Articles  

Uninhibited

Date Published: Tuesday, 16 August 11   |  Author: Glen Martin   |     |  6 months, 1 week ago
COMMENT HERE: comment

Earlier in the month I had a meeting with Canberra arts dynamo (and former scribe of this very column) Yolande Norris, to discuss some ideas for You Are Here 2012. It’s early days and nothing is confirmed, but initial rounds of ‘scoping’ are throwing up a collection of properly exciting ideas.

You Are Here 2011 was thrilling. That I could wander into Civic at lunchtime and be able to see an instalment of Austin Buckett’s magnificent lunchtime concert series, or visit a pop-up gallery exhibition in an old shopfront, or watch George Rose take over a wall and claim a bit of urban space for art instead of promotional signage filled the cockles joyfully.

You Are Here came together fast. Norris, alongside the mercurial David Finnigan and the rocksteady Anthony Arblaster, built a ten day celebration of activity and ‘doing’ in a super short time. Which meant that the festival had some frayed edges. And for mine, this was for the better. It wasn’t slick. It wasn’t anything close to corporate. Not all events worked. And yet, the sense of exploration and chaos served the wider festival brilliantly. It gave You Are Here an organic energy.

To head into Civic (which predominantly houses places where we shop and spend) and see visual or performing arts at all hours of the day was a joy. It accidently defined what the city needs to be, in its heart. Indeed, for those outsiders who suggest Canberra lacks one, here was the answer.

We’re not born to shop. We’re better at congregating, mixing, feeding off each other and building communities. Sorry to get a little metatossical, but this is the stuff that builds meaning and brings lasting pleasure.

You Are Here, by luck or design or a combo of both, articulated what a city should do ­– it should house creative talent and give them space to show it, and it should give its citizens an option to meet in the heart of the place and observe, have a dance or a sing or a laugh. The success of the ice-skating in Civic over winter is part of the same deal. It inspires a sense of ownership in one’s city. Civic pride if you will.

As You Are Here raged and roared, the Enlighten festival also happened. Apparently. I wouldn’t know, as I, like most of Canberra if we have a look at the statistics, missed it. Perhaps that was because the line-up, especially of musical artists, was a) odd, and b) said nothing about our place. I’ve nothing against Chris Isaak or Frankie Valli or even the current Frankenstinian incarnation of INXS. If you’re into it, well and good. But what do these artists say about Canberra as we turn 100? How do they contribute to a sense of civic pride?

You Are Here was a local festival of the finest kind – an event that celebrated the vast range of creative talent in this place and took it to the street. For that week the city felt different. Here’s to 2012, and here’s hoping that some folk in high places take note.



Linkety Link!: Who knew the internet could be this wanky?

Just a quick one for those of a procrastinatory bent.

If you haven't stopped by (former Exhi editor) Yolande Norris's Useless Lines blog, do. It's a wealth of info, considered opinion, and cool pitchers. Most recently, a piece about glass exhibition Tour de Force (which you, like me, have already missed if you haven't already seen, but there's links to online material about the exhibition which is nice).

Here's a review of mine recently published at M/C Reviews. M/C Reviews is an online review site for which I've been writing book reviews for about a year now, but they also have film, theatre, art and restaurant reviews as well as related cultural material through the academic journal leg of their publication, Media Culture.

A student sent me a link to For Better For Verse (god knows, I love me a pun), an online interactive site that is designed to help you get at the heart of poetic meter. I guess it's strictly for the poetically inclined (or those looking for a crib sheet) but still, if you like that sort of thing, HOURS OF FUN!

Speaking of poetry, I spent way too much time watching this on youtube: Larry Jordan's 1977 experimental film of 'The Rime of the Ancient Mariner', with Orson Welles reading Coleridge's verse, using animated Gustave Dore engravings. Golly gosh. If this ain't art, I don't know what is.

Remember to come see Panic - last week for modern American verse drama about financial collapse and personal tragedy!

COMMENT HERE: comment »
Don't Panic: It's just modernist verse drama!

Quick update:

I've been so silent of late in part because I've been pouring all my energy into lecture writing for my lovely first years, who deserve more than the mindless flailing and endless segues I usually subject students to. The other part of silence is that I'M IN A PLAY.

YES.

It's called PANIC and is being performed at the ANU Arts Centre this week and next - we open Thursday and run Thursday Friday Saturday this week and next. And it's interesting!

1) because it is in poetry and I LOVE POETRY

2) because it is about the closing of the banks during the Depression in America and seems to have a dilly of a lot of insight into the kinds of ways and means by which the financial sector screws up the world, vis GFC etc, and the social and human impact of financial ruin.

anyway. It's a very very interesting play which has been covered in BMA in recent weeks (see here) and which is UTTERLY FREE OF CHARGE FOR PUNTERS. Nice thing, a play about financial ruin not causing any to the man on the street, eh?

Anyway, if you enjoy mindless flailing you won't get any in this play, but might afterwards, from me, at the bar, as I rant about how amazing this play is.

COME!

 

Panic by Archibald MacLeish

ANU Arts Centre Main Stage

Thursday 18 August - Saturday 27 August @ 8pm

Free entry

Bookings: andrew.holmes@anu.edu.au

COMMENT HERE: comment »
 

« Don't Panic Next
Previous Uninhibited »

 
blog comments powered by Disqus




more ...
more stuff ...