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Twilight: New Moon

Column: The Word on DVDs  |  Date Published: Wednesday, 28 April 10   |  Author: Melissa Wellham   |     |  1 year, 9 months ago
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New Moon, the second filmic instalment in Stephanie Meyer’s Twilight series, is a lifeless film.

Directed by Chris Weitz, New Moon continues the story of the supposedly tragic romance between Bella Swan (Kristen Stewart), a 17-year-old with no personality, and Edward Cullen (Robert Pattinson), an eternally 17-year-old with no pulse. In the film, Edward realises that dating a vampire might negatively impact on Bella’s health and longevity, so they break up and Edward leaves town. Bella sinks into a deep depression, but finds herself drawn to her super-buff best friend Jacob (Taylor Lautner), the only person who can make her feel alive. Jacob, however, is going through some changes – he’s a werewolf – and so Bella finds herself in the middle of a supernatural love triangle. Throw in some last minute suicide plans and evil vampires, and you have yourself a plotline.

New Moon is as much about wish fulfilment for teenage girls as ever, and unsurprisingly as anti-feminist as its predecessor. Bella can only feel alive when she has a man in her life, and her favourite pastime is cooking dinner for her father. Meyer’s religious beliefs are still apparent: abstinence is sexy, and teen marriage a-okay. Aside from the dubious male dependency message, the film is also technically inept, with strained dialogue and stilted direction. The teen leads – good-looking though they may be – also cannot do justice to the pain they are supposed to be feeling. Or, er, to any emotion, really.

The special features on the standard DVD are also disappointing. At least, I expect that one would be disappointed, if one were a fan. With one (1!) special feature – a “Team Edward or Team Jacob” featurette that splices together footage of fans on the street screaming either character’s name incoherently – I cannot imagine what might induce someone to fork out money for the privilege of owning this DVD, when there are so few incentives.

New Moon sucks – pun definitely intended.



Invictus (Warner Home Video):

Everyone knew that one day Morgan Freeman would end up playing Nelson Mandela on the big screen, but as the years passed, an aging Freeman meant that Mandela’s latter years would be the focus. But don’t be fooled, Invictus isn’t a Mandela biography. South Africa’s most famous revolutionary prisoner cum Springbok-loving President is presented here as the driving force behind a more communal national or more euphemistically ‘rainbow’ acceptance of the national rugby union team. The political tinderbox prison years are dealt with in flashbacks alone and his newly minted freedom and subsequent election to the highest position in the country is represented in brief introductory scenes that look hastily edited. After that it’s all football, all the time. Despite being universally loathed by the black population because the white Afrikaners love them, Mandela figured the national rugby union team – the Springboks –represented some sort of crude reconciliation talisman, so he promptly invites the underperforming team’s captain Francois Pianeer (a suitably barrel-chested and slippery-accented Matt Damon) to a private defrag. After which Pianeer realises he should steer his team to an unlikely World Cup victory later that year.

It’s that simple, see. Pianeer’s teammates resent being the unwilling poster boys of Mandela’s fresh start, but they eventually acquiesce. Sure, the still seething racial divisions of the post-apartheid era have been smoothed over – but c’mon, this is a story of sport triumphing over racial hatred. Credit to director Clint Eastwood; the ruggers scenes are tightly shot, amply reflecting the beauty and brutality of union with little concession to the international audience who would barely understand the game. But Eastwood has constructed a film where technical expertise is immaterial because Invictus is a simple story of acceptance prevailing over division; a theme the aging director is devoting an increasing amount of time to in the final act of his brilliant career.

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The Big Bang Theory Series 2 (Warner Home Video):

The first season of The Big Bang Theory was a surprise runaway success. Coming from the same writing team as Two and A Half Men, expectations were guarded but when it first aired nearly four years ago there was a peculiar simplicity about it; a standard multi-camera, scripted situational comedy in the strictest sense. It didn’t have that interested insidery hipster irony a la 30 Rock, deadpan uncomfortableness as seen in The Office or incessant juvenile vulgarity of its stablemate. Its closest natural bedfellow would be the increasingly diabolical How I Met Your Mother. But where the latter has stretched a once-unique concept thinner than a crepe l’orange, Big Bang has settled into a neat groove with a group of characters easy enough to care about, just the right side of one-dimensional being propelled through storylines with ungainly, awkward humour.

This time around there is a more natural and cohesive interaction between the main actors. Of particular note is Simon Heldberg as the miss-firing, still-living-at-home ladies man Howard Wolowitz; in a show built on rapid fire boom-boom one-liners and stilted geek humour Heldberg increasingly stands out and challenges Jim Parson’s portrayal of bean-pole nerd Sheldon Cooper as the energetic focus of the show. Unusually it’s the nominal ‘star’ of the show Johnny Galecki who falls short of the mark more often than not, being surrounded by scene stopping performances he seems weak and insipid rather than calm and collected, particularly so when his fellow Roseanne alum Sarah Gilbert guest stars alongside him. Viewership has almost doubled since the show’s debut and whilst ratings don’t necessarily or easily equate to quality, in this case the numbers stack up for a reason. Within its self-imposed limitations The Big Bang Theory is undemanding, quirky and satisfying.

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