had sex.
Who are your influences, musical or otherwise?
Tea, Doritos, Harry Potter, pictures of things, friends/family, the films of Carol Reed, Audrey Hepburn, super-villainy, history! James Cameron’s Avatar, sitcoms, fast music, slow music, inspiring music, Spanish numbers, the casual morning debriefing with a friend after a night out, Donald Glover, each other (awww!).
What’s your biggest achievement/proudest moment so far?
When two of us passed Spanish 1A. Or when Kim Beazley gave us the thumbs up. Or when Frank helped the girl puking in the boys toilets at Bar 32. We accomplish a lot. We’re so proud of us.
What are your plans for the future?
Tonight I think we’re going for beers. Then clubbing, maybe? Will definitely do it at some point in the future.
What makes you laugh?
El Tigre Chino!
What pisses you off?
Nothing, none of us get angry. Ever.
What’s your opinion of the local scene?
It’s wicked wet!
What are your upcoming gigs?
9pm Thursday August 4 @ The Phoenix (23 East Row, Canberra) with Crash The Curb and Pelvic. Free entry!
Contact info:
Listen: Facebook.com/TheStreetlightParade
Email: thestreetlightparade@gmail.com
|
Date Published: Monday, 1 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
A Monday night in Canberra. A Monday night in Canberra in deep midwinter. A Monday night in Canberra in deep midwinter when the city’s beloved Raiders are at home to the mighty Dragons. Three things, which, when added to the fact that Canberrans really don’t like leaving their suburbs for the seething fleshpot that is Civic on a school night surely spelt disaster for the svengali-like promoters hoping to perform some sort of financial alchemy with tonight’s three pronged feast of heaviness…
Well, that shows what I know, eh? When BMA arrives at the ANU just as local openers 4Dead are starting to go about their destructive business, one thing becomes apparent – there’s a crowd here. By the time headliners Doomriders take the stage there is a bloody healthy turnout indeed, but that’s getting ahead of ourselves – back to 4Dead.
This band has been a staple on Canberran extreme bills for years now, their violent take on punk-informed metal always providing an RSJ-styled prop for those with seemingly bigger ambition to rest against. But the last two times that BMA has seen this band – coincidentally perhaps both times have been here at the ANU – 4 Dead seem to be heading upwards and onwards with a fire in their bellies that promises good things. There’s a nasty crunch to their sound tonight, and they lay the ground for their more illustrious bill sharers well.
Fellow Canberrans I Exist have yet to disappoint in the live arena, and tonight is no different. Riding high on the back of an album, II: The Broken Passage, which has seen them vault from well meaning local heroes to serious international class contenders in the blink of an eye, their second hometown show in as many weeks is, simply, a riot of violent entertainment that delights the partisan audience. Their chosen milieu is nothing new, but the way they weave the seemingly disparate strands of doom metal and old school hardcore punk into an eminently palatable maelstrom is a joy to behold. They’ll be headlining (and selling out) bigger venues than this before very long.
So, two down, and two very satisfactory results to boot. At this point, BMA is starting to feel its age and looking for a gap in the conversation to make its excuses and head off into the arctic night in search of a kebab and a bus. Sensing what was about to happen, BMA Metalise correspondent Josh Nixon (who also happens to sling an axe for I Exist) leans across and bellows “JUST STAY FOR ONE SONG!” before nodding sagely at me and returning to a Buddha-like repose. Needless to say – he’s a metal correspondent after all – he was right. For the next hour and a bit the Massachusetts quartet proceed to bludgeon the nation’s capital into submission with a set that combines pure heavy metal thunder with despondently doomy passages in a manner that’s hard not to enjoy if you’re a fan of extreme music. In an age where heavy metal has splintered into seemingly innumerable genres and sub-genres, what Doomriders present is in essence heavy metal in its purest (that’s to say least diluted) form – adamantine, stentorian, with traditional values of musicianship and dynamic songwriting fused to just enough punk fury to keep things from getting too stolid. After the band finishes an exhilarating set the audience doesn’t want them to go, and, quite frankly, neither do I. Why can’t every Monday night be like this?
|
Date Published: Monday, 1 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
To call Bruno Mars ‘vanilla’ would be a slight to a very fine, if ordinary flavour. He is not vanilla. He makes vanilla taste like a magical rainbow made from God’s private Skittle collection. Remember when ‘classic’ M&Ms were called ‘plain’ and then the marketing people realised that was kinda unappealing? Bruno Mars is that. He’s plain. He’s pedestrian, he’s inoffensive, he’s spectacularly average. And yet here we are some four/five singles later and he’s still tilting his head and staring at us with those empty eyes and that fucking Jason Mraz fedora hat and spinning some other bullshit high school rhyme that’s so soft and saccharine that it’ll be on Glee next week.
|
Date Published: Monday, 1 August 11
| Author: Julia Winterflood
|
| 6 months, 1 week ago
It was just a couple of years ago that I screamed praise for these guys. And I was genuinely excited by them and their literate post-post-whatever-punk pop tunes. Now though The Wombats have become pretty hard to stomach with their sudden itch to include a kitchen sink’s worth of sounds in their productions. And there’s not even a hook to hold onto here. Snooze.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
What do a DJ and a jukebox have in common? If your answer was “nothing” rather than “one takes money and the other takes drinks”, then I think we are on the same page here. The art of music manipulation treads a perilous line between entertainment and education. On one side of the assertion, the person lugging their well-worn record box behind the turntables has probably been spending a great deal of their week hunting down a bunch of exciting new records to try out in the club, and on the other, their much anticipated set will probably be interrupted by about 50 tipsy requests for throw-away popular commercial cheese like Pitbull, Rihanna and David Guetta. This is the gawky conundrum which club jockeys face up to on a daily basis, whether to educate or to entertain.
Pred knows the correct answer to this question - both. The latest edition to Academy’s Saturday night man-family has been given a much lauded headline spot on the main stage on Saturday July 30 alongside regular ‘slashies’ Ashley Feraude and Jared De Veer. Fans of exquisite facial hair and proper house music should be forming a line already, so, what are you waiting for?
Even though we will never admit it, the InTheMix top 50 awards are a very important time of year for all DJs. It is a chance to harness the ostentatious glory of appearing more popular and well known than our peers. There is something illiberally glorious about seeing your name come up as one of the top five artists in your state that feeds the extrovert in all of us, and it is almost that time of year again! To kick things off, Academy have solicited the services of Victorian ‘smiley boy’ Andy Murphy to preside over the official InTheMix awards party on Friday August 5. Don’t forget to log on to www.inthemix.com/50 before Sunday August 14 to vote for your favourite party starter. Last year’s national number one were our own local lads The Aston Shuffle, it would be great if our sexy duo were able to make it two in a row!
When the morning meander from your front door to your car incites a severe case of facial frostbite, you know the ski silly season is in full swing for our alpine neighbours. The Station Resort at Jindabyne is one of the hottest venues for local and national DJ talent and quasi-Irish pranksters the Potbelleez are appearing for an exclusive midweek show on Wednesday August 10… I think I feel a sick day coming on actually… *cough*.
Music wise, it’s been a mammoth month for new releases so I’ll leave you with a few speaker busting selections for August. The Phantom’s Revenge’s new Charlie EP is a smashing package of intense disco, Marco V has belted out an awesome remix of Sharam Jey’s new record More That I Do and Basskleph keeps it absolutely house-gasmic with his new mix of fRew’s Under the Sun.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHAT: US and Bris post-hardcore WHEN: Thurs Aug 4 WHERE: The Pot Belly, Belconnen
Straddling the border of punk and hardcore, Comadre's brand of music is fast and chaotic, though never at the expense of melody. During July and August, the Californian five-piece is touring Australia with Brisbane power-trio Quiet Steps, who trade in unbelievably anthemic post-hardcore – and, it must be said, are streets ahead of any other band in that realm. Their debut album Think Aloud remains a highlight of last year. In Canberra, the pair of out-of-towners will be joined by locals Love Shy and Mammon. Doors open at 8pm, entry is $15. ?
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHAT: Ill ambassador of bass and beats WHEN: Sat July 30 WHERE: Transit Bar
Strictly Party and Mercury Switch present one of Australia's illest ambassadors of bass and beats, Melbourne's Dizz1. Starting off as a DJ he has worked and performed alongside the world’s best such as Grand Master Flash, Jam Master Jay (RIP), Jazzy Jay, D Styles, A-Trak, Plus One, Melo D and JRocc (Beat Junkies). With his debut solo album due to drop late 2011 keep an eye out for this man from the land down under. Indeed, he’ll be dropping by Transit on Sat July 30, supported by D'Opus, Faux Real, and DFP. Free entry before 9pm, $10 after.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHAT: Playing at Summernats WHEN: Fri Jan 6, 2012 WHERE: Exhibition Park
Summernats is turning 25 in 2012, and even though “Australia’s biggest horsepower party” might not be your bag, baby, Children Collide and/or Drapht surely are. They’re co-headlining the Friday night concert, with Nat Col and the Kings supporting with their unique blend of blues and classic rock ’n’ roll. Saturday night will be headlined by iconic Aussie rockers The Screaming Jets, making their second appearance at Summernats after rocking the crowd in 2010. Summernats 25 will be held at Exhibition Park from January 5-8 2012. For more information, visit the website at summernats.com.au .
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHAT: New uniVibes night WHEN: Fri July 29 WHERE: The Clubhouse
So it's easy to put on a gig these days. Find a venue, find a contact, tell ‘em you know some bands or DJs and voila: x presents y! No. No more emptiness; real nights without pretence. Real nights where people are alive, the music is live and the vibe is banging. That's what a gig should be. That's the philosophy of Live: intense activity though live art. Everything will be live: four fusion bands of producers and jazz musicians, three VJs, eight painters. No wall unmarked, no instrument idle, no person unengaged. Local producers + School of Music + School of Art + uniVibes = Live.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHAT: Home-grown cock rock WHEN: Sat July 30 WHERE: The Basement
On July 30 Lavers will play their last headline show before heading into Loose Stones Studios on the Gold Coast to record their debut EP. The band will be joined by a range of special guests, including Cam McLennan, Acoustix and Activate Jetpack. LAVERS is a melting pot of The Who, Crowded House and The Beatles, and has a classic, anthemic sound with loads of guitars, powerful drums, and sing-along melodies. The band spent the first half of 2011 honing their sound and growing a loyal fanbase, and are keen to get their music to the masses. 8pm, $10.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHAT: Leo Joseph and Nightless Lovers WHEN: Saturday July 23 WHERE: Tilley’s
Says Leo, “Percy Mayfield’s Specialty Records cuts from the early ‘50s always hit me like lightning. That 1950s West Coast blues sound and Mayfield’s lyrics about ‘50s America still ring true today. Maxwell Davis’ horn lines were gold then and still are today. As a blues piano player I homed in on Willard McDaniel’s keys work. Nightless Lover was a great song and hit me as a cool name for a band too. Nightless Lovers it had to be. Lost Love is our first CD of Percy Mayfield tunes and we’re downright chuffed to be launching it at Tilley’s.” Tix $15 from the venue. Doors open 6pm. No reserved seating. Kitchen open until 9pm. Show starts at 9pm.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHO: Students from ACT Government Schools WHAT: Step into the Limelight WHEN: Wed Aug 3, 7pm and Thurs Aug 4, 11am & 7pm WHERE: Royal Theatre
The theme for 2011 is Seasons and will feature the premiere of Seasons, a play written for Step into the Limelight by Jessica Bellamy and developed in conjunction with Zen Zen Zo, DNA Aerial Dance Studios, Ainslie School and the ANU School of Music. It will also feature a strong line-up of instrumental and vocal musical performances, energetic displays of talent across many dance styles including hip-hop, aerial and contemporary, theatrical performances including dramatic pieces created in conjunction with Free Rain Theatre Company, digital media work from student animators, ?lmmakers and photographers and much more. Tix through Ticketek.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHO: Ash Keating WHAT: Activate 2750 exhibition WHEN: Now until Sat Aug 20 WHERE: CCAS, Gorman House
Rubbish is a daily part of our lives. We buy, we eat, we consume, then we discard. Ash Keating is a Sydney based artist who is determined to alert us to the whole process, including the negative parts we tend to ignore, and the inevitable build up of waste which is kept out of sight and out of mind. In early 2009 Keating undertook a large-scale installation and performance project in Sydney’s Western district. Where it had a direct affect on the local population, Keating recorded the project in film and photography to reach a wider audience, and it is this work which will be the focus of Activate 2750 at CCAS.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHO: Mariana del Castillo and Paula Hilyard WHAT: Exhibition Something and Nothing WHEN: Now until Sun July 31 WHERE: ANCA Gallery
Something and Nothing is an exhibition by Mariana del Castillo and Paula
Hilyard, and is informed by their immigration from Ecuador and Jamica and the history of the women in their families. Both their mothers worked with textiles and sewing was a large component of their lives. These cultural and personal associations permeate and intertwine in their works. It is very much women’s business. Their borderline obsession with finding the relevant found objects and the never ending search for them plays a major role in the composition of this exhibition. The opening is at 6pm on Wednesday July 20.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHO: Hip-hoppers, actors and poets WHAT: Blast WHEN: Fri July 29, 9.30pm, 15+ WHERE: Link Bar, Canberra Theatre Centre
Blast, the coolest event to hit Canberra Theatre Centre this year returns for round two, and this time it’s free! If you missed round one, Blast is an energetic and high octane night of words, poetry and hip-hop in the Canberra Theatre Centre’s Link Bar at the special time of 9.30pm. Blast features a mixed line-up of hip-hop, acting and poetry artists and Blast favourites Omar Musa, Adam Hadley and DJ Rush will be returning, this time teamed up with MC and poets Will Small and Tasnim Hossain. Punters can expect to see spoken word performances that are more akin to an energetic narration, which incorporate moving poems about consciousness, confession, religion, politics, sex and gender.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHO: Two pros and two non-pros WHAT: Untrained WHEN: Fri-Sat July 29-30 WHERE: The Playhouse, Canberra Theatre Centre
Locals Allan Marc Raeyers and Richard Merzian have been selected to perform in Lucy Guerin Inc’s acclaimed Untrained at The Playhouse. Untrained, conceived and directed by Melbourne based Lucy Guerin, brings together four men on a stage. Two are highly skilled, professional dancers who have performed in theatres across Australia and internationally, and two have no dance training whatsoever. Not your average contemporary dance experience, Untrained is a quirky and irreverent theatrical exploration. Each performer responds to a series of written instructions ranging from the banal to the hilarious. The complex, refined movements one can do with ease another can only approximate – but how they approach each task, even how they walk and stand – reveals an intimate portrait of each man’s character. Tix through the venue.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Aritst Name Hannah Gillespie Group Members? Mostly just me and Matt Nightingale (guitar, double bass), but I was lucky enough to be joined by the wonderful Aaron Peacey and Kay Chinnery from Fire On The Hill for my CD launch at The Front. They're cool, they can definitely stay in my books! Describe your sound Some say folk, some say country, some say contemporary singer-songwriter. I've been compared to Marianne Faithful, Lucinda Williams and artists like that so I guess I'm all about authentic, hopeful, heartworn folk kinda music. Who are your influences, musical or otherwise? Actually, I'm a big fan of The Cure and The Smiths and guys like that. I'm a bit of an ‘80s alt-rock kinda girl, but really my influences are my family and the people round me. Dad was a founding member of the Majors Creek festival, so I've always had that sense of the folk tradition in what I do. What's your biggest achievement/proudest moment so far? Well, getting the album (it's called All The Dirt, in case you weren't too sure) together was a real achievement - I had Ken Stringfellow (Posies, Big Star, R.E.M.) come all the way from France to produce it, then I had players strewn all over Australia that I had to get - Matty, Kev Nichol from Noiseworks, Ben Gillespie from the Snappers/Hoodangers etc., but it all came together in the end! Also, having mum, dad and all my supportive family and friends turn out for the album launch gig was great. It was a really special night. What are your plans for the future? Gigs, promoting the album, more writing. What makes you laugh? Things my dad says. What pisses you off? Things my dad says. :) What's your opinion of the local scene? A lot of good stuff going on, some really great bands/acts. Would be good to have a few more venues that knew what they were doing around town. Putting on live music is an undertaking and some venues don't really understand the implications before they go down that road. Fostering a musical scene or venue takes a lot of effort and time. What are your upcoming gigs? Supporting the wonderful Jane Sage at The Front on the Saturday July 30. Contact info: Get me on my website - hannahgillespie.com.au Or on facebook - facebook.com/gillespie.hannah
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Rap legend Ice Cube, member of the notorious West Coast N.W.A crew and Hollywood dabbler (he was in Three Kings, remember?), will be touring Australia this September, and Canberra has landed a Friday gig to boot. The tour is being brought over by Hip Hop TV, MTV Classic and the amusingly named Kokyprik Records, the same folk responsible for the very-well-attended Canberra Bone Thugs-N-Harmony gig mid 2010. The Cube will also have fellow Westside Connection member WC by his side and there are unconfirmed rumours that DJ Crazy Toones and one of his sons will also perform (no doubt he’ll be a chip off the old block a yuk yuk yuk). It all plays out at the AIS Arena on Friday September 16. Tickets are on sale now from Ticketek and will set you back 88 ducats + bf.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Now in its final weeks Skate in the City has brought a much need breath of fresh, and we do mean fresh, air to Garema Place. With many sessions running close to capacity it has exceeded all expectations of the event organisers Canberra CBD Limited. CEO Stephen Gregory says, “The first year of Skate in the City is shaping up as a huge success. The skate shows have been well received and the school holiday shows have had very strong demand. Planning will commence almost immediately for 2012.”
Many sessions are selling out so we suggested you pre book at inthecitycanberra.com.au/skate .
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
OK, so these two crazy girls we know, let's call them Lucy and Brigid, decided they wanted to put on a retro ‘50s night so people could dance, indulge in a bit of nostalgia, show off their pre-loved frocks, socks and hairdos and pretend that the world is a simple, Christian, pre-pre-apocalypse, post-war, optimistic, baby booming wonder zooming into a bright future and beyond. And thus was born Saturday Night Hop! So get out your Bodgie and Widgie gear, crank up your Bill Hayley records, locate a Brylcreem outlet, erase the last 50 years from your memory, grow a moustache, stock up on ultra thick frangers, refresh your jiving skills (come an hour early for a lesson), send your sweetheart a corsage, burn your Korea draft card, watch a few episodes of Mad Men and in any other way you feel suitable, get ready for Saturday Night Hop! Saturday July 30 is the date, Corroboree Park Hall, Ainslie the venue, and 8pm the start time. See you there!
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Fast emerging alternative rock group Mandala are bursting onto the live scene in 2011 after much anticipation. Merging a diverse and original experience, the group’s consistency in producing big riffs, melodic vocal lines, ambient and thought provoking instrumental sections as well as driving, intricate beats establishes them as a potent and memorable force. With a highly energetic and hypnotic live show, Mandala unleash at The Maram with heavyweights My Own True Love and Eyes to the Sky on Saturday July 30. Don't miss the opportunity to witness what promises to be the unveiling of the next generation of alternative rock bands in the Capital.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Transit Bar has a sexy new site, transitbar.com.au. It’s the first port of call for all Transit gig listings, news, competitions and product info. They’ve also got a fancy little blog for interesting tidbits and fascinating conundrums. If you’re keen to be alerted when new items are posted join the mailing list through which they’ll have weekly news and other bits of Transit info going out weekly.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Kicks Entertainment is proud to announce the return of Foreshore Festival. Taking place on Saturday November 26, Foreshore will again be held in the Parliamentary Triangle. Foreshore 2010 saw tickets sell out in record time – well over a month before show day – and the capacity crowd was treated to stellar performances by The Temper Trap, Calvin Harris, Tiesto, Cut Copy, Art v Science, Benny Benassi and more. Foreshore 2011's diverse line up of world-class national and international talent will be announced on Friday July 22. Limited pre-sale reduced price tickets will be available exclusively to Foreshore website newsletter subscribers from midday Monday July 25. Subscribe to the Foreshore newsletter at foreshorefestival.com.au to score the first Foreshore tickets. Tickets go on sale to the general public 9am Thursday July 28 and will be available online at the Foreshore site, Moshtix and Ticketek and in store at Landspeed Records and Parliament Clothing.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
On Friday July 22 Aussie electronic powerhouse Pnau return with their long-awaited fourth album Soft Universe. Featuring The Truth and new single Solid Ground fans are already getting a taste of what’s to come as the album was recently showcased as triple j’s feature album. Fun fact: when Pnau last played in Canberra at UC in ’07 (at least we think it was ’07) the Bossman had the honour of being one of the wild strawberries. What fun. We have five copies of the album to give away. To win, email editorial@bmamag.com and tell us what band you’d like to dance on stage with.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Kicking etiquette to the curb, Ministry of Sound have donned their finest wares and freshest pumps in preparation for In the Club Vol. 3. Two discs of darkened dance floor debauchery mixed by two of the biggest names in dance music; local hero Mobin Master and UK heavyweight MYNC. Taking you straight to the forefront of what’s hot in club land, In the Club Vol. 3 is jammed with almost 160 minutes of epic dance music. We have five copies to give away. To win, email editorial@bmamag.com and tell us the funniest thing you’ve ever seen in a club.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Over the years, JBT have been fortunate enough to open shows for several international artists at the incredible Red Rocks Amphitheatre in Colorado. In June last year, John and his band mates Nicky Bomba and Byron Luiters were elated to perform their biggest headlining concert to date with 8,000 adoring fans at this remarkably iconic and internationally renowned venue in what was a mind blowing concert event. This spectacular two and a half hour show was captured in its entirety and is now presented in a stunning two CD/DVD package. The DVD features footage of the moving performance from traditional Native American dancers, behind the scenes interviews as well as the official video clip for Revolution, which happened to be the number one voted video on Rage last year. We have three copies to throw your way. To win, email editorial@bmamag.com and tell us what’s your fav JBT track, and why.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Walking in from the freezing cold into what sounded like a broken air-conditioner amplified to 90db, I knew I was in the right place for the Optical Eyes exhibition featuring emerging ANU School of Art talent. Not being an air-conditioner technician I opted not to enter the side room where the performance was taking place. There was a good amount of people already in there and from outside of the room I could see a young man in a sweater painting the walls with his hands while another young man generated the very sick sounding reverse-cycle. The air-conditioner-that-could made its merry way to around 220bpm, putting most Gabber music to shame, when just as it sounded like it was about to explode, it stopped, possibly actually exploding.
Using the quiet time, I got a closer look at the artwork on display. The most apparent piece was the projections that divided the back wall into three abstract loops. My personal favourite was the panel that displayed a spider making its way out of a high-vis themed jelly desert.
Being a relative outsider to the art scene it’s very likely that I didn’t ‘get’ any of the displays, but they did make me feel confused which, I’m told, is exactly the point of art, to elicit some sort of reaction. In keeping with the Optical Eyes theme, eyes in various forms, including helium balloons and foam balls, were thrown about by eager crowd members throughout the exhibition.
A key drawcard for this event was the Horse McGyver set. As the one-man band set up there were (joking) accusations of ‘sell out’ as it appeared he had ditched his saxophone and trade mark bread tray of gear. Nevertheless, it was evident that from the very first screwy synth line that Horse McGyver was out to prove these sceptics wrong with the witch house dropping like a 1692 Salem subprime market. Horsey mumbled and crooned through reverb and distortion while pacing around the room like he was hunted by a Pitchfork wielding mob. It was as if he was using his Micro Korg, Roland sampler and a host of other ingredients to cast magical spells that would scare Slytherin’s finest.
The next act made use of the three upside down cones that were hung by ropes from the ceiling. The performance was by Emily O’Brien, who dressed entirely in aluminium foil and looked like a microwave unsafe alien, with accompanying performer Matthew Brown providing the soundtrack. The sealed-for-freshness alien filled each cone with fluoro coloured sand, cut the bottom tip and sent them swinging. Like a pack of Stabilo highlighters put through a food dehydrator and used as cake icing, the floor was decorated with these swinging teats of technicolour frosting. The effect was fascinating and pretty.
While this was all happening, the strobe light was getting a thorough workout, several smoke machines were putting Bernard Black to shame and a UV light was making the lint on everyone’s clothing painfully obvious. It all combined for a disconnected and disorienting experience.
At the climax of this performance, what sounded like an alarm was seamlessly beat matched and brought into the mix by the artful Brown. As it turns out this was actually the fire alarm for the whole Gorman House centre. At this realisation confused Art School students were told by the ‘space coyote’ staff to evacuate the premises immediately. And so the exhibition ended as it had started with loud repetitive industrial noise.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
This August, the award winning QL2 DANCE ENSEMBLE is back again with their triple-bill Identify. Always a delight to watch, QL2 Dance Inc (previously Quantum Leap with The Australian Choreographic Centre) has become a Canberran institution over its 11 years, and is one of few youth dance companies in Australia. Past ‘Leapers’ have gone on to perform in some of Australia’s top dance companies (from Bangarra to Australian Dance Theatre) and even become Hollywood stars. Unlike many creative endeavours aimed at youth, QL2 does not patronisingly problematise the experience of teens, and focus on sex, drugs and alcohol. Instead, it strives to find issues which genuinely concern everybody, and youth no less than the rest of us. As a result, QL2 is now renowned for tackling difficult themes, from the history of Australians at war in their award-winning Reckless Valour, or the complexities of a multicultural modern Australia in My Sister, My Brother. This year is no different, and Identify looks at how identity is constructed and re-imagined throughout life, and particularly how turbulent and changeable identity can be for teens. Intellectually and creatively the pieces are shaped by dancers themselves, and it is their stories and experiences which provide material for the choreographers. It opens with Jodie Farrugia’s The Land is Calling, which examines how immigration has shaped Australia, from the genocide of the Indigenous population to current racial vilification. Next is Adam Wheeler’s Precipice, a collaboration between QL2 dancers and Bangkok Dance Academy which debuted in Thailand this January. It explores how young people deal with external expectations, and the boundaries that they either challenge or accept. The final work is Anton’s Digital Face, which looks at how identities are constructed visually online. The artistic director Ruth Osborne is adamant that contemporary dance is accessible and interesting. She has made a career of introducing young people to an art form that most adult Australians feel is intellectually and creatively out of their reach. TV shows like So You Think You Can Dance have popularised dance, but not beyond high-kicks and back-flips. QL2 does not pander to the assumption that audiences can only understand obvious movements performed to popular songs which do all the work of explaining the message. QL2 succeeds in expressing the power of dance as a medium, and more importantly, the power of this art form to transform and impact the lives of young people today. Identify is showing at The Queanbeyan Performing Arts Centre from Wednesday August 3 to Saturday August 6. Tickets are from $20, and are available from ql2.org.au .
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
What do you do?
I make graphic artworks on paper. My aim is to interpret and provide comment on the world as I see it. I try to hide my work’s meanings in allegory until they're almost unidentifiable. I work with collage, inks and prints.
When did you get into it?
I think I've always communicated better through drawing and making art. It's an independent pursuit and I think everybody should have their own; whether it's drawing, reading, walking, we all need a natural and cathartic way to wile away a few hours in a day.
Who or what influences you as an artist?
Satirists, modern design aesthetics, artists; Picasso, Goya, Hodgkin, Basquiat, Daumier, Bourgeois, Whiteley, Kara Walker, Clemente among many. What’s your biggest achievement/proudest moment so far? Maybe not proudest but probably biggest in terms of cumulative years; turning a four-year degree into six years.
What are your plans for the future?
To live and work as freely as possible, creating my own work and also projects where I collaborate with others. The dream is obviously to be sustained by my work. I am also interested in conservation and restoration. What makes you laugh? Costanza.
What pisses you off?
The ‘red tape’. What’s your opinion of the local scene? There's always something going on and at the same time it’s easy to keep track of. On the other hand I'd love to get caught up in it in a bigger city.
What are your upcoming performances/exhibitions?
My work is exhibited in perpetuity in cyberspace at www.sachajeffrey.com . End transmission. Contact info: sacha.j@live.com.au
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Previously Teenage Bad Girl were kicking the trash cans in with brash, distorted electro as their MO but this new, more song-y direction suits them so much better. X Girl bubbles and bounces with some slinky electro bass and dramatic synth sheen and Rye Rye sets a pretty fiery pace too.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
This honestly sounds like a forgotten Rihanna demo about getting turkey slapped.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Wally’s back and still sounds in top form with Somebody That I Used To Know - floating amicably by on some nice organic touches and some plinky marimbas. That’s all well and good but then he kicks the vocal into high gear and it gets even better. And then bloody Kimbra comes in because this song wasn’t good enough. Game over, man. Game over.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
After Barbra Streisand spread goofy disco vibes across the summer last year Duck Sauce throw a spanner in the works with Big Bad Wolf. Sure it has the same ear-grabbing novelty factor and it would be cool to hear bros howling along in a club at midnight but beyond that the production is more boring than you’d expect from the combined minds of A-Trak and Armand. And it’s also just kinda stupid.
|
Date Published: Tuesday, 19 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
WHO: Corinbank WHAT: Call for artists WHEN: Now WHERE: corinbank.com
Corinbank is a music and arts festival held in the Brindabella Mountains with an emphasis on active participation and the environment, and the fourth instalment is from Friday-Sunday March 2-4 2012. Corinbank is seeking expressions of interest from visual artists keen to stamp their mark on the festival. They are looking to adorn the stages, entertainment areas, bars, walk ways and bushland with a broad range of locally produced visual art of varying scales in a variety of mediums. They are also interested in hearing from artists keen to host ‘crafternoon’ workshops in advance of the festival to produce community works for the site. Bounce your ideas and suggestions with Maria Koulouris at visualarts@corinbank.com .
|
Date Published: Monday, 18 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Pilooski’s Discodeine project hit the right note with that Jarvis Cocker-featuring jam, Synchronize, earlier this year and though Grace doesn’t reach the same palatable heights with an exploration of disco’s darker side on the cards, the looping electronics and relentless piano keep the groove feeling strong. Bonus for the Gavin Russom remix on the back.
|
Date Published: Monday, 18 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
RIP Michael ‘Wurzel’ Burston, Motorhead axe master from 1984 through to ‘95 and the man responsible for decimating eardrums at the infamous Queanbeyan Raiders Leagues club in ‘91. Spinning the under rated Rock ’n’ Roll album this week in your honour.
Boston’s Doomriders hit ANU Bar on Monday July 25, on their first Australian tour along with tour buddies I Exist and local long time insanity merchants 4 Dead.
Alcest, French black-metal/shoegazers are heading out to Australian shores for five shows to promote their reissue of Le Secret and last year’s Ecailles de liune, and along for all five shows are the genre melding Melbournites Heirs, who are about to release their second record, Fowl. The Bald Faced Stag on Parramatta Road is the venue for the Friday October 21 show.
Don’t forget Slaughterfest IV at The Sandringham in Sydney on Saturday July 30, featuring a huge bill of mixed heavy flavours. The full line-up is Fuck... I'm Dead, Looking Glass, Roadside Burial, Summonus, Mother Eel, Deathcage, Mother Mars, Ether Rag, Red Bee, Agonhymn (VIC), Burial Chamber, Arrowhead, Rock N Roll Weapon, Fat Guy Wears Mystic Wolf Shirt & Van. This looks to be a ripper of a show. Summonus have just completed tracking their new full length down at Goatsound studios in Melbourne with Jason PC of Blood Duster on the controls.
If Sydney is too big a mission for you, don’t forget local metal black-belts Live Evil will be putting on a MONSTER evening of entertainment at ANU Bar with their special Big Four tribute night, covering the works of ‘80s thrash titans Metallica, Slayer, Megadeth and Anthrax. $20 for the thrashtacular and doors at 7.30pm.
Monster Magnet are heading back after blistering through a midday set at Soundwave earlier this year, and they’re going to be performing their 1995 album Dopes To Infinity in full and you can catch their set in Sydney at The Metro Theatre on Wednesday September 14.
Church of Misery have solidified their dates for their first Australian tour, headlining the Doomsday festival this October. Playing Sydney’s Doomsday fest (full line-up announced soon) on the Saturday October 15 at The Sandringham Hotel, a side show at the same venue the following evening, Wednesday October 19 at The Patch in Wollongong and right here in Canberra at The Basement on Thursday October 20. Doomtastic!
Aussie hard rocking band Mark of Cain are coming out of hibernation with a new album Songs of the Third and Fifth which is due to hit stores in the coming months.
Unkle K’s band of the week this week, keeping you appraised of the underground delights out there, is English doom act The Wounded Kings, who are about to release a new record through Swedish label, I Hate Records on Thursday September 1, entitled In The Chapel of the Black Hand. For a preview head to myspace.com/thewoundedkings2 .
|
Date Published: Monday, 18 July 11
| Author: Julia Winterflood
|
| 6 months, 3 weeks ago
Easily the most popular forward in ACT history, the Public Service Commission's 1973 Hi! Come and join us in Canberra brochure had the Bossman instantly trying to concoct a way to display it in full on the BMA site. If you've not had the pleasure, it's an ad to entice young female professionals to the capital in the form of “A week in the life of three young girls in Canberra – a typist, a stenographer and a secretary”. A groovy '70s gal in flared high-waisted slacks, a crocheted vest and chunky platforms giggles into the receiver of a public phone under one of those now extinct clear plastic domes. It's Woden Plaza 38 years ago, complete with a dude in socks 'n' sandals in the background. It's hilarious. Every man has a massive moustache and super sexy sidies, every gal has awesome bangs, and there's enough brown and orange to make even Justin Heazlewood jealous. Sartorially the '70s is my favourite decade, and folk in the 'Berra in the '70s looked freakin' hot, man.
Interestingly, Sydney Morning Herald reporter Jacqueline Maley reckons It's been more than three decades since Canberra was this cool. This is the title of an opinion piece she wrote for the paper published on July 13. On the cover of the brochure high-waisted slacks gal stands on top of a pebble-crete bollard in front of Old Parliament House. “All the better to get a view of the flat, feature-less landscape, which is broken only by the Hume Highway, which will take them home to Sydney,” writes Maley.
Flat, feature-less landscape? The view of the snow-sprinkled Brindabellas I got on my cycle to work the other morning was pretty spectacular, Jacq. And it certainly wasn't broken by the Hume Highway, which is 50-odd ks away.
A wave of pro and anti-Canberra comments follow her piece on the SMH site. Writes glocko from Canberra, “The journo is showing her age here. Canberra bashing is pretty retro too – it pretty much peeked (sic) around the time of those orange platform shoes and crocheted vests.” Though one would actually fit right in in these retro rags today, surely ragging on Canberra will, like snap pants, never come back into fashion. Just as people seem to have finally grown tired of the Sydney versus Melbourne squabble, bagging out the 'Berra is now, I feel, a thing of the past as people have woken up to how pointless it is. In a piece on the same topic in The Canberra Times last weekend, Judith Ireland wrote about how comparing Canberra and Sydney is like comparing apples and oranges. It's true; Canberra town and Syd city are two completely different fruit. Some people like Pink Ladies, some people like Valencias. Me? I like my Granny Smiths stewed with cinnamon and cloves, dolloped on top of a bowl of steaming porridge, devoured in the sun on my front steps while breathing in deep the rarified air of Canberra. But just because I do doesn't mean I'm going to criticise a Sydney-sider’s citrus. Just as the brochure says, “everything considered, it's a good life in Canberra.” True then, true now.
|
Date Published: Tuesday, 5 July 11
| Author: Julia Winterflood
|
| 7 months, 1 week ago
I wonder if everyone remembers their first Bootleg Sessions. I do. T’was in early ’07, I’d moved to Canberra the day before, and was buzzing with new city excitement. I had a whale of a time standing in the snaking line playing charades with my friends through the window. The place was packed; I could barely believe it was a Monday. Phoenix, and Bootlegs, instantly stole my heart. Ben Drysdale of Cardboard Charlie has been booking Bootlegs for the past seven years and is soon to bid a fond farewell to his beloved Boots. Before he does though he’s got a month of Bootlegs Specials lined up. I caught up with him to talk about the good times and to find out what’s in store for Bootlegs in July.
How has Bootlegs changed over the years? The bands have changed as they developed and moved on to bigger gigs that can pay more, and with that the audiences changed. One thing that has stayed the same however is that at any one time there are always a bunch of people who make sure they are at Phoenix every Monday night for a while… but that crowd changes eventually too, probably because there are only so many consecutive Tuesdays you can come in late, call in sick, or just be really off your game at work.
What have been the highlights? That’s a really tough one. There's been so many but the most memorable times are all the bands that got the whole place dancing. Changeable Dan, Dubba Rukki, The Fuelers, Dahahoo, The Andi & George Band, Fun Machine and a bunch more. It’s also been amazing to watch artists like Beth Monzo and bands like Julia & The Deep Sea Sirens grow from shy 18-year-olds into the successful musicians they are today. We've had a bunch of great interstate acts like Kim Churchill, Daniel Champagne, and Anarchist Duck along the way too. Every Monday in the month of July is definitely going to be a highlight... it’s Cardboard Charlie's last month of booking Boots and we're going out with a bang with each night representing a different phase of the journey.
What advice do you have for upcoming bands wanting to play Bootlegs? Go see as much live music as you can, learn from the more developed musicians who appeal to you. Pay attention to the things that set them apart, like how they hold themselves on stage, technical choices they make with chord progressions, vocal lines, arrangements, or even genre. Doing all these things over the seven years of running Bootlegs has had a profound effect on my own musicianship.
What does the future hold for your beloved Boots? The Bootleg Sessions is going to continue in a new format with different people organising different nights, and Cardboard Charlie may even do one from time to time. As the new format develops contact bookings@lovethephoenix.com for bookings and info.
Anything else you’d like to add? It’s been an amazing seven years; we've seen so many bands grow into their musical boots, and stepping away is indeed going to be, in the words of Big Chris, emotional. Massive thanks to all the musicians who played, all of you who came out every Monday, and of course, The Phoenix, for helping Cardboard Charlie support original music and developing artists at the Bootleg Sessions. Stay tuned to cardboardcharlie.com for the exciting plans we have coming up as we move on to the next step in the adventure. See ya to the music.
|
Date Published: Tuesday, 14 June 11
| Author: Julia Winterflood
|
| 7 months, 4 weeks ago
A couple of weeks ago I saw Spiritualized at the Sydney Opera House on the opening night of the Vivid Festival. Geometric jellyfish, globular confetti swarms and scaly Japanese fans were projected onto its sails in a neon rainbow of colours. I'd never seen Circular Quay so resplendent; the water's edge dotted with luminescent blue orbs. Hundreds of people were snapping away on their iPhones while many photographers had set up tripods. Collective awe is a wonderful thing; the excitement was electric. For the first time in my life I thought I'd like to live in Sydney one day.
Before Spiritualized I spent the day catching up with an old friend and perpetual +1. With no real plans but to check out an exhibition of John and Yoko photos in a little gallery off Oxford Street we took our time finding a bar; the differences, pros and cons of Sydney and Canberra a major discussion topic throughout the afternoon. My friend had recently moved there from here and had found a room in a residential warehouse in the Inner West. I'd never been to one of these infamous warehouses before. It was brilliant. Ramshackle but beautiful, with murals adorning the walls, multiple living areas and a rehearsal space slash unlicensed venue in the cavernous back room. You wouldn't find anything like this in Canberra, I thought. And whilst walking around the one room gallery, staring at John and Yoko in love in black and white, I thought about how Sydney must be peppered with hundreds, if not thousands of these little galleries. We walked past one exhibiting the art of Doctor Seuss; I doubted it would travel to Canberra.
These thoughts entered my mind often that afternoon, as I peered through windows at racks and racks of vintage frocks, second hand books and records. As we wandered down Enmore Road and past the billboards outside The Enmore. As we tried to decide on a restaurant for dinner (Peruvian? North African? Any of the hundred or so pho joints within a one kilometre radius?). As we made good use of the free booze at the Vivid VIP bar, relishing the opportunity for some star spotting (was that Paul Dempsey? Was that Russell Crowe? Rusty a Spiritualized fan? Surely not). And as I chatted to a Canberra expat about why he moved to Sydney over breakfast (best quiche of my life) at the famous Bourke Street Bakery the next day.
I was due to jump on a 9am bus back to Canberra that Saturday morning. I had a major essay due the following Wednesday which I was yet to start, and thought I'd best give myself most of the weekend to write it. But our class had been given a ten day extension. I had plenty of time to write the essay. So why did I board that 9am bus, rather than change my booking so I could spend the weekend in Sydney?
Because I wanted to spend my rare plan-free weekend in Canberra. I walked out of Jolimont into the relatively empty streets and moseyed home through the crunchy leaves. I made a pot of coffee, got a bowl of ice cream, laid a blanket on the grass in my backyard and read my book in the autumn sun all afternoon. It was bliss. Not one plane flew overhead, I heard not one car horn; naught but the geese in the neighbour's yard and the dusk calls of kookaburras. And I didn't have to catch a train to get there.
I had an excellent time in Sydney; it was one of the best gig trips I've done (and I've done a fair few). But every time I walk through those sliding doors at Jolimont, across Northbourne and past Gus', I'm never sad to be back. Always glad.
I'm not in any way saying that one place is better than the other, but simply that I love coming home to this town. Good things come in small packages, and I'm still unwrapping the layers of Canberra daily after four years of living here. One day I might feel I've unwrapped all the layers I can, but until then I'll keep unwrapping with all the enthusiasm of a seven-year-old on Christmas morn. Besides, Sydney's only a short bus ride away.
|
Date Published: Tuesday, 24 May 11
| Author: Julia Winterflood
|
| 8 months, 2 weeks ago
Mikelangelo and The Tin Star are releasing their debut The Surf ‘n’ Western Sounds Of… at Tilley’s on Saturday June 18. I caught up with the great Mikelangelo himself to talk Westerns, instrumental guitar music and, of course, good old Canberra town.
How did your magnificent self and The Tin Star find each other?
In 2000 I returned to live in Canberra for two years and had a part time band with Pete Olsen and Fiete Geier called The Dalmatian Coast Surf Lifesavers Association. Fast-forward to 2009 and we all found ourselves in Melbourne with a strong desire to play music together again, add our fabulous bass player Gareth Hill to the mix, and the Tin Star was born.
Would you kindly divulge a little about your love of instrumental guitar music of the ‘50s and ‘60s? How does it make you feel deep inside?
There was an old record in my father’s collection - Al Caiola’s ‘Solid Gold Guitar’ – that was very influential on me. I was barely out of nappies when I used to listen Al’s smooth tremolo tones. They took me to another world, the thrilling western tunes, the dreamy late night Latino numbers, and the cool go-go tracks (that were great for jumping up and down on the bed to). So, how does music like that make me feel, it’s the soundtrack I hear in my head as I walk down the street.
And how about your relationship with Canberra town and your ups and downs within it?
I have always had a good relationship with Canberra, and love coming back to play shows and to record. Obviously, it’s easy to outgrow the size of the city, but that can happen anywhere. Such a huge part of making music is touring and taking your work to new audiences, which is exciting, but I must say that coming back to Canberra and seeing some faces who have been at my shows for twenty years is an amazing feeling.
What’s your favourite Western of all time?
That’s a tough call. It’s a showdown between it out between High Noon and Once Upon A Time In The West, both brilliant films. I think High Noon has to win the gunfight, there simply is no other western with such drawn out tension, it unfolds in real time and it is a harrowing insight into humanity and people pushed to the edge for what they believe in. It’s also one of the few Westerns with good female characters (and it’s based on a story called The Tin Star).
And finally a little spiel about the launch. What shenanigans can the good folk of The Berra expect on this cold, cold night in June?
I always try to make every show memorable, and of course extra work goes into an album launch. The Tin Star are in great form, I really couldn’t wish for a better rock’n’roll band. And we have a cavalcade of great guests including Rufino (from my other band The Black Sea Gentlemen), Fred Smith and Liz Frencham, Konrad Lenz and of course the wonderful Saint Clare and her go-go dancers Go Girl Gadget Go Go!
|
|
In what looks set to be another defining night for live electronic music in the capital, Effigy welcome German heavyweights Kollektiv Turmstrasse to Hippo Bar. Having drawn numerous parallels with Trentemoeller and the like, the Kollektiv experience will take you on a deep and progressive musical journey like no other. With an attention to energy and melody that is hard to find from even the biggest names on the international DJ circuit today, this is a truly one of a kind musical experience. This will be the last Effigy Hippo gig until summer so don't miss this intimate show. Doors at 8pm, $10 before 10.
|
|
hellosQuare’s wonderful festival of sound Peking Spring wraps up this weekend with a few more performances including Scissor Lock (aka Marcus Whale). You might know him better these days as one half of Collarbones, the terrific cut-up pop r'n'b duo making waves with their new album Iconography, but for his Peking performance he’ll be in rare solo mode to present his new album Broken English. The night will also see the return of recent Melbourne transplant Orbits for one night only and the wild noises of The Brother Gozu, so pop along to Smiths at 8pm, entry $8 at the door.
|
|
“We are The Delta Riggs. We, unlike many others, are not advocates for mediocrity and we strive to be the best we can possibly be, all the while entertaining the (insert number of) people that we are currently playing to. Each night is a different affair of flair, grace, sleaze, grit, dynamics, alcoholism and anything else that springs to mind. Like a snowflake no one show is ever replicated, each one being different from the last and the next. We record live because that’s how we are best represented. That’s how we survive. So do yourself a favour and come down to the next show, you won't be disappointed.”
|
|
From vocalist Luke ‘Wailin H’ Monks: “Roll up, roll up! Imagine the best party you’ve never been to. This will be better. Do you like ironic sex appeal? Ugly frontmen that you still kind of want to take home? What about men with beards and tight jeans, sweet shoes and hips that just won’t stop shaking? Gay Paris bring all that and more. Voted ‘sleaziest bastards in rock’ by themselves, they are intent on keeping that title when they hit Canberra and will do most anything to achieve this.” Right on, Wailin H, right on.
|
|
Young UN Women Canberra Committee is excited to announce it will be hosting Latin Beats at Monkey Bar in Civic. The event will help raise funds and awareness for important UN Women projects in developing countries that foster women’s empowerment and gender equality. Latin Beats will feature performances by DJ Trent Richardson and The Rock Steady plus two fantastic dance performances by Subsdance. UN Women is the United Nations Entity for Gender Equality and the Empowerment of Women. It was established in January this year, merging four previously distinct parts of the UN system which focused exclusively on gender equality and women's empowerment. The night kicks off at 7.30pm.
|
|
“If you like things barren and not too squeaky clean, a bit of clatter and prettiness bedded together beneath some melodic ranting, then there’re a couple of fine reasons to come see me play. If you’re a fan of either me on my lonesome or Bluebottle Kiss you may also be aware that we haven’t honoured Canberra with a visit for a few years. You’ll be able to hear live renditions of tracks off my new album Avalon Cassettes. Two sets of old and new material with a line-up of twin percussion, piano, bass and me.
|
|
After ten years and countless incarnations, The Wedded Bliss are set to launch their third album Tailor Made Heartache. Says the band itself: “We wanted to do something different to the last two albums, so we took a more live approach, and tracked vocals and instruments at the same time. The new album is closer to what we sound like live, built around our harmony singing and instrumental playing. We were also able to add in a few extra touches like banjo-guitar, mandolin, pedal steel.” Sounds divine. With Kristabell & The Southern Jubilee Ringers in support, the launch is set to be a swinging soiree down at the wonderfully quaint Turner Bowls Club on Friday May 13. Tickets are $17 full, $14 concession. You can download the new album at theweddedbliss.bandcamp.com .
- Album was recorded analogue on 2" tape over about 3 days at Infidel Studios (QBN), mixed there, and then mastered at Independent Mastering in Nashville, Tennessee. Konrad Lenz provided the awesome design and artwork for us. The albums consists 14 original songs, some toe tappers, some weep-in-your-beer songs, and it's all totally self funded.
- Was ready in time for the National Folk Festival (which was our goal really), we played 4 good gigs there, got a really positive response overall, hope to score some more gigs at festivals and folk clubs etc... over the next while.
- Launch gig details are:
What - The Wedded Bliss "Tailor Made Heartache" CD Launch When - Friday 13th May, 7:30 pm kick off (support: Kristabell & The Southern Jubilee Ringers) Where - Turner Bowls Club - 54 McCaughey St Turner Cost - $17 full, $14 concession
- In support of the album, we launched a new website - http://theweddedbliss.bandcamp.com You can preview / download a copy of the CD there (including free download track "Teenage Soap Star"). We plan to keep using the site to release new stuff, upload live tracks and things like that.
|
|
Gold Coast based world music band A French Butler called Smith have been performing their high energy Latin, funk, instrumental fusion over a three year period to ever increasing audiences across Oz. The initial creators behind this all organic dance music sound were acoustic guitar aficionado Scott French, bass maestro Jake ‘the Butler’ Martin and respected world percussion artist Brennan Smith. These original members have now been joined by esteemed musicians Mark ‘Gibbo’ Gibson on saxophone and Liam ‘Rasta’ Dorney on trumpet and it has invariably lifted the energy of the band and their multi-layered sounds to ecstatically captivating levels. They’ll be ably supported by Dub Dub Goose and James Fahy at Transit on Thursday May 26. $10 at the door.
|
|
As was quite astutely predicted on release of Daniel Lee Kendall’s debut EP Lost in the Moment, the young artist has been busy melting hearts the country over. The past 12 months yielded vast strides for Daniel. There have been some truly memorable live
performances (Coaster Festival, Peat’s Ridge Festival, Playground Weekender) in addition to strong triple j and community radio support for the endearing single Lost in the Moment. Add to this a rapidly expanding fan base and some very positive media attention and all things DLK are looking decidedly rosy. He’ll be at ANU Bar on Thursday May 20 supporting Hungry Kids of Hungary
|
|
Mikelangelo of course is no stranger to Canberra audiences, performing in many guises over the years in his old hometown. The twosome will perform their fabulous original tunes alongside classic songs by Elvis Presley, Nancy Sinatra, Johnny Cash, Tom Waits, Hank Williams and Leonard Cohen. A heart warming and soul stirring show for those who dare to venture out on a chilly Sunday night in Canberra.
|
|
After spending months last year cooped up in their home studio on the NSW Central Coast, completing the album only days before hitting the road on their fourth adventure-filled European Tour, Nick and Liesl are very excited to be bringing it home with their long-awaited debut album Feather. Nick and Liesl are as natural a combination as sun and sand, and watching them perform is both delightful and inspiring. See them at The Phoenix on Thursday May 12.
|
|
Heartbreak Club are rapidly becoming Australia's beacon of hope for geek rock; spearheading a new wave of ‘90s inspired intelligent, ironic and self-deprecating punk-infused tunes. The band recorded their 2010 debut Our Horse Is Dead at Sing Sing Studios with US producer Ed Rose (Motion City Soundtrack, The Get Up Kids) and local engineer Matt Voigt (The Killers, Midnight Oil, The Living End). The band have followed up with the spankin' new crunchy single Chin Up. In celebration
Of this they’re hitting the road, and will be stopping by Phoenix on Saturday May 28. Be sure to get ya geek on.
|
|
Storyteller, MC, CEO of Obese Records and supporter of youth and community work. Pegz wears many hats. Pegz’s musical career is long and impressive and his impact as an artist is no less impressive than his business achievements. Pegz’s earliest music influences were his mum’s Stevie Wonder records and Polynesian parties with his father. This soulful influence can be heard on his various tracks throughout his releases. He’s hitting up ANU Bar on Wednesday May 25 and we’ve got a couple of doubles to throw your way. To win, email editorial@bmamag.com telling us about your fav hip-hop artist.
|
|
Sessions Eight – two discs of dance and club bangers set to smash your inter-seasonal misery through the wall and re-spark your soul’s love for all things dance. Sweeter than a ray of sunshine, and with more punch than a speeding locomotive, Sessions Eight serves up 42 of the biggest and best house, electro and dance tracks mixed by two of the best in the business, Sam La More and Tommy Trash. We’ve got five copies to give away. To score, email editorial@bmamag.com and tell us how bad your inter-seasonal misery is.
|
|
The Black Arm Band is an Indigenous Australian super group, bringing together an extraordinary company of leading singing and performing talents from Black Australia that has at times included Archie Roach, Jimmy Little, Bart Willoughby and the late Ruby Hunter. This new documentary follows this ensemble – as well as friends such as Shane Howard and Paul Kelly – as they toured their award-winning performance/theatre work in 2006. Murundak – Songs of Freedom gives us access to 30 years of Aboriginal history and political activism in song – a musical tradition in the making, with its blending of country and western, traditional Aboriginal sounds, hard Australian pub rock and passionate social statement. We have five doubles to give away to the Saturday May 14 7pm session. To win, email editorial@bmamag.com telling us about your favourite Indigenous artist.
|
|
Under The Covers features acoustic performances of some of the finest popular songs written in the last few decades sung and played by the famous and infamous. Musicians have re-interpreted each other’s work since the beginning of musical history. Under the Covers brings together an international roster of pop, jazz, classical and country artists making these songs their own, stamping them with their personalities. The performances are predominantly Australian, with women making a strong showing, mostly taking on material famously sung by men. Seductive sounds, easy on the ear but not the soundtrack to a slow elevator ride; this is a musical journey into the wee hours, a magical mystery tour, unplugged for your listening pleasure. So get comfortable and under the covers. We’ve got five copies to give away. To win, email editorial@bmamag.com telling us about your favourite tunes to listen to under the covers.
|
|
With four sizzling hot volumes already under its belt, the RAW series comes storming back for another year with the action-packed fifth compilation. With Chris Fraser once again manning the controls on disc one with a fresh selection of upfront club weapons and CD 2 featuring nothing but the biggest tunes of the last year, RAW 2011 looks set to be the biggest instalment in the series so far. With certified club bangers on board from Ian Carey & Snoop Dogg, Bashy Vs Napt, Tim Berg, Gypsy & The Cat, Skrillex, Pnau, Afrojack, Adrian Lux, Martin Solveig and many more, 2011 sees RAW dishing out its best offering yet. We’ve got five copies to fling your way. To win, email editorial@bmamag.com and send us a link to the rawest club banger of the moment.
|
|
WHO: Canberra Short Film Festival WHAT: Call for entries WHEN: Now! WHERE:www.csff.com.au
The 16th annual Canberra Short Film Festival is one of Australia’s premier film competitions and the meeting place for our hottest short filmmakers. Two years ago, one of our Official Selection films, Miracle Fish, netted several international awards and an Academy Award nomination. This year’s Festival will run at Dendy Cinemas over three glittering nights during Floriade from Friday September 16 - Sunday September 18. Cash prizes up to $1,500 will be awarded in four categories – National Schools, Grass – Roots, Emerging and Practising. There is also a People’s Choice award in each category. Entries close on Saturday June 25. For all the info head to www.csff.com.au .
|
|
WHO: Impro ACT WHAT: Theatresports™ - North v South WHEN: Sun May 22, Sun May 29, Sun June 5 WHERE: The Street Theatre
In 2011, lines will be drawn and the record will finally be set straight. Since Lake Burley Griffin was officially completed in ‘64, Canberrans have asked the question, which side of the lake is the best? For three Sundays The Street Theatre will play host to competitive improvised theatre that the whole family can enjoy. Theatresports™ is a fast and fun-filled theatre ride which combines wit, comedy, drama and fearless public performance. Given that Canberra houses some of the country’s quickest thinkers who are capable of providing extremely creative answers to the curliest of queries it is appropriate that Theatresports™ is used to settle Canberra’s most important question. thestreet.org.au .
|
|
WHO: ANCA Gallery Tenants WHAT: Solar exhibition WHEN: Wed May 11 ‘til Sun May 22 WHERE: ANCA Gallery
Solar will combine art and action on climate change in the ACT. It celebrates the Australian National Capital Artists (ANCA) Gallery’s installation of a substantial solar panel system on the roof of its Dickson studios. The exhibition will include art works considering the themes of the sun and the elements, heat and light, the ACT landscape, environmentalism and alternative power. The opening will see local community environment groups SEE-Change and Canberra Loves 40%, expert Dr Richard Denniss and ANCA artists celebrating the meeting between art and action. Art has a vital role to play in addressing social change. ANCA hopes to strengthen these connections within the ACT community, and be part of creating the momentum in support of a sustainable Canberra.
|
WHO: The Black Arm Band WHAT: Murundak – Songs of Freedom (2011, M) WHEN: Sat May 14, 7pm WHERE: Arc Cinema, NFSA
The Black Arm Band is an Indigenous Australian super group, bringing together an extraordinary company of leading singing and performing talents from Black Australia that has at times included Archie Roach, Jimmy Little, Bart Willoughby and the late Ruby Hunter. This new documentary follows this ensemble – as well as friends such as Shane Howard and Paul Kelly – as they toured their award-winning performance/theatre work in 2006. Murundak – Songs of Freedom gives us access to 30 years of Aboriginal history and political activism in song – a musical tradition in the making, with its blending of country and western, traditional Aboriginal sounds, hard Australian pub rock and passionate social statement.
|
|
Early this month the Canberra arts community were shocked and saddened by the sudden, tragic loss of one of its most vibrant members. Helen Brajkovic and her husband Peter both died in a road accident in Gunning, just days before Helen – a dedicated member of the team at artsACT and a gifted theatre actress – was set to appear in Centrepiece’s production of Moliere’s “The Imaginary Invalid” at the Courtyard Studio. Helen Brajkovic was a strong, passionate actress and a true team player, willing to put her all into helping create art in Canberra, whether through facilitation as an arts administrator, or through the performance of gutsy, dignified theatrical characters. Both Helen and her husband Peter will be truly missed. Our condolences are extended to their families at this time.
|
|
While chillwave didn’t blow up quite as big as promised, the upcoming Washed Out LP looks like it could reignite the super-smooth fire of the scene. First single Eyes Be Closed is a lush little beauty of a tune with pillow-y synths, echoing vox and tumbling drum fills - basically every chillwave trapping. And that’s a very good thing.
|
|
In the space of two years Lady Gaga has somehow become the Muse of chart pop; she’s got her head stuck tight up her own arse searching for an artificial message and couldn’t be bothered being fun any more.
|
|
There are a few Canberra bands who’ve been ‘round for years and gig almost every second day, but somehow I’ve managed to miss them. The Wedded Bliss are one of those bands. On hearing the news of the release of their third album, Tailor Made Heartache, I thought the time was ripe to get to know them.
How and when did The Wedded Bliss form? The Wedded Bliss have been going for nearly ten years now, rising out of the ashes of Blair’s old band Crumpet. In that time over 20 people have come and gone from the band; it’s been musical therapy for people who wanted to come and share our deep love of country music, even if only for a little while. The current line-up of Blair, Lachy and Matt have been playing in the trio format for about two years now and we’re loving it – the three of us singing and playing together is really great fun.
What is the origin of the band’s name? Some think it’s a sarcastic reference to the potential for happiness in matrimony; we like how it captures the bittersweet nature of romance, and also we see the parallels of marriage to being in a band.
Can you tell us a bit about Tailor Made Heartache? We recorded it over three days as more of a loose, live affair centred around the trio and its vocal harmony-based live sound. We had the opportunity to overdub a few dashes of colour like mandolin, banjo-guitar, pedal steel and the like, but it’s more of a representation of the band’s live sound, as opposed to the previous records which are more studio-based productions (in the traditional sense) with great flourishes like horn sections, keys, etc, and a raft of guest players.
Can you tell us about your relationship with Canberra town and your ups and downs within it? We all agree that Canberra is a great place for music. It’s easy to get around, and there’re plenty of gigs – we’ve played at blue collar bars, weddings, caravan parks, national institutions; to give you an idea of the breadth of stuff that’s out there. And some gigs have been good, some have been shithouse, but that’s music. More importantly, because of all the gigs, we’ve been able to really work on and develop a sound over the long term. The scene ebbs and flows like everything, and people come and go, but if you wanna do something in Canberra, there is a lot of opportunity.
And finally a little spiel about the launch. Sounds like the launch of Swingin’ Arms Hotel was a truly magic night. What’ve you got in store for the next? The launch gig is going to be about family, friends, and some good music. It’ll be a pretty relaxed affair, no half time fireworks display or giant inflatable dolls etc. You can probably expect a few mournful tunes, and some toe tappers – songs from across all three albums. The night starts about 7.30, and our support band is the wonderful Kristabell & The Southern Jubilee Ringers, so come on down and say gidday!
JULIA WINTERFLOOD julia@bmamag.com
|
What do you do?
I’m an actress and an improviser in Canberra. I also work as a Captain Starlight at the Canberra Hospital by day and as a Duty Manager at the Street Theatre by night, when I’m not performing.
When did you get into it?
When I was about 5, my siblings and I would make up stories and performances for my family.
Since then I’ve been constantly involved in theatre although I started to make a proper go of it when I took a break from teaching. After four years as a high school teacher I had hit a wall. I felt incapable of teaching these young people to live their dreams when I hadn’t even given mine a go. Needless to say I never went back.
Who or what influences you as an artist?
Some of the great Australian improvisers; Patti Styles, Rama Nicholas, Cale Bain, Tim Redmond, Bec de Unamuno for their passion about creating beautiful pieces of theatre by constantly producing honest, committed and truthful play in improvisation. I can learn a lot from these improvisers.
Recently I trained with Ira Seidenstein in Brisvegas and was working through his physical method.
Also there are loads of Canberra actors and actresses that inspire me; Hanna Cormick, Cameron Thomas and Jordan Best just to name a few.
What’s your biggest achievement/proudest moment so far?
Committing to acting full time was a big achievement and I was proud that I had the guts to step out there away from the comfort of a regular 9-5 job.
Improvising on stage with my heroes have also been great moments. Once I was Jay Laga’aia’s love interest in a show. He’s a dream to improvise with because he makes you feel so safe on stage.
Also I was really chuffed with ImproACT’s recent show The Displaced.
What are your plans for the future?
To learn more and more and more. I have recently joined The Hive program with The Street Theatre as a Dramaturg. The training I am receiving from Peter Matheson is invaluable to my own work. So I hope to continue with this. I’m also keen to head over to the US and Canada to do some intensive Impro training with those guys.
What makes you laugh?
I giggle with my husband a lot. The everyday follies of my friends. The wild and wacky places that improvised theatre takes you. It’s never what you expect. Bloopers in a film.
What pisses you off?
When someone is unnecessarily unkind and mean but no one ever pulls them up on it. Sure they might be bigger and better than you but they can still be nice.
What’s your opinion of the local scene?
Through The Street Theatre I have seen a lot of local work and I have really enjoyed watching the development of the work. I think we’re telling good stories and getting the right assistance to create these. Certainly Impro is getting bigger and better as we embark on our 2nd Improvention in the lead up to 2013.
What are your upcoming projects?
Theatresports North vs South at The Street Theatre in May and June and then Improvention in July.
Contact info: chagarty3@yahoo.com.au
|
Waterford, Hoodlum Shouts, Voss Braidwood Hotel, Braidwood NSW Saturday April 16
In our limited world view, there are three kinds of gigs: 1) Those by artists you’ve idolised for eternity, but who are a colossal disappointment (i.e Justice and DJ Shadow); 2) Those by artists who actually live up to your ridiculous amounts of veneration (Bjork, Rage Against the Machine, Jane’s Addiction); and 3) Those by artists you’d never heard of before but who can in one night change your life.
The latter of the three categories was in store for us on a typically snappy mid-April evening in Braidwood. The crumbling and/or semi-built Braidwood Hotel was abuzz, nay packed, with fresh non-local faces for Canberra five-piece Voss’ last shows before disbandment. Their bombastic, loping juggernaut of a drummer Jed Stone and his old school pal of similar stature Fergus Mcraken (Big Sound Sytems), two Mongarlowe-bred boys, had organised an aural feast down at the more charming, if perpetually incomplete, of the two pubs in the historic gold rush town (the other boozery being frequented almost exclusively by flanno-wearers of the un-ironic kind).
First on the bill was the Franz Ferdinand/Strokes-esque Waterford, who cruised through a tight set that got feet tapping and beer gulping. Despite a few vocal feedback problems, they managed to firmly pack out the front bar, which was sadly lacking in any kind of mood/stage lighting.
A few schooners and one unscrewed light bulb later, it was Hoodlum Shouts that proved to be the real stars of the evening. The intense energy of frontman Sam Leyshon captivated audiences as he channeled elements of Freddie Mercury (or maybe it was just the impressive ‘stache) over a swaying, throbbing Drones-like march of very original sounding, very Australian songs. In full chorus, the increasingly wobbly crowd chanted to a slew of anthemic ballads, a scene not witnessed here since the last horde of drunken cowboys slurred along to Khe San around the jukebox. But it was Happy Birthday that was the most vociferously and repeatedly sung tune, hurled endearingly at birthday boy Sam.
In a blurry, post-show crap-on with Hoodlum, we were informed that Hoodlum Shouts has been recording material for an up coming release. If it captures even half the magic of the live show, we’re in for a treat.
Meanwhile, as the bar staff struggled to keep up with the heavily bearded customers, Voss too were mired in sound trouble with not enough foldback to hear a slightly off-key violin, played by the classically trained and classically cute Elyane DeFontenay. After a somewhat rusty start, much chanting of “JED! JED! JED!” from jolly locals, and the replacing of the aforementioned light bulb, the headliners managed to warm up and deliver a rock-driven, folk-laced performance with much jumping around by lead singer Owen Carroll.
For what is usually a barren wasteland of live music, Braidwoodians have been spoilt in recent weeks with a veritable bain-marie of live music from the likes of Dave Graney, The Stiff Gins and said Canberra trio of bands. And if you believe the hype, we are also soon to be treated to Australian rock royalty, with upcoming shows booked for The Saints, The Church and The Break (the dudes from Midnight Oil and the Violent Femmes), all at the newly refurbished National Theatre decked out with 30 G’s worth of live sound gear.
But what was so life-changing about this particular evening was meeting some very likeable, yet disaffected musicians from the ‘Bra that say fuck you to ‘making it’. In this topsy-turvy down world where over-achievers thrive, it was like a breath of fresh alt-country air.
The Karunas
|
|
Perhaps even more whorish than the ubiquitous Snoop Dogg, Flo Rida would feature on pretty much anything. So of course he’s up for shovelling the shit with Justice Crew. This dude would guest on your voicemail if the money’s right
|
|
Bobby Anthony must have naughty pics of everyone involved in this junk as he is beyond terrible as the auto-tuned narrator of Last Night. The less said about him the better. So let’s focus on Snoop, who doesn’t really need to do this kinda shit any more. As with most of his features these days, Snoop’s on auto-pilot, casually strolling through his requisite bars with corked teeth.
|
|
For a bunch of 40+ dudes, Make Some Noise is a staggeringly energetic exercise in funky rap. Over that incessant keyboard riff, the Beasties show they’re still packing heat with plenty of goofy, white boy swagger and banging production.
|
Date Published: Tuesday, 26 April 11
| Author: Julia Winterflood
|
| 9 months, 2 weeks ago
Just a few of the colourful characters at the 2011 National Folk Festival. Read the full review in our May 11 issue. http://bmamag.com/galleries/2011-folk-festival/
|
Date Published: Monday, 25 April 11
| Author: Julia Winterflood
|
| 9 months, 2 weeks ago
Digitalism: so 2007, right? Well, yeah. And though the intervening years have been a little underwhelming for both Digitalism and the electro scene they helped create 2 Hearts. The album finds the German two-piece back and hitting their stride. While it’s not quite as instantaneous as Pogo was it still has that same unbridled energy that’s ideal for dark dancefloors. 2007 was pretty great, actually.
|
|
Community radio station 2XX is about to launch its Local ‘n Live program, so I caught up with one of the station’s volunteers Andrew Saw to find out more.
Can you give us the spiel about Local 'n Live? Local 'n Live will be just that – local and live music, plus some arts. There is so much quality music made in our community and region, 2XX can't help but want to share it with everyone, both pre-recorded and live. We'll play new tracks from local musicians, get them in for a chat about what they do and broadcast live-to-air performances, as well as let listeners know more about the amazing range of other music and art that people can get out and see. You could think of 2XX’s Local 'n Live as a bit like BMA for your ears! It kicks off formally on Monday April 18 at 4pm, then every weekday from 4-6pm on 98.3 FM and online at 2xxfm.org.au. Musicians, artists and inspiring presenters interested in getting involved should get in touch by ringing (02) 62 300 100. Head to the website for more info.
And a bit about the launch? 2XX is launching Local 'n Live with a diverse showcase of just some of the cream of the crop of Canberra’s musical acts on Saturday April 16 in Garema Place. We are really pleased to have the wonderful The Ellis Collective (on stage 1.15-2.00pm), funksters Brass'ere (12.30-1pm), the ever popular D'Opus & Roshambo with their new album Past Time (2.30-3pm) plus up and coming roots artist Pete Akhurst along with other great local musicians.
What do you think of the current state of the local scene? The local scene is really a ‘territory treasure’; there is such a diversity of quality and interesting music on offer in this town. Another great thing about the scene is the sense of community and how artists are so friendly and work together.
How important is community radio in a town like Canberra, which is made up of pretty disparate suburbs that tend to keep to themselves? Community radio is important in so many ways, with Local 'n Live being just one simple example. 2XX broadcasts music, information and views that don't make it into the mainstream media – we have community announcements of all sorts, specialist music, and programs that address issues in politics and society that you won't hear elsewhere. Without sounding too political, community radio is by the people, for the people; 2XX is alternative and provides access to the airwaves for the community at large. Even in this day of social media online, social isolation is a big problem which community radio helps address.
How do you see Local 'n Live changing Canberra's live music scene? 2XX Local 'n Live will get the music and musicians in, so as to get the vibes and info out to the community.
|
Roping together installation, drawing, sculpture, video and music, Double Hitch is an exhibition featuring works by eight emerging artists who have studied at the ANU School of Art, and who have all grown up in Canberra. Using materials found in their homes, on the streets, in the scrub, at the op shop, each artist ties together ideas of warmth, community, friendship and reminiscences of a childhood spent in Canberra’s ‘burbs. Held inside the heritage-listed O’Connor Scout Hall and away from the traditional gallery space, Double Hitch welcomes the public to become entangled with their local artists and welcomed into Canberra’s thriving art scene.
|
Community Radio 2XX 98.3 FM launches its Local'n Live show (weekdays 4-6pm) on Sat April 16. Celebrate with them at this free festival of diverse, quality local music. Featuring The Ellis Collective (on stage 1.15-2.00pm), plus the funky Brass'ere (12.30-1pm) and the ever popular D'Opus & Roshambo with their new LP Past Time (2.30-3pm) as well as up and coming roots artist Pete Akhurst and other great local musicians. See www.2xxfm.org.au for details and get on down to Garema, then tune in to 98.3 FM (or stream online) at 4pm weekdays from Monday April 18.
|
If dedicated Neighbours fans cast their minds back ten years, they may recall bit character Marcus Teague: Total Cover Health representative and foil to Dr Darcy Tyler. His namesake, however, is more memorable. In the last few years, the real-life Marcus Teague – former leader of Melbourne indie-rock moodists Deloris – has been recording and performing under the Single Twin name. Like his old band, he trades in lyrically driven, folk-tinged tunes. Unlike his old band, the songs don't have so many drums or loud, distorted guitars. Single Twin will be in town for the Peking Spring Festival, playing with Hoodlum Shouts. Tickets are $18 or $12 concession.
|
Why those Hell City Glamours lads, they sure do love our national’s capital much more than everywhere else in the world. And that’s why they’re coming back again. Crazy fans, good booze and their favourite little venue Transit will combine for an outpouring of guitar enhanced mayhem. To help them keep their heads above water they’ve scammed Johno & The Trannies into coming out of retirement with a $20 bill on a fishing line along with Canberra’s finest band Tonk. It all goes down in the nicest possible way on Saturday May 7 with proud (though possibly not so much the next day) presentation by BMA.
|
Elisha Bones, guitarist and sometimes vocalist of hiatal Canberra band The Trivs, is branching out as a solo artist in the absence of his amigos. Writing a whole batch of songs on a cheap acoustic guitar whilst studying abroad, Elisha has returned home into the loving arms of his electric guitars and pedal board, dressing his melancholy songs in pretty textures and loops. An EP is on the horizon, but until it is released the only way to hear his music is to come to this gig! Supported by talented folk singer/songwriter Shobana Narayanan. Doors open 7.30pm.
|
Parlour is turning three and naturally three be the magic number for their decadent celebrations. There will be a continuous flow of food and complimenting drinks with three courses (vegetarian with cocktails, followed by meat and seafood with wine, followed by dessert with dessert wine). Each course involves three rounds of food and each drink will have three variants, however wine will have six, being three reds and three whites. Even the dress code is designed around the number three; black, diamond and gold being Parlour’s interpretation of primary colours of the decadent world. Oo er. For more info head to parlour.net.au.
|
|
Classical music a bit beige for your taste? Not in this year’s Canberra International Music Festival! Check out Lara St John – a tall, sexy, Amazonian, French Canadian, passionate violinist playing as fast, powerfully and perfectly as anyone has ever heard, in duet mode with William Barton on Didj… playing Bach Chaconne. Oo er. Same bill: four funky, hot Danes, each well over 185cm, towering over you as they ignite with fiery tango rhythms and hardcore violin playing that will leave you breathless. Oh, and the Piazzolla music. Trust us, you’ve never experienced tango like this! The Danish String Quartet are certainly not what you normally picture when thinking about violinists. It’s classical music with a hot twist. For more info check out cimf.org.au, and to book tix head to canberraticketing.com.au.
|
|
Local duo Assassins 88 have just released a digital EP called Kaneda. Says one half of the duo Lachlan, “we are calling it our ‘neo-punk’ release. It’s inspired by sci-fi movies like Repo Man, Blade Runner, Akira and Predator, Enter the Void etc, and the music has a technoey punk feel. We originally wrote the songs before we did our original tape and only just got around to finishing them after something like two or three years. We also went back to the lo-fi way of recording to get that overblown sound. We don't have any plans yet of releasing it but the feedback has been really good so it might get a release on tape later this year with more tracks but I’m not sure. Until then it’s free up on the net at dreamdamage.com. Check it.
|
|
My Friend the Chocolate Cake are an intensely colourful and ruthlessly honest musical mirror to Australia's complex national character. They’re the band with the strings, the piano, the big tunes and the plainly daft name. This year Choccie Cake are releasing Fiasco - optionally known by its extended title Somewhere Between the Sacred and the Bleeding Ordinary. It’s the unmistakable sound of My Friend the Chocolate Cake turning 21. Singer/songwriter and pianist David Bridie, never a man to gild the lily, reckons it's a "classic cake mix", with its distinctive pop-noir, its brooding urban angst and rich filmic gravitas shot with a lyrical elegance for which Bridie is lauded. Hear it live at The Street on Saturday May 7. Tix through the venue.
|
|
Canberra duo D’Opus & Roshambo have just released their second full length album Past Time through Mercury Switch/Inertia. Hot on the heels of a sold out pre-release show at Transit Bar in March, the duo have announced a Canberra album launch proper at Transit on Saturday June 4 to celebrate the album’s release with their home town. With Past Time currently receiving rave reviews, including a glowing 4.5/5 in Marie Claire (!), the duo are getting set to take their new live show (complete with live guitar, bass and drums) across the country in support of the record over June/July. Past Time features guest appearances from Hau (Koolism), Muph (Muph & Plutonic), Chanel Cole, Dialectrix and more.
|
|
Wanna shoot for BMA? Wanna go to gigs for free? We’re currently on the hunt for gig photographers. If you think you’ve got what it takes to join our flashbulb posse and have your pics splashed across the pages of this here rag then send a sample of your work (three landscape gig snaps preferably) to editorial@bmamag.com.
|
|
With only a few short weeks to go until the 2011 tour kicks off, GTM congratulates all the winners of triple j’s Unearthed competition as well the local artists who will be completing the line-up. In our nation’s capital give it up for Fun Machine, Crash the Curb and Raw City Rukus, and The Ellis Collective for taking out Unearthed. Four local acts on a major festival bill; massive props and big ups Groovin the Moo. Tix are swiftly flying out the door so head to Moshtix quick smart, and be sure to get there early on Sunday May 8 to give your support to these local legends.
|
|
Six doubles to Hugh Cornwell at ANU Bar Former Stranglers frontman Hugh Cornwell will tour Australia in April this year. The show will feature two sets - the first will feature a collection of Stranglers hits and classic solo material, with the second featuring The Stranglers seminal debut album Rattus Norvegicus IV being performed in its entirety for the first time in Australia. To win, email editorial@bmamag.com telling us who you’d like to strangle.
|
|
The Holidays have just returned from their first ever shows in the USA, where they gave the Northern Hemisphere a taste of the Australian summer. The band made a huge impact at shows in Austin at SXSW, NY, LA and the pre-party for Cee Lo Green and The Ting Tings Redbull Soundclash in Vegas. Now back on home turf, The Holidays have kicked off their Seven Million Mornings national headline tour! With the boys having the travel bug and their live shows being in high demand, the band have decided to add some extra dates, and Canberra’s included! They’ll be at Transit Bar on Saturday April 23 and we have five doubles to throw your way. To win email editorial@bmamag.com telling us about your best holiday ever.
|
|
triple j's One Night Stand is a massive free live music event hosted in a remote regional town or city in Australia annually. Each year a selection of leading Australian bands from a variety of genres play at the festival. triple j’s One Night Stand DVD is a collection of artists who have featured at Cowra, Gippsland, Collie and Alice Springs. It includes performances from Hilltop Hoods, Silverchair, Washington, Children Collide, John Butler Trio, Blue Juice and lots more. We have five copies to throw your way. To score, email editorial@bmamag.com telling us about your best one night stand.
|
|
Jogja Hip-Hop is an evening which celebrates the work of the Jogja Hip-Hop Foundation and the vibrant live music scene in Java’s traditional capital, now the dynamic centre of Indonesia’s contemporary art making and performing arts scene. The night will include video clips, a talk and performance, plus a screening of HipHopDiningrat, which is about Muhammad Marzuki and Chandra Hutagaois' six year long diary of the work of the rappers of Jogja Hip-Hop Foundation and their attempts to blend the sounds of modern Indonesian urban culture with Javanese tradition. It’s all happening at Arc Cinema on Friday April 15 at 8pm. For more information head to the NFSA website, nfsa.gov.au, or to hiphopdiningrat.com and killtheblog.com. We’ve got five doubles to give away. To win, email editorial@bmamag.com telling us about your favourite hip-hop star.
|
|
As the female companion album to the highly successful Tales To Tell (ABC Music, 2010), Sweet Little Bird is brimming with great, classy music from both local and international female artists. There’s multi platinum and multi award winning Australian artists in Missy Higgins with her breakthrough smash Scar, Megan Washington, Clare Bowditch, Sia and the always intriguing Sarah Blasko. Add to that the music of KT Tunstall, Lily Allen, Regina Spektor and Beth Orton with her beautifully sublime track Concrete Sky. Sweet Little Bird is cute by title but compelling and vital in its content. It’s a perfect pressie for your dear Ma for Mum’s Day! We’ve got five copies to give away. To win, email editorial@bmamag.com telling us why your mum’s so great.
|
|
Righto, dear readers, here’s a big one. Jebediah are playing ANU Bar on Thursday May 26, and we want you to meet ‘em! You’ll also get to be the official reviewer of the show and have it published in BMA. Yep, that’s right, a meet and greet with The Jebs and your words splashed across the pages of our fine rag and website. To be in with a shotm, email competition@secret-service.com.au with a 25 word or less blurb about why you are a more than capable reviewer for the mag. Please ensure BMA is the subject line, and be sure to also include your name, contact phone number and email. Sorry, over 18s only. You’ve got until Friday May 13 to get your entry in. Best of luck!
|
|
WHO: Canberran artists WHAT: Many Hands WHEN: Fri April 29, 6pm WHERE: Photospace, ANU School of Art
Many Hands is an exhibition spanning all visual art disciplines. See artwork from Canberran artists utilising the theme of'light'.The exhibition is curated by recent Visual Art graduates from the Australian National University, Cameron Chamberlain and Michael Hedges. The Many Hands exhibition showcases the use of light in creating new art practices. Light is used to experience and create all visual art and enables the creation of new media. This exhibition runs for one night, starting at 6pm on the 29th of April 2011.See how Canberra's emerging and established artists respond to the bloodline of the visual arts — Light. For more information visit manyhandsart.com .
|
|
The design of household items acts as a mirror that reflects our lifestyle. This exhibition introduces 90 designs for household items that were produced during the 1990s, and 13 others, in which we see the roots of contemporary design, from the postwar Japan of the 1950s. The exhibition presents contemporary Japanese design through a selection of about 100 everyday products. Unlike architecture, the furnishings and equipment used in everyday life can be gathered together in one place to make an exhibition. The design of the objects on display here, a summary of life in present-day Japan, gives a substantial insight into Japanese urban culture today.
|
|
Paul Selwood is one of Australia's finest sculptors and has been exhibiting since the 1970s. This exhibition focuses on his recent work in which he renders monumental structures through a series of two dimensional illusions. By taking the conceptualising tool that is drawing and applying it to steel sheet Selwood has created a series of ‘perspective cutouts’. In the process Selwood creates an artistic language that transcends and subsumes the possibilities of both two-dimensional and three-dimensional art-making. Puzzle making and solving comes into play as he cuts and folds rusted steel into shapes that assert form, mass and gravity. Groovy.
|
|
Here’s the spiel for RIG, written by Nick Delatovic: Media darling and social terrorist is given a second chance to continue his passionate crusade against the establishment of corporate industry. Aided by Vera and Lee, heirs to the Pound Empire, Frances trail blazes his quest for a Utopian society... But is this partnership without consequence? Actors, design and tech crew are invited to audition and interview for positions in this dynamic theatrical presentation. Head to the facebook page for audition times: ‘RIG – AUDITIONS AND INTERVIEWS’. To make an audition/interview booking and collect the audition package contact director Cameron Thomas: 0418 297 405, sowerberry@hotmail.com. Performer applicants must learn 2 audition pieces and the scene provided in the Rig audition package.
|
|
Comedy superstar Akmal brings his brand new show The Life Of Akmal to Canberra and Queanbeyan mid-May. He’ll be featuring memoirs and extracts from his book, and covering topics from growing up in Egypt and migrating to Australia to being kicked out of the Coptic Orthodox Church and finding solace in his newfound religion of Comedy. There are outrageous stories of how Akmal entered the comedy world and insights into the characters he has met along the way. Fellow comedian Joel Ozborn, who has toured extensively with Akmal both nationally and internationally over the last two years, will join him. For tix head to canberraticketing.com.au or theq.net.au.
|
Jogja Hip-Hop is an evening which celebrates the work of the Jogja Hip-Hop Foundation and the vibrant live music scene in Java’s traditional capital, now the dynamic centre of Indonesia’s contemporary art making and performing arts scene. The night will include video clips, a talk and performance, plus a screening of HipHopDiningrat, which is about Muhammad Marzuki and Chandra Hutagaois' six year long diary of the work of the rappers of Jogja Hip-Hop Foundation and their attempts to blend the sounds of modern Indonesian urban culture with Javanese tradition. The night commences at 8pm. For more information head to the NFSA website, nfsa.gov.au, or to hiphopdiningrat.com and killtheblog.com.
|
|
Katy B’s latest blend of big vocal pop with dubstep production tricks from Zinc and Geenus is not only quite excellent, but also far removed from the bass-blasting brostep that’s bubbling up so much these days. Yeah, there are skittering drums and some shuddering bass, but it’s in such a thoughtful and intelligent package.
|
|
So these guys got annoying quickly, didn’t they? And now they’ve got their own cloying ‘original’ song. Wake me up when they do Journey again.
|
|
Not cowering at the prospect of album #2, Friendly Fires seem a little more confident this time around. That’s clear on Live Those Days Tonight which finds the group willing to try just about anything including throwing some frantic beats and euphoric house vibes into the mix. A smash.
|
|
“ Hey Dre, when’s Detox dropping? What? Now? Well where’s the first single? This is it? Hahahaha! Dre, you so crazy! Like it took 10 years to make this.” *cocks trigger* “So where’s the real first single?”
|
|
Chris Brown is just tolerable when he’s singing but trying to front as a rapper drops him to new douchey depths. And Busta’s lightning fast flow makes him look like (even more of) a chump.
|
Date Published: Wednesday, 30 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
FRIDAY 1 APRIL GAREMA PLACE, 2–7PM …and it’s FREE!!
Click here to download the liftout in .PDF format
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
What do you do? Comedian/documentary filmmaker.
When did you get into it? I first did stand-up in 2003 and am just starting to branch out into travel docos.
Who or what influences you as an artist? Some of my influences include Flight of the Concords, Dave Chappelle and Louis Theroux. Originality, determination and self-belief are key.
What’s your biggest achievement/proudest moment so far? Winning Raw Comedy ACT in 2003 is definitely up there. That and starting my own t-shirt line Dressed As.
What are your plans for the future? In a few weeks I’m off to South America to make a documentary series called Lamson Loves Colombia. I’ll be cruising around doing Spanish stand-up and putting on events to show all the great things Colombia has to offer, taking the focus off the drugs and kidnappings.
What makes you laugh? People who aren’t afraid of sticking it to the man.
What pisses you off? People who go into a coffee shop and order a soy decaf latte extra hot. You are hated by cafe workers everywhere.
What’s your opinion of the local scene? The comedy scene is improving a lot in Canberra. If you want to get up and have a crack there are definitely opportunities out there.
What are your upcoming projects? I plan on being in Colombia for six to eight months and if that project is successful I’ll be heading off to make Lamson Loves Argentina sometime early in 2012.
Contact info: lamson@puffpeaceproductions.com
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Canberra's cultural affluence in recent weeks has seen many a sore foot wave the white flag of blistered exhaustion in response. Whilst our great capital is of a smaller build; the concrete builds up pound for pound with every rubber slap we made to and fro. Well, Place your steaming trotters in an ice tub alongside your flotsam beverage, and fear nay! You can keep a keen eye on your local cultural happenings online through the wondrous online art experiment RE:. Like Chinese whispers if it went for seven months, was totally fucking awesome and involved six creative visual arts sorts. Trust me, keep a keen polished peeper on this one... TRAVIS H HEINRICH
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Splendid is now seeking young and emerging artists (under 30 or in the first five years of practice) across visual arts, theatre, dance, design, installation, architecture, digital media, sound, text and other creative pursuits to dream up ideas and create work for festival audiences. It’s a unique opportunity to work collaboratively in a dynamic environment that encourages critical thinking and experimentation. Splendid is unique in it’s focus on cross-artform collaboration and it’s connection with festival culture. Participating artists are invited to embrace this challenging and exhilarating context, and use it as a springboard to take their creative practices to a new level. Splendid 2011 applications are due by 5pm on Monday May 2. Forms are available at www.splendid.org.au
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
David Finnigan, Creative Producer of You Are Here. What a dude:
How did you feel on the night of Sunday March 20, when the You Are Here program came to a close?
After one of the epic party jams on Out Hud’s S.T.R.E.E.T.D.A.D., one of the vocalists sighs and says ‘okay, let’s do the next one,’ and off they go into another 13 minutes of breathless fucked up dancery. That.
What were your highlights?
Personal favourites – the Overhead Projector Jam was some fucking zen bliss out action; Roasters After-Hours Barrage was one of the most fun spoken word events I’ve ever been to or participated in my life, for a lot of reasons; Lee Grant’s Belco Pride exhibition was amazing and I loved dancing with a bunch of smarmy fucking 15 year olds at FridgeFire on Saturday night. Once they grasped how important it was that they act sober (even if you are sober, act sober), they had the best moves on the dancefloor – and they were all blown away by the concept of the mash-up. ‘HOW DID HE MAKE THE DARTH VADER MARCH AND THE CHEMICAL BROTHERS’ GALVANISE INTO ONE SONG?’ Magic, kids, that’s what’s going on there. Also, it was rad getting the chance to temporarily kill the party when we were invaded by 25 aggressive 16 year old boys unsure of their place in the world. It’s always more fun to shut down an event than to run it peacefully, and there’s nothing like seeing your security guard mobbed by a swarm of high school jocks with faux-hawks to give you the adrenaline you need for some serious fucking dancing.
How has YAH changed Canberra?
Hah. Okay Julia, I’ll bite. YOU ARE HERE CHANGED THE FACE OF CANBERRA’S ARTS SCENE BECAUSE IT’S NOT LIKE PEOPLE ARE DOING WHAT WE JUST DID ALL THE TIME, ALL OVER THE CITY, EVERYWHERE YOU LOOK, EVERY WEEKEND, BUSTING OUT UNIQUE STRANGE SHIT CONSTANTLY WITHOUT RECOGNITION OR SUPPORT. Oh, and Canberra has never had an event like YAH before, not even in the ‘90s when this sort of shit apparently happened all the fucking time. We didn’t reinvent the wheel AT ALL. And Hadley’s great grandmother invented the horse.
A friend of mine made the comment that YAH should run all year. Will it be on again next year? Will it become an annual event? Will there be any satellite events during the rest of the year? How can we get a fix?
Basically it’s up to people to speak up. If people dug it, or they want more but different, they should get on the YAH website or Facebook and leave a comment. We’re feeding all the feedback we get to the Centenary for their evaluations, so you’ll definitely get listened to.
Anything else you’d like to add?
Thank you to everyone. So many thank yous, so many everyone. You guys rule.
And your not so highlights?
Okay, I’ll cop to this – I shouldn’t have written the review for the Last Prom in the last BMA issue. I thought it would be kind of cute to throw that in, because (a) I was so obviously implicated up to my eyeballs and (b) I was on the door and didn’t actually get to attend any of the event. In the event, though, that actually just fucked off our chance to get a real review by a real reviewer. Shit you learn, hey.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Following the extraordinary success of the 2010 Zine Fair, ACT Writers Centre and CCAS are up for seconds… this time during the A Fair with Art National Youth Week event. There will be many more attractions both in and out of the CCAS galleries including zines, artwork, badges, buttons, t-shirts, great designs and, of course, cupcakes. It’s all happening at CCAS at gorgeous old Gorman House on Saturday April 9 from 10 ‘til 4. To book your table call 6262 9191 or email admin@actwriters.org.au. But wait, there’s more! On the morning of the Fair
12 lucky zinesters will have the chance to take part in a workshop with one Australia's best known zinemakers, Vanessa Barry. Book by contacting the above number or email addie.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
The Thursday Painting Group have created two wonderful and different collaborative installations based on the theme ‘Food for thought’. The smell, taste, sound, touch and sight of food can stimulate us in many different ways. Food can be sexual, it can bring people together on social occasions; lack of food can tear countries and families apart through war and poverty. The Thursday Group is a gathering of 15 local experienced and emerging painters who work to explore and experiment with the painting process. The diversity of its members provides a stimulating environment which encourages individual development and maintains continual appraisal of and advancement in their painting practice. Yum.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Says Michael Quincey O’Neill, the 2010 Open House recipient, “The Open House Artistic Residency first and foremost provided me with a concrete acknowledgement of the potential of my creative work, and in doing so, laid the foundation for me to start taking myself seriously as a writer.” CYT’s Open House program is for young independent artists aged 18-25 years seeking to create/rehearse/develop a theatrical project. It invites emerging artists to take theatrical risks and expand their performance horizons through engaging in an artistic residency in their space for a fortnight. Contact the Artistic Director for further details and an application form by emailing karla@cytc.net or calling 02 6248 5057.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
The seas have risen, billions have died and those who are left live on farms atop skyscrapers, atop mountains. Just one solution remains: to journey to the mysterious depths of the deep blue sea to find a new place to live. Direct from sold-out seasons at Sydney Festival, Adelaide Fringe Festival, New York International Fringe Festival and Auckland Fringe Festival arrives The Adventures of Alvin Sputnik: Deep Sea Explorer, a multi award-winning one-man micro-epic puppet show that melds technology and multimedia into a touching story of enduring love and the end of the world. A visually inspired solo show, it is created and performed by Tim Watts, who employs a unique blend of mime, puppetry, live and recorded music, and animation to present an exploration of the next and oldest frontier: the deep blue sea. Head to thestreet.org.au for more info.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Ahoy there, dusty-fingered members of the Canberra populace! It is time for the annual Record Day Fair, a chance to sell your old wares and eagerly ruffle through 1000s of vinyl across all those genres you love – rock, pop, indie, jazz, soul, blues, hip-hop, metal, punk, ska, handbag pasodoble, prog twat and more. Did you know, in this digital age, vinyl sales actually rose in 2009? That’s because life sounds better on vinyl, baby. So saddle up and get to Landspeed in Garema Place, because you just know that guy is going to be there just before you snapping up all the good stuff, and you can’t have that.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Local dance promo outfit 4SOUND are set to make good use of the glittering views and soaring sonics of The Deck at Regatta Point to exhibit some of the best electronic sounds that Canberra has to offer. Featuring the smooth-yet-banging stylings of firm favourites DJ Rush (6pm), Ashley Feraude (7pm), Burnie Mac (8:30pm), B-Tham (9:30pm), Team Wing (10:30pm) and 2Hyped (midnight), the event serves as either a perfect evening settler, or as a warm up to the kind of Saturday that sees you calling in sick on Monday. Tix are $15 on the door, and there’s 2-for-1 entry before 8pm. Food and drink will be available at the venue.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
One of the most unique singers of Brazil’s contemporary music scene, Brazilian songstress of Japanese descent Fernanda Takai is coming to Australia for the first time to share what critics have called some of the most delicate and intelligent music of our time. Fernanda is better known as the lead vocalist of Brazilian band Pato Fu, who in 2001 were listed as one of the Ten Best Bands In The World by Time Magazine. Wowzers. With a strong Japanese heritage, Fernanda will be donating a portion of ticket sales to the Japanese Red Cross to assist victims of the recent disaster. Tickets through canberraticketing.com.au .
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
For four decades, singer-songwriter-guitarist Eric Bibb has criss-crossed the globe, captivating audiences by bearing witness to the infinite complexities of the human experience – both the mundane and the spiritual – with music that’s steeped in the tradition of American blues and layered with generous shades of folk and gospel. He is, in every respect, a modern-day troubadour – heir to the legacy of Lead Belly, Woody Guthrie, and countless other great voices of the early and mid-20th century. In duo mode for the Australian tour, Eric will be accompanied by beautiful Swedish guitarist Staffan Astner, (Ray Charles, Kim Richey) who is also featured on Troubadour Live. Tix through the venue.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Following a massive single tour at the end of 2010, Mind Over Matter will be returning to the stage with a whole new live set and special guests including Coptic Soldier and Johnny Utah. Their new LP Just Like Fireworks is a generous offering from local Sydney duo MCs Willow and Smiles and features an array of guests including Pigeon John, Vida-Sunshyne, Ernst Carter Jnr and Drakezilla and Saving Grace. With a reputation for giving it their all at every show, Mind Over Matter tear up the stage demanding even more from their fans. Tix through mindovermattercrew.com .
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Explosive Brisbane indie-dance/art-rock five-piece, Tin Can Radio, are celebrating the release of their debut LP Chase the Sun, Hold the Night with a 20 date Australian tour. Chase the Sun… runs a knife edge between accessible and fun, and ambitious and sonically challenging; journeying through dreamy landscapes, sing-along hooks, punchy guitar driven riffs and grinding dubstep breakdowns. The band have managed to attain exactly what they set out to achieve; a recording which captures the dynamics and infectious energy of their live show. With local disco scoundrels Readable Graffiti in support it’s set to be a scintillating night. Doors at 9pm, free.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Multi-talented whiz kid Travis H Heinrich has started a monthly night of live music at Phoenix called Gigmund Freud. Lolz.They’re happening on the second Wednesday of every month at Phoenix and each line-up is booked (or curated by, if you swing that way) a local record label, establishment or individual. On Wednesday April 13 it’s BMA’s turn! So, for your aural and ocular pleasure, we present to you, dear readers, a night of apocalyptic proportions. To kick off the rundown here’re a few words from second-on-the-bill, nozl: “During recent months there has been growing concern within the ACT and SE NSW regarding the nozl movement. Whilst intentionally lowercase and consequently sub-literate (Bison 2009, Temperman 2010), the anti-subversive elements of nozl (Banner 2011 pers. comm) have been developing pince-nez with little regard to the formal democratic process. nozl guru Tom h’Wood states the “neo-nozl outlet is like grain in a bag: granular, secular, potentially hallucinogenic if infected with ergot...” Want to know what that was all about? Then you better get down to Phoeno on April 13. We’ll give you three other reasons to though, cos we’re nice like that. Locally illustrious merchants of madness Fun Machine will also be there (limber up kids, you’re in for a mighty workout), as will - in what we reckon is a bit of a coup - You Are Here supergroup The Last Prom. Yes, you read right, the Four Horsemen of the Apocalypse, The Anti-Christ, Famine and co have kindly agreed to head north from the underworld to play their second ever show and headline our Gigmund Freud. Bless their razor-sharp cheekbones. And the third reason? There’ll be a Mystery Opening Act (which translates to editor Julia’s been out slaying deadline dragons and is yet to lock one in). Who will it be? Come and have a beer or two with the BMA crew and find out.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Previously parading under the name The Attachments, The Bell Parade started making noise in Melbourne in 2004. Honing their unique style of well-crafted lyrics teamed with nostalgic and beautifully-layered melodies, the four-piece developed a sound that has been likened to pure pop perfectionists The Lemonheads. Let’s Make ‘em Like That Anymore is their impressive debut. Masterfully self-produced, with final mixing done by Tim Johnston (The Waifs, Spazzys), The Bell Parade’s charismatic first album will keep ringing warmly in your ears long after you hear it and is sure to be grounds for their victory march. Hear it live at The Front on Saturday April 9 with Julia and The Deep Sea Sirens in support. 8pm.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
John Waters’ critically acclaimed production Looking Through a Glass Onion has been selling out venues around the country, and is showing at Southern Cross Club Woden on Friday April 1. An homage to the music, mystery and memory of John Lennon, the production has been resonating with audiences and media alike. With 2010 marking what would have been Lennon’s 70th birthday and also the 30th anniversary of his assassination, now is a special time for fans and the show is either a trip down memory lane or a wonderful introduction to the life and times of one of the most fascinating icons of our time. Head to cscc.com.au or call 6283 7288 for bookings.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Portland, Oregon four-piece Eat Skull are merchants of the perfect pop song in their own frantic-fuzzy-beach-punk way. These guys take absolute pop gems and bury them in a murky heap of lo-fi fuzz, forcing listeners to open their ears and pick out the gold inside. Slug Guts hail from the heat stricken confines of Brisbane, and after garnering huge levels of hype for their first album Down on the Meat, the band went straight to the studio and emerged with their second long player, Howlin’ Gang. Catch them at Phoenix on Sunday April 10.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
According to Carlos Santana, Blue King Brown are “…the voice of the street and the band of the future.” They’re pleased to announce dates for their first national Australian headline tour in 18 months to officially launch their new album Worldwize Part 1 North & South. Master musicians of the live circuit, the band is primed to showcase their adrenalising grooves from the highly acclaimed Worldwize album, and remain committed to take their adoring audience on a real life sonic journey, flowing with modern international inspirations from Jamaica and beyond. Joined by Melbourne based African hip-hop artists Diafrix, they’ll be at ANU Bar on Thursday May 12. Tickets through Ticketek.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Rock chicks profiles 27 of the hottest rock ’n’ roll women, spanning the 1960s to current times — from Janis Joplin, Suzi Quatro and Chrissie Hynde to Courtney Love and Pink. With perceptive biographies and in-depth music critiques, author Alison Stieven-Taylor gives an up-close and personal look at the experiences, adventures and musical passions of these extraordinary and talented women whose wild vocals and on-stage antics have made them rock ‘n’ roll legends.
Here’s the complete list for ya: Janis Joplin, Marianne Faithfull, Tina Turner, Suzi Quatro, Joan Jett, Ann & Nancy Wilson, Patti Smith, Stevie Nicks, Debbie Harry, Annie Lennox, Pat Benatar, Chrissie Hynde, Kim Gordon, Madonna, Kim Deal, Chrissy Amphlett, PJ Harvey, Melissa Etheridge, Sheryl Crow, Courtney Love, Alanis Morissette, Gwen Stefani, Karen O, Kelly Clarkson, Pink, Avril Lavigne. We’ve got five copies up our sleeves. To win, tell us about your fav rock chick of all time.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Positively charged and ready to arc, Ministry of Sound have primed the capacitors and lowered the resistance in a voltaic bonanza sending sparks across the country in 2011.
Electro House Sessions 4 – two discs of amped house bangers, mixed by dancefloor electrologists Rob Pix and Timmy Trumpet. With 42 of the biggest electro house tracks that the universe has on offer, this is easily our best in the series to date! (Bless your PR writers’ socks, MOS – Ed.). Mixed by two rising stars on the Australian dance music scene, the pair make their Ministry of Sound debut in breath-taking fashion, delivering two discs of electronic bombs mixed to perfection. We have five copies to fling your way. To score, rewrite the above and include as much hyperbole as poss.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
US stand up comedian, actor, writer and voice-over artist Greg Proops brings his unique brand of self-deprecating, flamboyant, and quick-witted comedy to Australia in April as part of a whirlwind national tour. Proops is best known for his work as an improvisational comedian on the UK and US versions of Whose Line Is It Anyway?. The always dapper Proops is a frequent guest on The Late, Late Show with Craig
Ferguson and Chelsea Later on E!. He can also be heard as the voice of Bob the Builder on the North American version of the popular children’s television series of the same name. Proops' other television appearances include The Drew Carey Show, Just Shoot Me and The Wayne Brady Show. He also has a podcast called The Smartest Man in the World which is available on iTunes. Proops will be at Canberra Theatre Centre on Friday April 15, and we have four double passes to throw your way. To win, tell us your best joke.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Who knew that Take That were actually pretty cool dudes? With Stuart Price (Jacques Lu Cont) on board as producer the boy band relics sound otherworldly, pumping and bouncing with the sky high drums and growling synth bass and killing the super-mega chorus. It could very well be the pop single of the year. Believe me.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
So this is actually fire. Pop’s currently got a boner for Eurodance aesthetics but while we all have POW-style flashbacks to Barbie Girl this just nails those bubbling arpeggios and flawless trance stabs. It would be pretty criminal if this didn’t do big things.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Just when it looked like the best week ever for pop in Singled Out , here comes Jessie J to spoil the fun. This is just weak. Not even the obligatory rap feature from B.o.B. can save this from being about as hard as my dick after eight hours of grandma scat porn. Which is to say as soft as an udon noodle.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
Just like the artlessly tacked on title, the two original Dirty Money girls are useless. Or they’re not put to use, sashaying drowsily and perhaps cooing softly in the background. This is the Diddy show and as big of a deuce as he may be, he actually kills it here. The terrific beat helps but it’s great to hear Puffy finally energised enough to give a fuck.
|
Date Published: Tuesday, 29 March 11
| Author: Julia Winterflood
|
| 10 months, 2 weeks ago
How dare those Black Eyed Peas. After so many crimes against my ears the Peas have taken things to a new level. Gulp. They’ve actually made something half good. Amongst a sea of unnecessary auto-tune and Fergzilla squall there’s a casual, nodding beat and some faded neon synths. The not shit trick doesn’t last for long, you’ll be pleased to know, as BEP soon ruin it all with Will.i.am’s take on candy raving hardfloor which sounds like the ugliest thing since, well, Dirty Bit . And balance is restored to the universe.
|
Date Published: Wednesday, 16 March 11
| Author: Julia Winterflood
|
| 10 months, 4 weeks ago
Click Here to see the Photos
Photos by Cole Bennetts
julia@bmamag.com
|
Date Published: Wednesday, 16 March 11
| Author: Julia Winterflood
|
| 10 months, 4 weeks ago
ANY MEANS NECESSARY
1) Your soon to be released (and eagerly anticipated) album Means What It Means has been a few years in the making. Is this album the end of a season for your creative career, or the beginning of something new?
The album is definitely the end of something – there will be some closure in its release. The opening track, 1997, is named after the year I wrote it. For over a decade I’ve held onto these songs like a fucked up Catholic girl and her musical virginity hoping and waiting that the right people would come along and help me make it. I am forever grateful I didn’t rush the album as it led me to this amazing band and an incredible experience recording to analogue tape at Infidel Studios.
2) Why was the track Means What It Means chosen as the figurehead of the album?
If I had to showcase our sound to a stranger with one song – this is it. This is the only track where everyone in the band has a chance to really cut loose. It features layered harmonies, an amazing string arrangement, relentless bass lines and snare chops, a vicious violin solo and a shredding final verse. Add some cranky lyrics and that’s The Ellis Collective to a tee.
3) Canberrans have been watching you perform on our stages and in our backyards for years. But for how long have you been writing music?
I started playing the violin at five. Not a hugely popular instrument in West Queanbeyan at the time. I started dabbling in songwriting when I was 17, but was hugely influenced by the time I spent working at the old Gypsy Bar in the late ‘90s. In my time there, I learnt a lot watching young artists like George, John Butler and Jeff Lang starting out.
4) How and when was The Collective born?
I have always been a pretty average guitarist, so I spent years looking for a band. After a string of awkward jams and failed auditions, I gave up on the band idea and started playing solo. As soon as I stopped looking for a band, it arrived. A year later after a series of bizarre coincidences, we suddenly had this wonderful band. The combination stuck and we’ve been mates ever since.
5) Your songs seem very personal and are often emotionally charged. What is the inspiration of your songwriting process? Do you think you need to be sad to write a good song?
Every songwriter is different, but I often compare my own songwriting process to dreaming. You can’t really explain it, but in its own strange way it clears out the clutter in your soul. I don’t keep songs based on how musically strong they are or how much people like them. I only keep songs if they have a deep cathartic effect on me.
I don’t find that this means I have to be happy or sad to write a song – there just needs to be something that’s strong enough to fight its way out from inside of me.
6) How much do you feel emotional health is wrapped up in the artistic process? Is artistic expression reflective of health, or rather, is it healing?
See above on this one.
7) What is the significance of recurring images, such as beer and cigarettes, or carvings/scratchings, within the album?
This album is a chronology of important moments that have changed me in some way. For good or for bad, I’m marked by what I was walking through or who I was walking with at the time. Some of these scratches heal with time and others a little more indelibly carved into who I am. As for drinking and smoking, I think they’re the hallmark signs of a destructive self pity so they often seem to sneak themselves into my songs.
8) As a band, are songs ever written collaboratively?
The Ellis Collective has a two stage collaborative approach. Even though I wrote most of the album before I met the band, they transformed my tunes with such amazing and sensitive arrangements.
There’s also an indirect collaboration. Working with such an extraordinary group of musicians for so long has dramatically changed my songwriting. The band’s influence is amazing – while I write them, you’ll see their fingerprints are all over the songs on the next album.
9) The local Canberra music scene is rich in diversity and also contains a lot of cross-genre collaboration. Do you think that this tendency for collaboration has created a uniquely “Canberran” sound?
I think that strong collaboration has certainly led to shared musical ideals and standards amongst Canberra bands. For us, and I think generally within our genre, this is characterised by avoiding over-production with a greater focus on capturing genuine musical performances. It’s a very honest approach to recording.
10) What do you see as the future of Canberra’s local music scene?
Across all genres, Canberra bands are some of the best in the country. I think this will continue. Canberra audiences are beautiful. They embrace the music, not ‘the scene’ and I think this makes them less fickle compared to audiences in larger cities. I think this will continue. Bands seeking a national or international profile will continue to find leaving Canberra an attractive option.
In the future, you may not be able to stop bands leaving Canberra but you’ll also never stop good music being made here.
The Ellis Collective will be launching their album Means What It Means live at The Street Theatre on Saturday March 26. Support will be provided by Mikelangelo, Vorn Doolette and Tom Woodward. Tickets are $33 and can be purchased via the venue’s website.
|
What do you do? Video is the medium I work with. I make video ‘experiments’ that toy with certain visual or conceptual ideas, particularly in regards to how the viewer digests it. Capturing the sublime of the everyday is what I’m currently obsessed with. I also organise the occasional event.
When did you get into it? Aeons ago. I’ve always been fascinated by the visual arts and I suppose my passion for video originally came from my teenage love of music videos, with my discovery of Judd being my first access point into fine arts.
Who or what influences you as an artist? Artists that inspire me are Tara Donovan, Tom Friedman, Donald Judd, Olafur Eliasson, Thomas Demand, Tim Hawkinson, Uta Barth and Gregory Crewdson (just to name a few). But otherwise, I believe this question is somewhat rhetoric – I’m influenced by everything really.
What’s your biggest achievement/proudest moment so far? Easy. One time I shot a handsaw out of a compound bow at a butane gas bottle.
What are your plans for the future? I’m studying honours this year, so that. I’ll probably take part in running a few gigs too, say at Smiths or the Art School ball again. Otherwise, RE: is taking precedent over my life for the next seven months. Check it out at www.regarding.com.au!
What makes you laugh? Google ‘clarinet boy’.
What pisses you off? The treatment that some of our town’s culturally ripe small establishments have received due to Canberra’s red tape. That and people who can’t navigate themselves in shopping malls without infuriating me. Stand to the LEFT of the escalator.
What’s your opinion of the local scene? Simply amazing. So many events have been popping up recently and they’re almost always events being organised by the artists themselves. In Canberra, you are a small fish in a small pond. People here are motivated and realise that potential we have.
What are your upcoming projects? RE: has been my main focus recently and started Sunday March 13. It’s an online based art collective that acts a bit like Chinese whispers between six artists over seven months. Involved are myself, Benjamin Forster, Anna Madeliene, Robbie Karmel, Sarah Firth and Luke Penders. It’s based totally online, so you can check out the work easily from home. www.regarding.com.au – check it out!
Contact info: www.travishheinrich.com, travishheinrich@gmail.com
|
|
Ministry of Sound is getting ready to sock-it to your stereo and bring the dancefloor to your speakers once again with Dance Nation – The Hits. This release is the ultimate party starter, with 23 of the best chart topping pop songs, club tracks and dance anthems all crammed onto one CD. Dance Nation – The Hits features mega rump-shakers from the likes of Wynter Gordon, Rihanna, Tim Berg, Taio Cruz, Duck Sauce, Martin Solveig, Ian Carey & Snoop Dog, Ke$ha and many more. With over 80 minutes of dance hits, this is the one compilation that no one should be left without. To score, email editorial@bmamag.com with your favourite floor filler ever.
|
|
Courtesy of Via Vision Entertainment, catch up on Hollywood mega-producer Sam Raimi’s blockbuster classics as they hit DVD for the first time. Relive the adventures of TV’s Hercules series 5 and 6, the final two series of the popular show starring Kevin Sorbo. Also available is the first and only series of the cult superhero TV series M.A.N.T.I.S., and Darkman: The Trilogy, which contains all three films in the popular superhero action franchise. We have three packs containing all three releases to giveaway. To win, email editorial@bmamag.com telling us who would win in a battle between Hercules and Xena Warrior Princess.
|
|
TheDevilzwork return with their new LP Floodlights. Two years after the demo release of Bad Moon Rise, TheDevilzwork began kicking around ideas for a new release, and after a slew of shows in both the ACT and Melbourne, the itch began to make them scratch. New members brought new directions and a fresher sound. Many late nights, blown tubes and cappuccinos later, they emerged from the studio with their new work. Ferocious and violent, they’re eight new tracks to bludgeon the senses. Incorporating industrial sledgehammer guitar tones, massive down tuned bass, pounding thick drums, crushing synths and vocals that curdle the blood, Floodlights has a sound all its own. To win, email editorial@bmamag.com telling us who you think is today’s devil incarnate.
|
WHAT: Skate Fatale WHEN: Sat March 19 WHERE: AIS Arena Ooooooo Lordy! The Roller Derby Skate Fatale is on! This time our local heroes the Vice City Rollers will be taking on those scurrilous sirens of scintillation, the Victorian Roller Derby League All Stars. The Vic Vipers are the current National Champions, so be prepared for a high-octane rock ‘em sock ‘em affair. With the VRDL All Stars attempting to give our gals the blue kiss of death, we’ll be sure to meet their pucker with a sucker punch. There will be blood!
|
WHAT: Punk performance poet WHEN: Wed March 30 WHERE: The Phoenix “I’m Attila the Stockbroker, punk performance poet and songwriter from Brighton, England, inspired by The Clash and Monty Python, and I’m on my fourth Australian tour celebrating 30 years earning a living as a poet. Some of you may remember me from ‘90s gigs with Weddings Parties Anything, Mick Thomas and Roaring Jack, and maybe from sessions on triple j and bits of national TV doing a rude poem about Bronwyn Bishop. This time I’m doing most of my shows with the brilliant Go Set, which is absolutely logical. You can check me out at reverbnation.com/attilathestockbroker .”
|
WHAT: Australia’s leading taiko drumming ensemble WHEN: Workshop Fri March 25, performance Sat March 26 WHERE: The Playhouse, Canberra Australia’s leading taiko drumming ensemble captures the elemental qualities of our most beloved natural icon – the beach – in its production Shifting Sand, which showcases the ability of TaikOz to perform music across the spectrum, from the ethereal to the thunderous, as well as the ever-changing nature of the beach; calm one moment, furiously pounding the next. “Shifting Sand is a performance piece more than a concert. It is a journey through the various moods, light and sounds we experience when visiting the beach,” composer and TaikOz member Graham Hilgendorf says. On top of the performance there’s also a workshop. Head to canberratheatrecentre.com.au for all the info.
|
WHEN: Every 3rd Wed of the month, starting March 16 WHERE: ANU Food Co-Op Acoustic Soup is a fundraiser for the ANU Food Co-op, and also gives people an opportunity to eat delicious, cheap, organic and local food that supports regional farmers as well as local musicians. This year it’s coordinated by Real Food Canberra ( www.realfoodcanberra.org), an organisation trying to encourage people to think about what they eat. ‘Real food’ is ethically produced, environmentally sustainable and most of all nutritious and tasty. The first line-up for ’11 features Gemma Nourse, Dave Crosby, Michael Bones and Campbell Diamond, Beth n Ben and James Fahy. If you’d like to volunteer or if you’re a muso and want to play, contact Hannah at u4678126@anu.edu.au .
|
WHAT: Reggae/hip-hop/dancehall vibes WHEN: Sat March 26 WHERE: Transit Bar What better way to send off summer than a night of bass heavy reggae and hiphop, as Capital Dub returns to Transit Bar with Melbourne based, Jamaican Australian RuC.L. Backed by DJ perplex he will drop a set of his signature blend of old school hip-hop, reggae tunes and up tempo dancehall beats. RuCL's skills and musical background are evident in his diverse lyrical styles, moving effortlessly between rugged hip-hop vocals, Jamaican dancehall, and soulful R&B. Supported by The Rock Steady,a local crew of DJs, musos and MCs who play funk, soul, reggae with live percussion. Come check it!
|
WHAT: The Gum Ball Festival WHEN: Sat-Sun April 29-30 WHERE: Belford, Hunter Valley
The Gum Ball Festival runs from Saturday-Sunday April 29-30 and is located in the beautiful forests of Belford in the Hunter Valley, just six hours drive from Canberra. 22 bands are on the stellar line-up, including Kora (NZ), CW Stoneking and his Primitive Horns, The Vasco Era, The Bamboos, Space Invadas, Lanie Lane and a massive swag more. Gum Ball offers onsite camping, BYO, market stalls, Silent Disco, kiddies mega playground and workshops, big warm fires and a cosy capacity of 1,500. Nice! Tickets are $130 and are available from the festival website and Oztix. Teenager/family concessions are also available. For more information head to www.thegumball.com.au .
|
|
When a bunch of bearded fellas get together and bash out slightly macabre tunes on acoustic guitars and slightly strange percussion while all singing at the top of their lungs you know you’re in for a good time. Graveyard Train play unorthodox old timey instruments and with their six part baritone vocal delivery they’ve created a unique sound and an equally unique way to deliver it. They’ll be playing tracks off their new LP The Drink, The Devil and The Dance at Transit on Thursday March 17. Check out myspace.com/graveyardtrain3051 to have a listen.
|
|
Über loud doom-rockers Looking Glass join Sydney’s Battle Pope and locals Neanderthug for a show at The Basement on Saturday March 26. Battle Pope, your new favourite Sydney pious party band, features members of Ebolie, Kill A Celebrity and Squid. These four sexual tyrannosaurs play a sensual blend of swing, grind, funk, sludge and punk – citing influences like Captain Cleanoff, Weedeater, Municipal Waste, and Little Richard. $10 on the door, 8.30pm.
|
|
Leadfinger, Wollongong’s greatest export since Wayne Gardner, are playing their first ever gig in the ACT at The Basement on Thursday March 17 with Sydney outfit The Prehistorics and locals Johnny Roadkill. Leadfinger are a band with a timeless rock 'n' roll sound who write rip-snorting songs that sit them comfortably in the same stinky bandroom as such luminaries as The Replacements, The Black Keys, Wilco, Sloan, and You Am I.
|
|
Described by the Seattle Times as “one of Seattle's most talented musicians”, Webley is known for his gravely voice and a battered porkpie hat that dances as he stomps and pumps the bellows of his instrument. His relentless touring schedule and legendary performances have built him a loyal following across North Americaand Europe. Webley was last in Australia supporting The Dresden Dolls on their2006 tour, and worked the crowds into a frenzy with his apocalyptic dirges and drinking songs. He’s performing at The Front on Thursdat March 17 and will be ably supported by Canberra's favourite silverfish collector Drew Walky and the frantic screechings of Hadley aka Jacinta, Canberra's premier conceptual transsexual. $10, 8pm.
|
|
Mikelangelo and the Tin Star have just returned from the Amanda Palmer Goes Down Under Tour. In a stack of sell-out shows, from Fremantle to Byron Bay to Melbourne, The Tin Star opened the evenings' proceedings with their own brand of surf 'n' western tunes, then dropped in behind Amanda to become her band. Sadly the Canberra leg missed out on The Tin Star, however you can catch them at The Phoenix on Sunday April 3, where for the first time ever there will be a cover charge, so book at the bar to avoid missing out. Joining them will be the go-go dancing Saint Clare, and recently returned from his last tour of Afghanistan Fred Smith. Tix are $20/$15.
|
|
You Are Here presents the sell out show from The National Multicultural Festival Fringe 2009. The number 6,677,563,921 ticks forwards and backwards everyday with births and deaths on the planet occurring even as you read this. We are one of six billion and something people; your presence is noted on the world population counter but what makes you so special? What can you give? Six Billion Love is intimate physical theatre performed by members of Canberra Youth Theatre, conceived by Pip Buining and created by multi award winning director Chenoeh Miller of Little Dove Theatre Art. It’s on Friday-Saturday March 18-19 at The Bally in City Walk, in front of the Merry-Go-Round. For all info on You Are Here events head to youareherecanberra.com.au .
|
|
Fun Machine is a thinly-veiled excuse to yell quasi-enlightened things at people, experiment with the wardrobes of mothers and brothers, and get free bottled water from pubs. For others though, Fun Machine has become that excuse to escape the dullness that infects nightlife and get sweaty by burning through your best shoes, learning that there need be nothing furtive about a smile. The Monotremes' schizophrenic yet accessible and infectious tunes have been described as “edgy, unpredictable and immensely satisfying”. Primarily they will entertain, secondarily, they may baffle; and tertiarily, they will come up with shitty adverbs. Come indulge in the joy of this double bill on Wednesday March 23 from 8pm. It's free, it's on a night when you're not doing anything else, it's local, it's good, etc.
|
|
WHO: David Spooner
WHAT: Exhibition
WHEN: Tuesday March 15, 10.30am to Saturday March 26, 5pm
WHERE: ANU School of Art Foyer Gallery
If you missed out on seeing David Spooner’s very impressive soft sculpture chimerical creature at CCAS last year, well consider yourself damn unlucky! He is back in Canberra with what is sure to be another knockout exhibition of his installation work. Currently a visiting artist in the Sculpture Workshop at ANU, Spooner is undertaking his doctorate at The Queensland College of Art. Using textiles, found objects, knitting, machine and hand stitching Spooner draws the threads of meaning from one object to the next, culminating in a mysterious narrative. The artist communicates with the viewer in languages of secrets, often challenging ingrained stereotypes of gender and masculinity.
|
|
WHO: N.U.T.S
WHAT: Two Day-Play Generator
WHEN: Thursday March 24 at 6pm to Sunday March 27 at 10pm
WHERE: ANU Arts Centre
How nuts are you about theatre? Want to find out? Then N.U.T.S. Two-Day Play Generator is the workshop for you! N.U.T.S. is a student-run theatre company at the ANU which aims to provide a theatrical experience for the whole community and in addition to its productions also hosts a number of workshops. For this event aspiring writers will be given stimulus material and 48 hours to write a short performance piece, which will then be given to the N.U.T.S. Acting Ensemble who have to create a staged reading. All writers are welcome to attend the workshop, if this sounds like your thing send an email through to N.U.T.S. and get creating – .
|
|
WHO: Crack Theatre Festival
WHAT: 2011 Festival Artist Callout
WHEN: Applications due Thursday march 31
WHERE: cracktheatrefestival.com
Crack is an extremely exciting national festival for alternative, experimental and borderline crazy arts practice and they want your ideas! The Crack Theatre Festival is designed as a launching pad for emerging artists in the festival scene and encourages and supports fringe and experimental performance. The festival artist callout for 2011 has begun and you need to get your application in fast! Think of a genius idea for a performance, put it into words and send Crack your dream. If you don’t get in, or you just want to see what it’s all about make sure you are in Newcastle from Thursday September 29 to Sunday October 3 as a part of the TiNA Festival.
|
|
WHO: Alliance Française
WHAT: Alliance Française Film Festival
WHEN: Wednesday March 16 to Sunday April 3
WHERE: Greater Union Cinema, Manuka and Arc Cinema, NFSA
Alliance Française French Film Festival is hitting Canberra and for the first time we will be getting to see the whole program, a thrilling 46 films in total. Romance, history, action, drama, comedy and horror – they’ve got it all covered. The festival should be a given for any film buff wanting to catch the best of contemporary French film and the festival continues to go from strength to strength. A French film festival is never complete without an appearance by Gérard Depardieu and you can catch him in this year’s opening night film, , by Francois Ozon ( ). Make sure you get in early to book your tickets for all the films on offer and check out the festival program online at www.frenchfilmfestival.org.
|
|
WHO: Jason Byrne
WHAT: Cirque du Byrne
WHEN: Wednesday March 23, 8pm
WHERE: The Playhouse, Canberra Theatre Centre
This year will mark Jason Byrne’s sixth consecutive tour of Australia. Ireland’s funniest comedian delights audiences every year with his high energy and dynamic performances. You may recognise him as a regular on the Melbourne International Comedy Festival televised galas where his unique humour and wild use of audience participation demands your attention. More than just a comedy performance, Jason’s remarkable show is an event not to be missed. Officially the funniest and most successful solo act in the history of the esteemed Edinburgh Festival Fringe, Byrne is consistently one of the festival’s top sellers year after year. Tickets are $38 or $32 (concession), contact Canberra Theatre Centre for bookings.
|
WHO: Talented emerging artists
WHAT: The Dream of the Fisherman’s Wife
WHEN: Friday March 25, 6pm
WHERE: Photospace Gallery @ ANU School of Art
A group of emerging Sydney and Canberra visual artists are banding together to explore sensuous and cephalopodic erotica. The Dream of the Fisherman’s Wife exhibition is inspired by and takes its name from the 19 century Japanese woodblock print by Hokusai. Exploring the idea of the octopus as a sexual object will be a plethora of young talented artists including graduates and students of the ANU School of Art and Sydney-based artists. Local creatives Lucinda Eva-May, George Rose, Tom Farrell, Eliya Nikki Cohen and Dean Butters among many others will be getting inspiration from our underwater friends. It’s going to be a killer exhibition so get along – you’ll never think of octopussy as a Bond girl again.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
That’s what fishing is all about. Yeah that’s what fishing is all about. Cast out me line, pull back in a trout. That’s what fishing is all about.
This is what’s been stuck in my head the past week. These four lines, over and over, sung in a broad Australian accent. But then it augments and more voices join in, and then there are harmonies, and then it morphs into a reggae version, but it’s still just these four lines, over and over, so it’s actually pretty excruciating. But it makes me smile every time.
At the end of the first day of Summer Rhythm Festival an extraordinary thing happened. In the chai tent a circle of about 30 people formed. Three of them, Drew Walky, Rafe Morris and Joe Oppenheimer, played guitars. Somebody strummed a banjolele. Somebody blew a kazoo. Everybody sang.
Led by the three men with guitars the circle sang for hours. Joe Oppenheimer steered the ship. The emcees of Raw City Rukus provided the rhymes, and the rest of us the chorus. Folk singers sang with rappers, massage conga lines harmonised, and the rhythms of a distant drumming circle drifted through. It was a mighty big jam with a mighty fine chorus, and I won’t forget about it in a long time.
Cos that’s what fishing is all about. Yeah that’s what fishing is all about. Cast out me line, pull back in a trout. That’s what fishing is all about.
Summer Rhythm was wonderful. Singing circles don’t happen at major festivals. Nor does the chance to run into friends at every stage without having to frantically text them first. And nor does the opportunity to discover amazing music that’s being made in your own backyard.
Summer Rhythm was a joyous weekend, but it was woefully under attended. The well planned out location was perfectly set up to accommodate a few thousand people, but the numbers didn’t come close. Why? It can’t have been the ticket price; just under $100 for two days of music across three stages plus camping is reasonable. It can’t have been through lack of promotion; the summery hues of the festival’s poster were splashed all over Civic and the pages of this rag. Was it the lack of bigger names? I admit The Beautiful Girls headlining didn’t excite me greatly, but a bill that seemed to be half local did.
As KG espouses in her review of the fest on page 49, “Had you known the quality of the diverse range of roots, reggae, funk, folk, electro, dub, hip-hop and some downright bizarre outfits spread over three stages, would you have made a more concerted effort to support the local scene?”
I can only hope Summer Rhythm returns for a third year in 2012. From little things big things grow. Cos that’s what fishing is all about.
JULIA WINTERFLOOD julia@bmamag.com
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
Recently I bought groceries on credit. It was a pivotal moment, and as I swiped that plastic I experience a flash forward montage detailing the beginning of the end. I’d always scoffed about people shopping on credit, never thinking for a second that I’d be doing the very same. But only recently I’d taken a huge and startlingly uncharacteristic gamble – I’d left my day job to go it alone as a writer. Self-employed, freelance, an entrepreneur, an idiot. All those fancy terminologies for people who work in their pyjamas.
I’d like to say I wasn’t naïve, but I confess to having a fantasy that fell quickly short of the mark. Rather than merrily typing away the days in my (non-existent) study, pausing only for sunning sessions in the garden and coffee drenched meetings with clients, I was instead lying awake nights fretting about my rent and now standing here, in the IGA, putting my muesli on credit.
It was during this future flash point that I came to accept that one drastic move might have cause to lead to another. I needed funds, but I wouldn’t return to the day job, no. I would turn to the next best thing – a shop job.
Ah retail. Some folk like the organised chaos of hospitality, others the lone wolf appeal of dish-pigging or shelf-stacking. Myself, I’ve always felt an affinity for the cling of the register and chorus of ‘no you don’t look fat in that’.
And so I returned to my roots, and I again have of one of those magical days when money appears in your bank account. But there is a creeping guilt that somehow I’m cheating. Luckily, while in theory anybody could walk into the shop and expose my secret shame, it’s not really the shop everyone would walk in to.
As a comfort I think about a dear friend of mine, who understands it’s all in the packaging. She’ll introduce friends as photographers, even if they make coffee six days a week, or as musicians, despite their public service contracts. She focuses on the dream, not the reality, practicing one of my all time favorite sayings “fake it ‘til you make it”. And that’s just what I intend to do – stuck in a shop while the rest of the world imagines me living my writerly life – coffee, cats, chin-stroking and chain smoking. Never you mind how I pay for my rent, or my groceries, for that matter.
The next time you stumble across a creatively inclined acquaintance in an unexpected context – be they delivering your pizza, pulling your beer or asking, “did you want fries with that” - don’t judge, don’t ask what they think they’re doing. Give them a smile, a nod, or even a tip – just any reassurance that you endorse this secret other life that keeps the dream alive.
This is my last exhibitionist for the moment, as my ‘career’ gains momentum, running out of control like a rusty billycart, and anyhow, the shop needs me.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
I may be getting old, but the unmentionable festival I attended last year did nothing but leave me highly annoyed, broke, avowed to never camp with anyone below 23 years of age and despaired at the police state today ’s youth have grown accustomed to at prevailing, so-called indie festivals.
So, it was incredibly refresh ing to be able to go to a festival, and a local one at that, where I didn’t have to line up in various interminable queues for every conceivable basic need: drinks, food, toilets, kebabs. And where I wasn’t dogged by security for bringing in, not a weapon or illicit substances, but an innocuous water bottle.
The third instal ment of the Summer Rhythm Festival this year raised funds for beyondblue, an organisation committed to addressing mental health issues. Despite the great cause, the plentiful line-up and the scenic venue, it was woefully disappointing that many Canberrans failed to come out and support this local, not for profit initiative.
It definitely wasn ’t for want of good music, the best of which came mostly from local acts. Canberra’s own Raw City Rukus, for example, were an early highlight on That Stage. With a funk-exuding live band providing the grooves, the two MCs, Jizzy and Big RIB, plus Imogen Spong on vox drew a sizeable mob of dancers despite the persistent rain on day one. Sydney’s Xannon Shirley, aka The Tongue, performing alongside party DJ extraordinaire Joyride, kept the hip-hop heads nodding. The former triple j presenter even broke into a pizza themed freestyle as suggested by a punter.
On the Other Stage, located next to a n increasingly regular phenomenon at Aussie festivals, the chai tent, the quirky charm of Big Score impressed. The warped folk-pop five-piece were followed by the melancholy tones and romantic presence of Julia & The Deep Sea Sirens. By the time latin rock/ska/reggae powerhouse Los Chavos hit This Stage, the heavens took pity on us and the rain made way for some impious gyrations on the grassy dance floor. The diminutive frontman, originally hailing from Bolivia, punched well above his height, delivering an energy driven and charismatic performance.
Then, after stocking up on Perky Jerky and beer (paid for with recycled cans a little embarrassingly scouted for by my trusty sidekick), I was immediately back on the dance floor for the Red Eyes. Although I was keen to check out Modular’s deep dub disco duo Canyons performing on That Stage (who I heard were amazing), it was literally impossible to tear myself away from the Eyes’ hypnotic reggae rhythms and melodies. Yep I’m making the call: the Melbourne-based monster band is the best dub/reggae outfit I’ve seen in Australia to date.
Headlining on That Stage, t he man behind Katalyst, Ashley Anderson, and Curtis Mayfield-channelling Steve Spacek as Space Invadas were impressive with their tight, dynamic and soul-filled set. The duo far eclipsed their performance at said unmentionable festival last year. Sydneysiders The Beautiful Girls finished the night off aplomb as the rootsy, folksy, poppy final act, after which the obligatory festival fire twirlers and drumming circles broke out.
Day two’s first (ahem… natural) high came on That Stage with local outfit Readable Graffiti, whose catchy electro pop, punchy ‘80s drum machine beats and crazy genius lyrics were definitely pushing the fun buttons. Another comic frontman was that of the quirky, theatrical, gypsy-inspired Mr Fibby. Bedecked in 19 century garb, the Canberra-based act featured a trio of violin, cello and guitar pluckings, while the Estonian accented narrator known as Not Important spun dark, spidery tales of death and peculiar comedy.
Meanwhile on This Stage, popular native outfit Dub Dub Goose attracted a jiving crowd as the brass-heavy band and lead singer Beth Mo nzo oozed their jazz, ska, funk and reggae beats.
Closing the curtains on This Stage were Bondi reggae veterans King Tide, now regulars at the Summer Rhythm Festival. Lead singer Tony Hughes may be old enough to be an enviably cool grandpa, but he’s got a stage presence that leaves you more electrified than that weird earthing problem in the laundry and a voice so hoarse and honeyed, you know you’re listening to some truly regal reggae.
A highlight on the hip- hop front, Melbourne emcee Phrase generously handed out a six pack on That Stage to eager punters. But in the humble opinion of this narrator it was his manager and back up turntablist DJ Flagrant who really had ears buzzing with his absurd scratching abilities and choice as beats.
Even though most of these bands played to much smaller crowds than they’re probably used to, they were all so humbly appreciative and supportive of the festival organisers. They certainly didn’t hold back on giving us top shelf performances. The sound setups were great (especially for the bands that brought their own sound dude), and the stages and general layout were well thought out. The only thing missing was you, you lazy, insolent excuse for people.
ad you known the quality of the diverse range of roots, reggae, funk, folk, electro, dub, hip-hop and some downright bizarre outfits spread over three stages, would you have made a more concerted effort to support the local scene? Sadly, one feels that although the festival proved that Canberra does indeed have a rich base of local acts, it’s unlikely any of you spoiled, over indulged, apathetic folk would’ve taken the plunge without the attraction of some bigger names.
But then with the bigger names comes the masses, the queues, the totalitarian rigo ur of crowd control and the increasingly disturbing element of the festival bogan. So yeah, you vapid, parochial so called music buffs, you throw your money away at your Big Days Out and your Splendours in the Grass, and leave us to the smaller, far more vibing festivals and the dark arts of reverse psychology.
(with help from KB and Julia Winterflood)
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
8 Ball Aitken is back with his fourth album The Tamworth Tapes. He takes a swampy alt/country/blues turn at the Country Music Capital of Australia, recording straight to tape in Tamworth's famed Enrec Studio, producing and playing every instrument on the album himself, including guitars, banjo, harmonica, bass, and percussion. 8 Ball Aitken is the redneck preacher at the shotgun wedding between country and blues. It doesn't matter which part of the family you're from what does matter is the funky foot-stomping hullabaloo at the all-night party afterwards. Catch 8 Ball Aitken at The Canberra Irish Club on Sunday March 6 from 2pm.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
The CMC's newest venture is Bang! Bang! Bang! Each week roughly six new, inexperienced, or otherwise unfamiliar with performance artists will throw themselves on the mercy of a small and hopefully very (possibly overly) friendly audience, followed by a set from a special guest. Situated in the delightful confines of the famous non-collapsible back veranda of 64 Burn St Downer (doing its best to resemble a filthy opium den), Bang! Bang! Bang! is to entertainment what beautiful loving sexual congress is to a quick wank in the toilet. It's intimate, it's right there in the room with you and it doesn't matter if you fuck up. 7-10pm, $5, BYO. New artists are required. Email ourcmc@gmail.com or phone 0401 084 773 (ask for Dr Jim).
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
Riding on the back of commercial radio airplay after winning Radar Radio's Unsigned Find competition late last year, Melbourne rock outfit Bellusira are taking their powerhouse show on the road, with an east coast tour that kicks off in Canberra on Friday March 4 at ANU Bar, with guests Atlantis Awaits and The Dream The Chase (Bris). The female-fronted band has produced a stunning music video that has had multiple airings on Rage. Frontwoman Crystal Ignite's soaring vocals and the band's tight heavy sound have become their trademarks and with a debut album and extensive touring on the agenda for 2011, it won't be long before the rest of the country catches on.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
Cockroach is a damning exploration of the need for resilience and adaptation in the modern world, striking Darwin's theory of evolution straight into the heart of a group of students, trapped in an after school biology detention class a microcosm of the long and bloody war happening outside the school walls. Dark, uplifting, confronting and stark, if you don't see anything else this year, don't miss this. The season runs from Wednesday March 9 to Sunday March 13 at C-Block Theatre at Gorman House Arts Centre. Head to www.cytc.net for all the info, or call 6248 5057 for bookings.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
Introducing Lavers, a home-grown acoustic duo described as a cross between Big Star, Crowded House and The Beatles. The brothers are embarking on a tour of Canberra to stamp their name on the local music scene (check the gig guide). With Sebastian's natural talent for a multitude of instruments and Dominic's catchy melodies and showmanship, the songs of Lavers are sure to take up a residency in your head. Be sure to come to one (or all) of their shows; with a debut EP in the works and a rumour they are soon to become a four-piece, we expect big things from these boys. www.myspace.com/thelaversbrothers).
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
Moustache-querade is a CMC supported EP fundraiser for Pocket Fox (formerly Lady Grey). Don your best moustache and come to the backyard of 21 Fox Place to help them raise money for and celebrate their upcoming EP! Entry is $5, it's on March 5, and it starts at 5pm (like the devil's younger brother). There will be five amazing acts: the likeable James Fahy, the lickable Fun Machine, the lovely Julia & the Deep Sea Sirens, the unlikely Robin and Thom. And, of course, the ladylike Pocket Fox. Come ready to sway, dance, eat baked goods and fall in love. There will be chai for sale and maybe even a kissing booth.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
The ANU School of Music will be holding a fundraiser concert at Llewellyn Hall with all proceeds to be donated to the Queensland Premier's Disaster Relief Appeal on Friday March 4. It will be an evening of Stauss, Rossini, Villa-Lobos, Brahms and Kats-Chernin in Llewellyn Hall, conceived and organised by Honours year piano student, Andrew Rumsey. For the full program, and performers please see our website www.music.anu.edu.au.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
Canberran Paul Gibson has built a free website www.thetrebleclef.com specifically designed to support the live music industry. The site is used by fans of music who can communicate Facebook style. The site also supports page creation for bands, venues, retail stores, teachers, agents, studios and rehearsal spaces with an added bonus of automated gig guides. Community groups can also be created with forum support. The site has only recently gone live and there's still lots to do, like giving bands the ability to upload their songs, but Paul is receiving great support from ACT venues who have already created their pages as well as the ACT Live Music Association. Register now and become part of a great online musical community.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
With yet another instalment of their annual flagship compilation, the mighty Vicious label celebrates its 20th year in expected fine form. Spread over two discs and mixed by world renowned DJ/Producer Ian Carey, dirty dance floor devils Vandalism and Australia’s favourite, John Course, this is the biggest Vicious Cuts release to date. 44 undeniably hot tracks cover a mix of present and future dance floor bangers, plus phenomenal cross-over radio hits. We have five copies to fling your way. To win, email editorial@bmamag.com telling us about a song with ‘vicious’ in the lyrics.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
It’s got Angus and Julia! It’s got Little Red! It’s got Sia and Boy & Bear and Washington, Two Door Cinema Club and Cee Lo Green. It’s got Pendulum, Children Collide and The National. It’s got a fine selection of songs that the nation voted for in last year’s Hottest 100. Wanna relieve the sunburn and snags of the soundtrack to Australia Day? Email editorial@bmamag.com telling us what would have made your top five.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
In this last instalment in the trilogy, Lisbeth Salander (Noomi Rapace) lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish hospital. She’s fighting for her life in more ways than one: if and when she recovers, she'll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist (Michael Nyqvist), she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge - against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life. Thanks to Rialto Distribution we’ve got ten double in-season passes to the film, which opens on Thursday March 3. To win, email editorial@bmamag.com
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
“But the way I see it is that life is just one big party, you know what I mean?” So said Dizzee Rascal to our esteemed Dance The Drop columnist Tim Galvin. The rapper and producer will be bringing the party to UC on Friday March 4, and we’ve got a double pass for one lucky geezer. To score, email editorial@bmamag.com with a rap about how much you love BMA. The cheesier the better.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
Signed to Dew Process records, Guineafowl are a young Sydney act who are beginning to make a name for themselves. Their latest single In Our Circles has recently been added to triple j and was nominated for Sydney Song of the Year for FBi Radio’s SMAC Awards. They’re hitting Transit Bar with locally illustrious merchants of madness Fun Machine and sleazy love muffins Readable Graffiti, and we’ve got a double pass and a Guineafowl EP to throw your way. To win, tell us how you’d cook a guineafowl.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: D’Opus & Roshambo WHAT: Momentum gathering gathering WHEN: Sat March 19 WHERE: Transit Bar
D’Opus & Roshambo release their sophomore album Past Time through Mercury Switch/Inertia on April 1. The future looks bright for the fellas with JJJ’s Dom Alessio heaping praise on promotional single Come Find Out and album features from the likes of Muph, Hau and Dialectrix. With an official first single on the horizon and a new live line-up, come help them gather momentum for the official album launch and a get a sneak peak of the Past Time sound. Supported by Raw City Ruckus and The Rock Steady. First 20 payers receive a D'O & Ro Question EP. $10.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: Rock ‘n’ roll legends WHAT: The Ultimate Rock ‘n’ Roll Jam Session WHEN: Thurs March 3 WHERE: Canberra Theatre Centre
One electrifying day in 1956, when four of America’s top recording artists met and forever changed the face of popular music, is re-created in a new Australian show produced and directed by the same team behind the Helpmann Award winning The Man In Black (Best Australian Contemporary Concert 2010). The Ultimate Rock ‘n’ Roll Jam Session stars James Blundell, Nick Barker, Doug Parkinson and introduces Ezra Lee. They all perform the songs of Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins. How these mega-stars came to record together for the first and only time is told in The Ultimate Rock ‘n’ Roll Jam Session. Tickets through the venue.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: You, yes you! WHAT: Seed Project WHEN: Now! WHERE: www.seedproject.org.au
“Eyes! Eyes! Eyes! Brothers! Sisters! Lend me your eyes! Please, though, put away your ears. This little piece of paper [inkblots one and all] is a tiny herald! We are shouting at you! Yes you! And we ask only for your eyes! Why you ask? Because we wish for you to join us in planting seeds! To do this though, our little parcels of ideas and perspectives require you! Yes you! We require your eyes! Oh Brother! Oh Sister! Lend me your eyes, and we’ll give you our world in return! With a skip and a jump, the [seed.project] awaits! www.seedproject.org.au .”
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: National Film and Sound Archive WHAT: The Nippon Modern Series WHEN: Sat March 5 – Sat March 26 WHERE: Arc Cinema, NFSA
The National Film and Sound Archive’s Arc Cinema is offering Canberra residents a rare opportunity to see one of Japan’s few still-active benshis (silent film narrators), performing live in March. Also on offer is the unique opportunity to experience some of the rare gems of Japanese cinema’s distinct silent filmmaking of the 1920s and early 1930s. The Nippon Modern Series, Arc’s bi-annual silent film showcase, features a selection of recently restored films from major Japanese film archives, and performances by Japanese benshi Mr Ichiro Katoaka, on Thursday March 10 and Friday March 11. For more info head to www.nfsa.gov.au .
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: The Trip WHAT: Energetic, fun and inspiring music WHEN: Sat March 12 WHERE: Transit Bar
Sounding like the love child of Hugh Hefner and MC Hammer, The Trip bring funky uplifting sing along tunes wherever they travel. The boys from Bondi Beach are excited to announce the completion of their debut record, and their first single On The First Time. Playing for the very first time at Transit, the lads are hoping to inspire a small riot and throw out the invitation to all good people of Canberra who dare let their inhibitions stay dormant for a few hours and are willing to strap on sturdy dancing shoes for a night of fun and games. Check out www.thebandthetrip.com .
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: Graveyard Train WHAT: Spooky Men WHEN: Thurs March 17 WHERE: Transit Bar
When a bunch of bearded fellas get together and bash out slightly macabre tunes on acoustic guitars and slightly strange percussion while all singing at the top of their lungs you know you’re in for a good time. Graveyard Train play unorthodox old timey instruments and with their six part baritone vocal delivery they’ve created a unique sound and an equally unique way to deliver it. They’ll be playing tracks off their new LP The Drink, The Devil and The Dance at Transit on Thursday March 17. Check out myspace.com/graveyardtrain3051 to have a listen.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
As political unrest burns across the Middle East and North Africa, PJ Harvey’s eighth album, Let England Shake, expounds the human face of bloody conflict in times past and present. Despite its thematic threads of murder, death and “soldiers shot out beyond belief”, it is not a protest album, nor one of political comment. It is a heart-wrenching picture of the fadeless memories and human viewpoint of her homeland’s war-torn history, and the bloody events abroad in which it has embroiled itself. What is remarkable is the record’s seamless amalgamation of centuries old styles – the melodies and arrangements echo English folk and vernacular music – with modern flourishes. A bugle in The Glorious Land, which laments England’s deportation of deformed and orphaned children, sits perfectly alongside a sample of Blood and Fire by Jamaican Niney The Observer in Written on the Forehead, a song of gypsies, fetid rivers, date palms and tangerine trees. Closer and album highlight, The Colour of the Earth, puts a lump in the throat late at night. A soldier’s dearest friend thinks of him still, 20 years on, his bones lying in the earth. As many parts of the world rage, Let England Shake is a beautiful, brutal and poetic reminder of the human faces of war.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
“ I am looking forward to coming back. Australia is like my second favourite country in the world,” DIZZEE RASCAL crackles down the line in his unmistakable drawl. I can hear a party going on in the background; people laughing over late evening conversations, music is playing. This is the life of Dizzee Rascal, a decadent red carpet existence that seems a long way from his modest roots as a teenage delinquent on the streets of East London.
“ But the way I see it is that life is just one big party, you know what I mean?”
dy should ever want to be a hip-hop star. You get shot at, you get stabbed, demonised by the press and overlooked by the majority of the music industry hierarchy. In the early ‘90s, Dylan Mills, aka Dizzee Rascal, was just another kid growing up in the outskirts of London. The terrace houses in his hometown Bow were filled with factory workers and lower middle class criminals. It was a pocket of East London which had one of the highest crime rates in the city; all of these factors provided an interesting muse for his interest in hip-hop and rave culture.
“ It was colourful, you know, rough at times,” says Dizzee. “Some parts were exciting as well, you know what I mean. Starting out in pirate radio and things like that was really fun man, starting off in the underground – it was cool back then.”
ol work never interested Dizzee – he found it hard to concentrate in class and earned his famous moniker from an indignant teacher who found that his incessant misbehaviour deserved him a suitably derogatory label, something which he has used quite profitably in a kind of pseudo revenge on his former tertiary nemesis.
“ Half of [my name] does, yeah. Last year I ran into one of my teachers at a small film festival and found out that she was a comedian now. She was in magazines and stuff too so I couldn’t really say anything about it! I thought that was pretty funny.”
Through a combination of boredom and a sense of exclusion from the establishment, Dizzee turned to making beats on a school computer. He followed the drum and bass scene heavily and started focusing on finding a way into the burgeoning UK underground music scene. “Since I was a kid I heard music in my head, you know what I mean. I could never see myself doing anything else, never see myself having a real job, nothing other than doing what I’m doing now.”
After joining a local garage crew, he developed his MC skills and tr ansformed himself into a poster boy for grime, a new offshoot of street hip-hop. His first proper single I Luv You became an urban anthem and in 2003, at just 18 years of age, he released his first full length album Boy in Da Corner , which dropped at a time when the scene hungered for a new sound, something which he delivered in spades. Boy in Da Corner saw him awarded the coveted Mercury Prize for best UK album, something unheard of for such a young urban artist, and along with his relatively overnight success came a lot of unwanted media attention.
“ To an extent I think I’ve done really well with it all. I mean you always have this stupid shit that they make up but it’s all been pretty positive,” says Dizzee. “I mean you get to know the places where that can get you into a lot of trouble and you just avoid them and go get on with shit. I think it all started to get better when I left the rave scene, some of the shit I was into back then seems kind of a joke to me these days.”
Two more successful albums, and Maths and English , followed, but it wasn’t until 2009’s Tongue N’ Cheek that the world really stood up and took notice of the Rascal sound, mainly due to a couple of killer pop collaborations with Armand Van Helden ( ) and Calvin Harris ( Dance Wiv Me
“ It just came out of nowhere really . I wasn’t even at home – I was in Colorado and [Armand] sent it to me and when I listened to it for the first time I thought it was a bit different to what I was doing but I understood it, you know? It reminded me of a beat from the ‘90s when I was a kid, like a big house track, so I wrote the lyrics. From then I kind of slept on it until I tried it out at one of my shows in Liverpool and it got an absolutely crazy reaction!” he says.
“ alvin was a different story altogether. We met at a festival and thought ‘yeah, let’s do something together’. He gave me some beats and I sat there for an hour just looping it and looping it and really absorbing it. It was such a gamble because of the whole trance theme but it really paid off. I love performing those songs on stage man!”
From buoyant street thug to A-list pop prince, Dizzee ’s transformation hasn’t changed the way he thinks about music – a rare and gratifying quality that shines through in his live shows.
“ I think it’s because my main purpose is still the same, you know? I just wanna get people jumping”, he says. “I like the money and the perks that come along with it but my main driving force is the music. I’m always chasing that one perfect track – it’s always on my mind, you know? You have to keep it fresh and exciting. You just have to absorb it and go with it and give something back to the world.”
Catch Dizzee Rascal live at the UC Refectory on Friday March 4. Tickets are $60.60 + bf and are available through Ticketek.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHERE ARE YOU?
Artistic Producer David Finnigan answers some burning questions about those three little words that just keep popping up everywhere…
What is You Are Here?
The idea of YOU ARE HERE is to cram the city full of theatre, music, visual arts and performance events, to enliven unused city spaces in Canberra’s CBD and to profile independent and experimental artists. It struck a chord with Centenary of Canberra’s Creative Director Robyn Archer, who wants to promote greater awareness of local artists and creatives in the lead-up to Canberra’s big year in 2013. It’s an opportunity to showcase some of the crazy weird energy of Canberra’s alternative art scene and a way to let people know that They Are Here.
Where is ‘Here’ and when will I be there?
You Are Here will take place over 10 days from Thursday March 10 – Sunday March 20 in vacant shop fronts and found venues along City Walk. If you look at the venue map on the website, You Are Here takes place in a nice arc – at one end is the Melbourne Building (home of the Carpark Festival on Saturday March 12) and at the other end is a vacant shop front near Akuna Street entitled The Mall – the home of You Are Here’s visual arts stream. Along the way, we will drop in to spaces such as the King O’Malleys Rooftop Garden, the chess pit in Garema Place, Petrie Plaza on either side of the Merry-Go-Round. Most importantly and ridiculously exciting the Saraton Building, looking out onto the Civic Interchange, houses SmithDick, the You Are Here hub.
What should I check out?
Swing by SmithDick any time to see what’s going on – pick up a program, chat to the team about what’s coming up soon, and check out the ever-evolving wonder that is Applespiel’s Sexy Urban Design Team Canberra. A collective of performing arts graduates from the University of Wollongong, Applespiel have spent the last twelve months presenting one extraordinary work after another at festivals throughout NSW: from Peats Ridge to Underbelly Arts, from the Sydney Fringe to This Is Not Art. Sexy Urban Design Team Canberra starts with a 3D map of Canberra’s CBD – a colourful Canberra diorama - in SmithDick. Over the course of the festival, members of the public can submit development applications for proposed changes to the city, which Applespiel will assess and implement. Communal vegetable gardens in place of car parks, skate parks instead of cafes, or whatever your dream for this city, this is your chance to see how it might really look.
Music
You Are Here features a spiky series of music showcases; from the opening night kickassery of the Last Prom to the cerebral boogie of the New Young Canberra Showcase, from the mellow jazz and classical sounds of the lunchtime Close-Listening Concerts to the decadent rock and roll of the Carbon Lobby Showcase; and of course, the festival-within-a-festival-within-the-Melbourne-Building that is the Car park Festival.
Visual Art
Wander down City Walk – past the Merry-Go-Round, past the Fountain – on your left, just before you hit Akuna Street, is The Mall, You Are Here’s visual arts hub. Over ten days, this former NRMA shop front will host a swiftly changing series of exhibitions for your delight. Dig the Here and There Collective’s artistic sweatshop, experience selected photos from Lee Grant’s stunning Belco Pride series, or swing past one of the pop-up shops and grab some unique wares from independent designers and makers including boutique label Luuk.
Theatre
One of the integral limbs of the You Are Here program is the Theatre stream, which features an array of extraordinary performers from around the country (and beyond). Ten short works by ten different artists and companies will be presented in back-to-back double-bills. Alongside such lynchpins of the ACT scene as Hadley, Jay Sullivan and Freshly Ground Theatre, You Are Here is proud to feature touring works by performers such as Jess Bellamy (Syd) and the Landlords (Melb). Highlights from the theatre program include:
Ira Gamerman (USA)
Baltimore writer/performer Ira Gamerman’s plays have been produced around the United States and Australia by companies including Washington DC’s Source Festival, the Chicago Dramatists and Fort Point Theatre Channel. He was awarded the Columbus Dispatch’s 2008 Best Play of the Year Award and the John F Kennedy Centre’s Legacy Award. Ira is bringing his solo show Dated (A Cautionary Tale for Facebook Users) directly from Chicago’s Sketchbook Festival to You Are Here.
Phil Spencer (Syd)
Glasgow-via-Sydney performer Phil Spencer’s autobiographical work re-imagines the absurd but true stories of his father: an RAF sergeant who served in Iraq in 2003. With the help of a three-foot chimp, Spencer stages his father’s shocking and humorous tales from a summer spent in Basra.
Tom Doig (Mel)
Boiling the enormous quagmire of climate change science, politics and psychology into 43 hot, wet and confused minutes, Melbourne performer Tom Doig’s Selling Ice to the Remains of the Eskimos is part theatre show, part brainstorm-in-a-teacup, and part intimate storytelling session, offering a number of incomplete answers to the same curly question: How can we imagine the unimaginable?
How do I get amongst it, internet-wise?
The You Are Here program and all info can be found online at
You can also stalk us on:
: search for YouAreHere
: YouAreHere_Fest
: youarehere2011
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
What do you do? Circus, sideshow, and I’m a producer.
When did you get into it? I got started through Warehouse Circus, which I joined when I was 17. I realised when I was 19 that I might just be able to make a career out of it, and have been doing it ever since!
Who or what influences you as an artist? Some of the Australian contemporary companies that are around at the moment are doing some amazing work, and I am very inspired by that – The Candy Butchers, The Burlesque Hour and Circus Oz. But I love drawing from the older styles as well, in particular old style sideshows really fascinate me, and a lot of the work I've created over the last few years has had a lot of throwbacks to that style, and that era.
What’s your biggest achievement/proudest moment so far? My proudest moments are when I throw myself into something that scares the hell out of me. When I did my first street show in Europe I sat for an hour talking myself into it. I sang onstage last year for The Blue Marquessa at the Street Theatre, which I wasn't sure I'd be able to do. I like jumping headfirst into things that freak me out – it's how I learn the most and move forward as a performer.
What are your plans for the future? So many plans! The Gadjo Family, which will be premiering at You Are Here on March 17, is a project I've been trying to get off the ground for years, so I'm excited to see where that will go. I've got an act that I am developing with a Melbourne circus performer at the moment, and I am planning to put together a tour for The Bally for 2012 as well.
What makes you laugh? Anecdotal comedy. Performers who combine their comedy with an element of sweetness and quirkiness.
What pisses you off? When performers make lazy work.
What’s your opinion of the local scene? I think Canberra's arts scene is so vibrant and unique, I work so much in Melbourne and interstate, and I love coming back to Canberra. The artists here are driven so much by the passion for what they're doing rather than focussing on creating mainstream or corporate friendly work, that what comes out is very unique and creative. It just deserves to be matched by the same level of passion by audiences!
What are your upcoming projects? Back to Melbourne after this for some street shows, then in Canberra for the National Folk Festival where I'll be doing a trio street show as well as hosting the circus cabaret show and late night 'Not For Kids Kids Show'.
Contact info: , 0407 267 239
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: Austin Buckett WHAT: Stuttershine WHEN: 3-5pm Saturday March 19 WHERE: The Street Theatre
Produced by local label HellosQuare, Stuttershine introduces a new chamber work by young composer and improviser Austin Buckett, involving the use of piano, string quartet, and electronics. This works incorporates members of emerging classical, indie rock, and experimental jazz groups such as Spartak, Pollen Trio, Kasha and Voss. Stuttershine is based around conflicting and unified fragments that play on the listener’s memory, as layered single pitches develop into intricate and spontaneous textures. The concert also features a set by local heroes Spartak involving new sounds and special guests. ‘Glass Splinters’ from Buckett’s upcoming album Stuttershine (to be released in July) is available for free download at hellosquare.bandcamp.com . Bookings are essential for this event. Call The Street on 6247 1223. www.austinbuckett.com, hellosquare.bandcamp.com .
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: Canberra Philharmonic Society WHAT: 42nd Street WHEN: March 10 - 26 WHERE: Erindale Theatre
Canberra Philharmonic Society presents 42nd Street, the classic toe tapping, high energy musical about Peggy Sawyer, a small town girl who wants her name in lights on Broadway. Playing at Erindale Theatre from 10-26 March, the Canberra cast of 42nd Street will blow audiences away with its famous songs and spectacular dancing. Tickets can be purchased at www.philo.org.au or from 6257 1950. 2011 also happens to be the 60th Birthday year for the Canberra Philharmonic Society – isn’t it about time you got acquainted?
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: Natalie Mather WHAT: Exhibition – Soft Peaks WHEN: Opens 6pm Thursday March 3 WHERE: Canberra Contemporary Art Space Manuka
The countdown has started for Natalie Mather’s Soft Peaks, an exhibition that will take you on an intergalactic journey opening up new experiences of space and time. All with your feet planted firmly on the ground. As one of the artists in CCAS’s prestigious Studio Residency program for emerging artists, Natalie has dedicated six months of hard work to these elegant and absorbing works. Soft Peaks is a vibrant exploration into the world of science fiction, architecture, geometric and form. Set against the flat and flawed grain of laminated plywood, Mather’s paintings contrast the natural with geometric lines, forms, depth and colour. On show until Wednesday March 13.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: Photographic portraitists WHAT: National Photographic Portrait Prize WHEN: On now until Tuesday April 26 WHERE: National Portrait Gallery
Every year the National Photographic Portrait Prize presents the best of amateur and professional photo-portraits from around the country. This year the National Portrait Gallery received over 1200 entries for the Prize, which were then combed through by the judges: Louise Doyle, Director of the National Portrait Gallery, Curators Dr Sarah Engledow and Dr Chris Chapman, and invited guest judge, Dr Domenico de Clario, Director of the Experimental Art Foundation in Adelaide. A shortlist of fifty-five portraits were selected as finalists to be exhibited, including works by Canberran Lee Grant and former Canberran, (now Hollywood) Mia Wasikowska. The perfect show for both photo lovers and people watchers.
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
<p>WHO: Hard working artists<br>WHAT: Artist Sweatshop<br>WHEN: March 10 - 12<br>WHERE: The Mall vacant shop front space, Citywalk </p> <p>The Here and There collective are a group of local artists making use of non-traditional spaces for showing art, such as public parks or suburban living rooms. As part of March’s You Are Here festival Here and There has assembled a formidable list of artists to present their latest project in a vacant civic shop front. This time round it’s an artist sweatshop. Yeah that’s right, working 9 to 5, punching out the artwork. Pop in to the shop front from March 10 to 20, keep a tabs on their productivity and quiz them about their progress, before checking out the final showing of goods on the Saturday afternoon.</p>
|
Date Published: Wednesday, 2 March 11
| Author: Julia Winterflood
|
| 11 months, 1 week ago
WHO: Graduate dancers WHAT: Performance – (in)human WHEN: 7pm Friday March 4 and Saturday March 5 WHERE: QL2, Gorman House Arts Centre
QL2's "Soft Landing" program gives graduate dancers from tertiary courses around Australia a chance to find their feet in a mentored development project in Canberra. It’s a unique opportunity to share knowledge and skills with interstate graduates, forge creative partnerships and launch a creative practice for the future. If you’re interested in the development of dance, dancers, and performance —this is for you. (in)human will be an informal dance performance by eight dancers, developed by research and response to four weeks of new ideas and challenges that have surfaced during the project. The performance is free, but please RSVP by emailing rsvp@QL2.org.au or calling 02 6247 3103. A discussion with the artists will follow the showing.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Like a huge meteor the likes of which only a big budget Hollywood film could accurately depict, Beauty and the Bass is hurtling towards Canberra and is about to make a massive impact on the dance music scene. It’s a red carpet dance event, a chance to glam up like a celebrity A-lister, pose for the paparazzi and make love to the camera. Taking place in the huge main ballrooms of Hellenic Club Woden, over two stages you can catch Goodwill (MOS), Elmo Is Dead (Fake, Syd), Beni (interview on page 19), Paqman (Melb), Nik Fish (Sublime, Syd) and the local beat gods Ashley Feraude, Offtapia, BTham, Team Wing, Department of Defiance, PeDrO to name but a few. Entry Only tix are a mind blowing bargain at $45 and if you can get them deluxe tickets (2nd release $95) will get you food, beer, wine and champagne ‘til midnight. Be beautiful, be bold!
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
2011 is becoming the year of Canberra’s The Aston Shuffle. They kicked it off with the epic premiere of their live show alongside David Guetta at Sydney’s Shore Thing on NYE 2011, and then moved into the studio to put the finishing touches on their debut album, and now they’re moving into a different kind of studio. Mikah and Vance are taking over the airwaves of the 10pm – midnight slot on triple j for Friday Night Shuffle, and they’ll be bringing the newest tracks and remixes from around the globe to your radio. The Aston Shuffle are the most promising and prolific emerging talents in Australia’s booming dance community, currently voted #1 touring DJs on the most recent inthemix50 and spending a combined 210 weeks in the ARIA club chart with 13 weeks at #1 in their short, three years on the scene. They are one of those rare outfits who mange to successfully straddle the underground and mainstream with solid commercial and alternative radio support for their originals, and muster decent blog hype, recently reaching #2 on the hype machine twitter chart. Massive BMA love, boys.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
David Carr’s Fabulous Contraption explore the forces of good and evil in the world of instrumental folk music. You’ll hear intricate guitar work, marry-your-sister banjo, and a sensitive but hard-grooving rhythm section. Like drifting calmly down a river only to find yourself in the midst of a crocodile infestation, the music moves between extremes; from trancelike calm to dancing-on-the-tables lunacy. With members from Ukraine, Hungary and Australia, high energy Gypsy band Lolo Lovina draw influences from across Eastern Europe and Latin America. The bulk of the band’s lyrics are in Rromani, the language of the Gypsies. It is from this language that the band derives their name, which means Red Beer. They’ll be tearing Phoenix apart on Saturday Feb 19.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Dan Parsons and Steve Grady embarked upon the 50 First Dates tour last month, a road trip with a difference which will see the pair abandon the typical hipster haunts in favour of lesser known halls and public bars in 50 of Australia’s more mysterious and far flung towns. Dan and Steve met at uni, both turning up to a band rehearsal with acoustics at which point Dan was shunted to electric. Since then they have been strong influences on each other’s music - Parsons teaching Grady finger style guitar and getting him into country music while Grady introduced Dan to pop artists that had been previously outside his sphere of influence. They’ll be playing for free at The Pot Belly in Belconnen On Wed Feb 23.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Jack Carty is a rare find. An inspired artist with a way with words and melody sculpted by a unique upbringing, a natural flair and a dedication to his craft. After extensive touring throughout Australia and the US and the gong for singer-songwriter of the year at MusicOz 2010, he’s currently bringing in the New Year with a run of festival dates. Jack will be lighting up C-Town with a show at The Front on Friday Feb 18.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
What started as the brainchild of three humble uni kids has somehow grown into one of the longest running dance nights in town. Two years down the track, many parties on and three bars later Mingle is still bringing the noise on Thursdays. The’ve hosted the likes of Housemeister, A1 Bassline, Mark Dynamix, Cassian, The Aston Shuffle, Nina Las Vegas, Loot n Plunder and all for free! What sets them apart is their continued drive to play the freshest music every Thursday irrespective of genres. Cheese, Offtapia, Yohan Strauss, Tim Heaney, Faux Real, Aeon, Hazan, Peking Duk, Barry White, RTFM crew, Jacob Levi-Howes, Smashed, Shaolin, Hazan and Cha Cha Cha all got their starts at Mingle... true story. Mingle celebrates its second birthday at Trinity on Thursday Feb 17 with 15 of Mingle’s all time best DJs. Free entry, doors from 7pm.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Walk away from the city. Escape the bus interchange, cross Northbourne Avenue and turn left. You are here, in a laneway café. Under the urban trees, surrounded by progressive artists, people sit on milk crates, nodding to music, playing chess, eating and drinking. You Are Here’s Laneway Festival is a day of live art and progressive music in the alley of the Melbourne Building. Come for free, rock on your crate, play boardgames, share a pizza, spoon a coffee, witness live art, be absorbed by a couch and a theatre performance, and take a different look at the city you live in.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Purple Sneakers is back in 2011 to remind you that somewhere between shameful ‘90s pop and the neurotic pounding of dubstep there is a club where shredding guitars and mirror balls join forces to create the most epic indie party Canberra has ever seen. They’re smuggling Monkey Genius, Minou and Johnny Segment across state lines to deliver the freshest indie tracks and maybe pick up some thumping bass lines and a shifty hitchhiker on the way. Showing them how to party capital style are local deviants Lucky Punk, Eddie Shaggz and Less Than Three. 8pm, free.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Partybyjake.com is a Canberra based blog for lovers and creators of up and coming indie and dance music, fashion, events and party photography. They have hosted events featuring the likes of Flight Facilities, Cassian, Gloves, Treasure Fingers, Tensnake and many more, while helping to expose independent clothing labels from all over Australia, including Pete Versus Toby, Mypetsquare, I Heard They Eat Cigarettes, Aviary, Owl Vs Pig and Mocan. The blog already has followers from Australia, UK, USA and Europe. Check it out if you are ever in need of something cool to listen to/read/see/do/touch! www.partybyjake.com.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
“We’re Super Best Friends. We’re a fun indie-punk band, recording our first studio... ah, recording after two DIY EPs. It’ll be bass-driven, have keys, drums, guitars and vocals. Ready Aim Fire! (2009) just scored 4/5 stars in the current issue of Blunt... take that punks. We’re playing Summer Rhythm Festival and a Los Cap/SBF tour is rumoured. Last year, our Ready Aim Fire! video got played on Rage and Landed Music. We hit Melbourne, got to Sydney with Hoodlum Shouts and did ACT/NSW supports with Children Collide and Violent Soho. We hate name-droppers.”
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
The NFSA’s first SAR (Scholars and Artists in Residence) Fellow for the year is hip-hopper Matthew Cornell, who will produce a hip-hop/folk EP and accompanying film clip to illustrate the frontier spirit of Australia, focussing on the histories of frontier communities. At 8pm on Friday Feb 25 Matt will introduce a screening at Arc cinema of the cult film Planet B-Boy, an overview of break dancing throughout the world. This will be followed by a free dancing demonstration in the courtyard. Admission to the dance exhibition is free, normal Arc screening prices apply for the film. Head to the NFSA website for more details.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Two of Australia’s hottest electro acts are performing at the ANU Bar on Friday Feb 25 with special guest from the UK Icon. The Unravelling are a Sydney four-piece who have recently released their first album Everything is Normal on Setting Sun Records. They’re currently doing an east coast tour and will be touring the US, South America and Japan later this year, but before they head off, be sure to catch them at ANU Bar on Friday Feb 25. Alice Space Doll in support. Doors at 8, student concession available.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
“Daniel Edwards defies stereotypes and gender boundaries with his innovative and contemporary approach to weaving, tapestry and felting” reads the CCAS website. In short he’s a dude who does amazing things with textiles. When he graduated from the ANU School of Art, Edwards’ artwork incorporated subjects such as music, family photographs and domestic objects, but more recently he has become enamored with geometric patterning and punchy colour work. Pattern Pixel is his solo exhibition following a 12-month stint as a CCAS studio resident. If you don’t make it along to the opening you can check out the show until February 26 at the Manuka art space.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Ah, remember last years’ Zine Fair? What’s that? You don’t?! Well it’s just as well there’s another one this year to save your credibility my friend. What’s more, there’s still time to book a stall! If you make zines or related paraphernalia then be sure to get in touch with the ACT Writers Centre ASAP. The fair itself is once again presented in conjunction with the Canberra Contemporary Art Space and will be held in their cavernous galleries from 10 to 4pm on Saturday April 9. Get more info or secure yourself a table by calling 62629191 or dropping them a note via admin@actwriters.org.au
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
You already know there’s all kinds of amazing things happening here in this little city, and You Are Here is a festival that’s gonna cram it all into a relentless ten days just so we can collectively step back and go “oooh...ahhhh”. All kinds of happenings are being readied for your delectation – visual art, theatre, performance art, installation, music, experimental music, music that’s more like sounds than music, circus arts, dance, poetry, spoken word, words that are spoken so it’s more like poetry, fashion, street art, bikes, roller derby and a nomadic family who live on the street. Find it on Facebook as youarehere.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
ArtsACT is offering ‘Start Up’ grants of $500 to young ACT artists for activities that develop or promote the artist and their arts practice. If you’ve never been successful in receiving a grant before then this is a great one for you as your previous failures render you eligible to apply! (i.e.: you must not have received a grant before.) Other conditions of eligibility are that you must be aged between 18 and 25 years and be an ACT resident or have an ACT-based arts practice. The funding can be used towards promotion costs, materials, documentation, or venue and equipment hire costs associated with an arts activity. Round one closes 5pm on Friday February 25 so don’t delay: Head to www.arts.act.gov.au.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Ensemble Offspring, Sydney’s champions of weird and wonderful music, are renowned for their eclectic and progressive repertoire and are bringing their latest work Why Patterns? to Canberra for one night only. Ensemble Offspring take a novel look at patterns in music, focusing on the concept of ‘process music’, from which the extremely popular Minimalist movement emerged. The program features work by Feldman, Polansky, Reich, Lely as well as award-winning Australian composer Kate Moore, who began her compositional career at the Australian National University’s Canberra School of Music. Tickets are $25 or $19 concession and can be booked by contacting 6247 1223 or visiting www.thestreet.org.au.
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
Conveniently, just as this year’s zine fair is about to send us all bonkers again for the world of handmade publications (see left), the NGA presents an artist talk by one of the zine making greats. Jo Daniell, artist and zine writer, discusses her approach to zine making, including Butch: a zine about budgies, at a handy lunchtime session in situ at the Space Invaders exhibition. Get there and get inspired for April’s fair, and while you’re at the NGA you can take the opportunity to catch Space Invaders one last time before it closes on February 27. Best of all, the talk (just like the exhibition) is free!
|
Date Published: Tuesday, 15 February 11
| Author: Julia Winterflood
|
| 11 months, 4 weeks ago
ANU O Week is in full swing, so I caught up with ANU Union Chair Ben Duggan for a chat about the changes that have been made and the changes that are in store for ANU Bar.
There’s been a substantial decline in the number of major gigs at ANU Bar in the last year. What are the reasons for this? There certainly weren’t as many international and interstate bands coming through Canberra last year. The ones that did were looking for a venue with the capacity to hold larger numbers and venues that allowed under 18s. For example Powderfinger enquired with us but when they found out we do not allow under 18s they went to UC. We also had a management changeover. On a more positive note our band bookings this year have started quietly however they are now coming in. I believe we have around 20 gigs already locked in for this year. We have also had a new manager start this week and he will be looking to attract more bands this year.
Why do you want to rename the venue? The Board would like to rename the venue to differentiate the ANU Bar from Uni Pub. Combined with the refurbishments, we hope that a new name will improve the vibe of the bar and make it a more attractive venue. A number of people have complained to me that ANU Bar is a bit of a dull name so I thought we should put it to our Union members to decide what the bar should be called. We are currently in the stage where people are able to suggest names. They can email them to union.chair@anu.edu.au. In around two weeks we will be compiling the list of suggestions, selecting the best three and will then allow Union members to vote on four different options. There will be three names and then a final option for keeping the same name.
What effect do you think renaming the venue will have? I believe it will improve the culture of the Bar, making an iconic venue even better. There are a number of great bars at universities around Australia and I thought that by naming the bar after an Australian icon, we would give the place a bit of character and make it more memorable. Some names that have been suggested include The Kirby Bar after retired Justice Michael Kirby and The Whitlam after iconic former PM Gough Whitlam.
Despite the decrease in gigs, how do you think ANU Bar has improved over the last year? It has been great to see the refurbishments happen over the last six months on the interior and the new speakers have provided regulars with better music. I believe the bar has become a more happening place on campus with a larger number of students and academics drinking there. There were a few great gigs last year and I hope to see ANU Bar continue to be a great venue for bands into the future.
JULIA WINTERFLOOD julia@bmamag.com
|
BMA Magazine and The Street Theatre present Darren Hanlon on Wednesday March 2. We'll be running a Q&A with Darren in our Feb 16 issue, but rather than us ask him q's, we want you to. So if there's anything you've ever wanted to know about our nation's most wonderful wordsmith, now's your chance. Either comment below or email julia@bmamag.com. Tickets are being snapped up super fast too, so if you wanna get along, head to The Street Theatre website http://thestreet.org.au/ to snap yours up too.
|
|
After years of unsuccessful ACT arts grant applications and coming to the realisation that the ACT Government’s finger is clearly not on the pulse (bridge officially burnt), Canberra's favourite urban artist E.L.K is taking matters into his own hands with a fundraiser to gather cash to assist in creating a new body of work to exhibit in Canberra later this year. All donations over $20 will receive an original E.L.K print while larger donations will receive larger works. To donate to the cause visit and find E.L.K.
|
|
Julian Assange is back in court on February 7-8. If he is extradited to Sweden the next step may be a further extradition to the USA to face spying charges. Meanwhile the US government is going to extraordinary lengths to shut down WikiLeaks. There are other issues of deep concern. Bradley Manning, allegedly the source of the leaked US diplomatic cables, remains in solitary confinement. The world has been horrified by US measures to persecute WikiLeaks, Assange and Manning and to silence critics. The defence of WikiLeaks is a defence of freedom of speech. Join the rally in Garema Place on Saturday February 5 from 12.30pm. A jazz-fusion band will build up to four keynote speakers focusing on pertinent areas of the WikiLeaks phenomenon. The microphone will then be turned to the crowd to let you have your say. Lend your voice to defend WikiLeaks’, Julian Assange's, Bradley Manning's and our rights.
|
|
The good folk of Summer Rhythm Festival and Beauty and the Bass have joined forces and are offering joint tickets for $150. That means a grand total of 15 headliners, five stages, three days, two good causes (beyondblue and the QLD floods) and one red carpet, all for the price of a regular one day festival ticket. Did someone say crazy bargain!? And forget not, punters, the unlimited beer, wine and bubbly for five hours at Beauty and the Bass. To buy your joint ticket which gives you entry to both events. Check out the Facebook groups for more info.
|
|
In a rare moment as special as your drinking buddies offering the first shout, The Ellis Collective is offering its first single Means What It Means from their ambitious debut album of the same name. Means What It Means is The Ellis Collective at its finest, retelling the jagged-edged disappointments of ordinary life against a backdrop of staccato string sections and multi-layered harmonies. The track characterises the band’s unconventional approach to storytelling, featuring vocals that echo Gareth Liddiard or John Darnielle accompanied by sizzling pizzicato, shredding guitar and driving bass lines. The album will be released in May, but head to The Phoenix on Saturday February 18 for the single launch and stay tuned to these pages for info on the album launch.
|
|
A couple of business savvy Canberra boys decided there would be room in the fridge for a new bottle of fizzy drink that isn’t laced with chemicals, so they made Vida Sparkling Mineral Water. It’s got nothing artificial and comes in three sexy flavours, Tahitian Berries, Citrus Limonata and Orange & Passiona Splash. They’re throwing a bash at Civic Pool to launch their beverage range, where there’ll be Brazilian samba dancers, DJs and free Vida samples. It’s all happening on Sat Feb 6 from 12 ‘til 4. Entry is $6 which includes a bottle of the fizzy stuff.
|
|
If you want to catch some music at the new café in Civic, here’s your chance. Dro Carey is an electronic music producer from Sydney whose music fits somewhere between dubstep and witch house (this is from Warren Ellis’ website: “[witch house] is a floating point between glo-fi, goth, post-punk, library music hauntology, drone, doom ambient and a spooky pouch of other things. And bad Italian horror movies, apparently.” Nice one, Warren. –Ed.) ^(*^H0rs3 mACgyv3R$&*( is well known around town for his wild, chaotic sets, so expect strobes and general mayhem. Shoeb Ahmad, HellosQuare boss, is preparing a special set and will be kicking off the night with some sweet drone bliss. It’s all happening on Sat Feb 5 at 8pm. $10 entry, with half the profits going to the flood appeal.
|
|
Hailing from Brissie bands Anarchist Duck and Bertha Control, Julia Rose has just released a self titled debut EP, which is available digitally via iTunes and other online stores as well as physically via her website and live shows. It’s a toe tapping, free living collection with soaring vocals, taking you on a rhythmic and melodic journey to the world of rural Australia. She’s playing Phoenix on Wednesday Feb 9. .
|
WHO: The Heroines WHAT: Debut EP launch WHEN: Fri Feb 11 WHERE: ANU Bar
The Heroines will be releasing their highly anticipated debut EP on Friday February 11 at ANU Bar. With an electrifying live show and local support acts The London Circuit, Fun Machine and Pretty Crane, it promises to be a corker. The EP was produced/engineered by Jean-Paul Fung (Birds Of Tokyo, Art Vs Science and Little Red) and recorded at BJB Studios. The result is a polished product that captures The Heroines unique sound and the raw energy and emotion of a live performance. Entry is $5 or $10 with an EP.
|
WHO: Merkaba WHAT: Awaken album launch WHEN: Sun Feb 6 WHERE: Transit Bar
Merkaba is a deep progressive project from Elliot Wilmot. From jamming out as a drummer to spinning hip-hop and breakbeats for six years Elliot has always had a healthy relationship with music, however, it wasn’t until Jan ‘07 when he found himself barefoot in the bush in front of some monster speaker stacks that he realised his ultimate musical direction. The doof had changed him forever! Merkaba combines deep basslines with lush melodies and tribal percussion. Prepare for a vibrational journey that connects the mind, heart, body, and dancefloor. With Fatali (Israel) and Black Samurai. in support. Tix $11 through Moshtix. 2pm.
|
WHO: Ukulele Masters WHAT: Melbourne Ukulele Festival Roadshow WHEN: Sat Feb 19 WHERE: The Merry Muse
The Melbourne Ukulele Festival is back for a second year and this time it’s not just Melbournians who get to share in the joy of the uke; they’re spreading the love and taking eight sensational ukulele artists on the road. Five impressive internationals and three local legends – the cream off the top of the MUF – will play The Merry Muse on Saturday Feb 19, including Uni and Her Ukelele (USA), Ukulelezaza (Belgium), Shelley O’Brien (Canada), Paul Moore (Israel), Jontom (Italy), Bosko and Honey (Qld), Dino Divo (Melb). Tickets are $20/$17. Head to for more info.
|
WHO: Wandering minstrels WHAT: Groovin’ in the City’s Free Range Folk WHEN: Wed Feb 2 – Fri Feb 4 WHERE: Roving in various Civic locations
There’s nothing like a happy face tramping about the place with a smile on his face and a song in his heart. That’s exactly what you can expect to encounter during the first week of Feb. Groovin’ in the City’s Free Range Folk program brings you the impossible-not-to-love Rafe Morris, Lachlan Coventry, “one of Canberra’s coolest jazz players who wanders free with the breeze and the notes”, Sarah Daphne, a multi-instrumentalist, Anton Wuzer, a virtuoso piano accordionist, and the Canberra Scottish Fiddler Trio. It’s all happening from noon onwards for a couple of hours, so pack that sandwich and seek out a muso.
|
WHO: Outdoor cinema and live music lovers WHAT: Flix in the Stix WHEN: Sat Feb 26 WHERE: National Botanic Gardens
Flix in the Stix is coming to Canberra for the first time and will feature one of Australia’s most acclaimed singer/songwriters, Mark Seymour. The Canberra Flix event will be staged at the National Botanic Gardens on Saturday February 26 and will feature short films from Australia and abroad. Seymour will play two live sets in between the short films. “It’s the way movies and music were meant to be enjoyed – dining out under the stars with friends and family,” said promoter Simon Rollin. Head to for more info. Tix through Moshtix.
|
WHO: Anarchist Duck WHAT: The funk. They’ve got it. WHEN: Mon Feb 7, Thurs Feb 10 WHERE: The Phoenix / The Front
The funk returns to Canberra this February with Gold Coast reggae/rap-hop trio Anarchist Duck, playing two shows on their way to the Adelaide Fringe Festival.
At the end of last year, Anarchist Duck captivated audiences at Island Vibe Festival with their new blend of high-energy reggae infused with funk and wicked rhymes.
The Ducks have also been busy recording bass player Julia Rose’s self-titled EP debut EP, which will be launched at separate shows as part of the tour (more info on page eight). For further details check out .
|
Groovin The Moo 2011 Line-up
Well slap me with a sausage and call me Susan… They’ve only gone and done it again. Groovin The Moo returns to the University of Canberra ‘meadows’ on Sunday May 8 with another glittering international line-up including:
The Go! Team
The Drums
House Of Pain (pictured... WTF?)
Datarock
The Wombats
UNKLE Live
Washington
AC Slater
Architecture In Helsinki
Art Vs Science
The Aston Shuffle
Birds of Tokyo
Bliss n Eso
Cut Copy
Darwin Deez
Drapht
Gotye
Gyroscope
The Holidays
Horrorshow
The Jezabels
Nina Las Vegas (triple j)
Sampology (AV/ DJ Set).
Tix are $99.90 + bf from Moshtix or gtm.net.au .
|
|
A week ago I was walking from PJ’s to Phoenix with some mates on a mid-week pub crawl. Outside Smiths I spied a giant black and white poster that had half come down. I smoothed it back up to reveal an incredibly intricate tapestry of celestial beings, wide-eyed insects, prehistoric, aquatic and winged creatures; all manner of aliens, ghouls, beasts and birds stared out from the A0 poster. It was arresting. Here was a giant awe-inspiring artwork, and it was advertising a gig. In Canberra. Of course it came as no surprise then that the poster was for Travis H Heinrich’s Hey Dad, can you pick me up from Josh’s, otherwise it’s like two buses festival happening at Phoenix on Feb 12 and 13.
Says Heinrich, “Quite simply, the reason I’m putting this gig on is to support our local talent. I’m proud of the bands we have here in Canberra – especially considering our population. Things seemed a bit dreary in recent times with venues closing or threatening to close, but there’s a great feeling of optimism that’s come about in the last few months. People are side-stepping the red tape and are putting on gigs at unusual places – totally DIY. For example, Smiths, the amphitheatre, ANU Art School, and house parties et cetera. It shows that there’s a huge want for this out there, that people are thirsty for this kind of grass roots culture.”
They’re thirsty alright, both the punters and the art and music makers. Heinrich has enlisted no less than 18 acts to play HDCYPMUFJOILTB and, along with a sizeable swag of visual artists, they’ll transform Phoenix for one weekend into a cavernous cavalcade of the new and unique. Who knows what effect this festival will have on Canberra’s creative future?
“The great thing about all this is the snowball effect. People are being inspired by these bands to start their own, or collaborate, or put their hand up to play some weird gigs. It’s a really great, supportive community that comes with this, and we’re all in it together. That’s where my gig comes in. Sure it’s at a regularly frequented venue, but in terms of its size – it’s definitely not a regular gig.”
The man’s right. Never before has our favourite pub played host to a festival of such epic proportions. Only with Electric Lake have we experienced such an extensive list of artists to enjoy for free. And that’s where the beauty lies; in the complete lack of financial incentive. It’s clear that Heinrich has the good of his hometown at heart.
“It’s all about getting that community together and (hopefully) sharing it around to other people who may not be familiar with it. Someone might come to see one band they like, but then walk out totally in love with ten other bands they would never had known existed. That’s really positive, and I love to do what I can to promote that. I’m like an embarrassing dad showing pictures of his kids to another dad in the supermarket. I’m proud of Canberra’s grassroots culture!”
JULIA WINTERFLOOD julia@bmamag.com
|
On November 20 last year, Leonard Cohen skipped, bowed and waltzed his way through an unforgettable three hour performance at Hanging Rock in the Macedon Ranges. Before the MC announced the third and final support, he told the 12,000 strong sold out crowd he’d thought long and hard about how to introduce the man, about what words would be worthy. In the end he decided he needed only two: PAUL KELLY.
After 32 years in the biz, more than 20 albums and soundtracks and around 300 songs, Kelly now has How to make gravy, his 549 page ‘mongrel memoir’, to add to the list. It’s a brick of a book; a motley collection of stories, diary entries, memories, family history, lists, essays, poems, psalms and quizzes. It follows the A to Z of 100 songs he’s currently performing around the country on a 36 date tour with nephew Dan Kelly, playing four shows in each town and city, 25 songs a night. Laughs Paul, “Dan knows some of my old songs better than I do so he’s the perfect companion for the A to Z shows. It’s special when family sings together, there’s just something special about it, the way their voices wobble together, it just sort of tends to work.”
The first A to Z show was held at the Spiegeltent, that magical house of stained glass and mirrors, in Melbourne in ‘04. It was supposed be a one off. Naturally, it wasn’t. Admits Paul, “Everything about this whole A to Z thing has been like a slowly unfolding accident. I never quite knew what I was doing until I was sort of in the middle of it. I thought it would be a one off show of A to Z and then it turned into a series and then that lead to the idea of putting out recordings of those shows and then the book grew out of that. I didn’t plan the whole thing at once. It was a simple little idea; it certainly didn’t contain the things that followed. It certainly was the last thing on my mind to write a book. That took me by surprise.”
How to make gravy is an extraordinary memoir, a magnum opus in the true sense of the term. From essays on the great lyricists and songwriters of the golden age of American songwriting and the origins of bluegrass and jazz, to odes to Frank Sinatra and Skip James, to vignettes of Melbourne’s rock music scene in the ‘80s and ‘90s, to erudite discussions of theology, the collection is the work of a humble, highly intelligent, well read, worldly man with a gift for making the written word sing.
“The alphabet’s such a rigid structure so you have to follow it but within that, paradoxically, you have all this freedom, because you know the book’s got a sturdy structure, so within that I could mix up various styles of writing. I worked through it alphabetically. I just started at A and kept going, and then I thought I’d just see if I could keep going. I just thought I’d see what happens.”
To accompany How to make gravy, Universal released The A to Z recordings, an eight CD set packaged in hardcover almost identical to the book, with a booklet of photos, paintings, illustrations, Renaissance and biblical art, record covers, gig and film posters. It’s a fascinating and eclectic collage, testament to the diversity of tales Kelly tells. In it he explains “The idea was to present the songs undressed, in many cases close to how they sounded when they were first written, before being arranged with a band.” When you’re familiar with the orchestrated versions, listening to the stripped back recordings – just Paul and his acoustic and Dan oft on harmonies and electric – makes you feel like it’s just you and them in the room. It’s beautiful and surreal.
Says Kelly, “I wanted the book to work for people who do know the songs, but I also wanted the book to work for people who didn’t know the songs at all; that’s one reason to have the recordings if people choose to go there. But I also wanted the prose, even though it’s standing next to the lyrics, I wanted to make the prose – the chapters – be able to stand alone. So if someone enjoys the writing, they might think ‘Oh, well, I might actually want to go and hear that song’. That was the way I approached it.”
How to make gravy app has also been released. “The app is actually the closest thing to my original conception of the book... in my mind [the book and the music] were always connected. That’s why the cover of The A to Z recordings is so similar. But the app is actually closest to my original vision.” This vision is pretty remarkable, considering Kelly admits in gravy, “I was the second last of my family to get online, and am famous for the remark ‘What do I need the internet for? If I want to look something up I can just go to the library.’”
A widely acclaimed memoir already in its second pressing after only being on the shelves for a few months, not to mention a 32 year career that’s brought tears of joy to countless Australians, yet still our best loved singer-songwriter remains incredibly humble. This shows in his reflections on triple j’s Before Too Long tribute, held in ‘09 to celebrate the 30th anniversary of his career. “It’s very nice, but it was also a bit awkward. People making a fuss over you, that’s always hard isn’t it? It’s like going to a party someone’s thrown just for you. It helped that I did know a lot of the artists and I like a lot of their work – The Panics, Megan Washington, Augie March, Paul Dempsey, Adalita – I love Adalita – so it was a great crew. Good people to hang out with. And I’ve always loved to hear other people sing my songs, so it’s nearly all plus, but sometimes it feels like you’ve died and you’re just a ghost at your funeral.” I only hope in reality that’s a bloody long way off.
The A to Z tour stops by The Playhouse from Thursday January 27 to Sunday January 30. Call the Canberra Theatre centre box office on 6275 2700 to book – tickets range from $66.25 for a standard one night ticket to $285 for the full four nights.
|
Where did your band name come from? More of a vibe than a reference – it’s all about the mystery.
Group members: Bayard Condon (sequencing and vocals) and Louis Capezio (guitar and vocals).
Describe your sound: Electronic, psychedelic, audiobook.
Who are your influences, musical or otherwise? Louis – Kraftwerk, Harmonia, Amon Duul, Ultimate Spinach, Lee Perry, King Tubby, Ron Tree, Brian Eno. Bayard – King Crimson, Can, Hawkwind, Tipper, Anthony Rother, Kelpe, Love.
What’s the weirdest experience you’ve had whilst performing? At Chaingang we actually traded bodies with each other for two songs in the middle of the set – played the guitar for a bit – then traded back to scratch up some samples. High times.
What’s your biggest achievement/proudest moment so far? Recording ten tracks in three days in our caravan studio in the rainforest down the south coast. Little Smoke – Big Smoke EP coming soon…
What are your plans for the future? Slowly but surely we will disengage from the crumbling system – start growing a lot of food and some weed out bush. We’ll make music and play gigs while it lasts and then do a big bail whenever the oil runs out and shit inevitably hits the fan. In the desolate future of mankind music, art and agriculture will keep us alive. Heavy... that’s what you get for asking about the future.
What pisses you off? Shit bands on the radio, violence, no funding for scientific research into psychedelics and people worldwide going to jail for smoking herb.
What’s your opinion of the local scene? The music scene in Canberra right now is stronger than we’ve ever seen it. It feels good. Great shows happening, good crowds, good vibes. Everyone has got to just stay cool, be themselves, and not fall over the edge into the abyss of generic hipster bogan bullshit.
What are your upcoming gigs? Hey Dad can you grab me from Josh’s, otherwise it’s like two buses @ Phoenix, Saturday February 12.
|
|
On the first day of the year, curled up on the couch at my Dad’s house in Alice Springs, I scribbled down 27 new year’s resolutions while a thunderstorm raged and ripped branches from trees. Yep, you read right: 27. Ambitious and perhaps somewhat ridiculous, I know, but believe it or not I’ve actually been doing reasonably well. They’re just little ones after all, like keep in contact with your bro, write some fiction, don’t go anywhere without a notebook. Resolution #11, dear readers, is to catch more local bands. Despite being in this big black leather chair for two years now and considering myself relatively on the pulse of Canberra’s live scene, I ruefully must admit there are still swags of bands I’ve never had the pleasure of seeing.
The perfect opportunity to rectify this is at Phoenix on Saturday February 12-13. The refreshingly titled festival Hey Dad, can you pick me up from Josh’s, otherwise it’s like two buses features 16 local acts, 11 of which I’ve never seen. This excites me just as much as seeing seeds sprouting (resolution #19: grow some veggies).
The mini-fest will also feature the work of 17 local visual artists, with more to be announced. The mind boggles at how they’re going to festoon Phoenix with even more art, but if anyone’s capable of doing so, it’s up and coming Canberra creatives. I threw down some words for the event’s press release, and here they be: I couldn’t think of many better ways to wile away a Saturday in C-Town. This vertiginous line-up is testament to the innovation and unorthodoxy of young Canberrans, who are constantly smashing genres and defying classification. If you want to see something you’ve never seen or heard before, get down to the Phoenix on Saturday Feb 12-13.
I’ll be chatting to curator Travis H Heinrich in the next ish. In the meantime you can read about one of the bands on the line-up, Mornings, on the page opposite, and in the next ish, out Feb 2, you can read about Saturday night headliners, Party Bus.
Finally, because Locality wouldn’t be Locality without a rant, I’d like to draw your attention to the latest oversight of Chief Minister Stanhope. On Jan 11 I received a press release titled Slow Take Up of Nightrider Service, in which Stanhope deems the number of people using the Civic/Manuka/Kingston loop, which runs from 1 to 5am on Fridays and Saturdays for a flat $10 fee, “disappointing”. 936 people have used the service in its first month of operation. 197 used it in its first three weekends, which worked out to be an average of $326 per customer (the service costs $10,700 per night, according to Stanhope).
Now I will admit that’s a hefty sum, but what Stanhope’s failed to realise is using a service such as Nightrider requires significant behavioural change. Who’s going to wait 90 minutes for a bus at 3am when one can jump in a cab? These behavioural patterns don’t shift immediately; they take planning and forethought on the part of the punter, which isn’t going to happen within a month. So chin up, Stanhope, and stick it out. Nightrider won’t be a hit overnight, but in time I’m certain people will come to the party (bus).
|
|
When both Rolling Stone and SMH dub you one of the Top 10 Live Acts to Watch in 2010, you can bet that it's going to be a pretty excellent year. Following three national tours in 2009, Thundamentals spent 2010 proving themselves worthy of the accolades, headlining as well as sharing stages with the likes of A Tribe Called Quest (USA), Lyrics Born (USA), Drapht and Astronomy Class plus massive performances at Peats Ridge Festival, Changing Lanes Festival and Sydney Festival First Night, an East Coast single launch tour and The Hip Hop Approach for Oxfam. Phew. They’ll be hitting Transit Bar on Thursday February 3. We have one double pass to throw your way. To win, email editorial@bmamag.com telling us about your favourite Aussie hip-hop act any why.
|
|
Could there be a more hot-button topic than terrorism these days? Although it is historically the subject of serious documentaries and intense dramatic films, renowned British comedian Chris Morris (The Day Today, Brass Eye) finds the humour (and ultimately the humanity) in this extremist world. Four Lions tells the story of a group of British jihadists who push their abstract dreams of glory to the breaking point. As the wheels fly off, and their competing ideologies clash, what emerges is an emotionally engaging (and entirely plausible) farce. In a storm of razor-sharp verbal jousting and large-scale set pieces Four Lions is a comic tour de force; it shows that - while terrorism is about ideology - it can also be about idiots. Four Lions portrays these men as human beings, who, as we all know, are innately ridiculous. To win a copy, email editorial@bmamag.com telling us who you most want to blow up and why.
|
|
Deep Sea Arcade are pleased to announce they’ll be hitting both the road and the beach this summer in a co-headline tour with fellow surficianados Surf City from New Zealand. The two bands will duel it up along the east coast throughout February 2011 and with both bands drawing inspiration from classic surf music it’s only fitting that the majority of the shows will take place by the beach. Huh, looks like we’re in the minority C-Town. Thanks to a slew of stand-out radio singles Crouch End, Don’t Be Sorry, Lonely In Your Arms and Keep On Walking, Deep Sea Arcade have built a huge swell of support and they plan to ride it all the way into 2011. We’ve got two doubles to give away for their gig at Transit on Thursday February 17. To win, email editorial@bmamag.com telling us about your favourite arcade game. Or your favourite deep sea creature. Or both.
|
|
Madman proudly presents Restrepo and The Messenger - two films that respectively deal with modern warfare and the casualties thereof. A National Geographic documentary production, Restrepo takes place in what is considered to be one of the most dangerous postings of the war - the remote Korengal Valley in eastern Afghanistan – where the American soldiers of Second Platoon have secured a strategic outpost and named it in honour of the outfit's fallen medic, PFC Juan Restrepo. This is the real Hurt Locker. Told in their own words, Restrepo is the unflinching, on the ground story of the day to day lives of the soldiers of Second Platoon.
From the lives of those on the front line, to those affected by the war at home – The Messenger is the story of decorated combat soldier Will Montgomery (Ben Foster), recently returned from Iraq and assigned to the Army Casualty Notification service, a unit tasked with informing families of the death of their loved ones in the line of duty. Mentored by Capt. Tony Stone (Woody Harrelson), Montgomery must learn to detach himself from the emotional challenges that the job presents - but all that begins to dissolve when he meets Olivia (Samantha Morton). To win both DVDs, email editorial@bmamag.com telling us about your favourite war film of all time.
|
When last conversing with Los Capitanes frontman Tim Kent at a Canberra Music Industry Forum last August, he suggested the Caps may be on the verge of splitting due to the financial pitfalls of touring. Fortunately this does not seem to be the case, with the hard working local larrikins delighting all and sundry with a new album, the fittingly titled Rest For the Wicked. And it’s rather good, as you can read all about in this ‘ere rag on page 36 where it made our Album of the Issue. The sextet are set to headline this year’s all ages Liquidfest pool party at the Queanbeyan Aquatic Centre on Saturday February 5 alongside Corporate Takedown, The Whole Shebang and more, but at time of writing the event is in jeopardy due to a funding issue. As yet, nothing is set in stone, so stay tuned to our www.bmamag.com website or @bmamag Twitter account for updates, kidlets.
|
|
Following on from their memorable 7" launch last November, Kasha return to Transit on Saturday Jan 29 for another free gig. This release saw the young Canberra quartet rework the traditional notion of rock music, approaching tension and repetition with dissonance and metric imbalance. Axxonn’s aim is to traverse a number of genres, picking, choosing and using their favourite facets of black metal, doom metal, ambiance, electro and pop to “create a cacophony of sound that feels like a rainbow sawing through your cranium (in a good way)”. It kicks off at 8.
|
|
Saturday February 5 sees the Greenroom team punch out a 12-hour music blitz of live and local entertainment all in the name of raising funds for the Queensland Flood Relief. 23 mixed acts should be enough to entice you down to The Maram at noon for a marathon of mixed mayhem and tunes. If that’s not enough, there will be giveaways, bar tabs and excellent happy hour deals both over the bar and bistro. Entry is a mere $15 with 100% of the door donated along with 10% of the bar takings. More info on the acts and set times etc. can be found at www.themaram.com.au.
|
|
Flix in the Stix is coming to Canberra for the first time and will feature one of Australia’s most acclaimed singer/songwriters, Mark Seymour. The Canberra Flix event will be staged at the National Botanic Gardens on Saturday February 26 and will feature short films from Australia and abroad. Seymour will play two live sets in between the short films. “It’s the way movies and music were meant to be enjoyed – dining out under the stars with friends and family,” said promoter Simon Rollin. Head to www.flixinthestix.com.au/canberra for more info. Tix through Moshtix.
|
|
Geelong rockers Cast Iron Piñata will be making their way to Canberra for two dates as part of their Insanity tour and in support of their new EP What A Coincidence You Are Insane. You can catch them at The Maram on Friday Jan 28 and Phoenix on Saturday Jan 29. Expect to see an energetic show combining rockin’ riffs, funky fusion and catchy lyrics. They’ll be touring with Melbourne’s Cloudmouth and USA/Germany’s sex rock kings Lord Bishop Rocks.
|
|
Gone are the days of scrunched up bits of paper or dodgy DIY screen printed shirts. The first Big Day Out app had landed. Check out who’s playing, on what stage and at what time and then create your own personalised schedule for the day. It’s loaded with features including the latest news and tweets, line-up info, artist bios, vids and photos, plus BDO’s personal fav, the animated virtual lighter. To celebrate the release of the first ever BDO app they’re giving you and a friend the chance to win a trip to Lollapalooza 2011 in Chicago. Head to www.bigdayout.com for all the info.
|
|
Australia Day Jam at Commonwealth Park will see psychedelic space funk masters AstroChem, merchants of madness Fun Machine, and jangly pop rockers Rubycon bust a groove for a solid few hours from 3pm on Wednesday Jan 26. There’ll also be demonstrations by skaters and BMX riders from The Shed, the biggest indoor skate park in the southern hemisphere. Leave your eskies at home though as it’s an all ages alcohol free event.
|
WHAT: D&B/Dubstep WHEN: Fri Jan 28 WHERE: Mercury Bar
New Zealand's Cern has become a global entity in the drum ’n’ bass world, having released tracks on many of the scene’s leading labels. With the impending arrival of his much-anticipated LP Terminus, Canberra plays host to this D&B master. Banging it out at Mercury Bar on Friday January 28, expect a range of rolling basslines and epic drums. Supports include Canberra's own bad-boi-selekta Centaspike along with Dred, Djc, Kinetik, Tidy and Delux mixing the finest D&B, dubstep and jungle. So charge up your proton pack and don't miss the last chance to catch Cern before he relocates to Europe! www.actdnb.com.
|
WHAT: Beauty and the Bass WHEN: Fri Feb 18, 7pm-3am WHERE: Hellenic Club, Woden
Hair? Perfect. Frock? Smoking hot! Amped? You bet your sweet bippy. Now step out onto the red carpet and pout for the paparazzi, you’re at Beauty and the Bass baby! Beauty and the Bass is a red carpet dance music ball featuring DJs Goodwill, Beni, Nik Fish and more. The entry price includes unlimited drinks until midnight as well as professional red carpet photos which will be available for download after the event, and plans for an official after party are in the works. The charitable organisers have also just announced profits will go to the Queensland flood appeal. Head to www.beautyandthebass.com.au for all the info.
|
WHAT: Virtuoso guitarist WHEN: Fri Jan 28, 7 and 9pm WHERE: The Street Theatre
Straight from the horse’s mouth: “Hey, Joe Robinson here. I’m touring right now with an amazing new show featuring two of my favourite musicians from the USA. We've played about 50 shows all over Europe and the US over the last three months, and last night involved me soloing away on my back for a bunch of chanting hippies in Byron Bay. Can’t wait to bring it to you all, Canberra!” Robinson is known for his solo acoustic tour de force instrumental prowess, and was recently voted Best New Talent in Guitar Player magazine’s annual reader’s poll. Tickets are $20/$15.
|
WHAT: Bushy Ballads WHEN: Sat Feb 5 WHERE: Transit
The Bearded Year of 2011 begins with a Shotgun Tour of NSW and the ACT to celebrate all that is bearded. 2010 was a stellar year for The Beards; they received national air play on triple j and reached number 26 in Brisbane’s 4ZzZ’s Hot 100, while the video for If Your Dad Doesn’t Have A Beard, You’ve Got Two Mums gained in excess of 100,000 views on Youtube. They’ll be supported by Canberra’s premier dub collective Dub Dub Goose and the electric Joe Oppenheimer Band. Beard up Canberra, you’re in for a bushy one. $12.
|
WHAT: X Factor winner WHEN: Fri Feb 4 WHERE: Southern Cross Blub, Woden
Following on from his X Factor win, Altiyan Childs debut album features re-recorded studio tracks of some of the incredible performances on The X Factor including Livin’ On A Prayer, Never Tear Us Apart, Hey Soul Sister and Lady In Red, as well as recordings of his standout performance of Summer of 69 and his winning single, Somewhere in the World. He’ll be supported by fellow X Factor stars Luke and Joel. The dinner and show package is $74 and kicks off at 6.30pm, while show only tickets are $40. For bookings call 6283 7288.
|
WHAT: Roots fusion WHEN: Thu Jan 20 WHERE: The Front
Benjalu is a band that prides itself on the old school, grassroots approach to touring to promote their music and in 2008/09, travelling the dirt roads and highways of Oz they clocked well over 400 shows together. Having had numerous opportunities to hone their craft, Benjalu masterfully mix rock grooves with warm bass lines and catchy melodies, infusing genres such as blues and roots, jazz, contemporary rock and hints of reggae to maintain their fresh sound. They’ll be supported by the inimitable James Fahy, still riding the high of his sensational Ash Grunwald support slot. 7.30pm, $10.
|
Date Published: Wednesday, 8 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
10. Eddy Current Suppression Ring – Rush to Relax [Shock]
Simple, solid, honest and raw, Eddy Cuz’s third LP has cemented them as Oz’s finest purveyors of erudite garage rock.
9. The Ruby Suns – Fight Softly [Sub Pop]
More than just an Animal Collective stopgap, Fight Softly is a jubilant technicolour synth-pop dream, ingeniously splashed with hazy reverb, intricately layered vocals and a marvellous melding of world music rhythms and electronica.
8. Best Coast – Crazy For You [Popfrenzy]
29 minutes of woozy, swoony, sandy, syrupy, Californian surf pop gems dripping with teenage love, longing and hilarious little lines.
7. Scissor Sisters – Night Work [Polydor]
Gayer than Will and Grace’s Jack with all the pomp and spectacle to match, Night Work is a rock-hard record of relentless glow sticks-in-the-air anthems bursting with bombastic stadium-sized percussion and wickedly raunchy rhymes. It’s even got a splash of spoken word from Sir Ian McKellen thrown in for good measure. Hot.
6. Kyü - Kyü [Popfrenzy]
The two Sydney lasses have released one of the best songs of the year in Pixiphony and the rest of their dark yet joyous experimental pop debut resonates with the same urban warrior woman vivacity.
5. The Roots – How I Got Over [Def Jam]
On top of the insightful execution of socio-political, environmental and economic invective, one of the greatest testaments to The Roots’ brilliance is their seamless amalgamation of disparate musical elements. Jim James of Monsters of Folk, Joanna Newsom and Dirty Projectors blend in as flawlessly as John Legend.
4. The Leisure Society - The Sleeper [Pod]
Save It For Someone Who Cares is reminiscent of the Babar theme. Need I go on? I will, to say this tender, bittersweet and beautiful record of Brits doing Americana, with its glorious harmonies, pastoral themes and ornamented arrangements (kalimba and ukulele were made for each other), is one of the year’s most magical.
3. Broken Social Scene – Forgiveness Rock Record [Spunk]
I thrashed this record in the first half of the year then caught their set at Splendour; spinning it after seeing them live elevated the once exuberant listening experience to euphoric heights. The instrumental Meet Me in the Basement is ecstatic.
2. Grinderman – Grinderman 2 [Mute Records]
“I keep hanging around your kitchenette / And I'm gonna get a pot to cook you in / I stick my fingers in your biscuit jar / And crush all your gingerbread men”. Nick, you bad, bad man. You and your boon companions have done it again.
1. Steve Mason – Boys Outside [Domino]
As Justin Hook espoused in August, “Throughout it all Mason’s biggest weapon shines – a luxuriant, ghostly textured voice more open and honest than ever before. Boys Outside already sounds like a lost classic.” Thanks a million, Hook.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Where did your band name come from? Nowhere special, just thought it would be a cool name to call a group.
Group members: Carts2deadly (vocals), The Chippewa Chief Rocker Axe Aklins (vocals) and DJ Goldfinger.
Describe your sound: Native tongues over tribal drums.
Who are your influences, musical or otherwise? Musically: Koolism, Bob Marley, DITC and Rodney P to name a few. Otherwise: anyone with the courage to stand up for what they believe in.
What’s the weirdest experience you’ve had whilst performing? A friend tried to throw us cans of beer one night, which was a nice thought if we would have known they were coming. So you can imagine our surprise when we were struck in the head by flying cans of beer.
What’s your biggest achievement/proudest moment so far? Opening for Percee P at Transit last month. He is someone we have looked up to since we were young fellas, and to get the chance to open for him was a real highlight in our musical careers.
What are your plans for the future? We are looking to drop our first release in the New Year titled Spiritual Offence. Then hopefully following that up with a second release in the latter half of 2011.
What makes you laugh? I was looking online for photos from the Percee P gig and came across people asking who the hell The Whole Shebang is. Jemist (DJ and promoter of the event) said it’s Axe Aklins, Carts2deadly and DJ Goldfinger. A girl responded “more like Carts2dreamy!” I laughed about that for a good hour, haha.
What pisses you off? Not a lot. There are things that annoy the shit out of us, but nothing really pisses us off.
What’s your opinion of the local scene? A lot of good artists on the grind like Convict, Alikeminds, Gee-wiz and Ro and D’o, all making good music and just wanting it to be heard by the people.
What are your upcoming gigs? We only just recently opened for Koolism and Percee P. So we will not be doing any gigs until the New Year. Hopefully an album launch at Transit and we might do a free gig at the Queanbeyan Youth Centre for the folks in our hometown.
Contact info: WSB.booking@hotmail.com thewholeshebang@myspace.com
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
At The Church’s brilliant gig at Tilley’s last Saturday Steve Kilbey spoke of a review in the Chicago Tribune that proclaimed “the greatest records of all time are Sergeant Pepper’s, Dark Side of the Moon and Untitled #23 (The Church’s 23rd collection of studio recordings), but not necessarily in that order”. The quote made me wince; not because of the records that were listed but because it reminded me of the extremely arduous task I’d been griping about for the past fortnight and was yet to commence: compiling my top ten albums of the year.
“This top ten bollocks is hard!” I exclaimed on facebook. “Whose idea was it to have top tens in BMA anyway? Damn their eyes!”
A few hours later, previous BMA editor and music and arts critic extraordinaire Ben Hermann shot back, “Julz, just do what I do. Pick your top ten favourite albums of the year and substitute five of them for albums that you didn't really listen to or like, but that you want people to think you like because it makes you look cooler/more esoteric/more 'in the know' (or whatever vibe you're going for) than anyone else. Make sure your number one is something that isn't too obvious, but also something people won't disagree with (or won't know enough about to disagree with). Pick the order of the rest of them out of a hat, make some type of semi-complimentary comment about them (be sure to make it known that you know the group's complete back catalogue – chances are the album you're talking about won't be as good as the group's debut that sold 27 copies at a youth centre show in 1998) and hey presto! – you’ve got yourself a top 10!”
Thanks, Herm Balls, you nailed it. As Cole Bennetts, BMA’s graphic designer and all round magnificent hunk o’ man said to me sternly, “People judge.” Now, for the last month the Bossman and I have wholeheartedly agreed on what was to be our number one album of 2010: Steve Mason’s Boys Outside. Haven’t heard it? I’m not surprised. We wouldn’t have either if it weren’t for our revered writer and good friend Justin Hook, who reviewed it back in August.
Lately however I’ve had a niggling feeling about what readers will make of editor and Bossman having the same (relatively unknown) number one. “Those streetpress types, getting all esoteric on our asses and acting like they’re more in the know than anyone else”. It’s honestly not the case, and I think the fact that Scissor Sisters’ Night Work comes in at number seven in my top ten is proof.
Boys Outside was simply the record Al and I spun the most, and it was the one record of 2010 that both moved me to tears and made me groove; no easy feat, methinks.
I hope you enjoy our bumper end of year edish, dear readers, just as much as we enjoyed putting it together. Ha! This is certainly the last time I put together a 72 page street rag. Then again, that’s what I said last year.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Exhibition - Yiwarra Kuju - The Canning Stock Route WHEN: Until Wed Jan 26 WHERE: National Museum of Australia
The Canning Stock Route is a place where Indigenous and non-Indigenous histories intersect. First surveyed by Alfred Canning in 1906, it is the longest historic stock route in the world, running almost 2000 kilometers across Western Australia, from Halls Creek to Wiluna. This groundbreaking exhibition tells the story of the Canning Stock Route's impact on Aboriginal people, and the importance of the Country that surrounds it, through the works of senior and emerging artists and the stories of traditional custodians. It is a story of contact, conflict and survival, of exodus and return, seen through Aboriginal eyes, and interpreted through their voices, art and new media.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Based on the true story of Orson Welles’ early career in the theatre, Me And Orson Welles is the story of Richard (Zac Efron), a 17-year-old student who spends his days fantasising about the bright lights of Broadway. When he bumps into members of the
Mercury Theatre company - headed by none other than Welles (Christian McKay) – he is offered a small role in Shakespeare’s Julius Caesar. Richard’s dreams seem destined to become a reality, and when he meets the beautiful production assistant, Sonja (Clare Danes), he falls madly in love with her. However, when Welles himself also notices Sonja's charms, Richard learns a harsh lesson about life, love and the irrepressible arrogance of celebrity. Oo, sounds like a good stocking stuffer. We have five copies to give away. To win, send an email to editorial@bmamag.com telling us about your favourite Orson Welles film.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
One evening, through a typical sea of flashbulbs, Adrian Grenier (Vince from Entourage) catches sight of 14-year-old Austin snapping pics of him like a professional twice his age. Austin’s tenacity fascinates Grenier, and he is inspired to turn the camera back onto the paparazzi in an effort to better understand the world of tabloid journalism and, as Austin begins to succumb to the glory of the spotlight, just what it is that makes the lure of fame so powerful. Teenage Paparazzo is packed with celebrity interviews, featuring Alec Baldwin, Lindsay Lohan, Paris Hilton, Matt
Damon and even Grenier’s Entourage co-stars Kevin Dillon, Kevin Connolly and Jerry Ferara, who all provide valuable opinions and insight into popular culture, consumerism and the reality of being a modern-day celebrity. We have five copies to fling your way. To win, send an email to editorial@bmamag.com telling us about your celebrity crush. Or better yet, who you’d like to crush.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Break out your most supportive sneakers because it’s time to hit the track once again.
Ministry of Sound is taking over your fitness regime with Running Trax Summer 2011, 3 CDs of the best motivational dance tracks to help get your pulse racing and extract the most from your workout. There’re three new programs; Jog - the perfect warm-up for an all out cardio blast (which doubles as the perfect soundtrack for the casual pavement pounder); Run - 80 minutes of inspiring tunes to help you maintain your steady stride, keep that heart rate up, and make sure you make the distance; and Interval - a program they’ve formulated with the workout fiends from Fitness First to get you fitter, faster! Yeah! To win, send an email to editorial@bmamag.com telling us about your favourite fatty take away food.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Blue Mountains-based rock-and-rollers Belles Will Ring are gearing up to launch their new single Come North With Me Baby, Wow across the East Coast. Come North With Me Baby, Wow is a catchy and timely spring soundtrack, ready for a road trip along any strip of coast, and features Belles Will Ring’s distinct textures of jangling guitars and harmonies, and the introduction of a dusty mariachi brass section. They’ll be charming the pants off Transit Bar on Thursday December 9. We have three doubles to give away. To win, send an email to editorial@bmamag.com telling us why you love this band.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
The legendary concert film Ladies & Gentlemen The Rolling Stones has been fully restored and remastered from the original film print and multi-track audio masters. Filmed in Texas in 1972 over four nights of the Exile On Main Street US tour, Ladies & Gentlemen was premiered at the Ziegfield Theatre in New York on April 15 1974 and released into selected cinemas across the USA shortly afterwards. It was billed at the time as the most powerful rock film ever made and is considered by many fans to be the finest Rolling Stones performance ever captured on film. It’s a perfect Chrimbo present for the discerning rock lover in your life! We have six copies to give away. To win, send an email to editorial@bmamag.com telling us why The Stones are one of the greatest bands of all time.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Linkin Park have added a one-off Canberra show to their A Thousand Suns tour, heading to Oz this month! They’ll be playing AIS Arena on Thursday December 16. The tour follows the September 10 release of Linkin Park’s fourth studio album A Thousand Suns on Machine Shop Recordings/Warner Music. Linkin Park’s live performances are designed to be a transformative multi-media experience, with a unique blending of music, art and extraordinary visual technology. Fans can expect a set list offering an awesome mix of past tracks and huge hits, as well as some highly-anticipated new material. Tickers are on sale now through Ticketek, but the good ship BMA has two doubles to give away. To win, send an email to editorial@bmamag.com explaining what, or where, Linkin Park is.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
“Hello there my lovely party people! I am about to head to Reunion Island to represent Australia in the Indian Ocean Poetry Slam. Next year is also jam packed, with trips to writers festivals in India, Sri Lanka and China planned. Most importantly, however, I am recording an album with Mighty Joe (a Korean-American rapper with whom I just toured in Indonesia) in California and Seattle, USA. We go by the name of MoneyKat and I believe we have a very special musical partnership, with a focus on poetic lyrics, soulful music and personal stories. Here comes the crunch: we are trying to raise funds to pay for studio time, production, mastering, mixing, all that good stuff, which needless to say, is not very easy. We thought doing an online fundraiser might be a good way to help us along. Please help us out – even $5 would make a difference. Every bit helps! Punch in the link if you’re up for it.”
http://www.fundbreak.com.au/beta/index.php/archive/index/164/description/0/0
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Hugh Foster of Pang! Promotions has taken over Trinity Bar in Dickson and has immediately stamped his authority on the joint by hauling out a dazzling December calendar of local, national and international DJs. Some highlights include We No Speak Americano Dcup on Thursday December 16, Cassian on Thursday December 23 and on Boxing Day Will Styles and Aston Shuffle will help you to dance off all that Christmas ham. All shows start at 8pm and, good gracious, are free. There’s also a free BBQ every Friday from 5pm. Hugh, you legend. Welcome back!
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Upon drummer Evan Dorrian’s return to Australia from London, Pollen Trio are now well and truly back in action on the local scene. They have begun releasing a series of singles on their blog, leading up to a 2011 album release. Pollen Trio are somewhat of a supergroup, with members from outfits as diverse as Kasha, Spartak, and jazz pioneers 10 Part Invention. They launch the beginning of a new chapter with a gig at Smiths Alternative Bookshop on Friday December 17 at 8pm, with Brother Gozu in support. Head to pollentrio.wordpress.com for more.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Paul Kelly’s critically acclaimed memoir How To Make Gravy is now available as an iPhone/iPad App. But it’s more than just an app, it’s a reading experience. The How To Make Gravy app brings to life the words, music and magic of one of Australia’s best loved singer-songwriters. Mirroring the unique structure of his memoir, this app will not only let you read the unabridged ebook of How To Make Gravy, it will also consult your iPod library, so you can listen to any versions of songs you might already have. The first six songs referred to in the book are included to get you started. The app also contains a very personal video introduction by the iconic entertainer as well as six audio extracts. Tickets for Paul’s A to Z tour, which is stopping by The Playhouse from Thurs Jan 27 to Sun Jan 3, are on sale now through the venue.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
What better way to while away a Saturday morn than at a record fair at your favour record store? On Saturday December 11 around 1,000 used LPs will be on sale at Landspeed. There’ll be rock, pop, indie, blues, metal, jazz, funk, hip-hop and more. It kicks off at 10am so be sure to set foot in their early; all that tasty vinyl is sure to be snapped up in a flash.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Yacht Rock WHEN: Fri Dec 24 WHERE: Knightsbridge Penthouse
Christmas Eve is always a special time at the Knightsbridge Boathouse. Saunter in to a time when men were men, women should have been Farrah Fawcett, and the airwaves filled with the smooth sounds of easy listening rock (no roll). Weekend sailing became the choice form of leisure in the summer months, and thus in recent times this genre has come to be referred to as Yacht Rock. Come prepared to party with a Pimm's Cup in one hand, fingers snapping softly in the other, dressed in pastel and cream, just oozing pure appeal and questionable class. Absolutely must dress for the occasion.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Testing out new shit WHERE: Canberra Courtyard Studio, Canberra Theatre WHEN: Josh: Mon Feb 7 – Sat Feb 12. Charlie: Sat Feb 6 – Sun Feb 7
Josh Thomas is returning to C-Town for a week in February to develop his brand new stand up show for 2011. He will be performing his work-in-progress material in the intimate surroundings of the Courtyard Studio at the Canberra Theatre Centre for six days. You’ll see it before anyone else but Josh wants you to know that it might be a bit shit. Charlie Pickering will also be testing out his new stuff on the Canberra guinea pig masses, but he didn’t say anything about his new material being a bit shit. You can buy tickets for both comedians’ shows from canberratheatrecentra.com.au or by calling 6257 2700.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: ‘80s movie revival WHEN: Various dates WHERE: Arc Cinema, National Film and Sound Archive
Whatever nouveau ‘80s kids, enough with your tight stonewash jeans. But an ‘80s movie revival at Arc Cinema I can handle. Like The Karate Kid when there was actually karate in it and Footloose with a side of Bacon. The Outdoor Season starts on Boxing Day with Die Hard II: Die Harder and continues in January and February with Ghostbusters and a 30th anniversary screening of Raiders of the Lost Ark. In February, Arc hosts the only Canberra screening of The Human Centipede in a Friday night horror double with the homicidal sell-out of 2010 CIFF: Rubber. Book on 6248 2000. www.nfsa.gov.au
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Intricate harmonies and spiralling guitarscapes WHEN: Thurs Dec 9 WHERE: Transit Bar
“Having spent the best part of 2010 in the beautiful and eerie surrounds of country NSW recording our follow up to 2007's Mood Patterns, Belles Will Ring are returning to the open road to showcase our brand new songs, in particular our new horn-laden single Come North With Me Baby, Wow. We will also revisit some old rarities, and throw in a few surprises along the way. Expect the familiar intricate harmonies and spiralling guitarscapes, and a host of new songs chronicling the rocky road trip of the soul. Come along, tune in, drop out or whatever it takes to free up your mind.”
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: An eclectic pie that shouldn’t work but does WHEN: Wed Dec 15 WHERE: The Irish Club, Weston
Now firmly established on the European and UK festival circuits Hat Fitz, Australia’s wild man of blues and Northern Ireland’s Cara Robinson, return to Australia to perform selections off their eagerly awaited and critically acclaimed CD Beauty ‘n’ the Beast. Take one heaped teaspoon of Seasick Steve, a liberal helping of Catfish Keith and a pinch of Joni Mitchell. Finish well with a dusting of Blind Willie McTell and put into a studio at gas mark five. Bake for one week. What you get is an eclectic pie with so many flavours that perhaps shouldn’t work together, but somehow just do.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Dubstep Don WHEN: Wed Jan 5 WHERE: The Clubhouse
Flying Lotus didn’t have to search far for musical inspiration. Talent and creativity shone within his incredibly talented musical family. He is the great nephew of the late legendary jazz pianist Alice Coltrane, wife of John Coltrane, and a cousin of jazz musician Ravi Coltrane. His music has been described as the sound of creating, and has helped inspire and craft the future of dubstep, hip-hop and electronic music. With innovation and skill he has crafted his own cult position as a pre-eminent figure within 21st century art. Supported by Hudson Mohawke and The Gaslamp Killer.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Summer Rhythm Festival WHEN: Sat Feb 19 – Sun Feb 20 WHERE: Goolabri Resort, Sutton
Summer Rhythm Festival aims to broaden people’s knowledge of mental health through a two day event submerged in music, with a focus on roots, reggae, funk, dub and electronic, or anything else with rhythm! The event exudes friendliness, participation and having a good time with new and old friends. Acts confirmed so far include The Beautiful Girls, Space Invaders, Phrase, The Tongue, King Tide, The Red Eyes, Canyons, as well as a solid local contingent consisting of Dub Dub Goose, Fun Machine, Super Best Friends, Beth n Ben, Readable Graffiti and more. Head to summerrhythm.com.au for all the info.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Jerome Isma-Ae (GER), Jaytech & JML WHEN: Fri Dec 17 WHERE: Hippo
For over a year now Effigy have worked hard to bring you the best in quality electronic music from Australia and around the world. For their final show for 2010 they wanted to go back to their roots for a night of all things progressive at the venue that helped it all happen. In one of their biggest line-ups to date, Effigy Entertainment is proud to present Jerome Isma-Ae, Jaytech (pictured), and JML, with support from Peekz, fourthstate, String Theory, Gabriel Gilmour and Brenton Kalisch. Doors at 8pm, $15 on the door. Head to the Effigy Entertainment facebook group for more info.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Rocking the rock out of the rockers WHEN: Thu Dec 23 WHERE: ANU Bar
“Cell Block 69 have given Canberrans the greatest gift of all, rock, every X-mas for about six years. This will be their first show since they rocked the rock out of the rockers at last January’s 100th Big Day Out. This legendary performance had the stars all a-twitter with triple j’s Dom Alessio tweeting “Cell Block 69 are my new favourite band!” while Joel Quatermain (Eskimo Joe) wrote “The highlight of the night has to have been the appearance by the 'best band in the world', Cell Block 69”. If they can inspire rock stars to go mental, imagine what they can do for a commoner like you.”
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: SoundOut 2011 WHEN: Sat Jan 29 – Sun Jan 30 WHERE: The Street Theatre
A host of international, interstate and local music provocateurs from Canada, China, Germany, Netherlands, Norway, Sweden and Australia will collide, move walls, swap domiciles, and cross-pollinate in the exploration of their sonic art forms at the SoundOut 2011 Festival of Free Improvisation, Free Jazz and Experimental Music. It will include innovative performances from The Thing (power house free jazz trio), Magda Mayas/Tony Buck Duo, Cor Fuhler, Kim Myhr/Jim Denley, Duo Vulgarites, Yan Jun, Dale Gorfinkel, Rosalind Hall, Laura Altman, Mike Majkowski, Monika Brooks, Michael Norris, Richard Johnson and Spartak. Head to thestreet.org.au for ticket details.
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Surfing rockabillies WHEN: Sun Dec 19 WHERE: The Front
“We are Mother & Son from Wollongong, and you should come to our show because what else are you gonna do on a Sunday night? We play loud surf/rockabilly tinged garage rock ‘n’ roll with growly vocals and misfortunate tales. We also have a tendency to jump on the tables at Phoenix and drink too many pints of Bulmers. We are also launching our LP! And The Fantastic Fighting League are playing! So it’s gonna be a crazy night… might be an idea to call in sick for Monday… it sure beats staying home and watching the Sunday night movie.”
|
Date Published: Tuesday, 7 December 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: A heady mix of pop, poetry and rampant sexuality WHEN: Sat Dec 11 WHERE: The Front
“My name is Laura Jean. My Norwegian friend Jenny Hval (pictured) and I, as well as her band members Håvard and Kyrre, will be playing a show at The Front Gallery on Saturday the 11th of December. I would really like you to come. I love playing in Canberra. The audience is always full of people with interesting jobs, like protective escort to the Minister for Forests (do they wear brown pants and a green velvet top with a hat made of leaves for camouflage?). The person with the most interesting job on the night will get a free CD. The music's going to be great too.”
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Group members: I cloudsource all of my bandmates, so my backing tracks are separated into two second ‘tasks’ and are completed simultaneously all over the world. Think ‘James Fahy and the Mechanical Turks’.
Describe your sound: My sound and I are currently engaged in arbitration – it wants me to stop cloudsourcing material, and I want it to evolve somewhere more sporadic and unpredictable. The new songs coming out of this process are less ‘struggling solo artist under the influence’ and more ‘every song is a snowflake.’ They each tell their own story, their own way, and I just have to make sure the audience understands what they’re trying to say. It’s worked so far.
Who are your influences, musical or otherwise? The people who are making something unique and beautiful without relying upon technology. This obviously includes Hot Chip, who live on synths but make it soulful. Joanna Newsom, Elliott Smith, Joe Oppenheimer, Fun Machine, Jeff Buckley, Jack White and Johnny Greenwood also spring to mind.
What’s the weirdest experience you’ve had whilst performing? Applause.
What’s your biggest achievement/proudest moment so far? Sustained, recurring applause. That and my EP, The Sun Will Burn Through This Cloud. Those, and the interest and support I have from so many people that I admire, not least my manager and music friends.
What are your plans for the future? Lots of recording. The latest batch of new songs are going to have an effect on people, I know it, but they need to be recorded right – drunk in my living room over many, many late nights.
What makes you laugh? People sitting in their living rooms, typing answers, staggering into the kitchen for a drink, finding ants, searching out their source, throwing out that bread that’s mouldy and has ants in it, returning to the computer and continuing a cloudsourcing gag that began in the second question, realising that they forgot to get a drink.
What pisses you off? Being thirsty. That money is necessary to set up a decent studio in the living room of my house so that I can just do exactly what I want with my life.
What’s your opinion of the local scene? I’ve discussed it many times in many places, but it always comes back to Canberra’s music scene growing exponentially, less people leaving and enormous events beginning to show true promise and bring acts to this somewhat backwoods town.
What are your upcoming gigs? I’m supporting the inimitable Ash Grunwald at The Maram on Thursday December 9, and Fun Machine on various dates of their tour – check out their Facebook site, I implore you.
Contact info: Email me absolutely anything to j.fahy@hotmail.com. I promise you a humorous and fulfilling answer.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
On August 26 the Liquor Act 2010 was passed by the ACT Legislative Assembly, replacing the existing Liquor Act 1975. According to the Office of Regulatory Services Department of Justice and Community Safety, the new Act “aims to respond to the needs of the community and liquor industry and strike a successful balance in an effort to minimise the harm arising from alcohol-related incidents. All matters will be considered with regard to the impact on the community, and licensees and permit holders will be expected to understand and manage the risk associated with the sale and consumption of alcohol in the ACT.”
Now this sounds alright to me. Anything to curb the sometimes cringe-inducing Civic of a Thursday, Friday, Saturday night is a good thing; packs of fluoro singlets and gaggles of mini-skirts; shrieking, shivering, stilettos in hand, walking pneumonia in winter. The mobs of boozy boys laying in to anyone who gets in their way or flashes their latest bit of sauce a look. The Act will make the following an offence; to provide alcohol to an already intoxicated person by both patrons and employees on licensed premises; to abuse, threaten or intimidate an employee for refusing service of alcohol; and to offer alcohol promotions which encourage rapid consumption of alcohol. See ya later Jim Beam babes.
But with all blanket legislation problems arise, the biggest one being that the new Act is yet another constrictor of Canberra’s live music scene. Treasured small venues like Phoenix and The Front are facing a 500% increase in licensing fees for post-midnight trading ($16,000 per annum compared to roughly $2,000). The revenue raised from the increase is supposedly going towards the enforcement of the Act, both in terms of police numbers and education. But when was the last time you saw a punch up at The Front, or felt the need for police protection at Phoenix? The fluoro singlets and mini-skirts don’t flock to these venues for $3 drinks, music lovers do, to catch a band and have a beer or two.
Once again the Government has reached for the closest tool at hand by restructuring the licensing fee schedule (which targets any venue with a capacity over 80). Consequently the new Act is not only a serious headache for existing small venues, but aspiring venue owners will now have to rethink post midnight trading as they weigh up the prospect of having a smaller capacity/closing early or having to meet the additional costs. If these new venues want to be competitive and provide the type of experience that Canberra’s live music scene sorely deserves, it will require being lumped in with the $3 drink establishments which are undeniably the fuelers of the alcohol-related incidents the Act is seeking to combat.
The Act is also introducing “stronger protection for children and young people, including stricter guidelines for underage events”. You can only imagine, dear readers, what this will mean for Canberra’s dwindling all ages scene, but more on that next time. For a more detailed discussion of the many ramifications of the Liquor Act 2010, check out the Facebook group ‘Do you want Canberra pubs to close @ 12?’
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
E.L.K recently took out Australia’s top gong for stencil art with his work titled Saul Williams. E.LK’s photo realist stencil of the American poet, writer, actor and musician impressed judges with its technical brilliance. As a self taught artist, E.L.K has spent the past six years developing his own style of painstakingly detailed stencil art. He creates the stencils by methodically cutting out layer upon layer of shade and detail from recycled plastic. He then uses a spray can to build up the image from the lightest colour to the darkest. According to E.L.K’s website, elkstencils.com, “the name E.L.K comes from a chance piece of information about the epiphytical tropical elkhorn fern. His interpretation is that the plant is integrally connected to the structure of the tree, but also independent of it, and as a result free.” Massive congrats from BMA, E.L.K.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Lock the date in kiddos: Sunday May 8. After a sell out show in 2010, GTM is excited to be making a return trip to The Meadows at UC as part of the 2011 tour. With improved and expanded facilities to match another impressive music program that will provide over ten hours of music and feature close to 25 local, national and international artists, GTM will once again be a value-packed day with a twist of country hospitality thrown in. They’re even promising twice the number of international artists than this year. Bloody moovellous. Yep, the bad cow puns have begun. The line-up will be announced on Wednesday Feb 2, with tix on sale Tuesday Feb 15. It sold out this year so get in quick! Head to gtm.net.au for all the info.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Avuncular! The second instalment of Canberra’s annual showcase of experimental spoken word brings together performers from The Front Slam and Bad!Slam!No!Biscuit!. Established in 2009 to provide space for poets to extend their limits the night promises performances from Canberra’s unique poetry movement. Hosted by Andrew Gayland and Julian Fleetwood, it will feature JACINTA, Alison McGregor, CJ Bowerbird, Josh Inmania, Miranda Lello, Joel Barcham, Bela Farkas, Michael Klapdor, Leon Twardy, Benjo and antyphayes. 7.30pm, $5.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
In celebration of International Day of People with Disability the ACT Human Rights Commission and the ACT Community Arts Office present Seven Short Films With a Difference. The new films about disability will be opening on Friday December 3 at the National Film and Sound Archive. It is a free event but seating is limited and bookings are essential, so phone 6205 2222 for a seat. For full programme details head to withdifference.tumblr.com.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
New Weird Australia have just released their first geographically specific, guest curated compilation, The Sound of Young Canberra. Shoeb Ahmad (hellosQuare) and Tim Guthrie (Dream Damage) have put together an eclectic mix of styles; some familiar, some entirely new; featuring some residents and some expatriates. Tracks come from Pollen Trio, Teddy Trouble, Spartak, Jonny Telafone, From The South, Readymen, Reuben Ingall, Danger Beach, Shoeb Ahmad, Assassins 88, Kasha and Bum Creek. The Sound Of Young Canberra is now available for free download from newweirdaustralia.com.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Let’s cut to the chase. It’s a super exciting line-up: The Chemical Brothers, Mark Ronson and The Business Intl, MGMT, Dizzee Rascal, The Presets, Pendulum, and Leftfield. And naturally a massive swag of other shit hot acts. What is it? It’s Future Music Festival. When is it? Saturday March 12, 2011, at Royal Randwick Racecourse in Sydney. You want in? We’ve got a double pass up our sleeves, and it very well could be yours if you send an email to editorial@bmamag.com telling us about your favourite act on the Future line-up.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Madman is proud to announce the DVD release of the complete first season of hit Channel Ten series Offspring, available December 1. Shot in the vibrant Melbourne suburb of Fitzroy, Offspring is a stylistically fresh and visually exciting new series from the award-winning producers of Love My Way, The Secret Life of Us, Tangle and Rush. The DVD box set features all episodes from the first series, including the original feature-length telemovie, along with other yet to be announced features. Basically it’s the perfect Chrissie pressie for your sister, your gal or yourself, so BMA is giving away three sets. To win, send an email to editorial@bmamag.com telling us what you love most about the series.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
Releasing nationally on November 25, Monsters was written, shot and directed by BAFTA award-winning, EMMY nominated CGI animator Gareth Edwards and stars newcomers Scoot McNairy and Whitney Able. Not your average sci-fi monster movie, Monsters is a one-of-a-kind hybrid; a cross genre road movie love story that just happens to travel into the heart of an alien-infested war zone. We have ten double in season passes to give away, courtesy of Madman. To win, send an email to editorial@bmamag.com telling us about the freakiest monster of all time.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Canberra Supergroup WHEN: Fri Nov 26 WHERE: The Clubhouse
After one week of not having a gig The Howling Cats are ready for another, and another. Since all their friends came to The Phoenix and clapped for them they’ve decided to go on a Grand World Tour. Though members won’t necessarily be in the same place at the same time, the tour will consist of Melbourne, Sydney, Walcha, Terrigal, Kangaroo Valley, Alice Springs, North Carolina, New York and London. They’ll be supporting Fun Machine (deceiving name, really) at their Tour Paunch Party and will be howling until The Clubhouse burns down or the sun rises over the Empire. Do come along.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Maori Princess of Funk WHEN: Wed Dec 1 WHERE: The Front
“I'm Mihirangi, I miss all my Canberra friends and can't wait to play for you all again!” Mihirangi’s astonishing show has captured and mesmerised audiences both nationally and internationally, becoming a touring favourite with her unique sound. She has performed with Public Enemy, Arrested Development, Michael Franti and Lee Scratch Perry. Singing in both Maori and English and dubbed the Maori Princess of Funk and the Queen of Loops, Mihirangi creates her own band sound live in front of her audience. Tickets are available at the door for $15/$12, and support is from Canadian singer/songwriter Kira. 7.30pm.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: A guy who’s doing something right WHEN: Sat Nov 27 WHERE: The Front
“Hello, my name’s Paul Andrews and I play guitar and sing in a Sydney band called Lazy Susan. Ok, here’s my pitch. It’s a Saturday night in Canberra, you feel like going out, but you don’t feel like a huge one. You want to have a few drinks but don’t want to head to some beer barn or over-hyped bar. You want a few drinks, with a few friends, in a small place, listening to a guy who writes good songs, a guy who's just supported Brian Wilson in Sydney so he must be doing something right. That’s where I come in – me and another guy called Glenroi Heights. The end.”
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Whiskey-fuelled blues WHEN: Thurs Nov 25 WHERE: The Front
Jez Mead is the archetypal slow burner. Relying on a DIY attitude and an unyielding touring ethic, Mead has been building a fire of support through constant gigging around the country and unwaveringly positive word of mouth. In support of his new single Town’s Too Small, Jez is touring nationally through November and December.
Built over a chorus of foot-stomping and swampy handclaps, Mead mixes a potent combination of whiskey-fuelled blues with an emotionally charged diatribe of heartbreak and escapism. If Jez were a barman, Town’s Too Small would be his signature drink. With support from Lanie Lane, it’ll be a helluva night.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: Def Leppard Tribute Show WHEN: Fri Dec 3 WHERE: The Maram
You know the name, you’ve heard the songs, now rock out to the tribute. 65 million album sales, 44 hit singles and more sugar than you can handle, Def Leppard have the ‘80s rock anthems that we all love. Leppard are Australia’s finest Def Leppard rock tribute show, re-creating the stadium show atmosphere with the big guitars, big choruses, fist pumping party anthems and oozing power ballads. No costumes, no acting, just pure ‘80s rock re-created to pay honour to one of the world’s best selling musical artists. The members of Leppard also performed in Ivoj Nob, Maiden OZ, and Live Evil, so they’re old hats at this game. Tix through Moshtix.
|
Date Published: Tuesday, 23 November 10
| Author: Julia Winterflood
|
| 1 year, 2 months ago
WHAT: The Black Parade WHEN: Sat Dec 4 WHERE: The Maram
Time to get your groove pants on! Melodic rockers Stone Parade, alongside progressive rock champions Sleep Parade (both unrelated) will be making some noise at The Maram on Saturday December 4. Hailing from Sydney, Stone Parade have toured with Maroon 5, Hoobastank, 3 Doors Down and INXS while Sleep Parade, born and bread in Melbourne, have rocked out with the likes of Cog, Karnivool, Behind Crimson Eyes and Porcupine Tree to name a few. Supported by local metal heads Spoil and Escape Syndrome along with promising up and comers The London Circuit, this is set to be a huge show. Doors open at 6pm, tix $10 through Moshtix or $15 at the door.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Digital Jam is an underground experimental project by digital artists projecting live video and motion graphics and mixing sound on multiple stages. Projections by video artists including London-based video director and illustrator Danny Sangra will dovetail with an epic sound space and dance music by a number of DJs including Melbourne sound artist Buttress O’Kneel. It’s all happening at the National Gallery on Saturday November 20 and tickets are on sale now. Head to http://www.digitaljam.com.au for all the info.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Gemma Ray, the much-celebrated UK pop-noir starlet, will play Canberra in support of her covers album It’s A Shame About Gemma Ray. The torch-singing, guitar-taming heroine, touring solo, will stay faithful to the stripped down spirit of the album, so this will be a rare opportunity to catch her in this guise. Expect a procession of hits from The Gun Club, The Cookies, Ella Fitzgerald, Obits, Mudhoney, Etta James, Gallon Drunk, Buddy Holly, Gershwin, Alex Harvey and more. She will also be equipped with her kitchen knife, which she uses to extract the sounds of the ‘other side’ from her guitar, and which she famously hospitalised herself with this summer, accidentally stabbing herself live on-stage in Oslo. Oo er. Gemma will be at The Shine Dome, that funny looking domey thing near ANU, on Saturday November 20.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
They say good things come to those who wait, so the Oz hip-hop scene must have been exemplary lately, because Bigfoot’s debut LP is about to drop. Never one to rush things, the man with the size 15 feet has taken his time to put together an album featuring guests such as Muph, Miss Brown, Dialectrix and assorted Hired Goons. Unlike a lot of Oz albums out lately, Giant Steps keeps the mood varied – there’s no 15 track whinge fest here. Giant Steps drops on Friday November 12 through Broken Tooth Entertainment.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
MICfest 2010 is an all day music festival, showcasing the talented students from CIT’s Music Industry Centre (MIC). MICfest kicks off at 1pm with local secondary students competing in the School Stars Band Competition, followed by the first year student bands. The entertainment continues into the evening with the official MICfest EP launch. The second year MIC students will then perform until 10pm. Gig goers and the general public are encouraged to attend and enjoy all that the MIC has to offer. The date to lock in is Saturday November 20, and the place is CIT, on the corner of Hindmarsh Dr and Ainsworth St Phillip.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
With her husky voice, superb songwriting and gutsy go-get-’em performances, roots/rock sensation Genevieve Chadwick is attracting attention wherever she plays. Genevieve has toured the east coast with leading Australian musicians including Little Birdy, The Screaming Jets, Diesel, Richard Clapton and more. Along with winning both the ACT and NSW Battle of the Bands competition, Genevieve was a finalist in Cosmopolitan Magazine’s Fun, Fearless Female awards in the category of Rising Star in 2010. Genevieve has three gigs in Canberra in the coming weeks; at The Front on Sunday November 14, at Phoenix on Thursday November 25 and PJ O’Reilly’s in Civic on November 26. Head to myspace.com/genevievechadwick for a listen.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Making their way down the east coast for the first time, Run Squirrel will be stopping by Canberra on Thursday November 25. Forming in Newcastle, the four-piece play a blend of emotive and moody rock channelling bands like Kings of Leon and Sparta. Run Squirrel will be joined on tour by songwriter and Novocastrian Corey Price playing a solo set. Appearing alongside them will be duo acoustic act Racecar Bed and coast boys Absence of State. It’s all going down at The Potbelly Bar in Belconnen. Head to myspace.com/runsquirrelnc to have a listen.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
With a voice that’s been compared to the likes of Julia Stone and Ani DiFranco, Sydney folk/roots artist Bianca Meier will take the stage at The Front on Wednesday November 24, as part of a national tour to promote the release of her debut EP Oh Bright Night. At the tender age of 21 Meier has already carved her name in the Australian live music and recording scene, playing alongside artists such as Ian Moss, Matt Corby and recording with The Whitlams and DIG on Oh Bright Night. For more info head to www.biancameier.com.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Chillout Sesions XIII is your musical companion this summer. Welcome the warmth and dive into a double disc set of down-tempo acoustic, indie and electronic sounds, sure to take you on a deliciously relaxing journey and provide the ultimate soundtrack to the season. We have five copies to give away. To win, send an email to editorial@bmamag.com telling us how you like to chill out in summer.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Pickering comes to the table with his brand new album Work Of Fiction. Having spent the last two years living and recording amongst the musical melting pot that is Nashville, Tennessee, he’s now touring the country and will be stopping by The Front on Saturday November 13. Tickets are $15 on the door. We have two copies of the album and two double passes to give away. To win, send an email to editorial@bmamag.com telling us what you believe to be the best work of fiction.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
The Capital Rock Music Festival, hitting The Maram on Saturday November 20, will feature some of the hottest alternative and progressive rock bands in Australia. Among them are Sydonia, Jericco, Breaking Orbit and Bellusira as well as local favourites Atlantis Awaits, Escape Syndrome, Spoil, and many more. We have one tasty ticket to give away. Simply send an email to editorial@bmamag.com telling us your hot tip for Canberra’s best metal act.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Hot off his tour of Australia and New Zealand, Bill Bailey’s Dandelion Mind DVD will be available from Wednesday December 1. Featuring his trademark musical interludes, observations and stories of the road, Dandelion Mind will be based loosely on the theme of doubt (or will it?), as we follow Bill from his real-life saga of being trapped by the ash cloud, to his barely contained rants about celebrity, TV, and creationism. We have five copies to give away. To win, send an email to editorial@bmamag.com telling us about your favourite Manny moment from Black Books.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Dylan Moran is about to spread a little happiness with a new DVD in time for the season of good cheer. The Very Best of captures Moran’s most hilarious rants from Monster, Like Totally and What It Is. This is vintage Moran, the very best bits all delivered with Dylan's renowned, shambolic charm. Ageing, religion, kids, relationships intertwine with the general absurdities of life, searing observations and sumptuous imagery painted across a large frayed canvas with cruel, curmudgeonly 'Moranesque' brush strokes. Brilliant. We have five copies to give away. To win, send an email to editorial@bmamag.com telling us about your favourite Bernard moment from Black Books.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Following a complete sell out tour and filmed live at London’s Hammersmith HMV Apollo, this is the hilarious fourth live smash hit stand up show from Ricky Gervais.
Never afraid to challenge comedy boundaries, Ricky is renowned for his acerbic observational humour and cutting delivery. Set on a stage designed to look like Frankenstein’s castle laboratory, this show brings together thought provoking rants and tongue in cheek political incorrectness about subjects as diverse as religion, racism and obesity. We have five copies to give away. To win, send an email to editorial@bmamag.com telling us about your favourite Ricky Gervais moment moment from Extras or The Office.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Billy Connolly, the King of Comedy, returns in his first brand new stand up DVD in three years. As funny, topical and downright brilliant as ever, Billy Connolly Live in London 2010 is the master at his best. From raging about Britain’s political correctness to reporting about the oddities of America, Live in London 2010 takes the audience on a hilarious series of anecdotes, digressions and yarns. We have five copies to give away. To win, send an email to editorial@bmamag.com telling us your favourite Irishman, Scotsman and Englishman joke.
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Where did your band name come from? Just thought of it.
Group members: Conor Hutchison (vocals, guitar), Harry Bellchambers (bass, vocals), Goo (guitar, vocals), Phizz (keyboards) and Kay Chinnery (drums).
Describe your sound: Our sound is like a constant fall asleep, although the other day Kerry from The Fighting League described us to be a “well oiled pop machine.” I think a combination of both would probably be pretty close. It is quite hazy, like waking up.
Who are your influences, musical or otherwise? Buffalo Springfield, The Sleepy Jackson, The Chills, The Birds, Fleetwood Mac, Andrei Tarkovsky and Luis Bunuel.
What’s the weirdest experience you’ve had whilst performing? A friend of ours punched another guy in the face because the guy was talking to a girl who he liked. Neither of the guys knew the girl. The show was quite good overall but the part I remember most is the eeriness of the bar as soon as the fight stopped.
What’s your biggest achievement/proudest moment so far? Probably finishing our debut album In Horizons. Before the album we had only released a scattering of EPs.
What are your plans for the future? Our album In Horizons will be released early December through HellosQuare Records. We have almost finished recording our second album which will be released sometime next year. After we have finished recording the second album we will do some interstate shows to promote In Horizons.
What makes you laugh? People.
What pisses you off? Television.
What’s your opinion of the local scene? It’s almost invisible – it’s not as visible off the internet as it is on the internet. But there are heaps of good bands now, maybe over the last two years; there has been some really great gigs in Canberra over the last few years despite the disappearing music venues. In some ways this has made the music scene a lot stronger, forcing people to work together but in other ways it’s made the scene slightly exclusive, almost invisible. Despite any of that Canberra has a name for itself now which is pretty sweet.
What are your upcoming gigs? Electric Lake II which is on Saturday November 13 in Commonwealth Park near the chess board.
Contact info:
from_thesouth@hotmail.com
myspace.com/fromthesouthmusic
|
Date Published: Tuesday, 9 November 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
On Friday October 29 Stateline ACT ran a story on the recent explosion of local festivals. All the big ones got a mention; Stonefest, Foreshore, Corinbank and Folkies, but along with the majors there now seems to be a local festival every month; the Belconnen Community Festival’s on this weekend, the Woden Lift Off Festival was on last weekend and the Capital Rock Music Festival is just around the corner. Is Canberra heading down the same path as the rest of the country? Are we over-saturating the market? As Stateline reporter Ben Lisson explained, “In the literally crowded market festivals are constantly competing with one another. But there’s also an interdependence with each event, building Canberra’s reputation as a music destination.”
One man who’s done a world of good for Canberra’s burgeoning live music scene is creator of Birds Love Fighting Records, Warwick Smith, who along with a small band of enthusiastic musicians, the CMC, hellosQuare recordings and Dream Damage, established Electric Lake, a free outdoor all ages festival in the beautiful surrounds of Commonwealth Place. Unfavourable weather forced the second instalment to be postponed ‘til Saturday November 13, so I thought I’d catch up with Warwick to give EL II one final plug within these pages.
What motivated you to establish Electric Lake? “Glen and Pete, who are some of the faces behind the event – we got talking and established that the music scene we’re involved with needed some kind of reason to kick back and make a nice day of what we love, and be able to share it with folk that can’t usually make late nights and blurry mornings.”
What have been the biggest challenges (apart from the weather)? “Choosing the lineup and being swamped by artists and band managers asking if their band can play; the challenge there is saying no because there are so many great bands at the moment that it has been hard to do.”
Why do you think there’s been an explosion of local festivals in the last couple of years? “Canberra is expanding and dare I use the word ‘contemporising.’ Different genres are taking off and people are excited by it; promoters, bands and audiences are really getting behind it and taking it on in their own way, whether it be for financial gain or inspiring Canberra to showcase what it can do.”
What does the future hold for Electric Lake? “I can only hope it keeps its head on. It’s easy to say ‘bigger and better’ next time, but I like that it’s chilled out, small, non-financial and easy to manage.”
What do you think the future holds for Canberra’s live music scene? “Being recognised as a place where quintessential Australian music is born and remembered for the next few generations. One day someone will write a book.”
Electric Lake II: Return to the Lake will showcase bands such as Hoodlum Shouts, Kasha, Voss, Julia & The Deep Sea Sirens, Danger Beach and From the South all for nought on Saturday November 13 at Commonwealth Place Ampitheatre. It starts at noon sharp. See you there.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Where did your DJ name come from? It’s my last name and it was my nickname all through school. It was an easy name at the time and now it has just stuck with me.
Group Members? (eg Dave L (vocals), Sally Thornton (Drums) etc) Just me, Daniel Rawson.
Describe your sound. House/electro, RnB, hip-hop, Dutch house, Nu Disco.
Who are your influences, musical or otherwise? Every artist that produces fresh beats for us DJs to play around with. There have been some really good artists and some of my favourites at the moment would have to be DJ Chuckie, Mobin Masters, Calvin Harris, Kid Cudi and Swedish House Mafia. Actually they are just a couple – I could ramble on for ages as there are some really awesome music artists out there today.
What’s the weirdest experience you’ve had whilst performing? Haha, I haven’t come across anything that I can remember. Nothing really weirds me out.
What’s your biggest achievement/proudest moment so far? Playing at Warehouse 2010. I’m pretty happy with how far I’ve come so far.
What are your plans for the future? Festivals, radio and producing. I want to also put a clothing label together – I love Graphic.
What makes you laugh? All the partygoers.
What pisses you off? Fakes. There are a lot of fakes out there. Keep it real and be true to yourself!
What’s your opinion of the local scene? The local scene has a lot of potential – everyone here loves to party. With all the events/festivals running around the place, instead of the Nation’s Capital, we could possibly become the Party Capital!
What are your upcoming gigs? Nothing as yet but you can catch me upstairs at Mooseheads Pub & Nightclub every weekend. You can follow me on my Facebook page for any upcoming gigs.
Contact info: DJ RAWSON (Facebook page), dgrawson@gmail.com
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
DESPISED ICON are about to embark on their first ever Australian tour, which, funnily enough, will be their last tour before playing some final hometown shows and then calling it a day. Since forming in 2002 the band has gone from what guitarist Eric calls “a more brutal death metal style” to “these days we integrate a lot more of the hardcore sound into our music.”
The band will be joined on their tour by The Red Shore and Thy Art is Murder, both bands of a very similar style to Despised Icon. “We’re touring with The Red Shore – those guys are really troopers of metal. Our friends in All Shall Perish were touring with them when the tragedy happened. It’s great that they’re still going and it’s an honour to be playing with them,” Eric says.
Before arriving in Australia the band has a pretty heavy schedule. When I call Eric he tells me that the band has just arrived in San Francisco, playing the last few shows of their US tour. Just one week after that tour, they will play a full Canadian tour from the West Coast to the East Coast. After that they travel through Asia, playing shows in Thailand, Singapore and Japan before arriving on our shores.
When I ask how the band expects the Australian leg of the tour to go, Eric tells me “I’m really anxious to get there. I’ve heard it’s really awesome, really beautiful too. It’s a dream come true. We wanted to go over there for many years – this is our chance. I think we’ll have a great time and it will be awesome.”
Looking back on their early albums, Eric says the band has come a long way. He also says “I think it was a good album to start with. We were still searching for our sound back then.” When I ask what sort of bands he recommends now, he tells me he’s not the one to ask. “I’m the old man of the band. I’m more into classic rock and old music. Rush is in my top five bands of all time.”
Once the tour of Australia finishes, the band goes back to Canada to play four final shows. “We’re playing two in Toronto and then two in Montreal, our hometown. That’s where we started, so that’s where we will end it.” Once the band calls it a day, there are no particular plans in the works. “We’re just going to have a break, everybody needs that. Some of us will have children and that takes some time. Maybe some of us will start some other bands but nothing is planned yet.”
The tour won’t just be about playing the shows. “It may sound boring for you, but all we hear about are kangaroos and kolas. It will be a very exotic tour for us.”
Catch Despised Icon along with The Red Shore and Thy Art Is Murder live at The Holy Grail in Civic on Friday November 12. Tickets are $43 (+bf) through Moshtix.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Local experimental rockers KASHA have kept a low profile of late. While members were finishing their studies at the School of Music, the band took a break from shows to ready their second EP, What a Colourful Mouth. But now, armed with a freshly minted stack of 7” singles, the four-piece are back.
The new record, which follows last year’s debut Five Songs for Sunstroke was recorded at Melbourne’s Headgap Studios with engineer Casey Rice. Originally based in Chicago, Rice is permanent soundman to post-rockers Tortoise and over the years has worked with the likes of Liz Phair, Sunny Day Real Estate, Cap’n Jazz as well as countless Australian musicians including Ben Lee, Dirty Three, Bird Blobs, Mum Smokes and Songs. Despite the tight timeframe of just four days to complete all recording and mixing, bassist Josh Becker says the sessions were relatively stress free. “Casey’s a really relaxed guy. He kept us focused because sometimes we can get a bit carried away and think ‘we want to do this and this...” and he reminded us ‘man, you’ve got two days in the studio, you’ve got to choose. You can’t do it all.’ The good thing about Casey is he’s done a lot of rock stuff and a lot of electronic stuff – he’s really versatile.”
The four track EP sees Kasha – completed by guitarist Adam Guzowski, drummer Hugh Deacon and keys player Austin Buckett – refining its sound, easing off on the complicated riffage and focusing more on rhythm and groove. “It feels like at the moment we’re in a transitional stage, trying to get to a different kind of sound,” Josh says. “We’re going to expand that a bit more with electronics and different instruments, sounds and ways of writing. I think what we’ve got up to now has run its course – it needs to change.”
Just where the Kasha will end up is anyone’s guess. During the chat Josh enthuses about recent performances from Japanese noise rockers The Boredoms, as well as UK electronic duo Autechre. “On one of the nights we were mixing in Melbourne, we went and saw Autechre play,” he remembers. “Most electronic acts have a light show, but there were no lights at all. We were getting pummelled with this electronic noise and you couldn’t see anything. It was so alienating but also amazing – one of those gigs where you just leave drained.”
With Kasha’s membership all now free from studying, the band plan to begin writing in earnest towards an album, the recording of which will be aided by a well-deserved ArtsACT grant. “Next year we’re going to be flat out doing it, putting all our time and effort into making this album as best we can,” Josh says. “Now that the money side has been taken care of it’s up to us to work really hard on the songs.”
Kasha launch What a Colourful Mouth at Transit Bar on Thursday November 11 alongside Hoodlum Shouts and Mere Women (Sydney). Entry is free.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
In lieu of a chat to the illusive BONE THUGS-N-HARMONY we caught up with promoter and notorious emcee Dave Parsons to chat about the tour and future of major hip-hop events in C City.
Back in 2001 a couple of mates and I scored tickets to the hip-hop event of the year – Eminem live in Sydney. I was asleep in the back of my Nissan using my girl’s lap as a pillow when suddenly I found myself flying into the back of the seats in front of me. I looked up and realised my mate had run up the ass end of the car in front of him and sent that car into the car in front of it!
In a state of panic my mate turned and asked me what he should do. Like any true Em fan my answer was simple. “Reverse, take the exit ramp and get us to the venue!”
So with a crushed front end, one headlight and a bumper hanging off we arrived at the Shady concert with at least six minutes to spare.
One of the mates that made that trip with me back in 2001 will be at the Bone Thugs-N-Harmony gig at the Southern Cross Club in Woden and this time he won’t need a car. He can leave the ride at home and walk down the street to catch one of the most successful groups in hip-hop history.
That’s what KP are aiming to do for Canberra – we want to bring the best hip-hop has to offer right here to our own backyard. Old school, new school – the works.
If we can sustain an event like Foreshore, why can’t we rock the big names in hip-hop? A lot of hip-hop fans here complain that we miss out on all the big shows. Now’s your chance to change that. Canberra’s a dope city with a solid hip-hop scene and we have the numbers to stand up and be counted when the big events go down.
I’ve gone with one of the biggest venues being used on this whole Bone Thugs-N-Harmony tour and it’s on the first Friday night of the tour. It’s a bigger venue than Melbourne’s, it’s a bigger venue than Sydney’s and that’s because I want to prove a point to the people of this city!
So get down to the SCEC on Friday November 12, support the movement and catch Bone Thugs-N-Harmony and some top shelf local talent.
You want regular A-grade hip-hop Canberra? Then let’s make it happen!
TOP 5 REASONS AMERICAN RAPPERS WILL LOVE CANBERRA:
5) Fyshwick.
4) Young ladies… The highest ratio of women aged 18 – 25 of any city in Australia.
3) Our beautiful beaches…well, Batemans Bay is part of Canberra, isn’t it?
2) The after party. Despite the rest of the country thinking we just watch the Brumbies and drink hot chocolate, Canberrans smash it up with the best of ‘em. Bone will be at Tongue and Groove in Civic if you want to party with Bone.
1) The number one reason has got to be our pot laws… No three strikes here, just a 50 dollar fine if it’s under 24gms. (Note to self: only give Krayzie Bone a 23 gm bag).
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Hop on board, because you’re in for a whirlwind of a ride. Canberra-based BETH ‘N’ BEN have just released their anticipated debut album Boarding Pass. Beth, one half of the dynamic duo, states, “It’s our ticket out, our debut, getting on the train and seeing where it takes us.”
Together since mid-2009, these two have clearly revealed they are one act to watch. In little over a year Beth ‘n’ Ben have co-collaborated to produce a sound which intertwines “folk, roots, soul, jazz, rock and reggae.” Basically, they are their own Folk Festival lineup, providing a little something for everyone and fitting the claim that good things come in small packages.
I’d come to a dead-end when I tried to explain who they sounded like and luckily it had been put to the ‘people’ prior to the interview. The sole response they received stated, “you sound like awesome.” So essentially when you listen to Beth ‘n’ Ben, you are listening to AWESOME. They are the musical equivalent of Chuck Norris, and thanks to Beth they are just as tough, as Ben highlights. “She is tough, a lot tougher than I am – she even has hairs on her chest, but we try not to show them off too much.” Ben’s attitude towards the response is humble and rather refreshing – “I’m not saying it myself, but the people have spoken.”
Having both spent time as solo artists within the Canberra music scene each agree it’s the supportive nature and passion that derives from all our local bands that helps produce the ongoing development of new music. Ben puts in plain words that “the Canberra music scene’s very strong; there are so many good bands and when you go out to see a band you can see about another thirty people from other bands in the audience going off – it’s a great scene.”
Musically, “you always hope people get a warm and fuzzy feeling out of your music and there is only room for the warm and fuzzy in Beth ‘n’ Ben,” as Ben points out. These two are quirky, cheeky and instantly lovable. They blend soul-soothing vocals, energetic instrumental music and playful lyrics to provide an entertaining performance. Sure to get you up and dancing or at the very least doing the ‘reggae bounce.’ Ben, who suffers a bout of verbal diarrhoea throughout the interview, provides the final message for the readers. “We are a vibrant, energetic act. Come see our gigs, come dance, take us home with you – in CD form.”
Not to be missed is Beth ‘n’ Ben’s Boarding Pass album launch on Sunday November 14 at Corroboree Park from 3-7pm. Local acts also performing are The Big Score, Fun Machine and The Cashews, who will provide a twist performing covers of the three other bands. Jump aboard this musical journey which is sure to satisfy and surprise.
Catch Beth ‘n’ Ben’s Boarding Pass album launch with The Big Score, Fun Machine and The Cashews from 3-7pm at Corroboree Park, Ainslie on Sunday November 14. Entry is $10 or $15 with a CD.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
“Oh my god, it’s bizarre,” says GLENN RICHARDS, lead singer and songwriter of Augie March. “There are three pelicans right next to me and they’re trying to eat a big red blowfish.” What? “A blowfish, you know.” Richards is driving from Sydney to Newcastle and has pulled over at a little inlet – “really beautiful, surrounded by mountains” – that is apparently quite popular with penguins. “These guys are just going at this weird fish. I don’t know what’s going on… it doesn’t taste good. So they’re just standing around going ‘you do something about it.’”
Richards isn’t doing this interview to promote his new bird documentary. Nor is he promoting Augie March – they are on an indefinite break. We are talking because he has a solo record, Glimjack, out on Friday October 29. You may have heard the lead single Torpor & Spleen on the radio.
Before the pelicans interrupted, Richards was describing his ideal listener, which he returns to now. “My perfect listener is just somebody who gives their time. And if it pisses them off in the first place, they give it another shot. Often that’s how it is with my favourite albums.”
Should they have the lyric book open as they listen? “I get a lot of music sent to me and the first thing I do is open up the lyric booklet and have a look,” he says. “And if there’s – I mean it doesn’t have to be literary genius, but if it looks like it’s an interesting way of using words then I’m already interested and it’s a disappointment if the music doesn’t back it up. But if it’s just lazy, shithouse words then I probably won’t even put the disc on.”
A lot of discs have been getting that treatment lately. “I’m going through one of those periods of contemporary music sickness when I just don’t want to hear any of it. Although I am enjoying the new Deerhunter record.” He likes the simplicity of their lyrics. “I probably use too many words.”
The three pelicans remind me of something I once heard about Augie March’s second record Strange Bird. I heard that it was inspired by a pack of crows the band came across after a gig at Tilley’s in Canberra. Is that right?
“We stayed at this weird hotel in that mall sort of area [he means Civic, I think] and there were crows right throughout the mall. There weren’t any people, just crows. I’d been reading Ted Hughes’ The Crow at the time,” he says, laughing. “And, yeah, I wrote The Nights a Blackbird from that little Canberra experience. It wasn’t a particularly good time. But that’s where that album started.”
Glimjack is out on Friday October 29. Richards says he should play in Canberra next year, either in February or March. Birds are welcome.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
MOSt have
Guiding your journey through another planetary orbit, Ministry of Sound push the prismatic perceptions of space and time with their latest offering The Annual 2011.
Undoubtedly the biggest MOS release of the year, The Annual 2011 crams 42 of the hottest club jams across two discs of mixed electronic bliss. Locked in is the best of 2010 and ascending into the stratosphere for a cosmic journey through to the future!
2010 was the year tropical house conga-lined its way across the universe, dimensioneer disco teleported us through the stars, and the sound of the Dutch resonated its way throughout the planets. In 2011, it’s unchartered territory - too dangerous to venture through solo. So, Ministry of Sound have enlisted the help of two of the nation’s best, Hook N Sling and Tommy Trash to mix your journey through the next year. Hook takes charge of the house music on disc one, cramming in tracks and remixes from Swedish House Mafia, Tensnake, Afrojack, Miami Horror, Ou Est Le Swimming Pool, Example and Ian Carey. The second disc is a club-hoppers-paradise, with tracks and remix’s from Duck Sauce, Uffie, Armand Van Helden, Calvin Harris, Boys Noize, and Bag Raiders. So power up those space boots ‘cause The Annual 2011 is about to get intergalactic. We’ve got five copies to throw your way. Shoot an email to editorial@bmamag.com telling us what you reckon the future of dance music is going to look like to win.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Cover Up
Like A Version is the name of the covers segment brought to you every week by triple j. This is the sixth instalment from the highly successful compilation. The premise of the show is that an artist or band will swing by to perform live in the studio their interpretation of someone else’s song. Once again, over the past year, triple j have recorded and filmed a huge number of artists and Like A Version Volume 6 will highlight the very best performances on this CD/DVD set. Some of the covers include The Temper Trap covering Dancing In The Dark, Grizzly Bear covering And I Was A Boy From School, and, BMA’s favourite, Yves Klein Blue covering Lou Reed’s classic Walk On The Wild Side. We have three copies to throw your way. To win, send an email to editorial@bmamamg.com with a Youtube link to your favourite cover of all time.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
WHAT: Blues, roots and folk WHEN: Thursday November 11 WHERE: The Front Café and Gallery
Like many a boy-teen before him, musician Shaun Kirk reached the tender age of 14 and decided it was high time to pick up a guitar and see what happened. From there an obvious love of putting words together to create stories developed and soon the crowds began to gather. Touring with his latest release, debut album Cruisin’, Kirk is headed around the nation and stopping by our fine town for one night only. Tickets are available on the door and the support will come from local song man Joe Oppenheimer, who’s reason enough to head along. Head to www.shaunkirk.com and myspace.com/joeoppenheimer for more info.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
WHAT: Brothers in Arms live in concert WHEN: Friday October 29 WHERE: Canberra Theatre
Dire Straits was the closest thing my mother ever came to in terms of musical culture (not that the Phil Collins/Elton John/Chris Rea mix-tapes weren’t great mum) and I latched on like any starved child would, particularly to their best selling album Brothers In Arms. Classic Albums Live is in charge of this little evening and while the real gang are not back together and gracing the stage, other Aussie heavyweights like Phil Emmanuel and Kevin Bennett are and it will be undoubtedly be amazing. They even promise to play Romeo and Juliet at the end. Head to Canberra Ticketing to secure some seats.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
WHAT: Indignant tour WHEN: Friday November 19 WHERE: The Front Café and Gallery
Even though his name has gone and spoiled the surprise, Ben Solo is a one-man Adeladian wonder kid making waves around the country and getting notice from all sorts of spectacular people. Released earlier this year, his self-titled debut album is filled with his unique blend of folk and avante-pop styling; a delightful listen any time of the day. Embarking on his maiden nationwide tour, Canberra has made it into the diary, so be sure to head along and be as welcoming as I know you can all be and dance along like only the frequenters of The Front can.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
WHAT: High end hilarity WHEN: Thursday November 11 WHERE: Canberra Theatre
To jump straight to the point, Mick Molloy, Glenn Robbins and Jeff Stilson are hitting the road together and coming to Canberra. I’m pretty sure there is only one other sentence in the world that can match this, and that’s “Pam Shaw’s broken both her legs and I wanna dance with you”. Thank you Baz Luhrman. But back to the point at hand, it’s three hilarious men with expertise in film, television and radio on stage for 90 minutes. What’s not to like and laugh about? Head to Canberra Ticketing quick smart to get your mitts on the prime seating area.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
WHAT: Hip-hop pandemonium WHEN: Friday October 29 WHERE: ANU Bar
I know, you’re thinking “Katy Hall you duffer you already talked about this show in the Tidbits last issue, what are you doing?” Which is true, I did talk about it, and thank you for noticing. But, in my Australian hip-hop rant I failed to mention much about the new wordsmith on the block, Coptic Soldier. Apart from the obvious perks of life on the road, he’s also hitting it to show off his latest EP The Sound of Wings. Looks like the I Forget, Sorry! Tour is going to be a pretty big night so get there early.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Free Festival!
The Woden Valley Festival will herald in the festival season on Saturday November 6 when the newly redeveloped Eddison Park becomes a hive of activity and festival goodness. See some of Canberra’s favourites: The Dan Banks Band, Julia and The Deep Sea Sirens and The Wedded Bliss, while enjoying free workshops, themed villages, and a range of community expos and dance performances. The Woden Valley Festival also features the BMA sponsored Liftoff with D’Opus and Roshambo, Paqman, Turbulance and the finals of the Liftoff band comp. Admission is free and it runs from 10am to 5pm. www.wodenvalleyfestival.org.au.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Mouthing off
Longtime collaborators, The Tongue and Spit Syndicate, join forces for a national tour of epic proportions. The Tongue’s new album, Alternative Energy, has just dropped and it’s been generating quite a buzz, while Spit Syndicate are on a high after the release of their critically acclaimed second album Exile. They’ll be blowing the roof off ANU Bar on Friday November 5. $12+BF presale through Oztix and Ticketek, or $15 on the door.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Put it on Wax
Wax Rabit makes electronic music (dubstep mainly) and plays in all sorts of places using laptops, midi controllers and all manner of audio FX. He also DJs - dubstep, house (progressive, electro, minimal) D&B and all the craziest shit he can get away with playing. When he plays live, he’s joined by his life shaman VJ Joebbles. They’ll be hitting up The Clubhouse on Saturday October 30, with support from Aeon and Ben Collin. Tix are $10/$5. Check Wax Rabit at waxrabitstudios.com/artist.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
All Shook Up
Sydney indie/punk trio The Shake Up have teamed up with indie club night favourite DJ El Mariachi to present the Three Men and a Deejay tour. In July, The Shake Up released their debut album …if you have no shame. Produced by Jim Diamond (White Stripes, Electric Six) and mixed by John Agnello (Sonic Youth, Dinosaur Jr, The Hold Steady), Brisbane’s Rave Magazine said it was “how punk-pop should be done in 2010.” DJ El Mariachi is a permanent fixture at Sydney club nights Teenage Kicks and Britpop. They’ll be at Transit on Saturday November 6.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Capital RAWK!
The Capital Rock Music Festival, held at The Maram on Nov 20, will feature some of the hottest alternative and progressive rock bands in Australia. Among them are Sydonia (touring with Korn shortly after the festival), Jericco (recently toured with Dead Letter Circus), Breaking Orbit, Bellusira, as well as local favourites Atlantis Awaits, Escape Syndrome, Spoil, and many more. Tickets are $25 from Moshtix or $30 at the door. Doors open at noon.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
We are all made of stars
Mikelangelo is rolling into town once again with his swaggering posse The Tin Star, and he’s got a new album on the brew. The tunes are all Mikelangelo originals, the style is resolutely Surf’n’Western, with plenty of twanging instrumental tunes and sordid tales of love, death and despair. Whether you ride high in the saddle or crash through the waves, The Tin Star will make you twist, swagger and crack a crooked gun-slinging smile. Special guest Saint Clare will be joining the group on tour, heating up the room with her sultry voice and wild go-go moves. Opening the night are locals The Fuelers. The night kicks off at 7.30pm at The Merry Muse, Canberra Southern Cross Club, Turner, on Thursday November 4.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Gettin’ high on blues
Owen Campbell has been playing guitar for 16 years and his style has developed into a gravely blend of blues, roots, soul and country. In the past three years he’s been touring non stop, impressing audiences all over the globe, from private shows in Papua New Guinea to the highest blues festival in the world, The Himalayan Blues Festival in Kathmandu. He’s soon to jet off again to the Himalayan Blues Fest but you can catch him before he goes at The Front on Saturday September 30.
|
Date Published: Tuesday, 26 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
WOMAD for it
WOMADelaide recently announced a sneak preview of its 2011 festival line-up with legendary supergroup Afro Celt Sound System and famed folk pop darlings Angus and Julia Stone topping the list. WOMADelaide 2011 will again bring the world’s finest artists to Adelaide’s Botanic Park between Friday March 11 and Monday March 14. The event will host over 400 incredible artists from more than 25 countries, transforming Adelaide into a celebration of cultural diversity and global sounds as thousands of fans across the nation make their annual WOMADelaide pilgrimage. Head to womadelaide.com.au for all the info.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Where did your band name come from? An in depth process of imaginary adventures and academic research.
Group Members? Beth Monzo (guitar and vocals), Ben Drysdale (guitar and vocals), Rafe Morris (bass), Dan Kempers (drums), Dan Luton (percussion) and other guests at random times.
Describe your sound. Rootsy reggae-ish jazzy soulness.
Who are your influences, musical or otherwise? Beth’s span from The Beatles and Motown stuff to Regina Spektor. Ben’s span from Cat Stevens to Counting Crows as a young’un; to Cat Empire, JBT and Xavier Rudd, sprinkled with all the awesome original musos he’s met around Canberra and the east coast. Pretty sure the Andi & George Band had an impact on everyone who saw them.
What’s the weirdest experience you’ve had whilst performing? Weird stuff happens all the time when you’re playing at the Phoenix but it’s all a bit of a blur.
What’s your biggest achievement/proudest moment so far? Definitely the new EP, Boarding Pass. We’re so happy with the way it sounds and all the design. Can’t wait to get it out there after Friday October 15.
What are your plans for the future? Tour Boarding Pass and hopefully get back into the Monstereo studio again early next year.
What makes you laugh? People who dance with absolute abandon. It’s a warm and fuzzy kind of laugh though… a ‘with them, ’not an ‘at them’ (most of the time).
What pisses you off? Not a lot… being pissed off wastes a lot of energy.
What’s your opinion of the local scene? So many good bands… not enough places to put them. At least not enough places that are willing to share the money the bands make over the bar for them. Big ups to the Phoenix!
What are your upcoming gigs? Friday October 15, 8pm @ The Basement, Belconnen Sunday October 17, 2pm @ The Irish Club, Weston Creek Sunday November 14 – album launch with Big Score, Fun Machine and The Cashews 3-7pm @ Corroboree Park, Ainslie ($10 entry or $15 with a CD)
Contact info:
cardboardcharlie@gmail.com
www.myspace.com/bethnben
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Jumpin’ Jack Ass
From scary to just plain stupid. Jack Ass 3D. Need we say more? It’s at the movies from November 4, and we have five double in season passes to give away. To score, send an email to editorial@bmamag.com telling us about the stupidest thing you’ve ever done.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Shock horror!
It was the scariest documentary experience of 2009, and now it’s back. Paranormal Activity 2 looks so petrifying we’re too scared to go to the website to rip off the synopsis. It’s in cinemas from October 21 and we have five double in season passes and some merch to give away, including a torch and a T. To win, send an email to editorial@bmamag.com telling us about the scariest experience of your life.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Unlock the secrets and explore the mystery with Prince of Persia: The Sands of Time, a timeless epic action-adventure set in the mystical east during the sixth century, which is full of explosive action, special effects and acrobatic skill. To celebrate the release of Prince of Persia: The Sands of Time, Walt Disney Studios Home Entertainment and BMA Mag have a pretty top notch prize pack up for grabs including a range of Prince of Persia merchandise. The pack contains a t-shirt, watch, leather notebook and much more. Just what you always wanted. Valued at $90 each, we have five packs to giveaway. To enter simply shoot an email to editorial@bmamag.com telling us why you need a Prince of Persia compass and leather bracelet.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Our Paul
From November until April next year, Paul Kelly will tour The A To Z shows, performing 100 songs from his vast catalogue alphabetically over four consecutive nights. Paul Kelly is a born storyteller. For the past 30 years he has written songs inspired by everything from cricket to religion, from social issues to literature, and of course the land and the history of Australia. His songs have the power to connect people of all generations. Tickets are on sale now. and will be sold individually or as multi night bundles. The more nights one attends, the cheaper the per night ticket price. Paul Kelly will be at The Playhouse from Thursday January 27 to Sunday January 30. Tickets are available from www.paulkelly.com.au.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Radio Heads
Community Radio 2XX is commencing general radio training courses over the next two months for people interested in learning basic radio presenting and producing.In completion of the course opportunities may arise for involvement in regular radio shows, or submitting new show proposals. The course costs $195 (or $95 concession). Courses go for a total of 12 hours and start dates are Wednesday evenings from October 13, Tuesday evenings from October 26, and Saturdays from November 20. If you are interested in participating in one of the courses email the station manager at manager@2xxfm.org.au to register your interest and get more information.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Wackadoo!
If you like a bit of folk, roots and funk on a spring afternoon then the upcoming Woden Valley Festival is definitely worth checking out. Dan Banks Band are again making their way up the Hume to play for their loyal Canberra fans and are joined on the bill by Julia and the Deep Sea Sirens, The Wedded Bliss, Minh Ha and a host of others. There will be free workshops, themed villages, a sustainability expo, Liftoff youth village, a great selection of multicultural food, and best of all it’s free. Woden Valley Festival is happening on Saturday November 6 at Eddison Park from 10am-5pm. Head to www.wodenvalleyfestival.org.au for more.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Blue Sneakers
It’s bigger than Ben Hur, your mum’s mu mu and Goulburn’s Big Merino combined! Good god. So you better start mentally preparing yourself for the biggest Purple Sneakers Canberra ever. The reason it’s so huge? Because not only are they throwing a Stonefest pre-party but they’re also bringing in Bluejuice for a super special guest DJ set. Joining them behind the decks will be a huge Purple Sneakers DJs combination with PhDJ, M.I.T and Fantomatique. Plus local lads Architect DJs and Lucky Punk will be there to help you make bigger dancefloor moves than ever before. It’s all happening on Friday October 29 at Transit Bar and it’s free.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Dream on Dreamers
Formed in Sydney in ‘09, I Dream in Transit have spent the last five months in Melbourne creating a hauntingly beautiful and eerily engaging long player. Full of contrasts, the album is light and dark; both intoxicating as it is unsettling. I Dream In Transit have drawn comparisons to the more recent Radiohead output and a minimalist Sigur Ros. Their songs are hypnotic, reverb-drenched soundscapes which piece together multiple concepts and layers. They’ll be at The Front with A Dead Forest Index and Karoshi in support on Friday October 22.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
Battered and Bruised
He who has love in his heart has spurs in his side, and trigger-happy mongrels, Kira Puru and the Bruise stand steadfast, knee deep in the mire, beckoning the storms of a thousand decomposing divas to serenade them to the grave. Oo er. With vocals that sound like they rise from beneath the earth itself, guitar lines wailing and slicing through the throats of nay-sayers like a chainsaw loose in a rosegarden, bludgeoning basslines and thunderous beats that slump heavy on your shoulders, they grip tight the soulful melodic growls of years past, married with the brutality of hard-rockin’ rhythm and blues. They’ll be at Phoenix on Wednesday October 20.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
I don’t think you’re ready for this belly
Saturday October 16 will see the Kremlin Bar transformed into an intimate and inviting cabaret nightclub, as Bahirah Bellydance presents a cabaret spectacular, featuring top performing artists of bellydance, tango, and more. The show will be headlined by Jrisi, one of Australia’s top bellydancers, and will feature Canberra acts TengoTango, the Harika Bellydance Ensemble and renowned percussionist Jim Shorrock. Tickets are $40 and include finger food, and are on sale at www.kremlinbar.com.au. For more details head to www.bahirah.com.au.
|
Date Published: Tuesday, 12 October 10
| Author: Julia Winterflood
|
| 1 year, 3 months ago
A little while ago I met with frontwoman of local gypsy pop collective Lady Grey, Luciana Harrison, to discuss her latest musicology assignment. Luci is compiling a musical map of Canberra; through interviews with members of Canberra’s music industry she’s looking at how it is affected by geography. Two of her main theories are “that a lack of venues in Canberra creates a shared soundscape and more flexible audiences,” and “that the comparative lack of things to do here compels people to be more creative and produce more.” I couldn’t agree more.
I had a theory growing up about my constant compulsion to expand my record collection and musical horizons; I figured that because I was non-musical I consumed more music than my muso friends, simply because I was not producing my own. Could it be that because Canberrans, unlike Melburnians, do not have a bevy of big name acts to see every night they produce more music of their own? I know it’s a sweeping statement and one that could never be statistically proven, but it does seem to me that the nash cap has more than her fair share of artists. And good ones that.
In her interviews Luci is asking questions such as “What do you see as the place of live local music in Canberra?” and “Does Canberra have a musical character of its own?” Civic, or the inner north, is naturally what springs to mind immediately because of ANU Bar, Transit, Phoenix and The Front. Recently however the Bossman and I have been bowled over by the number of tour press releases that have not listed these venues, but The Maram, way out in Wanniassa. It seems to be bagging all the big names of late, along with a sizeable swag of locals at an astonishing rate, skewing Canberra’s centrally located place of live local music significantly. And let’s not forget The Basement and Pot Belly Bar in Belconnen, and the myriad suburban backyards that host local music too. Once these outer suburbs and backyards are in the picture, Canberra doesn’t really seem to have one place of live local music at all. It’s happening everywhere.
I’m majoring in Film Studies at ANU. At the end of last semester we had a lecture on Australia and the globalisation of music and images. “Does Australian music have a character of its own?” asked the lecturer. “No. That’s impossible,” I replied. I also think it’s impossible for Canberra to have a musical character all its own.
I’ve been editor of BMA for almost two years, and in that time I’ve been exposed to countless genres, band formats and individuals who blur the line between musician and artist. On top of BMA I also manage a small clutch of Canberra acts, and even finding a musical character uniting the three is impossible. What does unite all Canberra musicians however was expressed perfectly by Glen, frontman of Waterford, in an interview appearing on page 30: “Because it is small and because everyone’s doing different things, people just kind of feed off each other. There’s competition in a way, but it’s the healthy kind of competition that makes you go home and try and make a better song.”
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
It would be easy - so very, very easy - to rip the absolute proverbial out of Filter. Major label industrocore darlings at the end of the last century, they faded quietly from view as their futuristic drug-fuelled tunes of war became strangely anachronistic in seemingly no time at all. Now, over a decade later they are back with a fifth studio album that sees them no longer sounding like Nine Inch Nails’ slightly dopey little brother but sounding a hell of a lot like Britrock songstrels A.
The trouble is, A, to go with the chart bothering songs, had a sense of humour, whereas Filter struggle in both categories. Opener The Inevitable Relapse is a reticent attempt at re-writing Feel Good Hit of the Summer, whereas its follow up, the slightly more impressive Drug Boy at least has a sense of its own identity. Absentee Father is tired bleating of the kind usually reserved for Korn or Papa Roach albums, so you have to wait until track four before anything truly worthwhile presents itself. Despite trying to please too many people – No Love quotes by turns Marilyn Manson, Muse and Porcupine Tree to slightly dizzying effect- the song’s a sure fire live anthem in the making that nearly – but not quite- gets the juices flowing enough to make you forget what’s gone before. No Re-Entry echoes post-grunge Welshmen Feeder with its air of weary desperation, whilst the rest of the album, though not horrible, is much of a bland muchness.
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Group members:
Chris Legge (vox), Nathan Glover (bass), James Kennedy (guitar), Rodney Preston (drums) and Simone Rodrigues (keys).
Describe your sound:
A melodic car crash of the sweetest rock, metal and groove.
What are your influences, musical or otherwise?
Future of the Left, Muse, Queens of the Stone Age, Mars Volta, The Dillinger Escape Plan, Radiohead, Björk and Impact Records.
What’s your biggest achievement/proudest moment so far?
Keeping The Basement at full capacity all night for our first gig.
What are your plans for the future?
Release our CD at The Maram and play some interstate shows before getting stuck into some new tracks.
What makes you laugh?
The Mighty Boosh. We have a Llama for a bass player and our singer thinks he can pull shapes.
What pisses you off?
Plovers…
What’s your opinion of the local scene?
The scene is getting more and more vibrant and there’s some great bands getting around. The more venues the better.
What are your upcoming gigs?
We launch our CD on Saturday October 16 at The Maram then we are playing a string of shows interstate.
Contact info:
theredvest@hotmail.com and http://www.myspace.com/theredvest
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
What do you do? I write lots of notes on paper in the hope of hearing them make sounds. I like exploring and improvising with different sounds and instruments and also play with Bukovsky/Buckett/Dorrian and local band, Kasha.
How did you get into your discipline? I played drums in a thrash metal band called Chronic in high school, but I wanted to write music with pitches so learnt the piano. Since then I’ve been just making it up, and trying to make songs.
Who or what influences your work? I’m influenced by sounds that I want to explore and music such as Varese, Meshuggah, James Brown, Morton Feldman, Fugazi and Miles Davis.
What’s your opinion of the local scene? I think it’s great. Shoeb Ahmad from Hellosquare has been keeping it alive for quite sometime - one of the great thing’s about that is there is no exclusive scene-based obligation to put out a certain ‘style’ of music. Dream Damage and Birds Love Fighting are all getting new and interesting things happening too.
What makes you laugh? People. People are crazy. For example I have a really mad Aunty who felt her backyard didn’t have enough birds so she shaved the next-door neighbour’s cat to make a nest.
What pisses you off? facebook and road rage.
What’s your biggest achievement/proudest moment so far?
I don’t know if I’m proud of this or it’s embarrassing, but the ANU Vice-Chancellor bought 200 of my CD’s after a Pollen Trio concert. He later came up to us at another gig and pointed out that there was a grammatical mistake on the inside of the disc.
What are your plans for the future? At the moment I am writing some sketches for 12 Tubas, and next year I have a commission with a Perth ensemble called Decibel. But anything could happen- I just met a violinist whose aspiration is to make nutritional snack bars after he finishes playing in the Melbourne Symphony Orchestra. In terms of releases- Kasha have a 7” coming out in November, and Hellosquare is putting out some short pieces of mine at the end of the year.
What are your upcoming performances? I play with Kasha at Transit Bar on October 7th and again at Electric Lake Festival on October 16th. Then Bukovsky/Buckett/Dorrian is playing at Smiths Bookshop on the 22nd of October.
Describe you/your work in one word… euphony
Contact Info: austinbmusic@gmail.com or www.hellosquarerecordings.com
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
“Forest parties, bush doofs, festivals; they’d be shivering skeletons without the constantly evolving, consistently astounding, wacky and wondrous garb that is décor,” I wrote one year ago in an article about the installation art at DRAGON DREAMING FESTIVAL. “Dragon Dreaming promises to have no skeletons in its magic closet, as countless creative folk are working tirelessly as I type to construct a multitude of marvellous artworks and installations designed to inspire, amaze and invigorate.”
One year on and nothing’s changed bar the scope of the Dragon crew’s creativity and ingenuity, and the range of music showcased. I spoke with Jason Bell who’s currently in the process of transforming the Water Dragon stage into an aquatic “floating enclosure”, as well as Michael Shannon, the man behind the line-up which “pushes the envelope in terms of genre”.
Dragondreaming.net proclaims, “Jason Bell has been around since the dawn of trance parties, for the last decade doing décor on the east coast of Oz. Using mundane materials from everyday life and natural objects from the environment, and by mixing these with an array of colourful fluorescence, he creates amazing and wonderful other worlds in which to play and dance. He is an alchemist weaving a tapestry of fun and frivolity…”. Bell does indeed describe himself as an alchemist, and it must have taken some form of creative wizardry to produce “two or three hundred fish, a few seahorses, an eight foot shark, ten crabs, seven or eight snails, a big octopus, two big clown fish… a wonderful array of coral fish… jellyfish… and squid things” from recycled and everyday items. Muses Bell, “I don’t think people really realise the time and energy that art takes, [but] if you create these worlds and create these artworks it allows [festival goers] to escape and go to another place. It allows you to let go and fully appreciate what’s around you.”
When asked what this marine wonderland will play host to Michael Shannon replied, “The Water Dragon will host a psychedelic journey through progressive into psytrance, including the melodic, the dark, and the full on. The Air Dragon will host some of Canberra and the surrounding areas’ best live musicians.” The Fire Dragon stage is the alternative dance stage, and will host psybreaks, electro, minimal tech, funk, D&B, dubstep and progressive. “Dragon Dreaming aims to provide a huge range of music,” explains Shannon, “This year we have the full spectrum of underground electronic music ranging from minimal, techno, progressive, funk, trip-hop glitch and various undefinable electronica.” If you, like me, are somewhat in the dark as to what these genres are however, don’t be put off, for the festival is about much more than music. There will be colourful market stands and scrumptious foods stalls, workshops and a fully enclosed cinema. But for me, Dragon is essentially about camping with friends in a beautiful forest for four days; everything else is a glorious bonus.
Dragon Dreaming Festival ‘10 runs from Friday October 1 to Monday October 4 in the Kowen Forest, less than a half hour’s drive from C-Town. $90 third release tickets will be available online until midnight Thursday September 30, after that tickets of varying prices will only be available on the gate. Head to dragondreaming.net for all the info. Hope to see you there!
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
The Golden Year is the eagerly anticipated debut album from UK electro outfit Ou Est Le Swimming Pool. After a year of incredible success and unbelievable tragedy, The Golden Year highlights the phenomenal three-piece with a contemporary take on indie-flavoured, synth-laden dance. This collection of songs transcends genres
and will change perceptions of electronic music. Lead-singer of the band Charlie Haddon said of the album, “It’s quite up tempo. It’s our first album so we thought if we could ever get away with making a party album, we could do it with this one.”
The Golden Year features the incredible ARIA Singles Chart Top 20 Dance The Way I Feel – the debut single that shot the band into the limelight, achieving Gold status here in Australia. With strong influences by electronic pioneers The Petshop Boys and hip-hop illuminati The Beasty Boys, Ou Est Le Swimming Pool’s unique production and sound infiltrates every track on The Golden Year. There’s no avoiding the incredible sadness associated with this release, however, this is not just a tribute to
Charlie, but rather an album which showcases the amazing talent, hard-work and ability of Ou Est Le Swimming Pool, and an incredible talent gone well before his time. We have five copies to throw your way. Send an email to editorial@bmamag.com telling us how it is that you dance when you dance the way you feel.
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
O how we do love the generous folk over at Ministry of Sound; they’ve outdone themselves this month by showering us in a tonne of dance compilations. We’ve got Remix Heaven 2010! We’ve got Maximum Bass Ultimate! And we’ve got Clubbers Guide to Spring 2010! That’s a truck load of beats, right there. Remix Heaven boasts a dose of “the biggest dance remixes and club versions of today’s biggest hits”, while Maximum Bass Ultimate “ain’t no regular street warrior album; it’s 100% VIP cruising at its bottom heavy best!” Good Lord. It’s “armed with over 60 of the biggest booty bangers under the hood, and is one album that will resonate the fillings from your teeth, and your boot from its hinges.” Oh my. Finally, Clubbers Guide to Spring 2010 features Sydney’s queen of clubs Anna Lunoe, and Melbourne’s dance floor ace John Course, mixing your must-have soundtrack to spring. That sure is a whole lotta beats. To score a pack containing all three, send an email to editorial@bmamag.com telling us where it is exactly that you’re going to listen to Maximum Bass Ultimate.
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Madman proudly presents the highly-anticipated DVD release of Exit Through the Gift Shop, the first film by world famous street artist, Banksy. Exit Through the Gift Shop is the incredible true story of how the world's greatest street art movie was never made and how one man set out to film the un-filmable, and failed. An incendiary tale of low-level criminality, companionship and incompetence - Exit Through the Gift Shop traces the antics of strange French entrepreneur, Thierry Guetta, and his attempts to capture the thrilling, guerrilla world of street art on film. As Thierry chalks up some of the most infamous figures at work in the streets, including Shepard Fairey (OBEY) and Space Invader, he creeps ever closer to his ultimate goal – to find and film the elusive Banksy. When a stroke of luck finally delivers Banksy into Thierry’s focus, the notorious prankster artist decides to turn the camera back on its owner – a move which delivers both spectacular and unexpected results. We have five copies to throw your way. Simply shoot an email to editorial@bmamag.com telling us about the best street art you’ve ever seen, and you’re in with a much better chance if you can show us a photo too.
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
The most widely-acclaimed Australian film of the year, Animal Kingdom, will make its highly-anticipated debut on DVD and Blu-Ray on Wednesday October 13. Animal Kingdom is a showcase for modern Australian cinema on DVD & Blu-Ray - with stunning video transfers and immersive audio to compliment the film’s revelatory performances, plus a host of special features and bonus material that will take viewers deep into the painstaking creative process behind the film that has captivated both critics and cinema goers alike. A powerful crime drama set in Melbourne’s underworld, Animal Kingdom features a mesmerising ensemble cast of Australian performers that will demand repeat viewings in years to come. Witness the phenomenal Jacki Weaver with her show-stealing, sinister turn as Smurf - a career best, surely set to return a slew of awards and to define the role of the matriarch in the crime genre forever. Ben Mendelsohn also delivers a strong, terrifying performance as the wayward Pope, whilst newcomer James Frecheville is skilful to the very last frame, bringing an understated and subtle portrayal to the role of J. Sullivan Stapleton’s earnest portrayal of the skittish Craig also showcases a natural talent that has the actor already destined for bigger things. Meanwhile, Luke Ford’s role as the family’s soul-searching ‘mummy’s boy’, Guy Pearce’s intense, world-weary Det. Sen. Sergeant Leckie and Joel Edgerton’s cautious family friend round out a one-of-a-kind supporting cast. We have five copies to give away. To score, simply shoot an email to editorial@bmamag.com telling us why you need to own this DVD.
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Amy Meredith are excited to announce details of their headline Restless tour, after what has been an incredible start to 2010. The tour takes in 18 dates across Australia this September and October, and comes off the back of huge chart success with their smash hit single Lying and debut album Restless. They’ll be stopping by The Maram on Wednesday October 13, and we have two double passes and two copies of Restless to throw your way. To win, shoot an email to editorial@bmamamg.com . For more information, jump on over to www.myspace.com/amymeredithband
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Growing up in Alice Springs meant there weren’t too many opportunities to go to gigs. The Waifs would sometimes pass through, as would JBT and The Cat Empire, but that would be about it for the year, which meant I had to cram all my gig going into the summer holidays. I’ve been to ten Big Day Outs, Falls thrice and Splendour twice, along with a bunch of other brilliant fests. In 2006 I went to Falls in Tassie, BDO in Melbourne and Adelaide, and also made it to a White Stripes sideshow. That was a pretty rad summer.
But right after Dragon Dreaming last year I often found myself ranting about it being the best festival I had ever been to.
Dragon is held at the Old Kowen Homestead in the Kowen Forest; a 5,000-hectare pine plantation about a half hour’s drive from Canberra. Popular with mountain bikers and horse riders for its trails that twist and turn through the hills and pines, it’s a magic place, perfect for hosting a four day festival.
Now I will admit a lot of the music played at Dragon is not what’s on high rotation at home, in the office, or in my head, but I’ve always been a firm believer in being open to all genres and, more than anything, I love a good stomp. Most of the music at Dragon is primo stomping fare, and I don’t think I’ve ever danced so much as I did during those three days last October. Nor have I ever experienced such a high concentration of exceptional local live music, except perhaps at this year’s Corinbank. The Fire Dragon tent was warm, cosy and radiant; showcasing a huge range of local acts it became a bit of a home for live music lovers. The Pedestrian Orchestra showcase was my highlight of the fest, and was my first introduction to many bands whose members are now close friends.
It was rubbish weather last year. As the thunder clouds rolled in we rolled out our convoy complete with trailer containing all manner of items; rolls of carpet, countless tarps, lounge suits, beach umbrellas, a wheelchair for our injured friend Aly. The moment our tent city was set up the sky opened up and it rained all afternoon, but not a drop could dampen our spirits. How could it, when we were surrounded both by friends in a magnificent forest and spectacular art installations bordering each stage and every step. From schools of swaying jellyfish hanging from trees to giant luminescent dragons to UV pyramids, the amount of creativity and effort that went in to transforming the Old Kowen Homestead recreation area into a stimulating and inspiring tapestry was incredible. The Dragon crew clearly love what they do.
One of my favourite things about the fest is that it’s BYO. There’s no alcohol for sale, no marquees plastered in insignias, no sponsored stages, no sea of stubbies at each day’s end and no drunken idiots spilling booze all over your shoes. The lack of alcohol sales creates an environment that is peaceful, harmonious and focused purely on the enjoyment of music and art. It really is an astonishing festival, and one that I hope I’ll be attending ‘til my stomping feet can stomp no more. But I guess then there’s always a wheelchair, right Aly?
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Beards! Beards! Beards!
The Beards are embarking on a whirlwind tour of NSW and the ACT. So whirlwind in fact they’re only playing three dates! Coming off the back of the inaugural World Beard Day celebrations in South Australia, The Beards are sure to be prouder than ever of their bearded ways. Infamous for songs such as If You’re Dad Doesn’t Have a Beard You’ve Got Two Mums, It Only Takes a Fortnight to Grow a Decent Beard, and Big Bearded Bruce, The Beards will be stopping by Transit Bar on Saturday October 9 with the beautifully bearded Joe Oppenheimer and Contraban in tow (who we only hope have beards, knowing full well how The Beards react to the beardless). Tickets are $10 at the door, doors at 8pm.
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Effigy Turns One
It all started with Matt Rowan’s epic three hour set at Hippo Bar back in October 2009. Now, a year later, Effigy Entertainment has helped host 20 of the best international and national DJs including Jaytech, Phil K, Luke Chable, Fergie, Marc Romboy, James Zabiela, John 00 Fleming, to name a select few. Come and join Effigy as they celebrate their first birthday in style at Hippo Bar with two international headliners: Mike Monday direct from the UK, and the return of Kasey Taylor on tour from Portugal. Tickets only $10 on the door.
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Get off your arts
Building a career in the arts just got a little easier with the new round of applications for ArtStart grants open until October 5. As part of the Australia Council for the Arts’ career building initiative, more than 200 grants of up to $10,000 each are available each year for artists who have graduated from an accredited artist training scheme within the last three years or are about to graduate. For more info visit www.artstartgrant.com.au.
|
Date Published: Tuesday, 28 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
We have Liftoff!
With less than five weeks to the Liftoff Festival the Liftoff band comp will soon be kicking off, with three heats coming up at Woden Youth Centre including 18 competing Canberra bands. Six bands will go through to the finals at the Liftoff Festival. Prizes including recording time, festival gigs and support from BMA. The Liftoff Festival is an explosion of youth culture set within a carnival atmosphere and as well as the band comp will also feature Canberra favourites D’Opus and Roshambo, Paqman,Turbulance and more. Liftoff takes off at Woden’s Eddison Park on Saturday November 6 and is part of the Woden Valley Festival. See www.liftoff.org.au for more info.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
You know him as the popular Gen Y captain on Talkin’ ‘Bout Your Generation, seen him take on random assignments on The 7PM Project and fall victim to an uncooperative meringue on Celebrity MasterChef. Now Canberra can see Josh Thomas live at the Canberra Theatre Centre for a limited season this October. He’ll be at the Canberra Centre for two nights only October 8 and 9.
Surprise is an honest and personal look at Josh’s first serious relationship, but it seems that only Josh was surprised when this relationship ended up being with a boy - seems that everyone else already guessed it would be. We’ve got two double passes to give away. To win, simply shoot an email to editorial@bmamag.com telling us your favourite thigh-slapper.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
The rise of Bone Thugs-N-Harmony is a classic example of the American Dream – a group of five young men who had a goal and would not allow any barriers to stop them from attaining it. Layzie Bone, Krayzie Bone, Wish Bone, Flesh-N-Bone and Bizzy Bone went from being broke, hungry and homeless in 1993, to watching their unique brand of fast-paced, flowing, rapid-fire, harmonized rap, dubbed the ‘Cleveland Sound’, hit the top of the charts. With over 30 million albums sold worldwide, and tracks recorded with some of the most respected names in the business including 2Pac, Notorious B.I.G, and Mariah Carey to name but a few, Bone Thugs-N-Harmony are back with a new album entitled Uni-5: The World’s Enemy and are celebrating the release with an Australian Tour in November. They’re stopping by The Southern Cross Events Centre on Friday November 12, and we have a tasty double pass to give away. If you want in, send an email in rap form to editorial@bmamag.com telling us why you reckon you deserve it.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
After dipping toes in the bubbling grease of contemporary dance for Rockshow in 2009 Regurgitator dropped the strainer in the chip fryer, frittered away on some new year’s festival appearances along with a few shows in the past few months. Back in their classic three-piece mode, after approaching Rockshow in this guise, and with Seja embarking on her own solo career they recently played some stand out performances at the Brisbane Powerhouse 10th birthday along with sold out shows in Sydney and Melbourne. Back on the fries they saturate the wrapper with new recordings, new tours and even a new soundtrack to cult classic Akira, and they’re hitting The Maram on Thursday September 22. We have two doubles to throw your way. Simply shoot an email to editorial@bmamag.com telling us why the Gurge are so good.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Established as one of Australia’s leading clubbing imprints, Onelove continues to evolve and reposition itself as one of the nation’s top dance compilation brands. This year’s edition of Onelove Smash Your Stereo is the mix CD package that delivers the very latest slamming club tracks and crossover radio killers - alongside the dirtiest underground late night disco cuts. Whether it’s seasoned clubbers with their ears to the ground or those who just like singing along to the latest crossover dance anthem to hit the radio, Onelove Smash Your Stereo 2010 has all the heavy-hitting disco action you need. We’ve got five copies to throw your way. Simply shoot an email to editorial@bmamag.com telling us about the hottest dance anthem of the moment.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Dinner for Schmucks tells the story of Tim (Paul Rudd), an up-and-coming executive who has just received his first invitation to the ‘dinner for idiots’, a monthly event hosted by his boss that promises bragging rights (and maybe more) to the exec who shows up with the biggest buffoon. Tim’s fiancée, Julie, finds it distasteful and Tim agrees to skip the dinner, until he bumps into Barry (Steve Carell) - an IRS employee who devotes his spare time to building elaborate taxidermy mouse dioramas - and quickly realizes he’s struck idiot gold. Tim can’t resist and invites Barry, whose blundering good intentions soon send Tim’s life into a frenzied downward spiral and a series of comic misadventures, threatening a major business deal, bringing crazy stalker ex-girlfriend, Darla, back into Tim’s life and driving Julie (or so Tim thinks) into the arms of another man. We have ten in-season double passes to give away. To score, simply shoot an email to editorial@bmamag.com telling us about the biggest schmuck you know.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Vociferous Vocables
Setting stages alight with their dynamic showmanship and jaw-dropping vocal skills, Cubans Vocal Sampling are visiting Australia for the first time this month. The six accomplished instrumentalists and arrangers create unorthodox methods of replicating percussion, horns, keyboard and bass sounds with their voices and cupped hands. The group’s genius, vocal precision and technical prowess has been recognised at festivals all over Europe, Latin America and Asia, and now Australian audiences can enjoy a set that reflects the vibrant Cuban music scene while incorporating modern salsa and jazz into original contemporary compositions, injecting new flavour into classic boleros and rumbas, while venturing into R&B, pop and rock. VS will be at the Queanbeyan Performing Arts Centre on Friday October 1 and Stage 88, Commonwealth Park, on Saturday October 2. Head to www.kapa-productions.com/vocalsampling for more.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
I’m pickin’ up good vibrations
The Good Vibes 2011 line-up has been announced! Bringing you the summer’s most electrifying beats, pioneering UK dance act Faithless headline next year’s fest. Joining Faithless are French indie rockers Phoenix, electronic pioneer Sasha, rap/reggae combo Nas and Damian Marley and viral phenomenon Cee Lo Green! There’s a massive swag more, so head to www.gvf.com.au for all the info. The fest’s hitting Sydney on Saturday February 12 and Melbourne on Sunday February 13. Tix go on sale Thursday September 16 and are available from Moshtix.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
The Old Man and the Band
Alternative folk-rockers Beth King and The Hemingway Collective’s debut album, Powerfully, Silently, was launched to a capacity crowd in Melbourne in May. The inspiring and energetic band are now hitting the road to share their music across the continent as part of their East Coast Album Launch tour. They’re stopping by Phoenix on Saturday September 18. The gig promises to feed your eyes, flatter your ears, fill your heart, tickle your feet and most importantly, send you home singing. Free entry.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Groovin’ Garema
Groovin in the City runs throughout the city centre from September to February. There’ll be music, dance, improv theatre and a whole stack more. On top of that there’s Capture the Groovin, a photographic competition run in conjunction with Groovin in the City with a top prize of $2,500. Full competition details can be found at www.inthecitycanberra.com.au.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Laneway Yay!
St Jerome’s Laneway Festival 2011 has announced its dates! It’ll be at Footscray Community Arts Centre in Melbourne on Saturday February 5 and Sydney College of the Arts on Sunday February 6, with dates in other capitals to follow, with the line-up announced on Tuesday October 12. There’ll be fresh faces and some old favourites, future classics and classic classics. Head to lanewayfestival.com.au for more, and we’ll see you there!
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Bible Updated
The Australasian Music Industry Directory has just released its 45th biannual edition. The 132 page book also has an online subscription model, available at www.immedia.com.au/amid. Thousands of highly detailed and constantly updated listings in 70 sections cover all business sectors from artists cross referenced by agents, managers and record labels, music media, venues, promoters, publishers and more. The AMID is the Oz music industry bible, and is essential for anyone wanting to make it in the biz. Orders can be placed by calling (02) 9557 7766 or email admin@immedia.com.au.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Collision Theory
Children Collide’s sophomore effort Theory of Everything is currently tearing up radio across the country and the band have just announced a neat string of dates for November and December. They’ll be stopping by The Maram on Sunday November 28 for their first ever Canberra headliner. Teaming up with Children Collide on this late year trudge down the east coast will be grungy Brisbane ex-pats Violent Soho. Tickets are on sale now through Oztix.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
HaHa-ing all the way to the bar
Fresh off scoring the People’s Choice for Best Nightlife Venue at this year’s AHA Awards, Belconnen-based HaHa Bar are celebrating and capitalising on this fact by rolling out a series of sassy Sunday sessions with various respected local promotion outfits. Just in time for the warmer climes. September 19 sees Mingle take the reins, and September 26 will be Lollygag’s turn with 4Sound entertaining all and sundry on October 4. For all parties, kick off is 3pm and entry is free.
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Decked Out
In support of the release of their sophomore EP UR, Brisbane four-piece piece The Deckchairs are pleased to announce their Hello Friends East Coast tour. Formed in 2007 and initially trading under the moniker of Tim Loydell and The Deckchairs, the group released their debut EP Some Stranger's Ship in 2008. The EP was received well nationally with triple j, ABC and community radio play. Live, the band gained national momentum with a series of headline tours, slots at Big Sound, Nannup Folk Fest (WA), Coastfest (NSW) and support slots with the likes of Jeff Lang, Geoffrey Gurrumul, The Fumes, Dallas Frasca and Mama Kin.
They’re playing a Sunday arvo set at All Bar Nun in O’Connor on September 26 from 5pm. It’ll be a magic way to while away the final hours of the weekend on what will no doubt be a gorgeous spring day. Might even have to bring a deckchair!
|
Date Published: Wednesday, 15 September 10
| Author: Julia Winterflood
|
| 1 year, 4 months ago
Just so you know, dear readers, I’m not in the habit of picking fights with construction workers, nor anyone else for that matter. But on this crisp spring morn, on my regular cycle route back to work from uni which snakes past McGregor Hall, I couldn’t resist asking what this idle geezer was doing after I stopped at the lights and he said hello to my legs. “So, are you supervising the hall?” I asked, without a hint of scorn. “I’m making sure no one walks on the fenced off footpath,” he replied, as though it was the bleeding obvious. “Why? What’s happening to the hall?”
Bollocks, thought I. You complete twat. There’s not a snowflake’s chance in hell you’re oblivious to the demolition. They’ve already lopped all the trees on site, including a 60-year-old oak that was listed with the ACT Tree Conservator.
“It’s getting knocked down,” I said, to which he immediately spat, “Good! I’m glad they’re knocking it down! It’s a bloody eyesore is what it is. Out with the old and in with the new I say.”
That’s what he said, verbatim. It was straight out of Round the Twist. There I was, Linda, on my bike, willing the lights to go green, trying to stifle incredulous laughter as I was reprimanded by a fat headed and hard hatted construction worker who’d morphed into Mr Gribble, and then into Bob Jelly from Seachange. “Do you live in an old house or a new one?” he blustered on. “Your bike was new once,” he said, again addressing my legs.
“A huge part of Canberra’s history and culture is going to be destroyed,” I said, as calmly as possible.
“Sure sure sure sure sure,” said Bob. “But what does culture matter when jobs are being created?”
Again, verbatim, and thank Christ the lights went green. He ranted at my back as I crossed Barry Drive and with a raging fire inside I grinned wickedly; I now had column fodder. That’s right, you repulsive man, you picked the wrong gal.
I cycled back to work faster than I ever had before, raring to bash out my anecdote and vent my frustration to the Bossman, only to find a truly heart-wrenching email: “It seems Canberra Centre has forced out all the businesses in the outside buildings,” it alleged. “The entire building that Landspeed and Gus’ Cafe are in is marked for demolition. It’s just a matter of time before they raise the rents too high and they all close down.”
Now this is something Locality has known about for some time, but always tried to pay no heed to in the hope it wasn’t true. Seemingly it is, and it’s imminent. We may very well be facing further casualties of ‘progress’, and could be seeing the same fate as McGregor’s befall Canberra institutions Essen and Landspeed. In the coming weeks I’ll be investigating further, so stay tuned.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Machine of Fun
Big ups and massive props to locally illustrious merchants of madness Fun Machine, who took out the ACT Final of this year’s National Campus Band Competition at Transit Bar on Thursday August 26. A huge congrats is also in order for Velvette and Starfish Hill, who placed second and third respectively. Fun Machine were presented with a giant novelty cheque for $1,000 courtesy of Directions ACT, nabbed themselves a spot at Indyfest 2011, mentoring from First Base Music, $500 courtesy of the Australian Association of Campus Activities, and a slot at the National Final in Perth in October with a further $1,000 to go towards the trip. Said one of the judges and Manager/Programming Director of UC LIVE! Anna Wallace, “The NCBC 2010 ACT Final was a great success. The other organisers and I were very impressed with the calibre of acts. I have judged quite a few band comps and I have never experienced the divide amongst the judges that I did whilst deliberating backstage after this year’s comp, which spoke volumes about the quality of the up and coming talent in Canberra. The one decision that we were sure of though was the winner. Fun Machine are clearly very seasoned performers and have a truly unique sound and a joyous stage presence that we all agreed was what we wanted to represent the ACT at the National Final in Perth. We wish them all the best. Do us proud guys!”
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Roll On!
Roller derby is back! The Brindabelters will verse The Black ‘n’ Blue Belles in the first game of the new Canberra Roller Derby League (CRDL) season on Saturday September 11 at Tuggeranong Southern Cross Stadium ($10 tix on sale now from www.greentix.com). This season CRDL has introduced two more local teams to their lineup. Season Two champions The Surly Griffins, and victors of the first ever CRDL season in 2009 The Black ‘n’ Blue Belles, welcome to the track The Red Bellied Black Hearts and The Brindabelters. All four teams are set to fight it out for the title of Season Three winners at bouts on September 11, Saturday October 16 and a massive semi and grand final double header on Saturday November 13. Said CRDL President Bullseye Bettie, “We are forging brave new ground for CRDL; we’re pretty sure Adelaide is the only other league in Australia to have four teams.” Head to www.canberrarollerderbyleague.com for all the info.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Down the Line
With a sold out run of their debut EP in their back pockets, Sydney’s Line Drawings are now set to release their debut album Take/over. Its dissonant and dirty guitars recall the sounds of quintessential Australian indie rock while the complexity of the rhythm section would not be out of place in Chicago. Oo er. They’re playing Phoenix on Saturday September 11 with John Lollock and Tonight Alright, from 9.30pm.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
On Cloud 9
Sydney based genre defying MM9 are hitting the road to celebrate the release of their latest single Let It Take Over. The boys are fresh from the national tour with Karnivool as the main support, which won them rave reviews across the country from fans and critics alike. As BMA’s own Palimah Panichit espoused in his review, “By the end of their set, they had clearly won over a sizable amount of the audience, who whooped and cheered graciously, chuffed from having witnessed such a clean set delivered with no frills or spills.” MM9 are storming The Maram on Saturday September 11, with Escape Syndrome and Super Best Friends in support. Tix are $14+bf and are available from www.mm9.oztix.com.au and on the door. Doors at 8pm.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Boom Crash Opera
Fresh out of the studio and ready to rock, Sydney’s The Paris Crash have just completed recording their new single Honeymoon in Vegas, and are looking forward to taking it on the road. Mixing rock, grime and techno, they’re hitting ANU Bar on Friday September 3, with Activate Jetpack and Starfish Hill in support.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
We Want You!
Consider yourself a dab hand with the pen, keyboard or typewriter? Have you ever postulated, while flicking through it at Phoenix, that you wouldn’t mind seeing your words splashed across the pages of this fine rag? Well good news kiddo, as we’re currently on the hunt for Canberra’s finest wordsmiths. If cracking interviews, gig, CD and DVD reviews sound like your thing, shoot an email to editorial@bmamag.com with an example of your work, and you might just find yourself jumping aboard the good ship BMA before you know it.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
ABC Local Radio’s Speaking Out show presents cultural, lifestyle and political issues affecting Aboriginal and Torres Strait Islanders (airs Sunday 9.30pm – 10pm AEST). On July 1 1990, Speaking Out went to air for the first time making it the first program of its kind; a national Aboriginal and Torres Strait Islanders affairs show produced and presented by Indigenous broadcasters. Since its very first program, Speaking Out has covered a wide range of topical issues and profiled well-known and emerging Indigenous activists, performers, artists and actors. The Speaking Out CD features Indigenous music that has been an ever-present and important core of the program.
The CD features tracks from Geoffry Gurrumul Yunupingu, Archie Roach, Jessica Mauboy, Ruby Hunter, Dan Sultan, Kev Carmody and many more. We have five copies up for grabs. Simply shoot an email to editorial@bmamag.com telling us about your favourite Indigenous artist.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Best Of Blues & Roots 2010 is the second compilation in an ongoing series featuring a collection of blues & roots songs from local and international artists. The two CD set features artists such as John Butler Trio, The Cat Empire, Angus & Julia Stone, Donavon Frankenreiter, Michael Franti, The Wilson Pickers, Dan Sultan, and many more. We have five copies to throw your way. To score, simply shoot an email to editorial@bmamag.com explaining why you love blues & roots.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
John Marsden’s classic Tomorrow series has finally hit the big screen. Tomorrow, When The War Began follows the journey of eight high school friends in a remote country town whose lives are suddenly and violently upended by a war that no one saw coming. Cut off from their families and their friends, these eight extraordinary teenagers must learn to escape, survive and fight back against a hostile military force. We have five double in-season passes to give away. To win, send an email to editorial@bmamag.com telling us where you’d hide if Australia was invaded.
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Where did your artist name come from?
It’s actually my middle name.
Group members:
Myself – Dani Paryce (vocals, guitar).
Describe your sound:
Melodic, strong and emotional.
Who are your influences, musical or otherwise?
Vocally I would have to say that Duffy and Jeff Buckley are my biggest influences and musical inspirations, amongst others.
What’s the weirdest experience you’ve had whilst performing?
Performing without fold back speakers in a large room. The sound would take half a second to travel back so everything seemed completely out of sync. It was a really random gig and I had to keep looking over at my fellow guitarist to make sure we were playing in time with each other.
What’s your biggest achievement/proudest moment so far?
I guess just getting out there and performing my stuff. It can be a daunting thing when you share your music and your innermost self to the world around you; music can certainly reveal that.
What are your plans for the future?
I’m hoping to move to Melbourne at the end of next year and delve into the music scene there. Then after that, fame of course J
What makes you laugh?
Life. And my little sister Taylor. She’s a riot!
What pisses you off?
Ignorance.
What’s your opinion of the local scene?
We could do better for the creative folk but it’s definitely growing.
What are your upcoming gigs?
Various places around Canberra. My EP launch is on Saturday November 20 this year @ The Venue, Southside CIT campus.
Contact info:
dparyce@gmail.com, www.myspace.com/paryce88 and befriend me on Facebook @ Dani Paryce and you can join my group page Paryce and keep up to date with upcoming gigs and events!
|
Date Published: Tuesday, 31 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
The Final Report of the Standing Committee on Planning, Public Works and Territory and Municipal Services’ Inquiry into Live Community Events was released late last month, and Locality can confirm it’s really interesting stuff. But seeing as though it consists of 87 pages and 32 recommendations, I thought I’d dig up my favourites for you, the no doubt pressed for time judicious live music lover.
Recommendations 27 and 28 are by far the tastiest: “The Committee recommends that the ACT Government looks to provide reasonable-cost, appropriate, multi-purpose and accessible arts facilities.” And “The Committee recommends that the ACT Government investigate making existing facilities easier to access for live events.” Recommendation 27 went on to say “The Committee also believes the ACT Government could take a variety of measures to support live events venues to stay open in Canberra, and for new venues to open, including improved access to Government-owned facilities.”
In September last year a Review of the Arts in Canberra was launched by artsACT, and on August 12 the Final Report was released. Unsurprisingly its recommendations are synonymous with the Inquiry’s. The Review of the Arts in Canberra Report suggests “one of the more practical ways to support all artists (young, amateur, emerging, professional and community artists) is by providing or funding improved access to reasonable-cost, appropriate, multi-purpose and accessible arts facilities.”
Whacko! It appears both Reports are well and truly behind the save Canberra’s live music scene cause. Locality’s other favourite Inquiry recommendations include recommendations 25 and 26: ”The Committee recommends that the ACT Government investigate the viability of extending the ACTION Nightrider service year-round on Friday and Saturday nights.” And “The Committee recommends that the ACT Government consider reinstating taxi-rank supervisors on Friday and Saturday nights at prime locations (including Canberra City, busy Town centres, Manuka and Kingston) to facilitate smooth exit of patrons from the City to other town centres and home.”
Although the necessity of live music venues and late night public transport to a thriving Canberra scene was stressed, the initial motivation for the Inquiry was noise complaints, and naturally the vast majority of the recommendations reflect this. Locality’s favourites are 5 and 6: “The Committee recommends that the ACT Government undertake comprehensive noise monitoring and analysis […] over a suitable period of time to establish ambient noise levels in Canberra City and Town Centres.” And “The Committee recommends that the […] noise standards be amended to more realistically reflect the ambient and background noise levels in the City and Town Centre[…].”
Other excellent recommendations were made in regards to hearing damage and order of occupancy legislation, so for you keen beans we’ve put a link to the Final Report on the BMA Website.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Falling For You
A ticket to The Falls Festival in either Lorne or Marion Bay is one of the most sought after tickets in town, and it is without doubt one of these tickets guarantees you one of the best New Year’s of your life. Here’s who’ll be lighting up The Falls stage in 2010: Interpol, The National, Public Enemy (performing Fear of a Black Planet in full!), Klaxons, The Rapture, Cold War Kids, Sleigh Bells, Hot Hot Heat and dozens more, while on the local front there’s Angus and Julia Stone, The Living End, Paul Kelly, Tame Impala, Children Collide and yep, you guessed it, a helluva lot more than we’ve room to list here. Tickets go on sale to the general public on Thursday September 9. Head to www.fallsfestival.com.au for all the info.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Show Them Your Shakespeare
Shakespeare and teenagers have a lot in common. They are both immersed in everyday dramas about love, jealousy, sibling rivalry and family feuds. They both coin new sayings and words. Shakespeare thought life was a stage, and teenagers act like they're on one. With this in mind Optus and Bell Shakespeare are launching the Make A Scene competition again in 2010, challenging students across Australia to show the Shakespeare in their everyday lives. Students are invited to select a Shakespeare quote and express it their own way. Make A Scene is run online, and students can submit their interpretation in any medium they choose - be it a drawing, photograph, illustration, animation, or movie - as long as it is submitted electronically as a still image or movie file. There are big cash prizes going, so head to www.optus.com.au/makeascene to get involved. Entries close Friday October 1.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Stone the iPhones
Hell bent on shaking things up at Stonefest this year, The Frontier Touring Company, in association with UC LIVE!, have just released a free Stonefest iPhone app, which features music and videos from the Stonefest artists. Users are able to check out artist info, stream tracks, purchase tickets, connect to Stonefest’s social pages and receive the latest news about the festival and its artists all in one place. Download for naught now.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Gold Nuggets
Beloved Canberra punk band Buttnugget have been punking out since 1993, and they’re having a fundraiser gig to press some albums in memory of Trevor Nation on Saturday August 28 at The Basement. Bladder Spasms will be joining them. They’ve been playing since the ‘80s with the original lineup, now with young Jack Lusty from Eye Gouge and All in Brawl playing bass for them too. The Dunhill Blues are also along for the ride, as well as Rotten Opera. $10 at the door, kicking off at 9pm.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Be Mindful
The ACT Health Department and Mental Health Organisations in the ACT are holding a music, arts and film festival in Garema Place on Saturday November 20. Expressions of interest from bands, singers, stand ups, circus performers, poets, performance artists, classical musicians and choirs etc are now open. Shoot an email to kate.wells@bcsact.com.au or call 02 6264 0232 for more info.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Tuneful Timor
On Friday August 20, ANU Bar will host Tunes for Timor, featuring Fun Machine, Ah! Pandita, DJ D. Wils and more. All proceeds from the concert will be going towards the Oaktree Foundation's Youth Livelihoods Program in Timor Leste, the fundamental goal of which is to ensure that East Timorese youth have the ability to generate their own income and participate actively in their respective communities. Doors open at 8pm. Tickets are $15, available on the door.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Harmonies for the Heart
A double bill to warm your heart right down to your toes is hitting The Front on Friday August 20. Brass'ere is a seven-piece brass ensemble featuring trumpets, trombones, baritone sax, tuba and drums. They play a mix of original funk, jazz and rock, and are joined by Courtney Stark on vocals. Lady Grey blend elements of folk and popular traditions to create a scrumptious, accessible and fun sound using voice, guitar, keys, double bass, trumpets, clarinets, flute, glockenspiel and drums. It’s music to dance, laugh, sing or relax to while enjoying a pot of tea.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Campus it Up
The lineup for the National Campus Band Competition ACT Final has been announced. It’s all happening at Transit Bar on Thursday August 26, and running times are as follows: Starfish Hill are kicking off the night at 6pm, followed by Flight or Fall at 6.30pm, Fun Machine have the 7pm slot, followed by The Very at 7.30pm, then it’s Steady the Fall at 8pm, The Naddiks at 8.30pm, Velvette at 9pm and last but not least Pleased to Jive You at 9.40pm. Phoar, that’s a tonne of top notch ACT bands, so be sure to head on down to cheer on your faves.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
With over 40 million albums sold, major awards and a worldwide fan base it’s no surprise Bone Thugs-N-Harmony are standing strong and packing houses worldwide after 18 years in the game. Catch one of the most successful hip-hop groups of all time live for one night only at the Southern Cross Events Centre this Saturday November 11 supported by Canberra's Big Dave and the full KP Rekordz roster.
Tickets are selling fast but having your back as always BMA and KP Rekordz have a double pass to give away in every issue of BMA from here until the show, so if you want in, send an email in rap form to editorial@bmamag.com telling us why you reckon you deserve it.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Visioneers is the explosive new black comedy starring The Hangover’s Zach Galifianakis. In the not too distant future, a world not unlike ours is experiencing a curious spike in cases of spontaneous human combustion. The Jeffers Corporation is the largest most profitable business in the history of mankind, and they got that way thanks to their strict philosophy of happiness through mindless productivity. But when people begin literally exploding due to unhappiness, Jeffers Corporation Level Three TUNT George Washington Winsterhammerman (Zach Galifianakis) begins to reevaluate his mundane existence out of fear that he too will suddenly explode. Sounds like a right royal riot, huh? We have five copies of the DVD to throw your way. To win, shoot an email to editorial@bmamag.com and make us laff, ya wee gadge.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Father of My Children tells the story of Gregoire, an ambitious and passionate film producer who lives a frantic life darting between his demanding business and his family. Awarded the Special Jury Prize Un Certain Regard at last year's Cannes Film Festival, this film offers a rare insight into the joys and challenges of family life, and is a must-see experience for anyone with an interest in - or love for - the world of cinema. It opens nationally on August 26, and BMA has 20 in-season passes to give away. Simply shoot an email to editorial@bmamag.com telling us about your family. Crazier the better.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
Where did your band name come from? It’s a clever play on words y’see? It came down to that or ‘Zilberchair’.
Group Members: Jonno Zilber (singer/guitar), Cam Smith (trumpet), Tom Fell (sax), Max Williams (sax), Rod Harding (trombone), Leo Joseph (keys), Peter Barta (bass) and Mitch Preston (drums).
Describe your sound: Big band swing meets little band blues
Who are your influences, musical or otherwise? The Holy Trinity - Louis Armstrong, Louis Prima & Louis Jordan.
What’s the weirdest experience you’ve had whilst performing? Not too many weird experiences with the band but while playing solo I’ve had them all: from playing in a prison yard to things that have been thrown at me on stage, including one prosthetic leg.
What’s your biggest achievement/proudest moment so far? Personally, putting together and playing with this little big band was been one of my biggest achievements. Too much fun to be legal!
What are your plans for the future? I’m currently sitting on some great recordings of the band live in a studio which I’m hoping to release in the not too distant future.
What makes you laugh? When one of the guys in the band plays something amazing, the first reaction is always to laugh.
What pisses you off? People who move in next to music venues (and airports) then complain about the noise.
What’s your opinion of the local scene? Great! I always look forward to coming home to Canberra so I can see our local talent. Of course venues wax and wane with the seasons but as a band we constantly receive so much love from everyone who comes to our shows and we’re ever grateful for that!
What are your upcoming gigs? The National Press Club, Thursday November 11.
Contact Info: JonnoZilber.com and myspace.com/JonnoAndTheZilberfish.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
On Friday July 30 the ACT Department of Disability, Housing and Community Services shut down McGregor Hall one month before it was scheduled for closure. A fundraiser for the ACT Women’s Legal Centre had to be relocated to Corroboree Park Hall in Ainslie; a place where Jon Stanhope had admitted “young, emerging, noisy bands are wanting to practise or to play and issues were created there as a result”. The Canberra Musicians Club’s benefit for Vorn Doolette, an ex-Canberra musician who was recently involved in a serious car accident, was relocated to DNA Dance Studios in Gorman House. The CMC’s second birthday bash, which was to double as McGregor’s final curtain call, had to be canned completely.
McGregor Hall was closed because a routine inspection by DHCS on July 30 uncovered “low risk” asbestos sheeting. Subsequent tests were conducted, and on August 5 CMC’s Nigel McCrae received correspondence from DHCS stating that “although the results of air quality testing are positive, recommendations by the Environmental Protection Agency, Worksafe and ACT Health indicate the work required to make the building safe could not be completed prior to the transfer of the property.” Can anyone else see why this smacks of beaurocracy? As McCrae espoused, “there’s no health hazard as such, but said non-existent health hazard would require too much remedial action to allow reopening within the month. Go figure.”
The fact that the National Trust believes McGregor Hall has “strong historical significance” has also been completely ignored. As savemcgregorhall.org.au proclaims: “The building is all that remains of the Turner Workers Hostel. In the period after WWII the federal government initiated an expansive building program that established much of what is now known as the inner north and south of Canberra. To cope with the massive influx of construction workers and tradesmen seven hostels were quickly built and these hostels accommodated up to 2,500 workers. Turner Hostel was the last such hostel. All of the former hostels have been demolished. The building that includes McGregor Hall is the last and only standing example of the type of structure that housed the men who built a significant part of post-war Canberra.” So not only is McGregor Hall historically significant, it also holds strong social significance relating to the migration history of the ACT.
On Friday August 6 Stateline aired a report on McGregor Hall, during which Canberran author and historian Alan Foskett said, “I, as a historian, would feel it is important to have some sort of recognition of the fact that it is a final remnant of an important part of our history.” CMC’s David Howe admitted during the report, “having it appraised and assessed as having historical value is probably the only thing that will save it. The battle’s not lost. The building’s still standing. While it’s still standing I believe there’s still hope.” A nomination has been lodged with the ACT Heritage Council and a recommendation is expected this month.
You can view the full Stateline report on the BMA website.
|
Date Published: Tuesday, 17 August 10
| Author: Julia Winterflood
|
| 1 year, 5 months ago
John Marsden’s Tomorrow series is without doubt the best Australian youth fiction series ever written. The seven titles have sold over 2.5 million copies and have been translated into seven languages. Marsden has won every major writing award in Australia for young people’s fiction as well as many international accolades. He has twice been named among the Best Books of the Year by the American Library Association, has won the Grand Jury Prize as Austria’s Most Popular Writer for Teenagers, and in Germany the coveted Buxtehuder Bulle, an award given biennially for the best young person’s book in the world for the preceding two years.
It seems almost every young person in this country who read books in the ‘90s loved the Tomorrow series with passion bordering on fanaticism. For those who didn’t have the pleasure however, (and if that’s you, I implore you to head to your nearest book shop or library to change that, stat), TOMORROW, WHEN THE WAR BEGAN follows the journey of eight young Australians whose lives are suddenly and violently upended by a war that no one saw coming. It’s nail biting stuff, and just as pertinent today as it was when released in ‘93.
When I met Marsden at his writing camp in 2003, he spoke at length about his strong resistance to having the series adapted for screen. Wanting it left alone to be able to stand by itself, he turned down at least 130 film companies. When I mention this to Christopher Pang, the 20-year-old Melbournian who plays softly spoken and intensely brooding Lee Takkam, he immediately shoots back, “Well that’s because he’d never been approached by Stuart Beattie.”
Beattie wrote Pirates of the Caribbean: The Curse of the Black Pearl, Collateral, 3:10 to Yuma and Australia. TWTWB is his directorial debut, and one can only imagine what kind of magic he would’ve had to have pulled out of his hat in order to change Marsden’s mind. An underlying commitment to and deep love of the book and its characters would have been key, naturally, and this shines in the film. So much so that Marsden has expressed not only approval, but delight. “I’m so happy John was so pleased with it and only had good things to say about it. Because I mean really, John would be the hardest person to please, and he loved it. And he’s not someone who just says things to be nice. He says what’s on his mind. He’s a very intelligent guy. But for him to say such good things about the film means a lot for all of us,” Pang enthuses.
Marsden’s love of the film is unsurprising, for it is indeed a brilliant adaptation. The casting is excellent; nineteen-year-old Caitlin Stasey captures the perfect balance of intelligence, stubbornness and strength that is integral to lead character Ellie Linton, and she looks as at home using a chainsaw as she does an AK-47. Homer, played by Greek god Deniz Akdeniz, is buff, arrogant and completely lovable, Ashleigh Cummings is tremendously affecting in her portrayal of devoutly religious Robyn, and Rachel Hurd-Wood brings grace and humility to the role of Corrie. Phoebe Tonkin as the seemingly precious yet ultimately resilient Fi is pretty close to perfect, as is Lincoln Lewis as the initially morally questionable Kevin, and Andrew Ryan pulls off the apathetic stoner role of Chris convincingly.
Last but not least there’s Lee; easily the most complex character in the book. Says Pang, “[Stuart Beattie and I] talked about it a lot when we developed the characters, because he is a hard character. He is complex, and a lot happens in his head and through his expression and his eyes rather than his words. He doesn’t say that much. I think he says about three words in the first half of the film. But more is said through the unsaid.”
The chemistry and camaraderie between the young actors is evidently genuine. Says Pang, “It was eight young people just… chillin’. Obviously when the cameras were on we were professional and we were working but in our down time we would just relax and muck around. Everyone got along really well.”
In addition to the casting and performances, the numerous action sequences are thrilling. I had to keep reminding myself, ‘you know what happens, you know they get out of here alive, so calm down and stop covering your eyes!’ (I’ll admit I’m not really the action film type). Producer Andrew Mason’s (The Matrix trilogy) great deal of experience in big budget productions and visual effects shows; the explosions are jaw-droppingly awesome, the chase scenes edge-of-your-seat exhilarating. The cinematography is also superb; the aerial shots of country NSW are truly breathtaking. “Having that Australian outback really brought it forward as an Australian story,” says Pang. Throw in tracks by the cream of our crop; Powderfinger, The Cruel Sea, Missy Higgins and The Temper Trap and you’ve got yourself a cracker of an Aussie action flick.
Apart from one bemusing scene, the film is as faithful to the book as much as a 100 minute film could be. “Stuart knew this when he was writing it. We have to make it great, just to be fair to the readers,” muses Pang. “There is a responsibility to be faithful to the book, and do justice to it so the film’s equally as great. And judging by the response from fans of the book, that’s really worked.” And will the rest of the six in the series get the same treatment? “At the moment, there’s nothing official. If everyone loves the film, if everyone raves about it, and there’s a lot of support behind it, then hopefully we’ll get some more happening.”
Upon their return to Hell, Ellie asks Corrie if the book she’s reading, Miles Franklin’s My Brilliant Career, is any good. “I’ve seen the film,” offers Ellie. “It’s not as good as the book,” replies Corrie. “No,” quips Ellie, “they never are.” This wry self-reflexivity reveals Beattie knew the film could never match the book, but I sure am glad he tried.
Tomorrow, When the War Began opens in cinemas nationally on Thursday September 2.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
ALBUM OF THE ISSUE: My future depends on Darren Hanlon, for the one I grow old with must love him as much as me, ‘cause if he don’t get Darren, he won’t get me. My love affair with our nation’s most wonderful wordsmith began many moons ago with 2000’s honey sweet Falling Aeroplanes. Two years later he took out humble number 45 in the H100 with Punk’s Not Dead, an adorable ode to sharehousing which slotted him snugly in our minds as an effortlessly charming and exceptionally clever songwriter. A handful of delightful EPs and three albums I’ll cherish forever later, Darren has produced, in his own words, his most honest work yet. While I Will... possesses all the trademarks we’ve grown to know and love; gorgeous melodies, wistful guitar, jolly uke and banjo, lilting keys, rousing choruses and countless displays of masterful wordplay (“And if I had a dollar for every time I shoulda been paid / Then I woulda been paid”), a gentle nostalgia not found on previous albums permeates. Nowhere is this more apparent than in the final bar of haunting closer What Can We Say?; “What will we miss the most? The feel of sun, the taste of beer” is coupled with non-lingering piano chords. The abrupt end has a ‘to be continued’ feel to it, I suggested to Darren. “It’s the end of the beginning and the beginning of the end,” said he.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
After 15 years together, Sydney’s Java Quartet has come back with their most exciting production yet. What started as a postgraduate music project for leader Michael Galeazzi ended up delving into all the wonders of digital beats, textures, chopping up their back catalogue of music, throwing in some Indian raga and a bit of good old drum ‘n’ bass, and coming up with their sixth album, Rejavanation. We have two copies of the album and two tickets to give away to their gig at UC Innovation Centre on Friday August 13. To score, send an email to editorial@bmamag.com telling us what your favourite type of fusion is, whether it be music, or food, or anything at all!
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Crazy people unite at Canberra Theatre on Saturday August 21 in the singing along to musical numbers! Or, as the press release would have it: “join in an unforgettable interactive experience and tribute to the film that continues to have millions of hearts swelling. […] frock up for the ultimate musical affirmation; a celebration of nature, spirituality, love, family, patriotism, and goodness, combined with perfectly pitched songs, and the screen presence of feisty feminist, Julie Andrews. Round up your favourite friends, take your vows, and tear down the curtains as you the audience take over as the star of the show. Almost anything can happen!” Doh. A deer. We have three doubles to give away. To win, send an email to editorial@bmamag.com telling us what is your favourite Sound of Music moment.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
As the world leaders in dance compilations, Ministry of Sound have used their expertise to compile the ultimate in get up and go music with Running Trax - a must-have mix of die-hard workout classics and current uplifting hits that will raise your energy levels to new heights! So whether you’re training for a marathon or getting in shape for summer, Running Trax is the ULTIMATE compliment to your work out. We have five copies to give away. To win, shoot an email to editorial@bmamag.com telling us why you love/hate to work out.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Where did your band name come from? An epiphany.
Group members: Joel Steenbergen (singer/lead guitarist), Kurt Schiffer (bass guitarist), Shaun Buchanan (drummer).
Describe your sound: Put some grunge, some rock and a pinch of psychedelic into a blender and shake but don’t stir and we basically sound like that...
What are your influences, musical or otherwise? Syd Barrett, The Vines, Led Zepplin, Nirvana and The Rolling Stones.
What’s the weirdest experience you’ve had whilst performing? A wonderful hippie lass trying to hold a conversation with the lead singer Joel whilst in the middle of playing a concert.
What’s your biggest achievement/proudest moment so far? We got featured and played on the Big Show in America when we released our new EP Get Evolved.
We also have three songs in triple j’s Unearthed top 100.
What are your plans for the future? Albert Hall in England would be a nice venue to play at...
What makes you laugh? Dance music – can’t tell one song from another, and we haven’t heard a single chorus since it all began.
What pisses you off? The attitudes of a lot of nightspots in Canberra. They won’t let originals be played because they’re set on selling as much booze as possible, then drunk people want to sing to covers – we’ve actually been told this by one prominent spot in Civic.
What’s your opinion of the local scene? As above, also it looks as though the only way musicians playing original music can make it in Canberra is by playing free of charge, or organising their own events and risking what little funds they have on the locals actually showing up... it’s pretty depressing really. Having said this, there are places which do let you play, even if you are just starting out – our hats off to Joan at The Pot Belly Bar in Belconnen, and we also did a set at The Phoenix Bar in Civic.
What are your upcoming gigs? The Holy Grail in Kingston on Saturday July 24 and Woden Youth Centre on Friday August 6.
Contact info: www.thenaddiks.com, 0411 145 312.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
“Of my material possessions I’ve lost track / I didn’t need ‘em / Everything I need fits in my backpack / I call it freedom,” sang DARREN HANLON in Couch Surfing on 2008’s sing-a-long radio hit rich Fingertips and Mountaintops. It came as no surprise, then, that when we were discussing the recent retirement of pinball wizard Del Reiss and the closure of his establishment Bumper Action Amusements, Darren said somewhat wistfully, “I was thinking if I had a house to put them in I’d buy some of his machines, but I don’t live anywhere.” ‘Everything you need fits in your backpack?’ I sang. “Haha, yeah,” he chuckled. “I’ve got a really good backpack. It’s survived many flights and many buses and many trains. Every time I go home to my parents my Dad washes it for me.”
The romanticism of the road – sights seen, places discovered, friends made along the way – resonates throughout all of Darren’s records. Yet it is his remarkable aptitude for acute observation and contemplation of the little things in life coupled with his extraordinary raconteuring skills that makes his music so beguiling.
His fourth album, I Will Love You At All, was released on July 16. When I spoke with Darren a week later he was seeking shelter from the Melbourne rain. Finding him in his hired camper van he said he didn’t really know how the record was fairing as he’d been avoiding reviews, both good and bad. “I’m just concentrating on getting the tour together at the moment. It’s hard to read reviews as it’s almost like you’re eavesdropping on someone talking about you.”
Ever humble, he spoke at length about his severe reluctance to listen to his previous albums. “It’s like holding a mirror up to yourself at different parts of your life. If I hear a bit of an old album there’s a moment of, ‘Oh that was a lovely time,’ but after a while I just hear all the mistakes, and you’ve just got to let go.”
Thankfully he’s still enjoying the “wonderful honeymoon period” with his new album. Despite bristling with his trademark charming-melodies and wit-and-wordplay, Darren’s latest has slightly more sombre overtones. The man feels this can be attributed to the change in his approach to songwriting. “On the album before, I was spending more time in cafes and pubs with my notebook trying to work stuff out. But with this album my style has changed a little bit. I wanted to be more honest…” he hesitates… “I don’t know if honest is the right word, but I wanted it to come from a different place. So I’d sit with my guitar and stare at the wall for hours. It’s more painful this process.”
With lines like, “I know that you’re gone so I’m moving on / Still I know that you’re worth mourning for,” from the stirring Scenes From A Separation, the joyful highs of I Will Love You At All are tempered with gentle longing. It is a beautiful record; yet another to add to the discography of one of Australia’s greatest songwriters.
Darren Hanlon is returning once again to Tilley’s Devine Café on Saturday August 14, with up and coming American songstress Shelley Short in support [try saying that fast when drunk – AL]. Presale tix were on sale from www.flippinyeah.com, but are sold out. Doors 7pm. I Will Love You At All is out now on Flippin Yeah.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Cultural Innovation
Music and culture in Canberra had a vivacious win on Monday July 26. David Caffery, the founder of uniVibes, won this year's InnovationACT with a business proposal for what promises to be "Canberra's premier live music venue". Five very experienced business leaders decided that the plan for Dionysus was the finest in the prestigious competition, which showcases innovative and original business ideas. David Caffery and Adrian Threadgould have been working on establishing this venue/gallery/cafe/bar for the past two years, bringing together a myriad of ideas and connections to create a “platform of potential for artists to define, and a venue for contemporary culture.” And, says David, “it’s happening.” But that’s all he’s saying for now, so stay tuned.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
ViAgro’s Porn Rock Connection
For many, a hard rock band is defined as a group of passionate musicians screaming and sweating their craft to an equally frenzied and energetic crowd. Enter viAgro, who hail from Newcastle and describe themselves as an “angry porn rock trio” (!?). Armed with a sound that has been described as The Kinks meet Black Sabbath, viAgro tear through their sets with a uniquely aggressive and fun style that keeps a joint jumping, just as a hard rock band should. viAgro will be sharing the stage with locals Activate Jetpack, Variodivers and ZZG. They’ll all be hitting ANU Bar on Thursday August 19. Doors from 8pm, entry is $5.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Happy Days for Ha Ha
Okay, so due to loser ACT government laws and the cold, Sunday sessions are pretty much a dying thing. Except at Ha Ha Bar in ye olde Belconnen. To celebrate winning the 2010 Out In Canberra's Favourite Nightlife Venue Award, and to thank all the lovely voters, they're throwing a bit of an afternoon affair. Featuring Hancock Basement, Gemma and John, D'Opus and Roshambo and Ced Nada, plus loads of alcohol, it's set to be a great afternoon. Call in sick, stock up on Berocca and be there from 3pm.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Friends Split 7”
Ah, gleeful days! Local bands Karoshi and Ah! Pandita are finally releasing some songs officially. And in the act of true friendship they're splitting a 7" and planning a party to celebrate. As an official launch, the night will kick off at 8pm at Transit Bar on Thursday August 8 and there'll be sets from the two bands as well as some help from Strangeways DJs. $10 on the door, doors at 8.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Beatlemania
Doug Parkinson, Jon Stevens and John Waters will take to the stage this August for a very special series of concerts celebrating the music and genius of the greatest songwriting team of all time, John Lennon and Paul McCartney. Let It Be: The Beatles songs of Lennon & McCartney will feature two hours of much loved songs including Yesterday, Blackbird, Let It Be, Dear Prudence, Eleanor Rigby, Come Together and Hey Jude performed in state-of-the-art concert settings. Let It Be will be wowing the crowd at the Royal Theatre on Friday August 20. Tickets through Ticketek. www.theletitbetour.com .
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Youth Rock
The next rockin’ event at Woden Youthie is on Friday August 6. Rock Nation will feature The Naddiks, Dramatic Effect, Black Squire, No Assumption and more. The night kicks off at 5.30pm and there’s a $5 cover, so head on down for some outrageous all ages fun.
|
Date Published: Tuesday, 3 August 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Dragon on the Big Screen
The Dragon Dreaming Crew have just made the first of four lineup announcements. Although it is only a quarter of the lineup, it is way more than we have room to print here, so head to www.dragondreaming.net for all the details. Another feature of this year's festival announced this week is the WTF Psychedelic Cinema, which will be screening late on the first night of the fest, Friday October 1. Originally developed by Victoria's Somatica Festival, WTF Cinema is making its interstate debut. It promises to be funny, absurd, confronting, mind-bending and at times just downright offensive, and is something not to be missed. Bless
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Where did your band name come from? Boys having an ale after our first jam together.
Group members: Cameron Smith and Zach Raffan (trumpets), Michael Bailey and John Gosling (trombones), Nathan Sciberras (baritone sax), David Abkiewicz (tuba), Robert Nesci (drums) and Courtney Stark (vocals).
Describe your sound: Jazz and funk rock in a brass band wrapper.
Who are your influences, musical or otherwise? Dirty Dozen Brass Band and Hot 8 Brass Band especially, but anything with a groove. Anyone who is enthusiastic and has the courage to see things through.
What’s the weirdest experience you’ve had whilst performing? Seeing the wide age range of people who dig our music.
What’s your biggest achievement/proudest moment so far? Converting the crowd in a certain Southside beer garden. One flanny-wearing, rum-drinking punter came up afterwards and said “you guys are farkin’ awesome!”.
What are your plans for the future? Writing more songs and playing as much as we can.
What makes you laugh? See proudest moment. Also a dog relieving itself on Nath’s sax case was funny for all but him.
What pisses you off? People seeing a trumpet and immediately thinking we’re going to be too loud.
What’s your opinion of the local scene? There is a lot of great music for all tastes in Canberra. Lots of bands and people taking the initiative and making things happen.
What are your upcoming gigs? Friday July 23 live on Art Sound FM92.7 at 8pm; Saturday-Sunday July 24 and 25 at The Sheriff’s Daughter at the Canberra Irish Club with Miss Kitka’s House of Burlesque; Wednesday August 4 at Hippo Bar; Friday August 20 at The Front with Lady Grey.
Contact info: www.myspace.com/brassere and also Brass’ere on Facebook.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
The last issue of BMA, Issue 351, was my 30th as editor. I took up the editorial helm of this fine rag in mid-March last year, after traipsing through India and Nepal for a few months. Naturally “what do you do?” came up regularly, and it always sent a small charge down my spine to reply “I’m a magazine editor,” just as it does 16 months later.
But you’d think after 30 deadline Mondays (o those dreaded deadline Mondays, at the end of which I’m so frazzled I’m incapable of making even the slightest decision – beans or cup-a-soup? Beans or soup ARGH!?), that charge would have left me. It hasn’t.
The moment I get my paws on the latest ish every second Wednesday I tear through it feverishly; my eyes furtively scour the still warm pages for formatting and spelling errors, forgotten ads, dodgy registration, wonky binding, missing borders… for any of the myriad things that can, and often do, go wrong. The pang in my heart I get when I find an error isn’t as painful as the stab I got when I first started, but the satisfaction I feel flicking through the mag, particularly when it’s a fine print job, hasn’t faded a bit.
However, it doesn’t even hold a candle to the glow I get from spying people reading it. Flipping through it at The Front, poring over it at Essen, in the queue at Dendy, at the bar at Transit, on the geriatric couches at Phoenix… Knowing the words I’ve placed and proofed are being read, the images I’ve sourced are being ogled, and people are picking up this publication every fortnight to see just how much is going on in our town gives me a thrill I’ll never forget.
The thing I’m most proud of though during my time as Ed is introducing a local story quota of three per issue (which is entirely separate to Exhibitionist, whose coverage of Canberra arts is literally second to none). BMA’s coverage of local music will only continue to grow, just as our burgeoning live scene continues to grow.
I made a new friend on Saturday night. She was Canberra born and bred and had been reading BMA for 15 years. “It’s been the only consistent thing for music in Canberra” were her sentiments. As we discussed our respective jobs and I described my wonderful working environment at gorgeous old Gorman House, the wittiest man I know, my boss, and the endless perks of being a street presseditor, the thought reoccurred to me, as it often does, that there is no job I would rather be doing right now. I am exactly where I want to be, doing exactly what I want to do. How many people can say that?
So despite the fact that every second Monday I suffer a minor meltdown; that I berate and agitate one particular friend with my-brain’s-turned-to-grey-custard despair despite constantly promising to never do so again, and that I almost always awake in the wee hours on the morning we go to print panicked and grief stricken with the fear I’ve missed an ad, I know it’s all worth it because I’m giving back to the city I love. I’m giving back to its musicians whom I’ve admired from afar, to its musicians I hold dear to my heart, and to its musicians whose music I will cherish forever.
I may only be able to bash a tambourine or drum a beat on my lap or occasionally attempt to harmonise, but music is my life, and BMA has afforded me the privilege of truly making it so. It’s also afforded me the privilege of pissing off to Splendour in a fortnight with a few mates and VIP tix. Now that’s the good life, ain’t it? I guess hard word pays off.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Electric is the much anticipated third full length album from Triky. The 12 track album carries a high energy sound and is similar to the previous two releases, Tweaked and Permanent Damage, yet goes further with a thumpin’ new set of bass lines and is packed full of FX. With a wide range of tracks, there’s something on here for every dance lover. Filtered is the fourth album released by Triky, and is an exploration in BPM with tracks ranging from 140 to 150 BPM. It’s an innovative 13-track album which takes Triky in a whole new direction. We have two copies of each album to throw your way. To win, send an email to editorial@bmamag.com telling us about the best dancefloor you’ve ever been on.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
deepblue are an award-winning ensemble that, to quote, “look like an orchestra, act like a band and [feel] like you’re watching theatre or a live movie.[…] The new show the dream follows the young musician’s journey, and explores the fine line between dreams, nightmares and reality […]. a perfect combination of multi-media, film, music, rock, electronics and classical.” In a surprise twist, deepblue ask their audiences to leave their phones on during the performance so you can “make requests, give ideas and share your dreams” via SMS. Golly! We have five doubles to the show to give away. To score, simply shoot an email to editorial@bmamag.com telling us about the dream you had last night.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Inspired by the remnants of the post punk/electrnic/noise scene of the ‘80s, and coinciding with the rise of techno and rave culture in the early ‘90s, Itch-E & Scratch-E were born. And now, after a ten year wait they are back to explore their vision of the future with you. From the boys themselves: “Yes, you could argue there is a signature stamp of DNA that could be misconstrued as, dare I say it, a little bit rave/bleep/tech but it’s out beloved mongrel that fits no breed but its own. We hope you enjoy!” We’ve got five copies of the glitchy, bleepy, and bristling with expletives LP to throw your way. All you need do to score is shoot an email to editorial@bmamag.com telling us who is behind the seminal Australian outfit Itch-E and Scratch-E.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Get a Dose of This
In 2007, New Zealand based D&B DJ/producer Dose burst onto the international D&B scene with a string of well received releases. Now, three years and over 25 international releases later, Dose is fast proving himself as not only one of New Zealand’s leading solo D&B artists but one of the rising stars of the D&B scene world wide. He’s hitting Mercury Bar on Friday August 6.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Red, White and Striped
White Stripes fan? If so you’ve probably already seen Emmett Malloy’s rock doc Under the Great Northern Lights. But have you had your eyeballs blown away by Jack and Meg on the big screen? The wonderful folk at Arc Cinema at the National Film and Sound Archive are screening the film as part of their Sounds on Site series. The doc follows Jack and Meg on their 2007 tour of Canada and also catches the free side shows they play across the country. If you’re feeling down about missing Splendour, then what better away to blast away those blues in the beautiful cinema that is Arc? Saturday July 31, 7pm.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Give Them the Flick
Want to be the next big director, animator or game developer? Screen It is a great way to test your creative and research skills and showcase them on a national scale. The comp, run by the Australian Centre for the Moving Image, is open to school-aged students enrolled in primary and secondary school. This year’s theme is The Environment. Who Cares? To enter, visit acmi.net.au/screenit. Entries close Friday September 17.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Charlie and the Record Factory
Ever caught a ripping set by a local band and wanted to drop your hard earned on their discs at the end, only to find you’ve barely enough for a pint? Well good news, as local outfit Cardboard Charlie are on the case. They’ve got a sizeable swag of local artists’ records (44 in total) for sale on their site, cardboardcharlie.com, with more being added every day. Cardboard Charlie is dedicated to supporting independent music and arts, both local and national, through promotion, production, networking and retail. They’re the ones behind our beloved Phoenix Bootlegs; that alone deserves massive props.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Stencil it In
The deadline for entries for the Australian Stencil Art Prize is Sunday August 1, with the winner receiving $2K. This year the good folk at ASAP have teamed up with the cool cats at Avant Card, who will select one finalist’s stencil to win a national print run of 20,000 cards. That’s an enormous amount of exposure. ASAP is open to Australians 15 years or older, and aims to recognise and reward stencil artists and to provide recognition for stencil art as an art form in its own right. Damn straight. Details on how to enter are at http://www.australianstencilartprize.com.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Splendour Bender
Missed out on Splendour tix? Fear not, for Strangeways DJs are back to dry your eyes and fill that deafening silence with their second annual Splendour in the (Transit) Bar; a night of music that resonates, celebrates and commiserates those who missed out! There’ll be drunkards stumbling around, questionable pashes under the big top and an astro turf covered floor that dreams are made of. Get in early, get in free and bask in the splendour that is Strangeways on Friday July 23.
|
Date Published: Wednesday, 21 July 10
| Author: Julia Winterflood
|
| 1 year, 6 months ago
Killing Two Birds With One Tape
Killing Birds and JW Sparrow & The Miner Birds embark on a Birds Love Fighting Records released limited edition split tape, collaborating with local artist and zine man Steven Pennington. JW Sparrow & The Miner Birds pays his way to the psychedelic. There are three tracks from Mr Sparrow on the cassette including crowd favourite Why Why, as well as unheard instrumental material only found on this release. Killing Birds stage dive onto the tape with a tight set of four grunge tracks, including their live favourites Plume and Cold Vein. The tape will be launched at The Phoenix Pub on Wednesday August 25.
|
Date Published: Thursday, 8 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Where did your band name come from? Back in ‘98 after watching a movie flick (Hot City) set in the ghettos of Indiana.
Group Members? (eg Dave L (vocals), Sally Thornton (Drums) etc) Kayo Marbilus (solo/writer). Describe your sound. Fresh/raspy flow with lyrics to take you on that metaphorical journey.
Who are your influences, musical or otherwise? Life, the good, the bad, history, the present, Canberra city.
What’s the weirdest experience you’ve had whilst performing? A crackhead front and centre going off tap.
What’s your biggest achievement/proudest moment so far? Having my music on national TV over the past six years and having that music artist status.
What are your plans for the future? Keep reaching out to networks untouched, promote the new EP Karisma and take that next step to where I’m trying to go.
What makes you laugh? My friends.
What pisses you off? Negativity.
What’s your opinion of the local scene? Canberra, we got next.
What are your upcoming gigs? Main act for a new club opening in Sydney in July, and a few shows spreading across the major cities.
Contact Info
myspace.com/kayomarbilus
myspace-artist-promotion.webs.com
kayo_101@hotmail.com
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Three local boys embarked on a journey to write and play the kind of music they love, and Fearless Movement was born. Their music feels like summer, surf trips to the coast and Sunday arvo beers in the backyard sun, and is exactly what this frigid city needs in the midst of winter’s icy grip. With a sound inspired by The Beautiful Girls and Xavier Rudd, Fearless Movement will warm your soul, leave a smile on your face and keep you humming all night long. They’re playing The Front on Thursday July 8 at 7.30pm.
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Massive props are in order for Dragon Dreaming Festival, which celebrates music, art, nature and the freedom of self-expression in a safe, family friendly forest gathering not far from Canberra. In 2010 An extra day has been added with the festivities kicking off on Friday October 1.
The festival organisers are currently looking for contributors and volunteers, so if you’re a performer, artist, stallholder, or anyone who has something unique and interesting to offer, email info@dragondreaming.net.
If you’re a musician and want to be on the bill, email music@dragondreaming.net by the end of July. First release tickets sold out in a flash, with second release tickets on sale now.
Head to dragondreaming.net for all the info, and get in on the countdown to what is easily one of the best festivals Canberra has to offer.
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Love to write? She Inspires have announced the opening of the 2010 Winter Short Story Competition. They want vibrant, talented authors to submit their short stories based around the word ‘inspiration’. The three winning entries will receive cash prizes and publication on the She Inspires website. For more information on the competition and what exactly they are looking for, go to www.sheinspires.com.au/win.
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
On Saturday September 11 at ANU, legendary US metal band Soulfly will sink their sharp claws into our fair city. Joining them are Vancouver’s City of Fire and US band Incite. Tickets are on sale now from all the usual outlets.
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Calling all visual artists! Belconnen Gallery is taking expressions of interest for its 2011 program. If you would like to take advantage of their individual/group rates ($125/w inc GST) or are part of a community/non-profit organisation ($75/w inc GST) who may like to hold an exhibition in the space, contact gallery curator Ben Drysdale on ben.drysdale@bcsact.com.au.
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
If you’re off to Splendour at the end of the month you’re no doubt getting jittery with excitement, whereas those who find themselves ticketless will understandably twitch in pain upon hearing the word. Now, regardless of whatever side of the coin you sit on, you can still enjoy the lineup. At secret-sounds.com.au you can download a free ten track Splendour sampler, featuring songs by Mumford & Sons, Laura Marling, Jonsi, Two Door Cinema Club, Ash, We Are Scientists, Band of Skulls, Surfer Blood, Alberta Cross, The Magic Numbers and more.
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Geez the good people of Splendour just keep on giving. They’ve bestowed upon us, to pass on to two lucky readers, a double pass to The Magic Numbers’ Splendour sideshow at The Corner Hotel in Melbourne on Wednesday July 28, and a double pass to their Sydney sideshow on Friday July 30 at The Metro. To score, send an email to editorial@bmamag.com telling us why you wish you were going to Splendour, and well, if you are, perhaps you should let someone else have a shot you greedy gadge!
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Set in Los Angeles, 1975, The Runaways follows the story of Joan Jett (Kristen Stewart) and Cherie Currie (Dakota Fanning), two teenage valley girls with punk in their blood, who meet and become the heart and soul of the seminal all girl band, The Runaways. Writer/Director Floria Sigismondi brings The Runaways to the big screen in this story of a group of extraordinary young women as they rise from rebellious Southern California kids to rock stars of the now legendary band that paved the way for future generations of girl musicians. Under the Svengali-like influence of rock impresario Kim Fowley (Michael Shannon), the group evolves into an outrageous success and a family of misfits. With its tough-chick image and raw talent, the band quickly earns a name for itself—and so do its two leads: Joan is the band’s pure rock’ n’ roll heart, while Cherie, with her Bowie-Bardot looks, is the sex kitten. The Runaways releases nationally on July 15, and is also part of the Official Selection in the Sydney Film Festival this year. We have ten double passes for any in-season session at Hoyts to give away. Simply send an email to editorial@bmamag.com telling us about your fav rock chick.
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Triple J have just released Live at The Wireless Volume 3. The 3 CD/DVD set features footage of some of the greatest live performances captured by Triple J TV, including Florence & The Machine, The Presets, Lily Allen, Jamie T, John Butler Trio and so many more. We have five copies, each just itching to be given away free to any good owner/lover of live music. Just send an email through to editorial@bmamag.com and tell us about the best live music experience you’ve ever had.
|
Date Published: Wednesday, 7 July 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
The ACT Greens issued this press release on June 25:
In the lead up to the demolition of McGregor Hall to make way for development, Greens spokesperson for Planning and Arts, Caroline Le Couteur, has called on the government to support Canberra’s musicians and community groups.
“We have a serious lack of appropriate venues for live music and community groups in Canberra, particularly ones that are affordable to smaller groups and accessible by public transport,” said Ms Le Couteur. “McGregor Hall is one of the few affordable, centrally located, and noise-appropriate community spaces in Canberra, and the Chief Minister admitted today that the venue will be lost, with no plan for any replacement.
“While there are places in Canberra for large, professional groups, we are seeing a pattern of smaller community groups being pushed out. Canberra’s Symphony Orchestra, for example, now has no affordable venue in Canberra so is having to head out to Queanbeyan.
“McGregor Hall is home to community groups such as Jump Town Swing Dancers and the Canberra Musicians Club.”
In Question Time today the Greens pressed the Chief Minister over the squeeze on low cost community spaces in the city precinct. “Mr Stanhope announced that the Government would not replace McGregor Hall. He also did not have an answer for what the Government was doing to solve the problems facing displaced community/music groups.
“The ACT Government needs to commit to supporting these groups as they lose yet another venue. The Government also owes it to future music and community groups in Canberra who may never have the opportunity to establish themselves if there are no affordable and accessible spaces for them. The Government now needs to assist these valuable groups to find new locations in appropriate locations. Given the dearth of adequate community venues, Canberra also needs the Government to create new venues, or to actively assist the community to set up new ones,” said Ms Le Couteur.
I know it isn’t much to look at, but McGregor is home to hundreds of local artists, dancers and musicians. Its demolition is symbolic of the Government’s deprioritisation of Canberra’s grassroots culture.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
After the success of the inaugural Click to Click Producer Sessions at Knightsbridge in April, Amplidyne and uniVibes are proud as punch to present the second instalment on Sunday June 20, which will showcase Canberra’s very own home grown electronic music producers in the suave surrounds of Knightsbridge. Says Jamie Green, one half of Amplidyne, “People get gun-shy about giving gigs to producers because they play original tunes and people might not know them.” Discover something fresh. Free entry, 4pm.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
The Junes are a country swing supergroup formed in the wake of Git and The Toe Sucking Cowgirls (now there’s a band name), two of the finest female fronted bands in the land. These gals may travel around the country and around the world in other guises, singing other songs, but when The Junes get together, a cone of country power is raised wherever they are, and audiences are drawn to it like moths to a flame, helpless in the spell of the harmonies, the swing, and the sight of these beautiful women. Awesome. They’re playing The Front on Wednesday June 23. 7.30 pm, $10. myspace.com/ thejunestunes.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
This will be the cry of artists from around the country as they descend upon Canberra to inspire our youth to get their highs through artistic expression and performance. Some of Australia’s best Indigenous artists will land in the Capital for a free all ages concert on Thursday June 24, held from 10am to 2pm at the Gugan Gulwan Youth Aboriginal Corporation (GGYAC) in Wanniassa. GGYAC, as part of Drug Action Week, are hosting the event to promote self expression and to provide an incentive and avenue for emerging young artists to further their career. Indigenous hip-hop crew The Last Kinection will be shaking the nash cap’s foundations with deadly beats and soulful songs, along with a swag of other awesome acts including internationally renowned Aborginal dance troupe Koomurri. There’ll be exhibition spots for paintings and photography as well as performance slots available for emerging artists, so if you sing, rap, paint, dance, act, take photos, play in a band or tell jokes enter to share in the $1,000 prize money. Contact Nathan at Gugan Gulwan on 6231 9555 or email nathan@gugan-gulwan.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
In support of his stunning debut album Hunting, Ernest Ellis is set to embark on an East Coast tour throughout July, stopping by Transit on Saturday July 3. Fun fact: most of the vocals on Hunting were recorded lying in a bathtub, “partly out of stubbornness because I was in a mood, and partly because I like the natural reverb of that bathroom”. We like his style. The album crisscrosses various terrains from anthemic and dramatic guitar fuelled tracks to pastoral acoustic moments to lilting and infectious pop. Gorgeous. Free entry.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Mark Stewart is back on the scene post hardcore heroes Horsell Common, in his latest incarnation Jonesez. Although it certainly sounds like a band, Jonesez is best described as a solo project with a little help from friends, and will playing Bar 32 on Wednesday June 16 with Kempsey.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Owen Campbell, frontman of legendary local folk slash indie slash country group Voss, has won the ACT final of the triple j Unearthed APRA Song Summit songwriting comp. Owen will be attending the Summit and knocking heads with Julian Hamilton of The Presets, triple j darling Washington and the one and only Kevin Mitchell (not Bob Evans) in an exclusive songwriting workshop. A huge congrats from all the BMA fam Owen; we're looking forward to hearing your Presets inspired track.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
Where did your band name come from? We were thinking about possible names whilst having afternoon tea… this is something that happens more than music making at our jam sessions. We also considered Russian Caravan but none of us like that tea as much… except Clare, and she’s not in the band anymore.
Group members: We seem to play with a different set of people every time, but here is a sample: Emma Mcmanus (songweaving, singing, shaking), Eloise Menzies (keys, glock, singing), Luciana Harrison (strings, songspinning, vocals), Nicola Menser Hearn (clarinets, driving), Sarah Greet (flute, linguistics), Robin Dalton (blowing his own trumpet), Liz (bass, double bass), Claire Leske (trumpets) and Alice Roberts or Chris Endrey (drums).
Describe your sound: Some have called it gypsy-pop. Others say it is ambient and bohemian music and centres listeners. Think lots of eclectic instruments and instrumentalists having lots of fun and singing complex harmonies. It may even make you want to dance.
Who are your influences, musical or otherwise? Everything from Bulgarian women’s choirs and American spirituals to Sublime and Lauryn Hill. Throw in some Stravinsky, Van Morrison, Emma Dean, One Night Jam, Andi and George Band, Fat Freddie’s Drop, The Kinks, The Beatles, James Fahy, Joe Oppenheimer, Glee and a whole lotta tea.
What’s the weirdest experience you’ve had whilst performing? When we played the ANU end of year festival last year (outdoors) and there were little kids and a jumping castle and it kept on raining and stopping. We kept performing but had a complex system of towels covering the instruments we weren’t using, as we all switch instruments quite a lot. I think it was just strange ‘cause we were all hungover. That set felt long.
What’s your biggest achievement/proudest moment so far? Probably performing at Dragon Dreaming last year where we ended up playing to a tent full of dancing people. It felt awesome. Festivals are where we want to be.
What are your plans for the future? A drummer. And a recording.
What makes you laugh? Pirate jokes. And the idea of a t-rexican wave.
What pisses you off? When you make a cup of tea and forget about it and then it’s both cold and too strong.
What’s your opinion of the local scene? Really supportive and generally good quality. We feel so lucky to be a part of it and to be friends with so many amazing musicians doing amazing things. Mentioned a few names above that have inspired us and many others in this little town of ours.
What are your upcoming gigs? Phoenix, Thursday June 17, come and dance! We’ll play there again soon, check Cardboard Charlie or our events page for details (below).
Contact info: Facebook page: We’re Lady Grey, Come See Us Play! J
Luchi’s email: u4413821@anu.edu.au
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
On June 11 Shock Entertainment released the documentary Stones in Exile as a three DVD set, timed to correspond with the release of the new edition of Exile On Main Street, with previously unreleased bonus tracks. In the spring of 1971 the Rolling Stones departed the UK to take up residence in France as tax exiles. Keith Richards settled at a villa called Nellcôte in Villefranche-sur-Mer and this became the venue for the recording of much of the band’s masterpiece Exile On Main Street. Stones in Exile tells the story in the band’s own words and through extensive archive footage of their time away from England and the creation of this extraordinary double album, which many regard as the Rolling Stones’ finest achievement.
Extensive additional footage including interviews with all the band members, footage from Cocksucker Blues and Mick Jagger and Charlie Watts returning to Olympic Studios and Jagger’s country house Stargroves where a lot of the early work on the album was done. We have six copies of the DVD to fling your way. Simply shoot an email to editorial@bmamag.com telling us about your favourite Stones track.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
The Blow Parade is the comedy brainchild of The Chaser’s Chris Taylor and Andrew Hansen and triple j’s Craig Schuftan. The brilliant mockumentary series takes the piss out of music industry mythology, music journalism and syndicated golden-oldies radio. Each week the show guides you through the making of a classic album you’ve probably never heard of because neither the albums nor the bands that recorded them actually exist. The two CD set includes the complete radio comedy series as heard on triple j and the six full length singles. While their comedy series The Blow Parade features only snippets of these outlandish tracks, now you can experience the complete singles. We have five copies of the CD to throw your way. To score, send an email to editorial@bmamag.com telling us about a historically significant band that never existed. Go on, have fun now.
|
Date Published: Friday, 18 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
A State of Trance
After a long hiatus in the genre, Ministry of Sound returned in 2009 to the fore of trance with Trance Nation, an epic 2CD collection that was met with resounding success amongst trance fans nationwide. Now, 2010 sees this hugely popular release return with Trance Nation Volume Two. Assuming mixing duties on Disc One is without a doubt the biggest Aussie name in trance today, tyDi, who currently holds Australia’s #1 DJ and #2 Producer positions, as voted on the inthemix50 DJ poll. At just 23 years old, his rise to the top has been as quick as it has been impressive. He’s played alongside some of dance’s biggest heavyweights including Above & Beyond, Tiesto, Armin Van Buuren and Paul van Dyk, Fedde le Grand at Melbourne’s Sensation event, plus a main stage spot at Trance Energy in the Netherlands. A further endorsement from the dance establishment came in the form of Armin van Buuren’s label Armada releasing tyDi’s recent production Meet Me in Kyoto, as well as his debut album Look Closer which became the second highest selling Australian dance artist album in its opening month.
Disc Two is mixed by Dutch born DJ and producer MaRLo, who now calls Australia his home. After years invested into the EDM scene as an exciting producer and creative up and coming DJ, Melbourne now provides the perfect platform for a loyal and endearing fan base to emerge from, and over the past 12 months MaRLo has done just that. Having signed productions to trance super labels such as Armada and Spinnin Records and remixing giant artists such as Ferry Corsten, MaRLo is a name fast becoming a name internationally recognized in the world of trance music. Trance Nation Volume Two includes some of the hottest tracks and remixes of the moment from the key artists in the trance scene, and we have five copies to throw your way. All you need do is send an email to editorial@bmamag.com telling us what you think of trance.
|
Date Published: Wednesday, 16 June 10
| Author: Julia Winterflood
|
| 1 year, 7 months ago
On the night of Friday June 11, the biting cold failed to deter almost 300 people from McGregor Hall, the largest number in recent memory. The double EP launch of James Fahy and Joe Oppenheimer was a raging success and McGregor was warm and resplendent, buzzing with newcomers in awe of the brilliant ‘new’ venue. To the Canberra Musicians Club and its countless supporters however, McGregor, with its beautiful boards and high gabled ceiling, school canteen style bar, yellowed paperback library and fraying stage décor circa 1972, feels like an old friend; a terminally ill old friend.
The hall is scheduled for demolition in August to allow for the construction of “affordable student accommodation at the ANU”, which is undeniably crucial to alleviating the student housing crisis. The death of McGregor however is the worst possible blow to Canberra’s venue crisis and a nail in the heart of the CMC. I spoke to Nigel McCrae, President of the CMC, about the looming demolition and what it means for the Club and Canberra’s wider music community.
Explained Nigel, “Canberra needs this hall. The CMC has spent years searching for suitable venues for contemporary music in the inner north and roughly drawn a blank – except for McGregor Hall which, in accessibility, capacity, facilities, isolation from complaining neighbours, acoustic properties and cost is very near perfect. Add to that its character, the atmosphere of the place, which is instantly welcoming (unlike the vast majority of Canberra’s steel and glass behemoths), and you have a unique combination which would, if allowed to continue, see it become a vital part of the contemporary music scene in Canberra.” It already is an extremely vital part, I would argue.
“The CMC has been utilising the hall once a week on average for the last 12 months with great success. All it needed was for someone to see its potential and get the word out. We’ve had crowds of 100-250 each week seeing a great variety of local and regional artists. It’s got the feel of an old-school community hall, the dances that once were the staple of regional Australia’s social scene, with kids running around, people of all ages sharing an enjoyable cultural activity run by the community for the community.
“The Department of Housing and Community Services, which until recently owned the hall, has done a land swap with the ANU Exchange project allowing them to demolish it, making no provisions for a replacement. It’s inconceivable that we can face losing this unique treasure with, so far, barely a whimper of protest. It’s time for the local music loving community to stand up and fight the loss of this important asset.”
McCrae met with ANU developers to discuss the issue and received confirmation that there are no legal barriers to the demolition. This suggests to Locality that we should not be channelling our energies exclusively into trying to save the hall, but also into actively seeking or planning an alternative venue. Of course we should not go down without a fight for that would suggest the fire’s gone out, but it’s painfully clear this fight is unwinnable and therefore we need to focus on the future post our old friend McGregor. Shoot me an email with your thoughts, join the Facebook group Save McGregor Hall and stay tuned for more.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Gyroscope is bringing something new to the table this time – and it’s not what you would expect. Coming off the back of the #1 album Breed Obsession in 2008, complete with Gold certification and an ARIA nomination in tow, you would think that they would stick with what seems like a formula for success. But for something to succeed you don’t need a formula – you need a solid foundation on which everything can be built. And few in music have set a foundation as strong as Gyroscope.
It is this foundation that has produced the most cohesive album of their career, not sticking to the formula. And from this base shoots fourth album, the aptly titled Cohesion, a record with enough power to rock even the strongest stadium foundations. Gyroscope will be touring Cohesion in June, and they’re stopping by the ANU Bar with The Vasco Era and After The Fall on Saturday the 19th. To score a double pass, send an email to editorial@bmamag.com telling us what a gyroscope is.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
The Red Eyes are pleased to announce Red Army, the long awaited follow up album to their 2007 release Rudeworld, accompanied by an extensive national tour. Three years in the making, Red Army delivers a painstakingly produced album set to capture the massive live sound that The Red Eyes have become known for around the country. If an energetic performance is something that audiences expect from Melbourne’s favourite dub/reggae monster band, then this album will not fail to please. More extroverted than their last release, Red Army uses diverse production, from live studio takes to intricate programming, to blast their unique sound into an explosion of styles and see the group once more defying simple genre descriptions. The Red Eyes will be stopping by Transit on Thursday June 3 to show you what Red Army is all about. We have four double passes to the show up for grabs. To score, simply send us an email at editorial@bmamag.com, telling us exactly how you feel about communism.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
It’s time to go Back 2 the ‘90s with Big Tunes! This compilation is packed with ‘90s pop-dance classics you loved (either in secret or loud and proud), and will be a sure party or road-trip companion for many after its May 28 release. This triple CD features over 50 party classics from the decade that upped the BPM and gave rise to super-club dance music. Big Tunes - Back 2 The ‘90s features everyone’s favourite dance hits that make even the most stubborn want to get off the couch and Move It, Move It. Bursting with unforgettable classics like 2 Unlimited’s No Limit, Culture Beat's Mr. Vain, The Outhere Brothers' Boom Boom Boom, Corona’s The Rhythm Of The Night, and who could forget Haddaway’s What Is Love, D:Ream’s Things Can Only Get Better, La Bouche’s Be My Lover, Rozalla’s Everybody’s Free, Real McCoy’s Another Night, Reel 2 Reel’s Like to Move it Move It and so many more of the absolute best ‘90s dance gems. Aw yeah. You know you want it. We’ve got five copies to throw your way. All you need do is send an email to editorial@bmamag.com with a link to your fav ‘90s tune.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Animal Kingdom is a powerful psychological crime drama starring Ben Mendelsohn (Beautiful Kate, Prime Mover), Joel Edgerton (The Square), Guy Pearce (The Road, Death Defying Acts), Luke Ford (The Black Balloon, Kokoda), Jacki Weaver (Caddie, Cosi), Sullivan Stapleton (Satisfaction, Underbelly) and introducing James Frecheville. Animal Kingdom tells the story of 17 year-old J (Josh), as he navigates his survival amongst an explosive criminal family and of the detective who thinks he can save him. We have ten in season doubles passes just waiting for you to get your paws on ‘em. All you need do to win is send an email to editorial@bmamag.com telling us about your favourite animal. A picture would be nice too.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Where did your band name come from? From our love of competitive nude skydiving (we only skydive tandem). Plus… ‘vario’ is Italian for ‘diverse’ and ‘divers’ is French for ‘various.’
Group Members? Dave (drums/sexiness), Justin (guitar/vox/sequinned suits) and JT (bass/synth/beard).
Describe your sound We really want to say “it’s the brutal groove that makes you move” but that would be plagiarism.
Who are your influences, musical or otherwise? Ikari Warriors, Garry’s Peadon, Owe ‘n’ Ridgeway, Lincoln and the Days and Steve Gray’s new tattoo.
What’s the weirdest experience you’ve had whilst performing? After a show in Wollongong our sound guy sprayed everyone on the dance floor with a fire hose. Please go and read all about it on our myspace page.
What’s your biggest achievement/proudest moment so far? The new CD Decompression in stores now. Seriously, go to a store and buy it!
What are your plans for the future? Launch our CD to Canberra at the Max Power Festival (the Maram, Erindale, free entry, Saturday May 29).
What makes you laugh? Garry, Simmo and dodgey photo mods.
What pisses you off? Hitler, Pol Pot and Kochie.
What’s your opinion of the local scene? It’s in desperate need of more venues. As always great bands.
What are your upcoming gigs? CD launch at Max Power Festival amongst the cream of local rock sensations… Eww. The Maram, Erindale – free entry – Saturday May 29.
Contact Info www.myspace.com/variodivers
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Takin’ a Dive
Variodivers are a grunge/garage rock trio from the nash cap. Their second EP Decompression has just been released nationally through MGM/Green Distribution, was produced by Phil McKellar (Grinspoon, Dirty Three, Sliverchair), and is currently available from all major music retailers. Variodivers blend modern sounds with a grunge background giving them a uniqueness that takes inspiration from great bands such as Mudhoney, The Melvins and Butthole Surfers. The boys have always been super hard working, supporting the likes of Gyroscope, Something With Numbers, Front End Loader, Dallas Crane, British India, End of Fashion, Tambalane, 67 Special, Giants of Science, The Fumes and Love Outside Andromeda. Decompression will be launched at Max Power on Saturday May 29 at The Maram in Erindale. It’s an all day event kicking off at 1pm, with 13 local bands on the bill including Super Best Friends, Readable Grafitti, Escape Syndrome and Tonk, to name a few. What’s even more awesome is that the event is totally free.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Seismic Sounds
After the success of the recent Chilean earthquake appeal fundraiser (over $15,000 raised), the organisers are staging another rock benefit show. Local band Prostitute Gunn who donated their time for the first show will be taking part as well as metal behemoth Chud, Frostbite, The Bastards and Champion Ruby. Seismic Mayhem will be lifting the roof off Watson Scout Hall on Saturday June 5. It kicks off at 2pm and finishes at 10pm.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Righteous Slam
This month Traverse Poetry has joined with the Human Rights Arts and Film Festival to run a special human rights themed poetry slam. Come along to The Front on Friday May 28 and perform poems that make human rights accessible, relevant and significant - and win great prizes! $3 (free for poets). Sign up for a slot from 7.30pm
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Do Good
Vorn Doolette is leading the wave of new folk artists in Australia, with his performances being likened to iconic greats such as Tom Waits, Rufus Wainwright and Johnny Cash. He’s playing The Front on Thursday June 10, with local bloke Drew Walky in support. Doors from 6.30pm, $10 on the door.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Cat Cat Are Back
Sparkling guitars with krautish groove, Cat Cat are set to release a new EP with the original band lineup. At the moment it’s Conor (From The South) and Warwick (JW Sparrow) as a duo and perhaps special guests including the famed Casiotone keyboard on drone and drums. The two-piece will be taking original Cat Cat material and brand new songs into an enjoyable reformatted cloud of live psychedelic and feedback pop. Their live recorded single Heard Her Play is now available on www.birdslovefighting.com.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Dusky Tunes
Sydney five-piece Dusker are returning with their anti-folk stylings to The Phoenix on Saturday June 5. They’re aiming to repeat the success of their showcase gig earlier this year, playing songs from their latest EP We Flew Into The Updraft. Indie compadres Yae!Tiger will also make the trek from Sydney to fill the headline spot. Doors open at 8pm and as per ushe at Phoenix it’s absolutely free.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Jazz Club
From modern swinging jazz through to ambient slow landscapes, electronics that morph and become burning fast jazz tempos, and intricate Latin influenced compositions that slow down to become intimate ballads, The Tom O’Halloran Trio will stun punters at Trinity Bar on Wednesday June 16. These three musical brothers have built an intriguing creative language via countless performances. Full details at www.soundtravellers.com.au.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Church of Kim
For many who made the trip to Byron Bay Bluesfest at Easter it was all about seeing the older music legends on the bill, but one of the runaway hits of the fest was 19-year-old Kim Churchill. Following his last packed out show at The Front in March, Kim will return on Thursday June 10 at The Holy Grail, Civic. He’s too young to be a music legend, but there’s no doubt Kim Churchill has a huge international career ahead. $10 on the door.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Get off your arts review!
The inaugural ANU Arts Revue is coming. What is it? Let’s put it this way: sometimes people listen to Mariah Carey. Or anything involving Andrew Lloyd Webber. And then sometimes people change the lyrics to said artists’ songs so they’re vaguely political and absolutely hysterical. This year sometimes can be NOW, and people can be YOU. If you want to write skits, sing and dance, work back stage, make posters, paint sets, drink wine or tie shoes... WE WANT YOU! anuartsrevue@gmail.com.
|
Date Published: Wednesday, 26 May 10
| Author: Julia Winterflood
|
| 1 year, 8 months ago
Bah bow. Oops. No dice, or cigar for that matter. My submission to the Inquiry into Live Community Events cannot be considered by the Standing Committee on Planning, Public Works and Territory and Municipal Services because it was published in the previous issue of BMA, and therefore cannot be awarded the status of parliamentary privilege. And what, prey tell, is parliamentary privilege I hear you say?
Not being a lawyer or aspiring politician and with my days of Year 12 Legal Studies long gone, parliamentary privilege was a foreign concept to me ‘til I received the no dice email from the Committee Secretary. The ACT LA site states: “Committee proceedings are considered to be ‘proceedings in parliament’ and as such are protected by parliamentary privilege. Privilege means that witnesses and submitters cannot be sued for what is said or written and evidence may not be used in courts or tribunals to question the truth, motives or credibility of any person.”
Righty-o. Good stuff. It sure is nice to know that everyone who ragged the shit out of The Waldorf is protected against legal action. But alas I cannot be, for entirely unbeknownst to me, “once the committee receives a submission it becomes the property of the committee and must not be published, or otherwise circulated, until it is authorised for publication.” So no parliamentary privilege for me.
But really, how exactly was I supposed to know this? The only obvious information included on the Inquiry into Live Community Events page is “submissions should include your full name, postal address and telephone number. Electronic lodgement is preferred. A closing date for submissions will be set by the Committee in the New Year.” That last sentence is clearly redundant as the Inquiry was launched late last year. I’ve since learned from the Committee Secretary however that a new deadline has not yet been set, but that the Committee will most likely still consider submissions that are received up to the point where they draft their final report, scheduled for the end of June.
What this all boils down to though, dear readers, is yet another communication failure. Who is actually going to read the ACT LA’s guide to making a submission? And better yet, who even knew there was one? These questions painfully echo the granddaddy of them all, who actually knew about the Inquiry? Well, hopefully a lot more of you now. Massive props to Andrew Mottram, the creator of the Facebook group I Want to Help Shape the Future of Music in Canberra!, who is still tarrying selflessly away to give the Inquiry maximum exposure, something that should surely rest upon the ACT LA’s shoulders.
Don’t make the same mistake I did kids. Don’t publish your submission anywhere, online (ie Facebook) or in print, before it’s up on the ACT LA site. Be safe, and read the submission guide. Head to www.parliament.act.gov.au, hover your cursor over Committees, and then click Getting Involved.
So for chrissakes, get involved! You’ve got about a month, so stop constructing a botanical garden to decorate your freaking FarmVille and get typing.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Where did your band name come from? The classic 1952 Western, High Noon starring Gary Cooper and Grace Kelly.
Group Members: Mikelangelo – vocals, guitar, whistling, kung fu, Fiete Geier – guitar, goldentone, Gareth Hill – bass, whittling, Pete Olsen – drums, vibroslap. Guest star: Saint Clare – vocals, go-go dancing.
Describe your sound: Surf ‘n’ Western.
Who are your influences, musical or otherwise? The smell of gunpowder on an ocean breeze.
What’s the weirdest experience you’ve had whilst performing? Losing the plot with the head mistress pirate when the rider ran out at our show on their ship, and her bringing us lollies and Doritos to make up for it (true story).
What’s your biggest achievement/proudest moment so far? Mikelangelo winning a cage fight with an alligator and then Saint Clare nursing it back to life.
What are your plans for the future? Making Surf ’n’ Western a category in record shops and on iTunes.
What makes you laugh? The Cherokee film clip by Europe.
What pisses you off? People not realising that a high percentage of the best music being made in Australia comes out of Canberra.
What’s your opinion of the local scene? There are some okay swingers parties out in Belco, but Civic could do with a few more on weeknights.
What are your upcoming gigs? This Friday the 14th at McGregor Hall (cnr Barry drive and Marcus Clarke) with Fire on the Hill, doors at 8.
Contact info: facebook.com/thetinstar
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Lullabies
Domenico de Clario is one of Australia’s most influential installation, site-specific and performance-based artists. In this performance entitled Sleep, concert goers are invited to bring their PJs and pillows and immerse themselves in the dreamscape created by de Clario as he creates a music sound installation to soothe the audience to sleep. There’re two performances, on May 21 and 22. Head to www.cimf.org.au.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Do You Speak Americano?
Spank! Records has joined forces with Sweat It Out! Music in a quest to discover another fresh batch of beat-hungry, production-loving local talent in a nation-wide annual remix competition. This year’s competition track is the collaboration between Sweat It Out! artists DCUP and Yolanda Be Cool, We No Speak Americano. It has been number one on the Aria Club Charts for a few weeks now and is being smashed on the jays. The winning remix will be released on the Sweat It Out! Music label and be eligible for a prize pack worth over $3,500. Head to spankrecords.com.au for more.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
On the Cards
Hailed as Melbournes ‘belle of rootsy-rockabilly-twang’, Abbie Cardwell returns to Canberra after her well received performances during the 2010 National Folk Festival. The multi-award winner will pull out her banjo, ukulele, guitar and harmonicas to serenade you at The Front on Wednesday May 26 from 8pm. Also performing is the divinely gifted chanteuse Kira Puru & The Very Geordie Malones.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Let the Cat Outta the Bag
Catapult is a first of its kind song contest aimed at launching local song writers and artists onto the world stage through social media. The competition prize pool now sits at over $35,000 including a recording session with Studios 301 in Sydney or Byron Bay, CD pressing packages, a licensing deal and more. By entering on the Catapult website, artists upload their video-song entries via YouTube which is then sent out for the world to vote on using Facebook. Catapult launches late in May – check out catapultsongcontest.com.au.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Midweek Music
The Wesley Music Foundation’s weekly series of Wednesday Lunchtime Live concerts, held at the Wesley Music Centre at 20 National Circuit, Forrest, ACT from 12.40pm to 1.20pm, is searching for potential performers. By arrangement with the ANU School of Music, some concerts are earmarked for performances by ANU students as Professional Performance Units. If you’re interested email the Centre through wesleymc@bigpond.net.au or head to www.weslevcanberra.org.au/music.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Although Dappled Cities are enjoying the pleasures of a warm English spring from their new London HQ, they will forego their pims and cucumber sandwiches to dash home for their Australian tour in support of their new single Wooden Ships. Dappled Cities Zounds album was released in Australia and the US to critical acclaim late last year securing the band their first Top 40 Chart debut, a #1 AIR debut, an ARIA nomination for Independent Album Of The Year, and AIR Award nominations for Album and Artist Of The Year. Wooden Ships will be the final single lifted from the Zounds album and the accompanying video is a beautifully shot alternate live version of the song, taken from a forthcoming DVD release. Since the release of Zounds, Dappled Cities have thrilled us with gold body suits, a Disney television series and light-bulb jackets – so it’s difficult to predict what treats the band will have in store for Winter Tour. John Steel Singers, Otouto and Fire! Santa Rosa, Fire! will join Dappled Cities on this final lap around Australia before they return to the UK. They’re playing ANU Bar on June 24. We’ve got a shiny double pass to give away. All you need to do to score is fling an email to editorial@bmamag.com telling what you’d wear onstage if you were a rock star.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Icon Film Distribution and Dendy Cinemas Canberra are giving away 14 fantastically creepy prize packs including 12 Ghostly Horror packs featuring a buy one get one free pass to see Triangle at Dendy Cinemas Canberra and a Paranormal Activity T-Shirt, Two Ultimate Horror Packs featuring The Broken on DVD, Splinter on DVD, Paranormal Activity on DVD, Severance on DVD, a Paranormal Activity T-Shirt, a Triangle poster and a free pass to see Triangle at Dendy Cinemas Canberra. To go in the draw to win one of these packs just tell us in 25 words or less what your favourite horror movie of all time is. Email your answer, with your full name and phone number to canberraevents@dendy.com.au.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Buddha Bar 12, the retro-romantic flavoured collection, opens the door to a universe where dreams become reality and where urban fairytales come to life. Having etched a name for itself the world over, the Buddha Bar compilation series started its humble beginnings more than 10 years ago in Paris. Since then, the series has gone on to develop a loyal fanbase the world over. First brought to life by DJ and Buddha Bar Paris founder Claude Challe, who compiled and produced the first two albums, Buddha Bar 12 was compiled and mixed by DJ Ravin, who has been responsible for seven of the 12 volumes to date. For Buddha-Bar 12, Ravin has created an exquisite, carefully orchestrated compilation, trendy and nostalgic, very Parisian yet as universal as the language of love. From the melancholic ‘la vie en rose’ to the heartbeats of Gypsy, Hungarian, Finnish and Persian songs, this double CD set intimately reflects DJ Ravin’s search for poetry and passion through music. He takes us through a journey of musical heights and provides the sounds to greater inner paths and experiences. Press play, close your eyes and let your mind take you to Paris where you can get lost for a few precious moments inside the lush, soothing and exotic surroundings of Buddha Bar. Now doesn’t that sound blissful. To win one of three copies, send an email to editorial@bmamag.com telling us exactly what you do to achieve supreme relaxation.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Ministry of Sound’s Sessions Seven doesn’t invite you back into the club so much as it actually grabs you by the laces and pulls you onto the dancefloor! Need proof of just how massive the 2010 instalment of Ministry of Sound’s fabled Sessions series is? Well, once again the action has spilled over to three discs full of powerhouse dance music, each CD packed with the biggest tunes of the moment as well as the ones we’ll be dancing to in months to come, all mixed up by three certified heavyweights. Bringing their renowned floor-pumping muscle to Disc 1, Australia’s own Stafford Brothers back-up their impressive reputation with 20 tracks of unrestrained banging house. Triumphantly returning to the Sessions series after a monster mix for the 2009 edition, local hero Tommy Trash takes on Disc 2. Capping off an enormous twelve months for Tommy, this mix truly offers something for everyone fusing house, electro and even indie dance into one streamlined party disc. Taking the reins for the grand finale of Sessions Seven is none other than Steve Aoki, Los Angeles’ enduring DJ supremo, ending this party the only way he knows how - with the roof torn off and the cops called in to break up a riot. We have five copies to throw your way. To win, send an email to editorial@bmamag.com telling us about the craziest party to which you’ve ever been.
|
Date Published: Tuesday, 11 May 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
SUBMISSION TO THE INQUIRY INTO LIVE COMMUNITY EVENTS
Dear Ms Porter,
I am not a lifelong resident of Canberra like many of those who’ve made erudite submissions but I have been here long enough to witness the devastating closure of Toast and the conclusion of Trinity Bar’s Block Party, and the gaping hole this left in our live music community. It is with a heavy heart that I now await the impending demolition of McGregor Hall, homeland of the Canberra Musicians Club. The noise complaints against Transit Bar are adding insult to injury and I cannot help but speculate how long it will be until The Front Café and Gallery experiences the same anguish.
It was with great pride however that I read the most recent submissions to the inquiry, which after a slow start has now hit the ground running; consequently I do not feel it necessary to address the order of occupancy legislation for it has been made perfectly clear by many contributors that this matter is self evident. What I would rather focus on is Canberra’s constantly evolving and consistently astonishing local contemporary music scene, which, due to our severe lack of appropriate venues and numerous other barriers to performance, is suffering greatly.
The looming demolition of charming and character-rich McGregor Hall, which regularly hosts local and interstate artists and has seen countless nights of rollickingly good music over the past year, should motivate the ACT Government to immediately begin planning purpose built, community run, contemporary music venues in all town centres, as Nigel McCrae, the entertainment coordinator of the Canberra Musicians Club, suggested in his submission.
I feel it important to acknowledge that in terms of performance and visual arts centres artsACT does a top job; The Street Theatre, Theatre 3, Canberra Contemporary Arts Space in Braddon and Manuka, as well as the Watson, Tuggeranong and Ainslie Arts Centres,to name but a handful of Government supported facilities, are brilliant. This begs the question, why are contemporary music facilities completely overlooked? Even the ACT screen industry received a significant $400,000 boost in the 2010-2011 budget (as did Canberra Stadium to the sweet tune of $650,000, to upgrade the stadium’s televisions from analogue to digital), but contemporary music facilities (bar an outdoor stage in Tuggeranong) were not included at all.
I was disappointed to read that $100,000 has been allocated to commission an Australian composer to write music for the Canberra Symphony Orchestra to help celebrate Canberra’s centenary. Why not spend a quarter of that amount on gathering together the cream of Canberra’s contemporary musicians who could without doubt produce a work far more accessible and far more popular with Canberra’s wider community? Our shortage of venues is also why many nationally touring artists, whose tour schedules often include cities much smaller than ours, choose to bypass Canberra completely. As our music and arts streetpress editor it pains me to read tour press release after tour press release knowing full well an ACT date will not be included, even though dates in Cairns, Newcastle and Launceston will be.
I implore the Government to support our incredibly talented yet undervalued contemporary musicians by providing them the same opportunities it does our visual and performance artists, in addition to providing Canberra’s music loving community the same opportunities to experience contemporary music as other regional centres enjoy.
|
Date Published: Wednesday, 28 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
You listened to the countdown in a packed to the rafters pub, or you emptied half your pool doing bombies so only heard half of it; whichever way you spent Hottest 100 Day, we’re certain you’d wanna relive it. Well now you can, with visuals too! We’ve got five copies of the DVD to fling your way. It’s got all your favourites including the number one, and the number two and three come to think of it. In fact only 60 tracks in the countdown missed out on making the cut for the DVD, and they were probably all bollocks anyway. So send us a link to your favourite film clip to score one of these beauties.
It doesn’t stop there though. If your clip is ridiculously good, we’ll also throw you a MultiScore book containing 13 songs from the H100. What’s MultiScore I hear you say? Well, I’ll tell ya. The songs are transcribed in the original key, alternative guitar tunings and capos are indicated, guitar parts are included throughout each song in both standard notation and in TAB, a keyboard arrangement is provided right through the song as a reduction of everything going on in the instrumental parts, important solos, riffs and fills on other instruments are also included for reference and the complete vocal line and lyrics are provided. Wowzers music nerds! Doesn’t that just do it for ya!? It sure does for me! So get cracking and send a link to editorial@bmamag.com and if it has us roaring then we’ll be sure to reward you accordingly.
|
Date Published: Wednesday, 28 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Where did your band name come from? ‘The Love Recession’ was dreamt up amid the global turmoil of the global financial crisis which was a tough time for the globe.
Group Members? Will Johns (guitars and vox), Steve Paillas (guitars and vox), Jeremy Sung (keys and violin), Brad Cheers (bass) and Dave Landauer (drums).
Describe your sound TLR uses denim-squeezing folk rock to tell stories about love, loss and places we’ve never been to. The songs vary from soft to loud, neat to anarchic, serious to absurd, but always with the howl of the heartbroken and a healthy dose of harmony.
Who are your influences, musical or otherwise? The band dabbles in folk, blues, country, rock and pop traditions. Our biggest influences are the narrative songwriting greats such as Neil Young and Bruce Springsteen, as well as Aussie bands like Augie March, Midnight Oil and The Simpletons. What’s the weirdest experience you’ve had whilst performing? After playing a gig one day our bass player got hit with the question, “you have nice calves, do you blade?”
What’s your biggest achievement/proudest moment so far? Holding a steady band lineup for more than three months.
What are your plans for the future? Convincing a global corporation (or TV hospital drama) it wants to buy our song When Love Comes Around for a multimillion dollar advertising campaign.
What makes you laugh? Kids who try to squeeze too much leg into too little denim.
What pisses you off? Songwriters who write bad lyrics and sing them slowly. Everybody writes some stinkers, but you’ve got to get through them quick smart.
What’s your opinion of the local scene? Seasonal. Canberra has a lot of music lovers but getting them out can be tough, especially on winter weeknights.
What are your upcoming gigs? The Phoenix (Saturday May 15) and The Front Gallery and Café (Thursday May 27).
Contact Info (phone numbers, email, whatever you wish) theloverecession@gmail.com
|
Date Published: Tuesday, 27 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
¡Sabores Latinos!
The Griffyn Ensemble launch their 2010 season with music, food, and wine from the Spanishspeaking world in their concert Latin Flavour at the Belconnen Arts Centre on Saturday May 1. This year heralds new beginnings for Canberra’s premier classical music group, with soprano Susan Ellis and trumpet player Zach Raffan joining the flute, clarinet, harp, horn, percussion and composer that makes up The Griffyn Ensemble. Belconnen Arts Centre, 5.30pm.
|
Date Published: Tuesday, 27 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Hazardous Material
Once Brisvegas three now Melbournites, Scul Hazzards have just zoomed back into Australia from being perched in London working their hearts out to create some of their finest work since their debut album Let them sink. Having played more than 60 shows across Europe they are making Canberra part of their touring route, bringing us their second LP Landlord. Having played in Canberra before it is something they’re keen on doing again so Birds Love Fighting Records have booked them an energetic Saturday show at The Phoenix Pub, Saturday May 29 from 6pm.
|
Date Published: Tuesday, 27 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Go Bananas!
Vivid LIVE at Sydney Opera House curators Laurie Anderson and Lou Reed recently announced a second round of acts for this year’s festival, taking place from May 27 to June 11. Two of Vivid LIVE’s centrepiece collaborations will come from opposite ends of the musical spectrum but share the curators’ ongoing investigation into the possibilities of audio immersion, harmonics, technology and improvisation. Noise Night in the Opera Theatre on May 31 will journey to the outer limits of music with the turbulent, spaced-out sonic explorations of abstract Japanese noise rockers Boris and Melt-Banana and the psychedelic sounds of Philadelphia’s Bardo Pond, plus more to be announced. For more info head to www.sydneyoperahouse.com.
|
Date Published: Tuesday, 27 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
School of Rock
Attention all young musos! triple j Unearthed is looking for Australia’s best high school band. If you win they’ll fly you to their Sydney studios and record your song, plus your whole school wins as triple j will put on a gig at your school with your band and British India. If you already have music uploaded on Unearthed you still have to update your profile to enter; simply check the Unearthed High box and add the name of your high school. Get cracking!
|
Date Published: Tuesday, 27 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
These Days Just Ain’t Nothin’ Like I’d Planned
28 Days are back after a two year hiatus from the hectic lifestyle of recording, touring, smoking and choking – two years of digging ditches made them realise that being on the road wasn’t so bad. Looking forward to getting back on the road and visiting the faithful, 28 Days with good friends Behind Crimson Eyes are pleased to announce the Sing It To Me tour – storming the nation, smashing venues and doing what they do best. They’ll be at ANU Bar on Thursday May 6. Tix through Ticketek.
|
Date Published: Tuesday, 27 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
So Afflicted
Consistently one of Brisbane’s hardest working bands, The Amity Affliction will be embarking on a national tour in July to launch their new album Youngbloods, and true to TAA’s punk rock ethos the tour will be a mix of all age, under 18 and over 18 shows. To help them party The Amity Affliction have roped in Misery Signals (USA), popular Melbourne moshlords Confession, and Flood of Red (UK). They’ll all be at the Woden Basketball Stadium on Thursday July 8. Tix onsale now through Moshtix, Landspeed and The Music Shop.
|
Date Published: Tuesday, 27 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
Always Take the Weather
One of Sydney’s latest indie treasures, Bell Weather Department, will be playing Phoenix Pub on Saturday May 8 and they’re sure to bewitch you with their tightly wound psychedelic dream-pop. Also featuring Cat Cat and Killing Birds, so roll on over to this gig for merry times and good original music. Free entry, doors at 8pm. www.myspace.com/bellweatherdepartment.
|
Date Published: Tuesday, 27 April 10
| Author: Julia Winterflood
|
| 1 year, 9 months ago
So you’re one of the 1,388 members of the Facebook group I Want to Help Shape the Future of Music in Canberra! yeah? But are you one of the 28 people who’ve made a submission to the ACT Legislative Assembly’s Inquiry into Live Community Events, launched to hear our thoughts on how the Government should balance increasing residential developments with the need to protect live music? It’s easy to click Join, but having your words read by the Standing Committee on Planning, Public Works and Territory and Municipal Services is an entirely different kettle o’ fish to liking a comment or posting your own, such as “I want to see bagpipes figure more in the music scene in Canberra in future! lol!” as one member did.
Now don’t get me wrong, I’ve nothing against bagpipes (though I prefer the uilleann), but if you think joining a Facebook group and posting a comment like “MORE METAL” is going to help shape the future of music in Canberra you might as well start a group entitled I Bet Transit Can Get More Fans Than The Waldorf. It would, but what would come of it? My point, dear readers, is that Facebook is not our only outlet of expression. As Karen Radford, editor of FasterLouder Canberra, told Eleri Harris of CityNews in a recent article on the lack of submissions, “I think it’s quite symptomatic of us, as Gen Ys, that we’re keen to campaign for something as long as we can just click on it, and not actually have to write something. Which is a bit of a shame, because I think there are so many people here in Canberra who do really care, but if they’re not making themselves heard now and not putting their viewpoint across then they’ll just whinge later that something’s closed down.”
Local music lover Andrew Mottram started the group to “encourage the musicians, venue owners, venue employees, promoters, sound techs and engineers, DJs, VJs, lighting techs, and music loving punters of all types and from all genres to take part in the inquiry so that its outcome doesn’t hurt our scene,” but only a miniscule number of members have. We flick around on Facebook for hours but shooting an email to the Standing Committee seems just a bit too much like homework. As Mottram said himself, “I find it disappointing that people haven’t made more submissions, it is a big issue for Canberra. If the Legislative Assembly finds in favour of residential developers it will really negatively affect Canberra’s music scene.”
The inquiry, launched by Greens MLA Caroline Le Couteur last year, has just had its due date extended for an unknown period. This suggests to Locality that the Assembly is actually quite adamant about hearing what we have to say. It was drilled into us in high school that consultation is integral to legislation making, yet we ignore the opportunity. The question must be asked, however, for those of you who aren’t a member of the Facebook group, who knew about the inquiry? Perhaps the lack of submissions goes both ways; we’re lazy, but so is the Government when it comes to communicating with the target audience. Why isn’t there an ad underneath this column alerting the masses I ask?
Submissions to the inquiry can be lodged with the Committee Secretary, Ms Nicola Derigo, by email at committees@act.gov.au. They should include your full name, postal address and telephone number. To view the submissions head to www.parliament.act.gov.au, hover your cursor over Committees and click on Current Inquiries, and then on Inquiry into Live Community Events.
To spur you on I thought I’d include an excerpt from one of the submissions to show you what we’re up against. “The nights of Toast proved intolerable… spare us Transit as well please.” I reckon you can do better than that. My submission will be in the moment I slay this current deadline dragon. Free stuff for anyone who beats me to it.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Top Irish rock group Aslan are returning to Oz after a ten year absence, and they’re appearing at the Canberra Irish Club on Wednesday April 28 at 8pm. Voted Best Irish Band by the Irish music industry in 2008 (take that Bono), Aslan have been together for 28 years and are still going strong. The band have serious credentials and for lovers of rock melodies, frontman Christy Dignam will have you spellbound. Equally comfortable playing to a few hundred loyal fans in a country bar as they are selling out major theatres, they’ve got to be the hardest working Irish band ever. Tickets are on sale now at the Canberra Irish Club, Parkinson Street, Weston. For bookings phone 6288 5088, and for more info head to www.aslan.ie.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Brisbane based singer songer Imogen Dean has just completed her debut album Chapter One. With a strong classical piano background and fresh vocals she will take you from funky grooves and jazzy tunes through to soulful ballads. She’s playing ANU on Wednesday April 21.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
The ACT Human Rights Commission recently launched its 2010 Annual Art Award competition, which asks young people to create a piece of art consistent with a particular human rights theme. This year, the theme is: ‘disability: inclusion through friendship’. It’s open to young artists between 12 and 18, and entry forms can be collected from the Commission, or downloaded from the Commission website. There are a number of prizes to be won, including an iPod, movie tickets, vouchers and t-shirts. All entries need to be submitted by May 27. Head to the website for more hrc.act.gov.au/news.php/article/art_id/4
.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Queanfest returns on Saturday April 17 at AXIS Youth Centre, Queanbeyan Park, to show off the talents of an array of local bands during Youth Week 2010. From noon until 10pm Queanfest II promises to satisfy all your musical cravings. Not only is it all ages, it’s also free. Just don’t bring along any drugs/alcohol or you will be booted out of there faster than Joey Jordison on drums. The lineup includes Super Best Friends, Heartbreak Club, Steady the Fall, Short Fuse and many more.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
It’s winter, the Queen gives you a day off, and your summer shenanigans are a little hazy. Must be time to rock out with your Docs on at the annual all ages two day punk, rock and indie extravaganza, Come Together, taking place over the June long weekend at Sydney’s Luna Park. WA four-piece Gyroscope will be taking the trip over the Nullabor, and joining them will be one of Australia’s heavyweight touring acts The Butterfly Effect. Along with Frenzal Rhomb, The Loved Ones (US), punk rock royalty Strung Out (US), House Vs Hurricane, Grinspoon, British India, Bertie Blackman, Horrowshow and Calling All Cars. www.cometoghether.com.au
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
One of Canberra’s favourite live indie parties returns with the help of Party By Jake to bring an indie dance treat to Transit Bar on Thursday April 15. Adelaide’s The Touch will be celebrating the release of their latest single Shot - a racey, fist pumping, boot stomping jam that will whip you into a late night frenzy. The night will also feature The Spitfires (Perth) and Assassins 88 (ACT) and Party By Jake DJs, to make this a quality night of up and coming action from all over Australia. Entry is free, doors 7.30. myspace.com/thetouchyew
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
The Foundation for Young Australians is now calling for applications to Young Social Pioneers 2010, a unique year-long training and development program for young social change-makers. The program is designed for young Australians working with purpose and passion for a social cause. 14 social pioneers will gain a place on YSP 2010 and can benefit from skills development, mentoring, intensive group and individual training and access to an international network of social innovators. Applicants must be between 18 and 29 and have been actively working on an idea or project for six months. Applications are now open and close Friday June 11. For further info visit www.youngsocialpioneers.org.au.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
For almost a quarter of a century, James Keelaghan has gone about his work with a combination of passion, curiosity, intent and intensity, earning him much acclaim and a dedicated fan base. Armed with his latest album House of Cards, James returns to Australia for a select run of shows. Ten originals, some of them co-written with folk luminaries David Francey, Karine Polwart and Rose Cousins, make it one of his best yet. Folk music is all about the stories, and Keelaghan’s masterful storytelling has been a large part of the bedrock of his success. Possessed of an insatiable appetite for finding the next unique story, Keelaghan forges his pieces with brilliant craftsmanship and a strong artistic vision, making him one of the most distinctive and readily identifiable voices on both the Canadian and international singer-songwriter scenes. He’s playing The Merry Muse at the Canberra Southern Cross Club, Turner with Kim Churchill on Friday April 16. We have three copies of his LP, House of Cards, to throw your way. Simply tell us your favourite card trick.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: uniJAM WHERE: ANU Union Court WHEN: Every Thursday between 12-2pm
A subjective opinion yes - but by golly does the saxophone just sound… embarrassing. Obviously there are exceptions, but I can’t help but think of Baker Street (hey! I love that song! – Ed.) or the I Still Believe scene from Lost Boys. It sounds like your dad turning up to your school dance in his pyjamas, only to get his foot stuck in a drain near the girls toilets. I’m sure everyone has their own sound they’re iffy about, but uniVibes are changing things up with their new uniJAM event. They’ve gathered a plethora of innovative musicians from the School of Music, and along with a live electronic producer (plus a schmick sound system) are having weekly gigs to enhance Canberra’s original, live scene. Sax through a chaos pad? I might change after all.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: Hipster DJs WHERE: Transit Bar WHEN: Fri Apr 30
According to the Sydney troop running this shindig, last month’s Purple Sneakers at Transit proved Canberra “isn’t all about politics”. Canberra, you’re letting yourself down! But thank god, they’re holding another one at the end of the month, and yes folks, it’s free. Feel free to rid this horrible stereotype that we’re all clueless about politics. Come dressed as your favourite minister, wear a powdered wig (like you do most days) and come dance to locals Princi, Celebrity Sex Tape and Fidel Maestro. Sydney crew DJ M.I.T., radio presenter Toki Doki and Kill the Landlord will also get your gams shuffling. Come and drink more than the government recommends you should.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: Dirty Three guitarist WHERE: The Front WHEN: Wed Apr 14
Dirty Three. If you haven’t heard them, please go find their music as soon as possible. On stage they’re vultures that eat you alive. Mick Turner strums the six-strings for the posse, and is playing a show at The Front with the help of Jeff Wegener on drums (from Laughing Clowns). Birds Love Fighting and Hellosquare recordings have done us good by setting this up, through the mighty Feel presents (ATP organisers) no doubt. I must stress, this gig is not to be missed. Meaning, it may not happen again. With Voss and Shoeb Ahmed supporting, you’d better pencil this one in bucko. 15 clams, starts at 8pm.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: The 10th issue of this tasty journal WHERE: www.blockjournal.com WHEN: Submissions close May 31
Ah to be young. I recall when I was ten, swiftly climbing onto the roof of a nearby public toilet. I scaled up a tree, landing triumphantly on my concrete summit to rejoice - but the celebration was premature. Whilst on top, I glanced upon sheets of weathered paper; it was Tutankhamen’s tomb for the ten year old. I had found pornography. A new celebration? No - it was dude pornography. I yelped ‘til a neighbour let me down. Also at ten (issues), The Block Biannual takes a far more professional approach to distribution. They want short fiction, poetry, creative non-fiction, comics, photography and art from emerging artists. Find it in Smiths, Impact Comics and the Co-Op.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: A sonorous Byron bay quadruplet WHERE: The Front, The Phoenix WHEN: Sun Apr 18 @ the Front, Mon Apr 19 @ The Phoenix
Byron Bay’s The Lucky Wonders are set to release their debut album Thirteen O’clock shortly and are stopping by our town twice in their 42-stop tour. 13 O’clock? Pff, not on my watch buddy (hurhur). The name The Lucky Wonders is suspiciously optimistic. My guess is they’re gypsies, and they stole their happiness and power from the Polish. Give the freakin’ Polish a break will you. Well unless I’m totally wrong, they might be amazing and excellent in all sorts of ways. They topped the JJJ roots unearthed charts, and have two gigs you can paw at frantically – one at The Phoenix and one at The Front (Canberra’s two best music venues in this writer’s opinion).
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: Ferocious Rock ’n’ Roll WHERE: The Pot Belly WHEN: Sat Apr 17
‘The Lazys’ - I like that. Being lazy isn’t always about ‘not being stuffed’; it’s about cutting corners to get your desired goal quicker. I apply the lazy approach to movies – I can get enough info from the trailer to piece the rest together. Titanic? Boat sinks. Philadelphia? Denzal Washington sues Tom Hanks for having AIDs. See, easy – it doesn’t take Alfred Einstein to figure it out. The Lazys understand this approach, playing alongside every band in the world, getting signed and recording the shit out of their soon to be released album Planet Earth. If you like your rock garnished with nuts, go to this gig probably. Viciously fun stuff.
|
Date Published: Wednesday, 14 April 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Where did your band name come from? We had been trying to think of a name for AGES! We were at the Dragon Dreaming Festival and found our way into the crystal healing tent. After looking over the crystals for a while, we were uncontrollably drawn to a green/blue stone that looked like the ocean. We asked the crystal man what it meant and initially he didn’t know – we didn’t want to bother him but he insisted on looking it up. The next words out of his mouth were “fearless movement.” We immediately knew what our band name was to be…
Group Members? Simon Scarlett (rhythm guitar, vocals), Will Honey (percussion, back up vocals) and Matt Runko (lead guitar, back up vocals).
Describe your sound? A drive up the coast in a Vdub with your best mates; a car-load of guitars, drums, surfboards and beers; no time limit but a shitload of good times!
Who are your influences, musical or otherwise? Mexico, Xavier Rudd, Beautiful Girls, Paul Green (if you don’t know him, look him up – amazing music!), State Radio (unbelievable reggae/rock band from the US), every bakery, RSL, hidden camp spot and conveniently placed toilet on the south coast of NSW, wetsuits, $8 chicken schnitties, westerly winds. Other than that our family and friends provide a lot of inspiration!
What’s the weirdest experience you’ve had whilst performing? Not a lot of weird experiences so far. Getting over the nerves of playing our first gig together was cool – it was such an amazing experience, full of adrenalin!
What’s your biggest achievement/proudest moment so far? Getting our shit together in the last six months to actually be able to play music in front of strangers without them leaving.
What are your plans for the future? Travel the world, play music and generally do good for the earth. Would love to do a tour up the east coast.
What makes you laugh? Each other – never more than a few sentences away from pissing ourselves! Also slip ‘n’ slides, crazy things they are!
What pisses you off? People forcing their religious views on the world without a willingness to listen to others, and crowded surf.
What’s your opinion of the local scene? Definitely needs one more band…
What are your upcoming gigs? Phoenix Bar on Thursday May 27. I think there might be a few tickets still available???
Contact Info For all bookings contact Matt on 0421 256 461. Look us up on Facebook (become a fan)!
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Where did your band name come from? ‘Na Maza’ translated into English means ‘And Metal.’ Our lead vocalist, Mila, is part Native American and we thought it would suit our band perfectly.
Group Members? Mila Haske (vocals), Kyle Jackson (guitars), Iza (guitars), Simo (bass) and Nick Tartaris (drums).
Describe your sound Great driving beats with a heavy smattering of brutality. We like to think that you could walk into a fight to it. It’s guitar-heavy, drum-heavy, everything… heavy. Can be put into the genre of metal or metalcore.
Who are your influences, musical or otherwise? Killswitch Engage. Pretty much any music, movies or anything that gets your blood pumping.
What’s the weirdest experience you’ve had whilst performing? At Halloween a fan dressed up as Mick Thompson from Slipknot and sung with our singer, although forgot the lyrics to the Slipknot cover that we were playing. Then he performed an infant/penguin’s interpretation of a rain dance-ish thing.
What’s your biggest achievement/proudest moment so far? Representing Canberra in Melbourne at the Emergenza Festival and showing Melbourne how brutal Canberra really is. Also the fact that it was an ‘all expenses paid’ trip, where we got to play at one of Melbourne’s best venues.
What are your plans for the future? To release a full length album and play some east coast gigs. Also to start playing more gigs and reaching audiences outside of Canberra.
What makes you laugh? Drunk fans and flatulence! Also the big laughs that we’ve had at gigs both at our expense and at the expense of our fans.
What pisses you off? A lack of technical ability among mainstream musicians in the current age. Plus we don’t see a lot of metal bands being given the opportunities that they deserve.
What’s your opinion of the local scene? There are a lot of dedicated metal fans, and a lot of great bands out there. But Australia and the world doesn’t give Canberra bands the credit they should be getting for their musical quality and skill.
What are your upcoming gigs? Metal at the Maram on Friday April 23. Plus a heap more that haven’t been confirmed yet.
Contact Info (phone numbers, email, whatever you wish) Mila – 0420988547 Iza – 0400240706
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
ANCA Gallery is pleased to present Three Chords & The Truth, an exhibition of art works inspired by music, which is running until April 11. In keeping with the theme, the opening night features live music by local band Dr Stovepipe who have been playing recently around Canberra and will also be playing at Folkies. Featuring a diverse group of eight artists, the exhibition includes Ampersand Duck, Geoffrey Dunn, Nicci Haynes, Philippa Hofgartner, BMA’s own flashbulb posse member Andrew Mayo, Franki Sparke, Peter Stewart and Anne Warren. While some of the artists focus on the music makers conveying moments during performances and recording, others distil the rhythms and language of various forms of music to the point of abstraction. Free to explore any manifestation of music, the artists’ responses are broad and intriguing, and remind us of the universal appeal of music in one form or another. ANCA Gallery is open Wednesday to Sunday from noon to 5pm. www.anca.canberra.net .
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
A couple of gigs for you young ‘uns! On Saturday April 10 the Tuggeranong Baptist Church (33 Jenke Circuit, Kambah) will present Indie-cent Exposure, an all indie and alternative gig featuring Astrochem, Pleased to Jive You and many more. Tix are $10 on the door or can be snaffled at www.project512.com. All proceeds go to charity and it’s drug and alcohol free. On the very same day, Gungahlin Youth Centre presents Expo 10, a free Youth Week event at the Gungahlin Skate Park. There’ll be a massive BMX comp, live bands Loud So Clear, Tonight Alright, Pleased to Jive you and Steady The Fall, food and drinks, the return of the mechanical surf board, bouncy boxing ring, sticky fly wall and more! Crazy times.
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Laurie Anderson and Lou Reed have revealed the first part of their Vivid LIVE at Sydney Opera House program, set to take place from May 27 to June 11. As part of Vivid Sydney (May 27 – June 21), the annual festival of light, music and ideas, Vivid LIVE will see the next generation of musicians mingle with the masters under the soaring white sails of the Opera House. Large-scale solo concerts, small intimate evenings, a talks program, free events and lighting of the iconic Opera House sails will all feature. Perhaps one of the most exciting events of the festival will be Lou Reed’s Metal Machine Trio performing a night of improvised soundscapes on Sunday May 30. The trio features the man himself, sonic experimentalist Ulrich Krieger and live-processing specialist Sarth Calhoun. Head to sydneyoperahouse.com/vividlive from March 29 for the Vivid LIVE program, regular news updates, loads of information and masses of multimedia.
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
It’s been a big 12 months for Lucie Thorne. Her latest album Black Across The Field was short listed for the prestigious Australian Music Prize and it was named Best Roots Album of 2009 by The Sydney Morning Herald, and she’s been touring constantly, both here and overseas, since the album’s release in March last year. Described as “Australia’s PJ Harvey... possessing the punch of Cat Power, and the wise words of Joni Mitchell” (Courier Mail), Lucie Thorne has certainly earned her place as one of the most striking lyricists and voices in Australian contemporary song. She’s playing The Front on Saturday April 17 with south coast drummer Jay McMahon. 8pm, $20/$15 at the door.
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Intensely danceable gypsy music at The Front on Wednesday March 31 will make for ecstatic claustrophobia of the best kind. Take small steps, but take a lot of ‘em. On the bill are Jazz Manouche who are in the style of the great Django Reinhardt from Wim Glenn & Friends, followed by Romanian gypsy cimbalom music by Clankenstein. Experience gypsy music from both ends of Europe the way it was intended, up close and personal! 8pm, $10.
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
YIS are a psych-rock band from Melbourne who make music described as “the schizophrenic ghost of Alan Vega from Suicide possessing someone with a narcissistic personality disorder who auditions for a Comets on Fire/Neu! supergroup.” Don’t ask me, I just rip from the press release. They’ll be making their first trip up the Hume over the Easter weekend, playing The Front on Saturday April 3 with Teddy Trouble. A gold coin gains you entry. Hey, Gypsy!
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
The National Folk Festival is celebrated every Easter, and Canberra gets frocked up in her golden autumn best. Australia’s festival flagship, the National draws together people from all around Australia and the world. They come to share in the songs, dances, tunes, and verse that have flowed through the ages from many communities into Australian folk culture. For five days Exhibition Park in Canberra becomes a magic place, filled with colour and sound. Hundreds of the world’s best musicians perform daily, in a non-stop flow of entertainment across twenty two fabulous venues. Every day is packed with workshops and sessions, where you can join in the dancing, singing and playing and become part of the celebration. We have two day passes to give away for Monday April 5. All you need to do is tell us your favourite folkloric tale.
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: Music Business Info WHERE: AA at Woden Youth Centre, O/18 at the Australian Pub WHEN: Wed Apr 7
So the girl you bothered at the hardcore gig in The Basement toilets is pregnant? Whoa, tough one buddy. Considering it’ll be an expensive ‘straight-edge’ birth (no drugs), you’ll be out of pocket huh. Well, your band is pretty good, maybe if you put the bucket bong down and took your life seriously you might make some money through your music? Just a thought. First Base Music are the people that will teach you business, give you management advice and keep your baby from Trainspotting on you. With over 40 years of business goodies, they’ve worked with heaps of people, including Usher and Beanort. RSVP: peter@firstbasemusic.com .
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: Reggae / Dub - Brought to you by Capital Dub Styles WHERE: Monkey Bar WHEN: Thu Apr 1
This is the first event of a regular thingamajig happening in town. It’s free, has music and the first night kicks on the night before a public holiday. Dub Ninja (from Agency Dub Collective) is headlining the first night, with Brujo, Jayo and HieronymusIX joining in. With acts that sound like Scandinavian Pokémon - how can you resist? If you go, then your imagination will expand beyond your wildest dreams and life itself will unfold in your lap. Stop trying to bagpipe cougars (that’s armpit sex) and shine your light upon this amazing free gig. With acts this good - I don’t need to sugar it up.
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: Metaaaaaal WHERE: The Basement, $10 WHEN: Sat Apr 17
My favourite thing about heavy metal culture is how it got intertwined with calligraphy. DEATH, DESTRUCTION, PRETTY LOGOS! “No Thor, the ‘T’ should look like this!” <Beautiful swift action with a fountain pen>. “THOR WANT MORE MIRRORED SYMMETRY!” Ha! Big fan, right here. So House Of Thumbs are touring on the coattails of their acclaimed album Crossing the Rubicon, and plan to smash your face to powder with their unique sonic destruction. Heaven the Axe and Blind Eyed Gods are supporting; a gig not to miss if you own leather pants. HOT’s polyrhythmic patterns are heavier then Rosanne Barr on Jupiter, and your pals will surely bully you into a noose if you miss it. \m/
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: Rock Drenched In Feedback And Doused With Violin WHERE: The Front. Niiiiiice. WHEN: Fri Apr 16
After the bliss of Massive Attack, The Dead Weather and Electric Lake I would hope that Canberra utilises the inertia that’s been handed to us. It’s a seasonal thing, and the gigs are currently as plump as ever. Huzzah! The Scrapes are another sort to punch the face off our boredom. They’ve got epic songs with violin, feedback and scary-as-charnwood guitar riffs. I’m not sure how they’ll tie this sound down at The Front. I’m predicting smashed windows and burning prams with beige goo dripping out the sides. The baby bonus can’t buy closure, but it can buy whiskey.
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: Soccer For Life WHERE: Hawker Football Centre WHEN: Sat Apr 10
My plump, cold leg swung into the ball. The goalie quickened his step in confusion. As a six year old, my goalie wasn’t mentally prepared for mutiny. I had no idea how to fucking play soccer, but all I know is that I scored a home goal 15 seconds after touching my first soccer ball. I was rewarded later with a Happy Meal. I learned nothing. Soccer played an integral part in the next eight years of my life, and I’m happy to promote this event. Soccer For Life is an event aimed at promoting health and good plain fun. Get seven of your pals and form a team, it’ll be a gas. For more info phone 02 6264 0260 or email soccerforlife@bcsact.com.au.
|
Date Published: Wednesday, 31 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
WHAT: The Gumball Music 'n' Arts Festival WHERE: Belford, Hunter Valley WHEN: Sat May 9
Well hey this sounds really nice. So it’s a triumphantly eclectic festival (Hip-hop, country, rock and or roll) in the Hunter Valley. The Hunter Valley’s beauty is Johansson-esque, so slopping a gig their sounds remarkable. With their popular BYO policy, food and market stalls, fancy dress, art a plenty and heaps more – gimmeh gimmeh Gumball. As an added plus, it’s aimed at all ages, not just the ‘let’s wear horrible sunglasses, get drunk and yell Borat quotes with my private school buddies’ demographic. It’s more like a giant backyard party! Tickets are on sale via their website www.thegumball.com.au. Now, c’mon - grab one!
|
Date Published: Tuesday, 30 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Difficult second column syndrome. I thought it’d plague me right up until the day before print deadline. That was until the night of Friday March 19. Massive Attack distracted a three quarters full Royal Theatre with global economic comparisons on a dazzling LED display, such as, er, the daily earnings of a Ghanaian social worker and the cost of a British MP’s toilet roll holder ($3 and $40, apparently). But as my astute housemate pointed out, how much were Massive Attack tickets? The moment they finished I cut a cracking pace to McGregor Hall, and boy am I glad I did, for Fun Machine were yet to begin. Tonight was the FUNdraiser for Fun Machine, who’d recently had all the funds from the sale of their debut EP stolen. James Fahy, close friend and Canberra’s own Jeff Buckley, had assembled a sizeable swag of acts to help recover some of their loss, and by the end of the night he was thanking the thief, for without the crime the night would not have been. And what a night it was.
When I arrived at McGregor Hall, the soon to be demolished spiritual heartland of the CMC, bassist Ramsay Nuthall was getting frocked up and keysman Dave Crosby’s cheeks peppered with lipstick freckles. When Fun Machine play it’s not just about a rock show, but the spectacle of it too. From giant bird heads to shimmering capes, body paint to big hair; their onstage antics are a scream. Tonight Ramsay, lead guitarist Chris Endrey and drummer/pianist Bec Taylor were in matching Marilyn Monroe dresses, with black arrows down the bridge of their noses.
Fun Machine have a huge following who know all the words to all their songs. Songs about cougars, songs about café stalkers, songs about toxic shock syndrome. Each one a pure pop gem, a relentless earworm, a cleverly crafted piece of intensely danceable pop rock. It’s not all quirks and cracking wit though; their rollicking power ballad Dreamers is straight out of Springsteen’s songbook with a chorus that could capture a stadium, while Mo, with its stop start rhythms and frenetic guitar freakouts, is funk at its finest. They all sing and they all dance and they all play their frequently swapped instruments like they’ve been at it since they were little ’uns. There’s no frontman syndrome here either. Everyone’s a star.
Tonight people were dancing to Fun Machine like they have to no other local band I’ve seen, and the feeling of McGregor Hall’s wooden boards bouncing under my feet was bliss. The 50-strong crowd was corybantic, singing with full force, flying limbs and wild gesticulation. My hair was satched, my dress was drenched, but I just had to keep on twisting. And then they took a half hour break, only to return with four covers of local bands’ songs! They’d gone away and taught themselves a song by Ah! Pandita, The Trivs, Lady Grey, and Sweet Adeline. For me this was the epitome of Canberra’s music scene; the music made here is loved so much that bands aren’t covering classics, but each other’s songs.
I enjoyed myself more at McGregor Hall than I did at Royal Theatre. Don’t get me wrong, Massive Attack were gobsmackingly good, but I couldn’t put it better than Scott Adams did in his review: “they’ve wrapped themselves in the trappings of arena rock – the massive sound, the retina scorching lightshow, the triumph of bombast over beauty – to such an extent that some of the impact of their music is lost.” Fun Machine are all impact, as is our local scene, and I’m sure all who were there would agree.
Julz’s hot tip: Mr Fibby at the National Folk Festival, playing on Friday April 2 at 5pm, Saturday April 3 at 9.30pm and around fourish on Sunday April 4. They’ll change your life.
|
Date Published: Monday, 22 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Hello there, dear readers! It is I, your humble editor. After a whole year in this big black leather throne I finally have my own column, and you can bet your sweet bippy I’m excited. A question: have you ever had a close inspection of the coat of arms up there? I actually only just noticed the icons emblazoned on it when I had a skim over the last ish’s Locality, seeking inspiration for this ditty. The discovery tied in rather well with a chortle I had at The Front the night before, upon overhearing a smartly suited man sum up this city for a few French tourists. “Porn, weed and fireworks,” said he. Bollocks, thought I. You know what I reckon encapsulates Canberra? The collaborations at glorious Corinbank a few weeks back. Where else but the nash cap could you catch an impromptu ten-piece band with the incomparable Beth Monzo at the helm bust out some killer dub, whilst under the moniker Soctor Deuss Rafe Morris and Andrew Walker read Doctor Seuss, and a lithe and nimble circus man pulls off some mighty impressive stunts and a very sexy capoiera roda spar and play the berimbau? Nowhere but Canberra, my friend. Nowhere but here. This is my fourth year in my beloved ‘Berra and damn straight I call her home. I spent my first 18 in Alice Springs, a complex and often confronting place but a spectacularly sumptuous melting pot in the true sense of the term. It may come as a surprise to some, but it’s absolutely chockers with all sorts of artsy types constantly creating an enormous amount of wondrously inimitable works. But the jump from a town of 30,000 to 330,000 sure was exciting, and within a week of my arrival I was writing for this fine rag. I can remember the first time I picked up a copy. Wowsers! I thought. I’m living in a city that has its own streetpress! And there’re posters for gigs plastered all over the place! Canberra’s suburban milk fed malaise is ‘nothing ever happens here/no one ever comes here’, but I grew up in a town that sees maybe three national tours a year. triple j’s One Night Stand is the biggest contemporary music event Alice has ever seen. The only event that ever came close was the NT government’s annual Bass in the Dust, which was scrapped last year and replaced with a Jimmy Barnes concert. Barnesy, for chrissakes. So, Canberra, wake up, will ya? I’ve lost count of how many festivals are happening this year. And I haven’t even mentioned the bucket load of brilliant local gigs on nightly. As local treasure Chanel Cole proclaimed at the superb Speakeasy Fringe Club at The Street last year (gin and tonic in teapots, suitcases hanging from the ceiling, disgustingly talented musos, now they were some nights to remember!), Canberra is like a sexy librarian. She’s all coy and conservative on the outside, but underneath her pant suit of grey she’s wearing fucking sexy lingerie. Once you woo her, once you get to know her, baby, it’s on. Julz’s hot tip: Electric Lake, Saturday March 27, Commonwealth Park Ampitheatre. Assassins 88, Catcat, Waterford, Old Ace, Ah! Pandita, The Fighting League and Voss. It’s a free all ages local festival and you can read about it on page 21. See you there. JULIA WINTERFLOOD julia@bmamag.com
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Beatlemania On Tour takes you ‘across the universe’ on a ‘magical mystery tour’ exploring The Beatle's ‘revolution’ in popular music and culture, including songs such as I Want To Hold Your Hand, She Loves You, A Hard Days Night, and Hey Jude. Recreating The Beatles like never before, audiences will be taken back in time to Hamburg, The Cavern Club and The Ed Sullivan Show, Sergeant Pepper, Abbey Road, and Beatlemania with this fully produced multimedia theatrical production. More than just a concert, visually and aurally, Beatlemania On Tour is as close to the real thing as you can imagine. We have five doubles to give away. Simply tell us your favourite Beatles song and why.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Ministry of Sound’s Anthems – Electronic ‘80s hit stores on March 12. The track-listing on this compilation speaks for itself. 60 tracks that defined electronic music, all on one 3-CD set. Anthems – Electonic ‘80s charts the birth of synthesised pop music and ultimately the roots of contemporary electronic dance music. The importance and continued popularity of ‘80s pop is not to be underestimated, and the emergence of serious synthesised music producers in The Human League, Heaven 17, Yazoo,Ultravox, Talk Talk, Japan, Devo, Sparks, Gary Numan, New Order and The Pet Shop Boys, all of whom massively pushed the boundaries in experimentation, ultimately showed the way for the house and techno producers of the ‘90s and today. The era also gave birth to brilliant, pure synth-pop from Duran Duran, Spandau Ballet, Thomas Dolby, Simple Minds, Propaganda, Erasure, China Crisis, Belouis Some, A FlockOf Seagulls and Blancmange, all featured on this compilation. Ministry have hand-picked a mix of the biggest commercial tracks from the Electronic ‘80s genre (Soft Cell, Kim Wilde, Tears For Fears, David Bowie, Blondie), in addition to the most important and influential ones, making Anthems – Electronic ‘80s a truly fantastic collector’s package and, best of all, an entertaining listen that will truly take you on an epic journey. We have a whopping ten copies to throw your way. Simply send us a link to your fav ‘80s vid.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
triple j's Hottest 100 Volume 17 double CD hit stores on March 5. This highly successful compilation features a selection of the top 100 tracks as voted by triple j listeners. Breaking records across the board, this year’s Hottest 100 is by far the biggest ever - confirming triple j’s Hottest 100 really is the world’s biggest music democracy. An incredible 131,000 voters (up 30% from 2008) registered 1.1million votes (up 46%) in triple j’s annual poll to find the hottest songs of the year. Add to that 4,100 parties held by listeners across Australia and internationally has made this year’s Hottest 100 countdown a massive success. We’ve got five copies of the CD to throw your way. Simply tell us your alternative top five.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Flickerfest celebrates its 19th year as Australia’s only Academy® Award accredited Short Film festival, with a record 1600 entries and 23 touring venues nationally. Flickerfest screens the most creative and inspirational shorts films from across the globe, many are Australian and world premieres. A total of 97 Australian and international shorts were officially selected in competition in 2010. Visiting Canberra on the 20th and 21st March 2010, this not to be missed showcase of award winning Australian and international shorts also includes a glamorous opening night party with local Coopers beer and Organic Rosnay wine accompanied by more organic morsels. We have a super fab Flickerfest prize pack to give away. It includes one t-shirt, one DVD of a previous Flickerfest and one double pass to the opening night (International Programme 2) including a pass to the after party. All you need do to win is tell us your fav short film and why.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
And All the Coloured Girls Sing
Laurie Anderson and Lou Reed have been announced as the curators of Vivid LIVE, the annual festival of light, music and ideas featuring the spectacular illumination of the Sydney Opera House sails. Vivid celebrates Sydney as the creative hub of the Asia Pacific with large scale light installations and projections, music performances and collaborations, creative ideas, discussion and debate. The two-week festival celebrating the world’s best contemporary artists and cultural interpreters will be held from May 28 to June 11. Says Chief Exec Richard Evens, “Vivid LIVE at Sydney Opera House symbolises our values of imagination, creativity and inspiration. We are committed to presenting the most acclaimed and engaging artists of our generation, so who better to take the helm of our festival than Laurie Anderson and Lou Reed.” Head to sydneyoperahouse.com/vividlive from March 29 for the Vivid LIVE program, regular news updates, loads of information and masses of multimedia.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Jazzamataz
The School of Music 2010 Premier Concert Series kicks off on Wednesday March 31 with a dynamic jazz double bill featuring Mike Price Trio and Vertical, in Llewellyn Hall. Mike Price, guitarist and Head of Jazz Studies at the ANU teams up with his School of Music colleagues to make up the Mike Price Trio. Their music is a blend of styles from blues-tinged jazz reminiscent of guitar greats Kenny Burrell, Grant Green, and George Benson, while Vertical are a tight quartet that have received excellent reviews of their concert performances.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Ring my Bell
On Thursday March 25 The Front will open its doors, hearts and beer fridge to ultra wired Melbourne music teacher Travis Marke, and the smoothest soul crooner of Byron Bay, Simon Asquith. Joining the lads are captivating, melodic three-piece indie outfit Birds and Belles. Get set for a mish mash of folk, pop and rock peppered with reggae, funk and swing. Swell.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
All in the Family
Eight months ago Mother And Father came out of nowhere with their debut LP Nothin’ (Z-Man Records) and have been causing a swell in the Melbourne music scene since. In June they’ll be heading to America to play a string of shows along the west coast but before they depart they are stopping by The Phoenix on Sunday March 28. Joining them will be good friends Parading (featuring members of Witch Hats and The Stabs) and Cat Cat. For more head to www.myspace.com/motherandfathermusic.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Simply Splendid
Are you a fearless, young and emerging artist? If so, Splendid 2010 wants to hear from you. Splendid is now seeking artists to participate in the 2010 program, which affords an opportunity to develop critical thinking and experimentation in an intensive two-week residential arts lab in Lismore, NSW as well as providing the opportunity to premiere new collaborative and cross artform work at Splendour in the Grass 2011. The challenge is extended to Splendid artists to create cutting edge and contemporary art that will inspire, question, puzzle, amuse, seduce and otherwise intrigue 30,000 festival goers. Splendid 2010 applications are due on Tuesday April 6 and forms are available at www.splendid.org.au.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
I’m Still an Animal
Humanimals are here! Created by the lads that brought you Lamexcuse, Humanimals are all about musical freedom and have been hard at work crafting a dynamic set which is now ready to be unleashed, starting with a show at The Pot Belly on Saturday March 27 with Loud So Clear, then an all ages show on Sunday April 11 at The Warehouse (Fyshwick) with Chris Duke and The Royals (Syd), The Decline (WA) and Short Fuse (ACT). You will be hearing a lot more Humanimals in the coming months, so get excited.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
The Chud Canon
Local masked fiends of metal, Chud, have just released their debut CD, Blood & Bone, and are celebrating the occasion by partying it up on Wednesday March 24 at Bar 32. Joining them will be fellow party animals Friend or Enemy, Goulburn’s groove rock/metal outfit Blind Eyed Gods and Prostitute Gun. Chud will be selling their wares and there will be a few prizes for early birds. All this for a conservative ten bucks. Doors at 8.
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Get Moovin’
Groovin’ the Moo is putting the culture back into agriculture! Oof. So you’ve heard all the bad bovine gags, you know it’s a killer lineup and you know it’s gonna be huge, but have you considered joining the bill? triple j and GTM are giving one artist/band in the Canberra region (including South East NSW or Illawarra) the op to share the stage with the big guns. To be in with a chance you need to have your tracks uploaded on the Unearthed site before Sunday April 4 with the correct region selected. Get moovin’!
|
Date Published: Wednesday, 17 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
What a top bloke is Richard Kingsmill. It was he who came up with the idea of gathering together some of Australia’s top musos (Adalita, Bob Evans, Missy Higgins, Jae Laffer, Clare Bowditch, Dan Sultan et al) to honour and celebrate one of our true music greats. Paul Kelly has been in the business for 30 years now, and Before Too Long triple j’s Tribute to Paul Kelly, is a glorious, triumphant and moving testament to an artist who has consistently excelled and inspired.
You wouldn’t be blamed for thinking Before Too Long’d read like a live version of Songs From the South. Indeed, 15 of the 20 tracks on SFTS appear here, but they only make up half of the live discs (the third contains the originals - a very nice touch as, like SFTS, a Paul Kelly compilation is pure gold).
One of many highlights though is more recent gem Meet Me in the Middle of the Air from 2005’s bluegrass record Foggy Highway; beautifully breathed to life a capella by the Jays’ new golden girl Megan Washington. Along with They Thought I Was Asleep, from 2007’s goosebump-inducing Nothing But a Dream, sung tenderly by The Panics’ Jae Laffer, it proves that Kelly is not only an unbridled rocker and exceptionally brilliant balladeer, but a poet, too. It’s no wonder his lyrics are being studied for HSC English. Ever humble, Paul says larrikin-like at the end, “I heard youse all havin’ a party so I thought I’d come down and see if the lights were still on.” They’ll be on for a while yet, I reckon.
|
Date Published: Tuesday, 16 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
“It’s going to be a big year for us,” says Chris Frazer, who plays John Lennon in BEATLEMANIA ON TOUR. Damn straight. The man’s only tripping around the world as part of a tribute show to the best band in the world. I was recently searching for a birthday present when I happened across a set of coasters cut from 72” records. On the back was a spiel from a guy who was about to have a lady friend over for the first time, and he was stressing about first impressions and which coaster to offer. He settles for The Beatles, saying “I’ve got good taste to acknowledge the greatest band in history”. And there we have it, even on this set of coasters, The Beatles’ status as the best band in the world remains clear. No buts about it.
After we’ve finished gushing about our introduction to them (Frazer’s was in primary school when his class sang Octopus’ Garden; mine when I was given their entire collection on mint condition vinyl as an anniversary present a few years back), we get to talking about tributes, and whether audiences expect imitation or interpretation. “It’s a funny thing,” muses Frazer. “Tribute can be anything, like a guy with a wig playing to karaoke backing, but what we do is so far removed from that.”
It certainly sounds like it. “We start in Hamburg at The Star Club and it’s all leather and we act a little drunk. It’s a bit volatile and we’ve got Pete Best on drums and basically we have a bit of a fight with him every night.” From here it’s on to Liverpool and the Cabin shows of ’63, and then the BBC tour of the UK and Scotland. “The second half kicks off with The Ed Sullivan Show and we do a bit where it’s like a scene change between live segments and we talk to the audience like they’re the live audience.” I’m hoping like hell my comp tix are down the front.
“Then there’s a section where we skip off to India and then we come back and do the psychadelia and then the Sergeant Pepper’s bit at the end.” Phew. Frazer insists the show kicks along at such a cracking pace the excitement is never lost. But are there screaming girls? “There are occasional times when we get pockets of 17-year-olds girls who know their job and scream in all the right moments. Those nights are amazing but predominantly our audiences are respectful of what we’re doing and erupt when the time comes.”
Other authenticities include costumes made by a US Beatles fanatic who owns many of the originals. “He recreates them down to the stitch,” enthuses Frazer. Scott MacFarlane, who plays McCartney, even switched from a right-handed bassist to a leftie, and Michael Brady, who plays Ringo, has watched heaps of Thomas the Tank Engine to perfect his accent. What appears to be most authentic, however, from our garrulous half hour fan gab, is Frazer’s love of The Beatles. “That’s what it’s all about, the absolute joy of their music.”
Beatlemania On Tour is at the Canberra Theatre Centre for one night only on Sunday March 21. For bookings call 6275 2700 or head to canberratheatrecentre.org.au.
|
Date Published: Tuesday, 16 March 10
| Author: Julia Winterflood
|
| 1 year, 10 months ago
Who are your influences, musical or otherwise? Joanna Newsom – I idolise her composition with a teenage heart-fervour. Joe Oppenheimer has done more to develop how I look at performance and songwriting than anyone still living. Nirvana, Jonny Greenwood, Bowie and Jack White.
What’s the weirdest experience you’ve had whilst performing? Starting my last set at the Phoenix with a beatboxer and rappers (big ups to Kodak and Gotham).
What’s your biggest achievement/proudest moment so far? The album that I recorded last week with Dan Nash. I’m still flying high on how great it sounds – every now and then I fling my limbs around and cry ecstatically. I’m not used to this kind of overwonderjoyedment.
What are your plans for the future? To meet local singles online.
What makes you laugh? Puns.
What pisses you off? Making money by fear. Australian broadsheet journalism – a lot of these guys can’t even spell, and they are posting Telegraph headlines about how many sex offenders are ‘among us.’ They have a tremendous power and they manage to further damage an already perilously mis-educated 70 percent of the population.
What’s your opinion of the local scene? I couldn’t have a higher opinion of it. It is underpinned by a cast of characters like Nigel McRae and Ben Drysdale, for one thing, and bands are pouring out of it that are hands-down excellent. A shortlist reads like a magic trick: Ah, Pandita, Fun Machine, Joe Oppenheimer, Dub Dub Goose, the Trivs, Rafe Morris, Mr. Fibby, Kasha, Josef Salvat…
What are your upcoming gigs? The Fun Machine FUNdraiser! One of Canberra’s best, and all the money they ever made got taken from them in an instant by some jerk thief. I’m putting on a show to try and redress some of their losses and to put up a middle finger to bad luck and jerk thieves. Friday March 19 at MacGregor Hall.
Contact info: Drop me a line at j.fahy@hotmail.com.
|
Date Published: Wednesday, 3 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
High Noonan
Fresh from recording their incredible new album with international producer Nick Didia, Katie Noonan and her new band The Captains are very excited to get out on the road to tour their epic first single Page One. Page One is a rockin’ song co-written between Katie and her Captain’s guitarist Cameron Deyell and legendary Oz songsmith Don Walker (of Cold Chisel fame) – a song that Katie wrote as a wedding gift to fellow Captain’s keyboardist Stu Hunter and his partner. They’re playing ANU Bar on Wednesday March 3 (not March 5 like we said last issue. Sincere apologies Katie). Tickets through Ticketek.
|
Date Published: Wednesday, 3 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Walk This Way
Central Coast band Jaywalker have been enjoying quite a bit of success lately, having been hand-picked by Sanity as the winners of their Breaking New Artists promotion. The prize sees their debut album The Light & Shade played in every Sanity, HMV and Virgin store across the country. Now’s your chance to catch the lads live, with Jaywalker taking to the road through February and March to promote the album. Catch them at The Front Gallery & Cafe in Lyneham on Thursday March 4, supported by US singer/songwriter and Survivor: Panama winner Aras Baskauskas (!?). Tickets are $10 on the door.
|
Date Published: Wednesday, 3 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Spiritualized
The Spirits are finally ready to release their debut EP, The Other Half. Recorded by Berkfinger at Big Jesus Burger and mixed by Lee Groves (Bertie Blackman), The Other Half consists of four eerie and emphatic songs. Intertwining guitars and hard-wired rhythms underscore a vocal at odds with the world yet hopeful, singing of love and love lost. The Other Half is available as a free download through Music Feeds and www.thespirits.com.au.
|
Date Published: Wednesday, 3 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Staple Diet of Folk, Country…
With a new, unhinged band and a voice like a 747 taking off, Suzie Stapleton roams a rock-fuelled landscape strewn with folk, country and blues debris. She’s touring nationally to launch the new single 6ft Away on Saturday March 6 at The Phoenix. 6ft Away is from her forthcoming debut EP 45 Revelations Per Minute and features guest performances by Johnny Nolan (Powder Monkeys) and Shane Walsh (Tex, Don & Charlie).
|
Date Published: Wednesday, 3 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Shining Stars
It’s always high noon when Mikelangelo (frontman of The Black Sea Gentlemen and once nudist drummer of Prik Harness) enters the stage, or a saloon, or when he heads to the beach with his longboard. Together with The Tin Star he’ll be bringing the finest in surf ‘n’ western songs and instrumentals to McGregor Hall (in Acton on the corner of Barry Dr and Marcus Clarke) on Friday March 5. The Tin Star return for a night of surf ‘n’ western mayhem with the surf antics of Space Party and western roots troubadours The Wedded Bliss in support. So saddle up and come down for the biggest surf ‘n’ western themed night since Ennio Morricone sang at a karaoke bar in Hawaii. It’s licensed, kicks off at 8pm, tickets at the door. $15/$12 for CMC members.
|
Date Published: Wednesday, 3 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Alexander, Older Brother
After a superb full band show in Canberra last September, Canberra born and raised and now Melbourne based artist Alex Hallahan returns this March as part of his solo tour, playing a series of artistic spaces throughout NSW and ACT. Hallahan’s live show reels the listener into his world, sharing tales of winding roads, conversations and modern times - an impressive hybrid of folk, alt country and soul, sewn together by his hand and stamped with his unmistakably eclectic style. Alex will play The Front on Saturday March 13 at 7.30pm and Beyond Q Bookshop on Sunday March 14 at 4pm.
|
Date Published: Wednesday, 3 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Are you going to The Front Fair?
Coinciding with Paul Summerfield’s exhibition Secret Cities, The Front Gallery and Café is to be transformed for a day into an exotic suburban, bohemian sun dappled market place, alive with the curious and cunning original work of 11 hot-blooded, cool-eyed local artists. Peruse at your leisure treasures such as jewellery, photographic works, zines, textile art, hand bound books, paintings, prints (and even a little vintage clothing) in the welcoming environs of The Front, where you may also recline on the sofas and sip coffee among friends as you support the arts. Why? Because we all deserve art.
|
Date Published: Tuesday, 2 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
To coincide with the 2010 Melbourne International Comedy Festival (MICF) Universal Pictures Home Entertainment is releasing a range of live stand-up comedy DVD titles from a selection of the UK’s best comedians. Some of the talent included in the range will be gracing Australian shores with their presence during March for the MICF as well as touring to other state capitals to share with audiences their unique styles of comedy and performance.
The first of the seven titles is Neil Delamere: Crème Delamere. Neil Delamere, one of Ireland’s golden boys of comedy, delivers a sharp serving of observational comedy and hilarious storytelling in his live stand-up DVD, Crème Delamere.
The second title is Jim Davidson with Charlie Drake: Sinderella. Filmed during their sell-out tour which left over 350,000 audience members in tears of laughter, Jim Davidson and Charlie Drake have bought their risque adult pantomime Sinderella to DVD. The third title is Des Bishop: desfunctional Live at the Roisin Dubh. Des Bishop chose the Roisin Dubh, a legendary music venue in Ireland where magic happens, to film his desfunctional stand up show for DVD. Get comfortable before witnessing a comic talent at the peak of his hilarity, from skinny dipping to what the Irish Barack Obama would sound like, as well as a hilarious look at how the Irish process their emotions.
The fourth title is Alan Carr: Tooth Fairy Live. Filmed in May 2007 in London’s famous Hammersmith Apollo, and on the last night of his sell-out tour, Alan
Carr’s Tooth Fairy Live captures the comedian as he turns the mundane into the hilarious bringing his audience to stitches.
The fifth title is Rich Hall: Hell No I Ain’t Happy. Join Rich Hall during his sell-out UK tour as he delivers his acerbic comic genius in Hell No I Ain’t Happy. His alter-ego, the hard-living country musician Otis Lee Crenshaw, is also on hand to entertain with his songs that may not top the music charts but certainly deliver the laughs.
The sixth title is Michael McIntyre: Live and Laughing. Don’t miss Michael McIntyre in Live and Laughing, which proved to be the fastest selling debut stand-up DVD in UK history with over 650,000 sold in the UK to date. Critically acclaimed for this unique style of storytelling and for selling out comedy festivals and arenas across Europe, Michael McIntyre is sure to have viewers rolling in the aisles before the curtain comes down. The seventh title is Jason Byrne: The Byrne Identity. Jason Byrne’s inspired, original brand of high-energy lunacy ensures that there is no other comedian like him. Recorded at the famous Vicar Street, Dublin, The Byrne Identity sees Jason at his finest, with his fast, freewheeling style, fused with an array of offbeat props, making The Byrne Identity a helter-skelter performance for all fans of classic UK comedy. We’re giving away three packs of each of the seven titles. All you need to do to score is tell us your favourite joke.
|
Date Published: Tuesday, 2 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
The Oz music spectacular that was Before Too Long: triple j’s Tribute To Paul Kelly celebrated the words and songs of an artist that has consistently excelled and inspired. 2009 marked the 30th anniversary of the recording career of one of our true music greats. The two night concert was recorded in full and the wonderful release is featured across a 3CD set, including covers from Bob Evans, John Butler, Dan Sultan, Clare Bowditch, Missy Higgins and more. The third CD features the original songs by Paul Kelly. The DVD release features the concert and bonus material, behind the scenes footage and interviews from Paul Kelly, Ash Naylor and John Butler to name a few. When it comes to capturing an Australian aesthetic in song, Paul Kelly has achieved that effortlessly and by avoiding any annoying clichés. He has crossed generations, genres and cultures with his music as few have done before. This was a truly special event and jjj are now excited to be able to share it with everyone on CD and DVD. We’ve got five copies of the CD to throw your way. Just tell us your favourite PK track and why to be in the running.
|
Date Published: Tuesday, 2 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Legendary guitarist, Al Di Meola is bringing his six-piece Latin jazz fusion band World Sinfonia to our shores in March 2010. One of the most prominent virtuosos in the contemporary instrumental jazz field, Al Di Meola’s dazzling technique on both acoustic and electric guitars is unmatched, extending to fluid arpeggios flying at breakneck speed and beautiful, slow vibrato-laden melodies.
Provocative and enchanting, Al Di Meola’s intriguing union of complex rhythms, lyrical melodies and sophisticated harmonies ensures an unforgettable aural sensation.
Known for his guitar mastery, Al Di Meola has 21 recordings, three gold albums and has recorded and played with a number of illustrious names including Paul Simon, Phil Collins, Santana, Luciano Pavarotti, Jimmy Page, Stevie Wonder, Frank Zappa, Chick Corea, Steve Winwood, Wayne Shorter, Herbie Hancock and many more.
Early in his career Al Di Meola was bestowed a Grammy, as part of Chick Corea’s Return To Forever. He has been voted World’s Best Guitarist several times by Guitar Player Magazine and has had sold out concerts across the world including Bulgaria and the United States. We’ve got five double passes to throw your way. All you need do is tell us who your fav guitarist is.
|
Date Published: Tuesday, 2 March 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Where did your band name come from? ‘Ah!’ is an expression of wonder and lust that we hear shouted at most of our shows. ‘Pandita’ is a Hindi title given to scholars – we particularly like Pandita Ramabai. She was the first female to receive the title and worked for the emancipation of Indian women. We are not officially Panditas ourselves however we won’t correct this mistake if it is made.
Group members: Gemma Nourse (accountant, guitarist and vocalist), Laura Volfolski (IT consultant, keyfumbler and vocal-ish) and Lauryn Hill (THIS IS YOUR INVITATION).
Describe your sound: Like the atmosphere at a packed out Olympic stadium, we are electric. Like an Olympic ice skater eating post-victory sugary breakfast cereal, we use loops. Like a crowd singing The Star-Spangled Banner, we are harmonious.
Who are your influences, musical or otherwise? Jonny Telafone.
What’s the weirdest experience you’ve had whilst performing? One time Gemma was drunk, that was weird. She’d also only had cordial which was weird. She hates cordial.
What’s your biggest achievement/proudest moment so far? Getting second place in the under 10s girls 100m freestyle for Laura. For Gemma it was in backstroke. Also, Bar 32 was outrageous last month.
What are your plans for the future? Marriage. Settle down, try to have a family. In other news we’re hoping to release a split single with our musical friend Karoshi.
What/who makes you laugh? Tina Fey, Byron Fay and James Fahy. Subtle differences in name, not so subtle differences in humour and wit.
What pisses you off? We don’t really get pissed off. Oh wait sexism, racism and polytheism.
What’s your opinion of the local scene? It’s great! We have a crush on every Canberra band. What’s happening here is really special. Not only are there great bands but also people organising events and creating opportunities for creation and expression.
What are your upcoming gigs? We are playing at a FUNdraiser on Friday March 19 at McGregor Hall. Come along and make puns on local band names with us.
Contact info: ahpandita@gmail.com
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
BMA caught up with Bec Taylor and Chris Endrey, one half of locally illustrious merchants of madness FUN MACHINE, after the announcement of their Philadelphia Grand Jury support slot, happening at ANU on Friday Feb 17.
You guys are unpigeonholeable. Pop, rock, funk, soul; I could throw them all at you, and then some. How do you classify your music?
We very consciously do whatever we want to do naturally, something Chris describes as cheeky but Bec calls jungle pop; either way, picture rats having sex in a garbage bag overflowing with warm fat. It’ll help to take your mind off of things.
Who or what are your influences?
I think we’re all in love with ideas and their expression, but we’re all from such different backgrounds they take different aesthetic form. You could make a Venn diagram for everyone and only James Fahy and The Beatles would make the middle. Maybe the Gorillaz. Bec loves Debussy, Feist and Kasha. Ramsay is in Germany ‘til next week and can’t deny that he loves High School Musical 2 and his My Little Pony collection. Crosby lost his virginity to Ben Folds. And I don’t mean his music. Chris would eat his own liver to see Otis Redding, has now had five dreams about meeting Jack White and will ultimately marry Saul Williams.
How did you find each other?
We all went to playgroup together. Ramsay was trying to meet divorced mums, Crosby was there for nap time, Chris was pocketing fruit and Bec kept excitedly stammering something about “fresh meat”.
Tell us about the ups and downs, the dreams and hopes, the trials and tribulations of your debut EP, More is More?
Actually it was all a bit of a mystery. We booked the recording while Chris was in Hungary and it turned out that we wrote four of the five tracks in the week we recorded. We were lucky to be in the capable hands of Glebe Studios’ Dan Nash, who guided Bec onto the organ and didn’t mind Ramsay just being Ramsay. Always lifting his dress up and weeing all over his pony collection.
Any plans for your next recording?
Oh definitely! Cool Runnings onto VHS. It should be on soon, to get people excited about the Wintlympics. There’s a clever trick where you stop during the ads so when you rewatch it you don’t have to fast forward through them, but I never remember to do it.
I am very eager to know about your writing process. Wherever do all your magic little lines come from? Were you guys always this clever, witty and charming?
They’re all just old Spike Milligan lines convulsively screeched by Rod Quantock at fruit loops too far dissolved in apple juice. Plus one time Ramsay vomited on stage.
These facts may be related.
What’s your opinion of the local scene?
Well, there’s a fairly low ceiling for most local musos because of the spread population and limited money, but that ultimately makes it one of the better places in Australia to explore music. The venues we do have can collectively host most styles, but the painful absence of great middle-sized venues inspires house parties and open mic nights like Pedestrian Orchestra to fill the gap. There’s no illusion of money or anything so everyone’s just expressing themselves naturally in different ways. It’s beautiful to see and a privilege to be a part of.
What’s your opinion of the local scene?
Well, there’s a fairly low ceiling for most local musos because of the spread population and limited money, but that ultimately makes it one of the better places in Australia to explore music. The venues we do have can collectively host most styles, but the painful absence of great middle-sized venues inspires house parties and open mic nights like Pedestrian Orchestra to fill the gap. There’s no illusion of money or anything so everyone’s just expressing themselves naturally in different ways. It’s beautiful to see and a privilege to be a part of.
How do you feel about the term ‘novelty band’? Or do you embrace it with open arms?
We’ve been performing a full spectrum of material through all stages of the band. When we started playing with just a few songs people liked them and said we could get a one-hit wonder on the radio, now with the EP and live shows which more often than not feature at least one debut song, we believe we’ve shown there’s depth all the way through and it’s only growing.
I would walk away today if I thought we’d become a novelty band. We love trying new things; sometimes this involves horrific themes you dance to and sometimes it’s just necessary for Crosby to doll-up as a priest with no pants.
I think it’s a zero sum game and the people that can’t take us seriously are probably just busy taking themselves too seriously.
Semantics are for filing cabinets, the Swiss and linguists; shut the fuck up and have a good time.
Is world domination or something close to it on the cards for Fun Machine?
Again, something for the Swiss. But we are planning a Eurotour! If you have an old money chateau or your sister runs Glastonbury or Sziget, please help us.
Is there anything else at all that you’d like to add?
If you append, ‘for a girl’ to, ‘you’re a great drummer;’ you only strengthen my case for legalising fourth-trimester abortion.
Fun Machine gig all over the place. Head to myspace.com/morefunmachine for all the deets.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Get Folked Up
The 34th Port Fairy Folk Festival will be held in the picturesque coastal village of Port Fairy, Victoria from March 5-8, with a stellar lineup of roots music from around the world. Highlights include Bob Dylan-endorsed string band expats The Greencards, the country-blues troubadour Charlie Parr, heart-wrenching Timorese songwriter Ego Lemos, and a host of local and imported heroes including Archie Roach, Jen Cloher and The Endless Sea and more. Buy tickets at www.portfairyfolkfestival.com.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Southeast Asian Cinema
Many of us have travelled to Indonesia, Malaysia, and Thailand, but how many of us have seen an Indonesian love story, a Malay musical or a Thai slasher film? Southeast Asia has a burgeoning film industry that produces more than 200 films per year but very few of these films make it into Australian cinemas. The National Film and Sound Archive’s Arc Cinema and the ANU’s Southeast Asia Centre are giving Canberra film lovers, students of Southeast Asia and anyone interested in the region the opportunity to discover some of the most exciting new films from Southeast Asia with Regional Intersections, a vibrant program of premiere films screening from February 24 to March 7. Head to www.nfsa.gov.au for more.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Ssshhh…
The opening of Secret Cities, and exhibition of digital paintings by Paul Summerfield, will be splashing colour all over The Front on Wednesday February 24. The works are inspired by cities like Tokyo and it’s running ‘til March 16. Celebrate at the opening with sushi, plum wine and sake, and performances by Mr Fibby, Andrew and Galan and Luke Mameo Bartolomei playing the wondrous Japanese instrument, the koto.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Got My Goat
The next Woden Youthie event heralds Little Saturn’s debut in the Canberra music scene, and it’s set to explode as they open for Soheyla, West of the Sun and Goatfish on Friday February 19. Doors at 6pm, entry $5. This is a strictly drug and alcohol free event.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
No Bull
Like a bull at a gate Groovin The Moo is ready to charge into both familiar territory and territory never ventured before, rumble with an incredible array of Australian and international artists and put on five spectacular shows like no other music event in Australia. A one day explosion of incredible music and cavorting under the sun, clouds and moon, in front of a magnificent outdoor double stage, and in one of the biggest dance tents around. GTM is Australia’s only touring music event to feature regional cities in the tour diary, and yep, you already know this Canberra, GTM will be rockin’ the nash cap on Sunday May 9. So, hottest band in the world? Check. Iconic Australian band playing live for the first time in two years? Check. Multi-ARIA award winner? Check. And that’s only three of them. Vampire Weekend (pictured), Silverchair and Empire of the Sun will be joined by Tegan and Sara and Spoon as well as a sonic smorgasboard of other acts. Tickets went on sale on Tuesday February 16 so skedaddle kiddos! They’re $95.90+bf and are available from Moshtix and gtm.net.au.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Artie McArtney
Having written and recorded his latest single Less Games, More Love all on his lonesome, McArtney proves not only his incredible talent as a performer, but also his proficiency as a musician and songwriter. The man fuses a pop sensibility with folk credibility and is a mesmerising force on stage. He’s headlining a free gig at The Holy Grail, Kingston on Friday February 26 with support from gorgeous local lass Marianne Mettes and her charming brother Jonathan.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
We’re Slammin’
Over the last three years, poetry slams have become a regular favourite of The Front’s monthly artistic smorgasbord. Cosy couches and cold Coopers combine to create the perfect environment for virgin and veteran poets alike to compete for cash prizes. This year’s slams have a new feature: a High Score Table. 2010’s top poets will get a shot at the Super Secret Poetry Slam Secret Level and also learn coveted poetry slam finishing moves! The first instalment is on Thursday Feb 25. $3 entry (free for poets). Book your slot from 7.30pm on the night. Head to traversepoetry.org for more info.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Bust a Move
On the night of Wednesday February 3, Gangbusters returned to Bar 32 in glorious fashion to celebrate local music. Killing Birds and Ah! Pandita opened the night triumphantly followed by technical whiz kids Girl Sized Hands and Kasha who seized the night. If you’re unfamiliar with Gangbusters it’s one of the longest running regular band nights in Canberra, mixing local with interstate acts. Next Gangbusters returns to Bar 32 on Wednesday March 10.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Sydney smart aleck Jonathan Boulet will kick off his first headline tour of Australia in February in support of his wondrously vivid self-titled debut record, out now on Modular Recordings. The pied piper of bedroom pop will lead his band of the merriest men around the country for 14 dates, stopping by the ANU Bar on Thursday February 25. Since his emergence in late 2009 with the dashing life-affirming micro-symphony that is A Community Service Announcement and one of the most promising, self-assured debut albums of the year, Jonathan Boulet has slowly but surely converted the masses through a series of compelling, heavy energy live shows. His joyous explosion of a debut was a feature album on Triple J, the video for A Community Service Announcement was very publicly endorsed by the one and only Kanye West (“Watch this it’s fucking amazing”), and his first ever tour was in support of fellow Modular do-gooders Tame Impala. In short, an excellent start to a potentially brilliant career. We have five copies of his debut to throw your way. Simply tell us what service you’ve done for your community.
|
Date Published: Wednesday, 17 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Party By Jake and BMA are giving away one Pete Versus Toby tee valued at $70 (in boys or girls) to the first person who can name the full DJ line up and featured fashion label for PBJ's new monthly event: Heartbeat Transit Bar - launching on Sat Feb 27. Email your answer toeditorial@bmamag.com along with your full name, sex and contact details, and CC in fashion@partybyjake.com. While you're at it, join the Party By Jake Facebook group for invites to sexy parties with hot music and hot clothes, plus more opportunities to get your mitts on some new threads. Check out Pete Versus Toby http://www.peteversustoby.com/ .
|
Date Published: Tuesday, 16 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Where did your band name come from? Random band name generator.
Group members? Martin Tavaya (vocals), Ally Cowell (vocals), Dan Tonkovic (bass), Adrian Tonkovic (drums), Liam Wilson (keys), Daniel Miller (guitar).
Describe your sound: Fresh and energetic; a fusion of funk, soul, r ‘n’ b and hip-hop. We will have you mesmerised with our live funk hip to the hop sound.
Who are your influences, musical or otherwise? Anything that grooves, vibes, and feels good.
What’s the weirdest experience you’ve had whilst performing? Not really weird, but it was funny having the lion from Madagascar groovin’ to us at the Tuggeranong Festival in 2009.
What’s your biggest achievement/proudest moment so far? Recording our debut album Velvelution in our own studio and having people like Mark Webber (CIT) who mixed our CD and Don Bartley (The Saints, Savage Garden) who mastered it, saying “this sounds great! I don’t have to do much…”
What are your plans for the future? Playing more shows and writing/recording another CD. At the moment Dan’s doing an Urban Compilation CD, which will feature some of Canberra’s premium urban acts.
What makes you laugh? Gotta say auto-tune – it’s on EVERYTHING these days (even our stuff, haha).
What pisses you off? Being badly sunburnt under a tent/tarp at a Christmas gig.
What’s your opinion of the local scene? It’s really diverse, so many great bands and acts in Canberra, in all the different genres.
What are your upcoming gigs? O Week at the ANU (held over Monday-Friday February 15-19) and at King O’Malley’s on Friday February 26.
Contact info: Ally Cowell – 0419420727
velvetteband@gmail.com www.myspace.com/velvetteband
|
Date Published: Tuesday, 16 February 10
| Author: Julia Winterflood
|
| 1 year, 11 months ago
Saturday February 27 marks a significant night in the Canberra hip-hop calendar, when none other than the mighty Lupe Fiasco – he of Kick, Push and Superstar fame – descends on the UC Refectory. In lieu of catching up with the elusive Lupe, we had a chat to supports Koolism, Katalyst and D’Opus & Roshambo about the man, and found out what Australia’s own icons of hip-hop have planned for us.
Katalyst – Ashley Anderson
1) What are your thoughts and opinions on Lupe and his music?
Kick, Push caught the ear of a lot of people ‘cause it had that potential to cross boundaries. I liked that beat as it sounded like some classic ‘90s jam with a modern edge. I sought out more of Lupe’s tunes to check him out. He’s cool for sure. Looking forward to the show.
2) What will you be bringing to this Canberra hip-hop night of nights?
A whole bunch of fresh unreleased hip-hop beats that me and my man Geoff Barrow from Portishead have been cooking up, with a host of international MCs on the project. It’s called Quakers cause we’re quaking the ground with these ones; heavy beats for days. Also some of the album I’m doing with Chicago’s based MC Diverse and another cat form North Carolina that I’m doing an album with.
3) What awesome things are you up to, and why we should we be excited to attend the show early and check you out?
I will be previewing new tunes of the forthcoming Space Invadas album that just hit the airwaves at the end of last year. That album drops 26th March and is called Soul- Fi. We shoot the second video this weekend. It’s going to be a slick black and white number so look out for that at the start of March. We’re playing a lot of festivals over the next couple of months so the live band will be tight by the time we get to Canberra.
Koolism – Hau
1) What are your thoughts and opinions on Lupe and his music?
I dig him a lot. A few tracks I don’t connect, but overall, he’s tops. I definitely think he’s in his own lane. A lot of these “hipsters” have modelled themselves on his music and style. But they just don’t have his intelligence or lyrics. I interviewed Lupe for the triple j Hip Hop Show once. I asked if he wanted to swap his gold Rolex for my gold data-bank Casio. He stupidly declined.
2) What will you be bringing to this Canberra hip-hop night of nights?
My Queanbeyan swagger!
3) What awesome things are you up to, and why we should we be excited to attend the show early and check you out?
Koolism are in the final stages of completing our long-awaited fifth album The Umu. I’m excited about finally unleashing it to the people. We’ll be performing a few tracks off it so get your camera phones ready. Besides that, I have been working on solo material in my downtime. Working with the likes of Katalyst, Trials (Funkoars), Hermitude, Jacob Giles, A-Love... list goes on. It’s exciting. Daniel and I have a special chemistry but working with others gives me a different perspective on creating music. Stay locked. [A free download can be found at http://bit.ly/hanzhigh and check out Koolism’s new website koolism.com]
D’Opus & Roshambo – Ro
1) What are your thoughts and opinions on Lupe and his music?
He’s definitely a true original! Highly intelligent lyricist, who understands both the technical side of emceeing and also making his viewpoint accessible to his audience. At first I was surprised that he could have such mainstream appeal – many of his songs are quite dark in theme/tone and he uses a lot of (non-obvious) metaphors in his music. He makes you work for meaning. But the kids love him and he’s got that skater/hipster appeal haha; guess that’s what clothing labels can do for you! Should be amazing live with a full band!
2) What will you be bringing to this Canberra hip-hop night of nights?
We’ll be bringing our own unique brand of hip-hop to the stage for the earlybirds with plenty of vibrancy and energy – showcasing a bunch of banging new tunes from our forthcoming LP Past Time (it’s nearly finished!). D’O and I have been rehearsing with a live band of late (Lethal Miller on bass and Kay Chinnery on drums) so we are working on a brand new live show for 2010. For the Lupe support though it will be back to basics though with D and I warming up the stage just the two of us. We’ve developed on our ideas a lot, our sound is more refined, more boom-bap, so we’re excited to make this a “come-back” show of sorts. We’ve been hiding away in the studio for nearly 12 months so it will be fun to let loose and air our the new tunes.
3) What awesome things are you up to, and why we should we be excited to attend the show early and check you out?
As mentioned, we’ve got our second album Past Time nearing completion – it is soulful, down-to-earth, organic sounding hip-hop music that we really feel the people are going to like – we’ve learned from our past efforts, and we're excited to get it out to the people. We’ve tested ourselves again and really stepped up the song-writing aspect of our music, the album is chocked full of fully realised compositions and we’ve worked with very talented folk from around Australia. It’s sounding dope, so can’t wait to perform the tunes live.
|
|
The lights will be dimmed for an intimate evening of romance and seduction as the illustrious Mikelangelo joins the golden-voiced Saint Clare for an evening of lullabies and love songs at The Front on Monday February 15 at 8pm. The show features original songs and duets written by Mikelangelo and Saint Clare, performed on guitar, piano, melodica and glockenspiel. These enchanting lullabies will transport you into a world of wonderful things, where melancholy gives rise to an enduring sense of hope and optimism. Mikelangelo has toured the world as a star of the Olivier-award winning La Clique, and has risen to great national and international profile with his group The Black Sea Gentlemen. Tickets $20/$15.
|
|
Shenanigans 3, A Dummy’s Guide to Creamy Goodness, will hit The Basement on Friday February 12 and will feature eight bands, two stages, a DJ, merch stalls and a special burlesque performance from Miss Kitka’s House of Burlesque. Melbourne band Voltera and Sydney band Our Last Enemy will be joining local boys Penguin, Variodivers, Na Maza, Johnny Roadkill, Inside the Exterior and Spoil to make this one hell of a good night. Doors at 8pm.
|
|
Back to storm the stage once again with their electrifying amalgamation of rock/metal/prog on Saturday Feb 13 will be the ever intensifying Entropy Within. Returning to one of their much-loved cities, Entropy Within will be performing epic tracks from their upcoming album One Long Year. They’re just one of the awe-inspiring bands performing as a part of Muddslide on Saturday Feb 13 at PJ O’Reilly’s. For more info head to www.myspace.com/entropywithin.
|
|
Sydney’s multi-award winning singer/songwriter Snez has never been afraid to bare her soul to an audience. Indeed, it’s what she does, and her accolades and awards are proof that she does it well. With her first studio album Gypsy Soul out through Regal Records, Snez gets up close and personal with two shows in the ACT. Snez will be at The Phoenix on Monday February 8 and at The Front on Thursday February 11. For more info head to www.myspace.com/snezmusic.
|
|
Freshly Baked Biscuits will feature some of Canberra’s hottest talent playing only the newest beats. Team Wing take the inaugural Rave o’ Clock New Music Hour, a whole hour of strictly the freshest tunes that will be recorded live for streaming until the next FBB. Expect a host of brand new Team Wing remixes, plus original material from Sølsta and a live collaboration between Proze (Melb) and Ryz. It’s all happening on Friday February 5 at Mercury Bar and is only $5 all night.
|
|
The 18th annual Movie Extra Tropfest will be shown at Commonwealth Park on Sunday February 21 to the largest live audience outside Sydney. As the largest short film festival in the world, Tropfest is recognised for its enormous contribution to the development of the Australian film industry by providing unique platforms for emerging filmmakers. Tropfest 2010 is proudly hosted by the ACT Government and will commence at 3pm with DJs followed by the screening of the Tropfest Jr finalists short filmmaking competition open to kids aged 15 and younger. The program continues with more live entertainment culminating in the Tropfest film screening from 7.30pm.
|
|
Into the Shadows is an independently and locally made film that reveals how the mega-multiplexes squashed your friendly local independent cinema. It features film industry executives making jaw-dropping statements in a film they would never put into a multiplex. Ever inventive, filmmakers are looking at new ways of getting Australian films to Australian audiences by bypassing the mainstream industry. It screens at Arc Cinema on Saturday Feb 6 at 2pm and on Thursday Feb 18 at 7pm.
|
|
Canberra promoters Party By Jake will be bringing more style to the Capital in 2010 with their new monthly event dubbed Heartbeat. The stylish event will be launched at Transit Bar on Saturday February 27, and will kick off the new year by launching upstart Sydney street-fashion label Pete Versus Toby (merch giveaways on the night) and featuring DJs including disco demon U-Go-B (Modular/Syd), party-jammers Deckhead DJs (Syd) plus a host of local stars including Staky and Party By Jake DJs. For more info, contact partybyjake@gmail.com, myspace.com/partybyjake, twitter.com/partybyjake, and find Party By Jake on facebook.
|
Where did your band name come from? Mum and Dad, although apparently it was a close call between Tim and Simon.
Group Members? (eg Dave L (vocals), Sally Thornton (Drums) etc) I play a bunch of solo and group gigs. On a solo day it’s just me, my guitar and the loop pedal. On other days I’m lucky enough to share the stage with some other great musos including Pat Elsley (drums), Zach Whittaker (bass) and Dan Miller (guitar), to name a few.
Describe your sound. Catchy pop with a bit of rock thrown in for good measure. I think the key to a good song is something that’s easy to sing and gets stuck in your head.
Who are your influences, musical or otherwise? I grew up listening to a mix of The Beatles, Paul Kelly, Silverchair and Nirvana so style-wise I hope I’ve learnt a little from each of them. I’ve also learnt a bundle just by playing with other musos. Hearing someone else put their slant on one of my own songs feels almost like a musical rebirth.
What’s the weirdest experience you’ve had whilst performing? Not exactly weird but I played a solo gig a couple of years back where something happened to the mixer and the guitar sound just dropped out. Thankfully some random guy in the pub had a trombone, jumped on stage and played out the rest of the track with me – just vocals and trombone.
Perfectly timed, the sound guy managed to fix the guitar signal in time for a big finish. Felt the love. What’s your biggest achievement/proudest moment so far? I’m pretty stoked with finally getting a collection of songs together onto a CD. What are your plans for the future? Release the CD Midnight, play a bunch of gigs and keep writing. But in the spirit of the new year let’s also say eat less, exercise more, develop a vice and then give it up.
What makes you laugh? People who laugh easily make me laugh. Best kind of people to be around.
What pisses you off? Movie ticket prices.
What’s your opinion of the local scene? I think the local music scene has a lot to offer but needs support to be able to take it to the next level.
No one thing by itself will improve it. A vibrant scene is made up of bands/musos working to put on great shows, engaged audiences (on top of other musos and their friends) and supportive venues. They all feed into another. There are some great movements out there like the Canberra Musicians Club.
Basically, if you find an act you like, tell your friends, tell the venue, get involved and go to wherever the act is playing next.
What are your upcoming gigs? 12 Feb 2010 8pm The Potbelly Bar
22 Feb 2010 8pm The Phoenix Bar
25 Mar 2010 10pm The Hippo Bar
26 Mar 2010 8pm The Potbelly Bar
Contact Info
www.musicbymaloney.com
www.myspace.com/musicbymaloney
|
|
Giddy Up!
Their debut LP Harum Scarum
was BMA’s Album of the Week back in September and also came in at #4 on
your humble Editor’s Top 10 Albums of 2009. Now Joe Gideon & The
Shark are touring Australia, and you can bet your sweet bippy we’re
excited. They’re stopping by The Sandringham Hotel in Newtown (yep, the
one that God drinks down at) on Thursday February 18. JG&TS
dispense a roaring set of dark, edgy blues-infused rock, with
fantastical, complex and often hilarious spoken word narratives. Gideon
plays guitar, dreams stories and speaks/sings, his lyrics a morass of
fifth year psych papers and real-life pulp fiction. His kid sister
Viva, aka The Shark, plays drums, piano, effects and vocals, often all
at the same time. As Adrian Threadgould esposed in his Album of the
Week review, “it’s like a rattlesnake armed with a wink and a nod.”
Let’s hope their bite is as big as a shark’s.
|
|
We’re Jammin’
Following its successful
debut in 2009, the Australia Day Jam returns for another year with more
rocking Canberra bands to provide an awesome atmosphere for Australia
Day in Commonwealth Park. Local bands Hancock Basement, Zero Degrees
and Falling and Los Capitanes will take to Stage 88 in Commonwealth
Park to entertain the crowd on Tuesday January 26. The BMX bandits of
Monster Park will again feature to provide hours of entertainment,
conducting BMX and skating demos and clinics for patrons, with some pro
skaters. Fun for all the family, so come on down.
|
|
Hey, Frenchie!
Gold Coast band A French
Butler Called Smith are heading to Canberra on their national album
launch tour of their debut album The Milkdrop Circus. Their music is an
original blend of Latin, funk, gypsy and world roots that is guaranteed
to get you up dancing and leave you in a pool of sweat by the end of
the night. They’re playing The Front on Wednesday January 20. 8pm, $10
entry.
|
|
I Party, Therefore I Am
Party By Jake
is a culture for the stylish - a way of life for the indie dance music
lovers and fashion savvy party folk of Canberra. Get to know Party By
Jake. They will throw parties that are not just about the DJ, but also
about the people on the dance floor, the clothes they wear and the
minds that pioneer style. Their premier event Heartbeat will launch at
Transit Bar, date TBA. This monthly party will involve some of the
coolest breakthrough DJs and street fashion labels Australia has to
offer. Stay in the loop and join the Party By Jake facebook page and
twitter... if you’re into that sort of thing. Party By Jake = a way of
life.
|
|
Local Love
Ever been looking for that
needle in a haystack local EP or album of that band you saw last Friday
but now can’t find it amongst Lady Gaga and Led Zep? Look no further!
Renowned local DIY record labels Birds Love Fighting Records and
Hellosquare Recordings have a front counter display at Smith’s
Alternative Bookshop, Alinga St. Fabric and card CD sleeves sit snug
amongst the coffee and books and you may find gems such as Spartak, The
Gashes, JW Sparrow & the Miner Birds, Pollen/Austin Benjamin Trio
and Klumpes Ahmad, plus more as the collection grows this year.
|
|
Back to the Future
Australia’s
award-winning Future Music Festival gears up to take 2010 by storm with
another all-star lineup of the planet’s hottest music artists including
The Prodigy, Empire Of The Sun, Franz Ferdinand, Booka Shade, John
Digweed, Sven Vath, David Guetta, Erick Morillo, Dubfire and more.
Celebrating the ultimate sounds of tomorrow and today, this grandiose
event is a 10 hour sonic boom and rivals any major festival experience
on the planet. The festival tours the nation in March to coincide with
the Sydney Mardi Gras, boasting seven genre-busting arenas, each
identifiably unique in theme, structure and aesthetics, featuring over
sixty outstanding live artists from around the globe and blending some
of the biggest names in electronic music with the brightest stars of
hip-hop, pop, indie and beyond. It’s happening in Sydney on Saturday
March 6 at Randwick Racecourse. For more info head to
futuremusicfestival.com.au. We’ll see you there, disco pups!
|
|
Dusky Sounds
Sydney five-piece Dusker
bring their bright eyes and harmonies to Canberra for the very first
time, playing Phoenix on Saturday February 6. Drawing artfully from
folk and indie rock influences, they have a nest full of buzzy songs
gearing up to promote and showcase their latest EP We Flew Into The
Updraft. Headlining are local indie rockers and self-professed mongrels
Waterford, and opening the evening is Voss, who are folk sometimes and
sometimes more rock and roll, but mostly something in between. It all
kicks off at 8pm and entry is absolutely free.
|
|
The Windows on Europe Film
Festival returns for its fourth season, bringing a dazzling program of
award winning films to screens across Australia and NZ. This year the
festival takes cinema lovers on a tour across 17 countries, with films
spanning drama, romance, thriller, comedy and documentary. The program
reflects a great mix from the past five years, and also includes a few
older European classics. We have five doubles to any sesh of the fest
(excluding opening and closing nights). To win, tell us your fav Euro
flick.
|
|
Madman proudly presents the DVD release of The September Issue, the
revealing and intimate documentary that explores the highs and lows,
the teamwork and the tantrums that go into the creation of Vogue
Magazine’s iconic, annual September issue. The film takes viewers
beyond the gloss and glamour and delves deep into the sacrosanct world
of the globe’s most influential tastemakers. We have five copies for
you fashion hungry pumpkins. To score, all you need do is send us a pic
of the wost (or best) get up ever.
|
|
Fred Smith. Many deadpan men in black. Crazy eh? But god it actually
works! It all started in the session bar at the National Folk Festival.
You can imagine the rest. Well, just in case you can’t, they made an
award winning CD together called Urban Sea Shanties, so you don’t miss
out on this poignant hilarity from a unique songwriter and his mates.
Fred Smith, along with a Canberra band including Ted from The Fuelers,
is bringing the odd but much loved Spooky Men’s Chorale to our fair
town for one night only on Friday January 29 at The Playhouse. To
celebrate, we’ve got their CD and a very spooky T-shirt to give away.
To win, tell us Fred’s hometown (and your T size) for your chance to be
a Spooky Man in your own lounge room.
|
|
The Soloist is the
emotional, heart-warming true story about the redemptive power of music
for two lost souls. It centres on the relationship between a Los
Angeles journalist and a once prolific classical musician, who through
illness has fallen on hard times and is now living down and out on Los
Angeles’ Skid Row. The bonding power of music comes to the fore when
Journalist Steve Lopez (Robert Downey Jr) discovers Nathaniel Anthony
Ayers (Jamie Foxx), a former classical music prodigy, busking on the
streets with his two-string violin. We have seven copies of the DVD to
fling your way. To win, tell us about the best busker you’ve ever seen.
|
|
Name: Azaria Universe
What do you do? I trained as a circus performer, here in Australia and also in Russia at The Moscow Circus School. The work I produce lies somewhere between physical theatre, burlesque and radical performance art.
When did you get into it? I saw a Serbian acrobat do a standing backsalt during a summer dance school in New Zealand. I was 14 and was instantaneously obsessed with learning everything I could to become a physical performer.
4. Who or what influences you as an artist? The works I have been creating and performing with The Burlesque Hour have become a kind of bibliography of my experience over the last 17 years. The themes usually get back to war, sex, death, love in the end. I also draw from old carnival traditions, circus and variety acts from yesteryear, nostalgic notions recreated.
What’s your biggest achievement/proudest moment so far? Within the show, I think our triumphant tour of Eastern Europe; the audiences were absolutely beside themselves over the show. People screamed, jumped to their feet and mobbed us after the show. The show is very passionate and it was a match for the people we met over there.
What are your plans for the future? The Burlesque Hour keeps me busy baby! After we come to Canberra we hit the international airports! The Burlesque Hour plays Madrid, Shanghai, London, Japan, Hong Kong and maybe even Montreal. My pearls are packed!
What makes you laugh? The many comical situations that arise from touring and performing with your best mates year in, year out. The ludicrous nature of it all. Be it the looks we share at the airport after 2 hours sleep with 200kg of check in luggage, or some backstage debacle usually involving a costume malfunction and split second timing with everyone working to get the next performer on stage.
What pisses you off? Whaling, violence, racism, drivers who don’t indicate.
What’s your opinion of Canberra? It seems to me to be thriving, a vibrant close knit scene that knows how to throw an event and isn’t afraid to attend one!
What are your upcoming performances? The Burlesque Hour , playing at the Street Theatre from February 11.
Contact Info See our clip on www.moirafinucane.com
|
|
WHAT: Sherlock Holmes fundraiser
WHEN: wed Jan 27, 6pm for a 6.30pm start
WHERE: Dendy
Feeling like a film and doing something
good at the same time? One Canberra girl is raising funds for the
Indian Ocean Project, which will see her help the impoverished women
and children of India. The aim is to help the world’s most vulnerable
people to become empowered and educated, as education and empowerment
are the best tools in the fight against poverty. And to help, all you
have to do is see the latest Guy Ritchie film, Sherlock Holmes. Tickets
are $16 and can be bought in advance or on the night (includes nibbles
before the film).
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Dr Strangeways, named after a formidable Alice Springs
English teacher, are leading the charge when it comes to the enormous
amount of exceptional music being produced in Central Oz of late.
Combining countless instruments, the collective have created a record
that is both impossible to pigeonhole and resist grooving to. Reggae
rhythms, rollicking guitar, harmonica, keyboard and flute solos,
masterful hip-hop flows and sophisticated sampling carry themes of
volatile NT politics and central desert life, which are delivered
intelligently and with razor sharp wit. One of many highlights,
Racehorse is a brilliant slice of Oz hip-hop, infused with funk and
served with soul; the MC’s erudite rhymes about NT possibilities are
indicative of the band itself and the entire region at that.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Where did your band name come from?
Trivs = Swedish adjective, to thrive or to be joyous, depending on the context… Sounds nice, ja?
Group Members?
Miller, Gaff, Bonesy and Byron.
Describe your sound:
Energetic indie that tickles the ears.
Who are your influences, musical or otherwise?
The Joggers, Brian Jonestown Massacre and Led Zeppelin should all take some credit.
What’s the weirdest experience you’ve had whilst performing?
Playing in the bathroom of a crazy house party and having people try to high-five us through the window.
What’s your biggest achievement/proudest moment so far?
Playing a couple of tour dates with Philadelphia Grand Jury was an
absolute gem of an experience. Also, sharing the stage with some
massive names at Stonefest but we are so stoked to be playing at the
upcoming Purple Sneakers NYE party in Sydney!
What are your plans for the future?
A new EP for 2010 recorded at the legendary BJB!
What makes you laugh?
Rangas mostly. And other mythical creatures.
What pisses you off?
All the one way streets around Surry Hills.
What’s your opinion of the local scene?
Positive! There are few movers and shakers, as well as a dynamic
independent scene that is brimming with hidden talent waiting to be
discovered!
What are your upcoming gigs?
Thursday December 10 – Fasterlouder Xmas party @ Transit
Thursday December 31 – Purple Sneakers NYE party at Manning Bar in
Sydney w/ The Grates, Red Riders, Philadelphia Grand Jury, Boxer
Rebellion and more.
Friday January 22 – The Espy (Melbourne) w/ The Galvatrons and The Smoke.
February – something new and very cool (in Canberra)... Ssh.
Contact Info
Management and bookings: duncan.brown228@gmail.com
Contact the band: thetrivs@hotmail.com
http://www.myspace.com/thetrivs
Find us on Facebook for band and gig updates!
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Good Hope Bikini & Boardshorts Festival (24hr Charity event)
WHEN: Sat Jan 30
WHERE: Good Hope Tourist Resort, Yass NSW
The M.O.B. (Masters Of Beats) consist of five DJs/producers that have
played in various clubs from Sydney to Canberra including Candy’s
Apartment in Sydney and our own Lot 33 . Whilst dabbling in production,
their major focus is to organise large events, with an ongoing goal to
play in clubs Australia wide to hone their craft. Their most recent
project is the Good Hope Bikini & Boardshort Festival located near
Yass, NSW. Their objective with the event is to promote local talent
and support local businesses by raising as much money as possible for
the NSW Rural Bush Fire Service.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Hip-Hop Saviour
WHEN: Sat Feb 27
WHERE: University of Canberra
Oooooo wee! A visit from the one and only Lupe Fiasco; modern day poet
and hip-hop saviour. Heralding his arrival with one of the best slabs
of hip-hop of the decade with Food & Liquor (including instantly
iconic track Kick, Push), cementing his reputation with The Cool, and
set to dazzle with new album Lasers, it’s no wonder Lupe’s stadium
filling beats and consciencious lyricism has seen him described by
Jay-Z as a “breath of fresh air.” Support the show early by grabbing
your early bird ticket from Oztix for only $49 +bf and ensure we see
more acts of this calibre in future.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Over 17 Artists
WHEN: Sun Dec 13
WHERE: Goolabri Resort
A licensed all ages event
sporting over 17 artists over two stages for 12 hours… and it’s all
going to charity? How can you say no! Especially when you throw in the
likes of lovable electronic wizard Endorphin, who promises he will be
bringing a man on stilts who can perform a backflip as part of his
set. One of the best circus stilts performers in the land, Endorphin
assures me, and you can take that man’s word to the bank. So jump onto www.moshtix.com.au and grab yer ticket, have a great day out, and support the Spinal Injuries Association.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Walk Against Warming
WHEN: Sat Dec 12
WHERE: New Parliament House Lawns
You have the
opportunity to crack out those pale pins and strut your stuff for a
good cause. Taking place in every capital city, and regional towns and
cities across Australia, Walk Against Warming attracts ordinary
Australians who are prepared to stand up for the rights of future
generations to a safe climate. December 12 is D-Day for the planet as
world leaders meet in Copenhagen to do a global deal on climate change,
and Walk Against Warming is your chance to give a shit with likeminded
folk. Kicking off at 11:30am on the New Parliament House Lawns. Go to
www.walkagainstwarming.org for more details.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Back To The Future Party WHEN: Thu Dec 31 WHERE: Monkey Bar
New Year’s Eve at the Monkey Bar will be hot and steamy with an exciting Back to the Future party planned to take you into 2010. It’s going to be party-mode all night. The music will be kept spicy as always with a tasty blend of styles and tunes from all eras, past, present and everywhere in between. Expect to hear the best music from ‘70s, ‘80s, ‘90s, house, R’n'B, Latin and reggae. $4 spirits ‘til 10.30, $5 Coronas all night, cheap drinks on the hour every hour and free entry before 9pm. Sure to be a blast!
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Party Gypsies
WHEN: Wed Dec 16
WHERE: MacGregor Hall, Acton
Melbourne gypsy party
band, The Woohoo Revue, will be headlining the Canberra Musicians Club
Christmas Show at MacGregor Hall in Acton on Wednesday December 16. In
keeping with the gypsy theme, the night will also feature Balkan
honkytonk trio, Clankenstein. The Woohoo Revue have proven to be a huge
underground success this year and have established themselves through
constant touring. This will be a great opportunity to see the band
ahead of their busy summer festival schedule, which includes a midnight
New Year’s Eve slot at Peats Ridge Festival. Doors open at 7.30pm,
admission $12/$10.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Jaytech (Anjunabeats)
WHEN: 12 Dec 2009
WHERE: Hippo Lounge
After the success of Matt Rowan
in October, Effigy Entertainment returns to deliver you a night of epic
proportions – one of Australia’s greatest exports, Jaytech. See Jaytech
up close and personal in the only Canberra sideshow of the Australian
leg of his world tour. Come along to enjoy a night of amazing melodic
house music, and be part of what is bound to be an unforgettable
experience. But with only limited tickets available (less than 100 on
the door), be sure to make it in early to avoid disappointment.
Supported by Peekz, Fourthstate, Gabriel Gilmour and Yohan Strauss.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Original roots inspired music
WHEN: Friday December 11, doors at 6.30pm
WHERE: The Folkus Room, Italo-Australia Club, Forrest
Iconic harmonica legend, Jim Conway is coming to town. His distinctive
style is well known to blues, jazz and country music enthusiasts and
his extensive career includes national tours with American bluesman
Brownie McGhee, The Captain Matchbox Whoopee Band, Circus Oz, The
Backsliders and Jim Conway's Big Wheel. For the Canberra Show Jim will
be teaming up with Big Wheel members, Jess Green (emerging
guitarist/vocalist) and rhythm ‘n’ blues pianist, Don Hopkins.
Canberra’s own KarismaKatz, with special guest, Dave O'Neill will open
the Show. With award-winning artists, this promises to be an
outstanding night of original roots-inspired music. $28/$25. Children
free.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Hot Young Things
WHAT: National Youth Week Grants
WHEN: Now
WHERE: www.youthcoalition.net
National Youth Week, an annual celebration of young people, will be
held from April 10-18 2010. Applications for Seeding Grants are now
open. These grants support events that are planned and organised by and
for young people aged 12 to 25 and occur during Youth Week. In 2010
there is a pool of funding for projects aimed at engaging young
Aboriginal or Torres Strait Islander people, young people with a
multicultural or refugee background, and
young people in detention. Applications close Monday January 18 2010.
For more info, call Anna Voronoff on 6247 3540, or email youthweek@youthcoalition.net. Application forms are at www.youthcoalition.net.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
What: Purple Sneakers New Years Eve House Party
When: Thurs Dec 31
WHERE: The Manning Bar, Syd
School may be finished
for the year but we’re still all about the word association!! Tornado
of awesome? Ponytail! Snarled up and punked out? Baddies! And she
twists and kicks with glee? The Grates! Best freakin’ house party of
the decade? PURPLE SNEAKERS NYE HOUSE PARTY!!! Spread across three
levels of Manning House, Sydney Uni, over three stages and amongst
2,500 of your mates it’s the funnest way to ring in the New Year!!
Tickets are only $59+BF
and you can grab them from the website at http://www.purplesneakersnewyearseve.com.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Gunghalin Live ‘09
WHEN: Fri Dec 11
WHERE: Gunghalin Youthie
Gungahlin Live ’09 is a free dance party put on by the
Youth Council team at the Gungahlin Youth Centre. They were successful
in applying for a Youth Interact Grant and want to show the youth of
Gungahlin a great night out. Gungahlin Live ’09 is a drug and alcohol
free event for youth aged between 11 to 25 years. Come down to the
Gungahlin Youth Centre on Ernest Cavanagh St (behind the library) on
Friday December 11. It all kicks off at 6.30pm and runs ‘til 9.30pm.
There’ll be a DJ, free dinner, free soft drinks, fire twirlers, free
mechanical surfboard and more.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WOMADelaide – one of Australia’s most loved and unique music, arts and
dance festivals – will announce its full line-up this Friday December
11. Encompassing four nights and three days of music, arts, dance and
food from every corner of the globe, WOMADelaide will take place at
Adelaide’s Botanic Park between Friday March 5 and Monday March 8,
2010. Over 300 artists from more than 20 countries, from Azerbaijan to
the Western Sahara, will transform Adelaide’s heart into a thrilling
musical celebration of the arts and cultural diversity. The line-up so
far includes Indian living legend Ravi Shankar alongside daughter
Anoushka, Calexico, new triple j Roots ‘n’ All darlings Public Opinion
Afro Orchestra, Xavier Rudd, and many, many more mesmerising artists.
For tickets and information head to www.womadelaide.com.au.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
WHAT: Harp Shredding Queen of Freak Folk
WHEN: Wed Jan 21
WHERE: The Playhouse, Canberra Theatre Centre
Been
drinking bong water lately? That’s a sign that you need to go outside,
kiddo. Sometimes Canberra can seem as much fun as tongue kissing John
Goodman, but occasionally, international musicians accidentally book
Canberra. So this is where I force your attention to the wondrous
Joanna Newsom, the harp shredding queen of freak folk. Now, you may not
know the name (her music is not on any Tony Hawk soundtracks, sorry
Cheech), but I assure you she is the eel’s hips. She is phenomenal to
say the least, and is playing on your door step. Tickets are only 44
clams! To book call 6275 2700. You simply must go. Trust me.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Participate in the ultimate educational experience… watch as each act
takes the viewer into a three-dimensional realm where live and local
music brings Canberra to life! See local act The Chuffs and Syd guests
Tiff & The Kids support our very own Black Creek at Phoenix on
Saturday December 12. Support local music, visit www.hardact.com.au.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Cell Block 69 are back for their annual Last Ever World Tour. The
supergroup are promising to say goodbye to the 1980s. Lead singer Duane
Le Corey Michaels, recently remarried for the 12th time, issued a
statement saying “As the decade comes to a close we realise it’s time
to move on - but before we do, let’s not move on, one more time.” Did
you understand a word of that? We didn’t. Better check ‘em out to find
out what the hell they’re on about. They’re at ANU Bar on Wednesday
December 23.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Electronic ticketing company moshtix.com.au recently launched a new
cheaptix section giving gig goers the ability to attend the best gigs
in town for under $25. cheaptix connects gig-goers with smaller budgets
to a variety of live music events, comedy and festivals across
Australia. Head to moshtix.com.au for more info.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Fred Smith returns from Afghanistan in time to make his traditional
Phoenix Christmas eve gig, joined by Pete and Fiete and 100 lost
orphans. Join the fracas as they warm up for their Woodford trip with
sing songs and shots, so you can bring that special ‘gettin’ British on
ya’ hangover to Christmas lunch. Thursday December 24 from nine-ish,
free entry.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
You must be really sore from kicking yourself after missing The
Huckleberry Swedes last time they were in Canberra. But we’ve good news
for you as they’ll be back for one night only at The Phoenix on
Thursday January 14. Come and see what banjo rock alt country gospel
squeeze box blues can do for you. The Swedes are regarded by musos and
critics alike as one of Australia’s greatest musical secrets. Free
entry – but bring $25 as you’ll want to buy their acclaimed debut
Suburban Dreaming.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Meet the two-headed rock ‘n’ roll behemoth known as Buzz Deluxe, all
the way from Canada, who are hitting up The Basement on Saturday
December 12. Combining rockabilly, surf guitar, gypsy swing and garage
rock, they are 100% blood, sweat, and rhythm. They slice fingers on
guitar strings, chip teeth on microphones, and bludgeon knuckles on
drum rims all without noticing; they are praying to the god of rock ‘n’
roll. Don’t miss it metalheads.
|
Date Published: Sunday, 13 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
In what may end up being their
last local show, beloved Canberra indie kids ...Like Foxes will be
warming themselves up for their Brisbane tour with a slot at Thursdays
@ Bar 32 this week, on December 10, from 8pm. They’re the odd band out
on a hardcore bill featuring Adelaide’s Craterface, Sydney’s Fixtures
and locals Eye-Gouge and Observer. ...Like Foxes launched their debut
EP last weekend at a cracking afternoon Transit Bar show alongside
Sydney’s Charge Group - and the CD is already becoming scarce, with
dedicated fans snapping up copies of all four alternate covers. Bask in
their twinkly guitars once more.
|
Date Published: Friday, 11 December 09
| Author: Julia Winterflood
|
| 2 years, 1 month ago
Put down that beer, turn off Australia’s Funniest Home Videos and put
on Vincent by Don McLean. Good, now you’re prepared to win a
high-culture experience with a rare opportunity to see the Musee
d’Orsay’s collected works: Masterpieces from Paris, on at the National
Gallery of Australia until April 2010. Post-impressionist artists such
as Van Gogh, Gauguin, Monet, Cezanne and Seruat are featured in the
collection comprised of some of the most famous paintings in the world.
This is a once-in-a-lifetime opportunity to view priceless paintings
that have never left the Parisian walls of the Musee d’Orsay and may
never, ever return. We have five double passes up for grabs – yours if
you can tell
| | |